Ordinary Love
Love doesn't give up.
2019 | 92m | English
Popularity: 1 (history)
| Director: | Lisa Barros D'Sa, Glenn Leyburn |
|---|---|
| Writer: | Owen McCafferty |
| Staring: |
| An extraordinary look at the lives of a middle-aged couple in the midst of the wife's breast cancer diagnosis. | |
| Release Date: | Dec 06, 2019 |
|---|---|
| Director: | Lisa Barros D'Sa, Glenn Leyburn |
| Writer: | Owen McCafferty |
| Genres: | Drama, Romance |
| Keywords | cancer, power of love |
| Production Companies | Tempo Productions, Head Gear Films, BFI, Northern Ireland Screen, Bankside Films, Canderblinks Film, Out of Orbit |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Liam Neeson | Tom |
| Lesley Manville | Joan |
| David Wilmot | Peter |
| Amit Shah | Steve |
| Lalor Roddy | Smoking Man |
| Stella McCusker | Elderly Woman |
| Melanie Clark Pullen | Doctor |
| Desmond Edwards | Aggressive Man |
| Maggie Cronin | Glamorous Woman |
| Geraldine McAlinden | Surgeon |
| Vivien Monory | Anxious Woman |
| Fo Cullen | Saleswoman |
| Mary Lindsay | Woman #1 |
| Esh Alladi | GP |
| Matthew Sharpe | Receptionist |
| Rosemary Henderson | Woman #2 |
| Eoin McCafferty | Sales Assistant |
| Olivia McDermott | Chemo Nurse |
| Chloë Ní Dhúada | Checkout Girl |
| Patrick Fitzsymons | TV Football Commentator (voice) |
| Stephen Watson | TV Football Commentator (voice) |
| Name | Job |
|---|---|
| Polly McKay | Prosthetic Designer, Makeup Designer |
| Brian Irvine | Original Music Composer |
| Nick Emerson | Editor |
| Owen McCafferty | Writer |
| Piers McGrail | Director of Photography |
| Nigel Pollock | Production Design |
| Vanessa Zanardo | Art Direction |
| Adrian Greenwood | Set Decoration |
| Susan Scott | Costume Design |
| Paul Davies | Sound Designer |
| Don Hoffman | ADR Recordist, Sound Recordist |
| Paul Maynes | Sound Re-Recording Mixer |
| Jack Longmate | Special Effects Technician |
| Morgan Muse | Dialogue Editor, Assistant Sound Editor |
| Georgia Topley | Casting |
| Derek Hehir | Production Sound Mixer |
| Bridie Sinden | Production Manager |
| Robbie Huffam | Unit Manager |
| Barry Keil | First Assistant Director |
| Phil Crothers | Location Manager |
| Helen McCullough | Script Supervisor |
| Maria Mulhall | Second Assistant Director |
| Breandan Mckeever | Third Assistant Director |
| Conor Rotherham | Focus Puller |
| George Barnes | Second Assistant "A" Camera |
| Samuel Steele | Data Wrangler |
| Mick O'Rourke | Steadicam Operator |
| Aidan Gault | "B" Camera Operator |
| Ryan Douglas | "B" Camera Operator |
| Gregory McGuinness | First Assistant "B" Camera |
| Sam Donaghy-Bell | First Assistant "B" Camera |
| Mike Lockhart | First Assistant "B" Camera |
| Alfie Oldman | Camera Loader |
| Riley Garrett | Key Grip |
| Terry McDonald | Boom Operator |
| Gareth Hogan | Assistant Location Manager |
| Patrick Hamill | Location Assistant |
| Elan Jones | Casting Associate |
| Jo Harris | Casting Associate |
| Sophie Pearson | Casting Associate |
| Morgan Blackmore | Production Accountant |
| Tony Rice | Assistant Accountant |
| Ger Scully | Costume Supervisor |
| Sarah McCann | Costume Coordinator |
| Robyn Wheeler | Makeup Artist |
| Orlaith Walsh | Assistant Hairstylist |
| Aisling Kennedy | Makeup & Hair |
| Alex Gabrysch | Assistant Art Director |
| Jarlath Houston | Graphic Designer |
| Cheryl Rock | Assistant Set Decoration |
| Paul Stewart | Property Master |
| Brian Livingstone | Gaffer |
| Steven Livingstone | Best Boy Electric |
| Sam Conway | Special Effects Supervisor |
| Ellen Steers | Unit Publicist |
| Aidan Monaghan | Still Photographer |
| Ian Morgan | Supervising Dialogue Editor, ADR Editor |
| Caoimhe Doyle | Foley Artist |
| Jean McGrath | Foley Mixer |
| Matt Sweeney | Foley Editor |
| Jonathan Fetherston | Online Editor |
| Tristin Norwell | Music Editor |
| Monia Dafa | Music Supervisor |
| Lisa Barros D'Sa | Director |
| Glenn Leyburn | Director |
| David Holmes | Original Music Composer |
| Des Hamilton | Casting |
| Name | Title |
|---|---|
| David Holmes | Producer |
| Phil Hunt | Executive Producer |
| Compton Ross | Executive Producer |
| Mark Huffam | Executive Producer |
| Lisa Barros D'Sa | Executive Producer |
| Glenn Leyburn | Executive Producer |
| Brian J. Falconer | Producer |
| Piers Tempest | Producer |
| Fenella Ross | Associate Producer |
| Elliot Ross | Associate Producer |
| Stephen Kelliher | Executive Producer |
| Jo Bamford | Executive Producer |
| René Besson | Executive Producer |
| Tom Harberd | Associate Producer |
| Natascha Wharton | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 19 | 33 | 11 |
| 2024 | 5 | 23 | 35 | 12 |
| 2024 | 6 | 17 | 41 | 9 |
| 2024 | 7 | 17 | 29 | 10 |
| 2024 | 8 | 15 | 25 | 10 |
| 2024 | 9 | 11 | 22 | 8 |
| 2024 | 10 | 12 | 32 | 7 |
| 2024 | 11 | 9 | 13 | 6 |
| 2024 | 12 | 11 | 22 | 6 |
| 2025 | 1 | 12 | 24 | 6 |
| 2025 | 2 | 8 | 12 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 1 | 2 | 1 |
Trending Position
I will usually give anything a try that features Lesley Manville, and in this film I also like Liam Neeson, so that was a bonus. This is a good, solid film in my opinion. Not earth-shattering, but well-written with two strong leads. Both Neeson and Manville seemed like normal folks to me, believabl ... e as a couple. There are no melodramatic tantrums or gushing tears and emotion. There were flare-ups of temper, as you expect in a long-term relationship when two people feel enough love and security to occasionally say mean things to each other. When Neeson’s husband struck up a conversation with the partner of another patient his wife had spoken to, it reminded me a little of that excellent movie The Doctor, with William Hurt. The plots are wildly different, but the feel of someone spending time with a person who is going through an experience even worse than his felt believable. The supporting cast did a credible job, but this was really a two-person show. Fortunately the co-starts were up to it.