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They Live Poster

They Live

You see them on the street. You watch them on TV. You might even vote for one this fall. You think they're people just like you. You're wrong. Dead wrong.
1988 | 93m | English

(157900 votes)

TMDb IMDb

Popularity: 4 (history)

Details

A lone drifter stumbles upon a unique pair of sunglasses that reveal aliens are systematically gaining control of the Earth by masquerading as humans and lulling the public into submission.
Release Date: Nov 04, 1988
Director: John Carpenter
Writer: Ray Nelson, John Carpenter
Genres: Action, Science Fiction
Keywords villainess, social commentary, los angeles, california, sunglasses, brawl, horror, whimsical, frightened, dystopia, alien, conspiracy, alien invasion, glasses, subliminal message, hilarious, farcical
Production Companies Universal Pictures, Carolco Pictures, Alive Films, Larry Franco Productions
Box Office Revenue: $13,000,000
Budget: $4,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Roddy Piper John Nada
Keith David Frank Armitage
Meg Foster Holly Thompsen
George Buck Flower Drifter
Peter Jason Gilbert
Raymond St. Jacques Street Preacher
Jason Robards III Family Man
John Lawrence Bearded Man
Susan Barnes Brown Haired Woman
Sy Richardson Black Revolutionary
Wendy Brainard Family Man's Daughter
Lucille Meredith Female Interviewer
Susan Blanchard Ingenue
Norman Alden Foreman
Dana Bratton Black Junkie
John F. Goff Well Dressed Customer
Norman D. Wilson Vendor
Thelma Lee Rich Lady
Stratton Leopold Depressed Human
Rezza Shan Arab Clerk
Norman Howell Blonde Haired Cop
Larry Franco Neighbor
Tom Searle Biker
Robert Grasmere Scruffy Blonde Man
Vince Inneo Passageway Guard
Bob Hudson Passageway Guard #2
Jon Paul Jones Manager
Dennis Michael Male News Anchor
Nancy Gee Female News Anchor
Claudia Stanlee Young Female Executive
Christine Anne Baur Woman on Phone
Eileen Wesson Pregnant Secretary
Gregory J. Barnett Security Guard #1
Jim Nickerson Security Guard #2
Kerry Rossall 2nd Unit Guard
Cibby Danyla Naked Lady
Jeff Imada Male Ghoul
Michelle Costello Female Ghoul
Jeb Stuart Adams Homeless kid (uncredited)
Jennifer Austin Teenage Girl (uncredited)
Michael Forino Ghoul at Bar (uncredited)
Robert V. Greene TV Technician (uncredited)
Helen Kelly Woman at the Dinner Party (uncredited)
Al Leong Asian Revolutionary (uncredited)
Gunnar Magg Male Ghoulie (uncredited)
Matt McColm Police Officer (uncredited)
Tommy Morrison Dave - Resistance Fighter (uncredited)
John Carpenter Voice That Says 'Sleep'
Name Job
Gary Combs Stunts
Gilbert B. Combs Stunts
Henry Kingi Stunts
Joel Kramer Stunts
Shane Dixon Stunts
Al Leong Stunts
Richard L. Duran Stunts
Eurlyne Epper Stunts
Jon H. Epstein Stunts
Debbie Evans Stunts
John C. Meier Stunts
Ric Roman Waugh Stunts
Gary Epper Stunts
Ray Nelson Novel
Frank E. Jimenez Editor
William J. Durrell Jr. Art Direction
Daniel A. Lomino Art Direction
Robin Michel Bush Costume Supervisor
Stratton Leopold Unit Production Manager
Alan Levine Unit Production Manager
James Deeth Pilot
Billie Don Evans Pilot
Marian Shambo Production Coordinator
Elle Elliott Hairstylist
Francisco X. Pérez Makeup Artist
Jud Kehl Camera Operator
Raymond Stella Camera Operator
Bruce Birmelin Still Photographer
Sidney Ray Baldwin Still Photographer
Michael Mills Prosthetic Makeup Artist
Michael Wright Construction Foreman
Solange S. Schwalbe ADR Editor
Gary D. Rogers ADR Mixer
Thomas J. O'Connell ADR Recordist
Robert Jackson Boom Operator
Gregg Barbanell Foley Artist
Bob O'Brien Foley Editor
Shawn Sykora Foley Editor
Michael Hoskinson Foley Editor
Timothy A. Hoggatt Foley Mixer
Richard E. Yawn Foley Supervisor
Larry Carow Sound Editor
Samuel C. Crutcher Sound Editor
John Leveque Sound Editor
Donald L. Warner Jr. Sound Editor
Ron Judkins Sound Mixer
Tim Webb Sound Recordist
Robert J. Litt Sound Re-Recording Mixer
Sergio Reyes Sound Re-Recording Mixer
Becky Sullivan Supervising ADR Editor
Jeffrey L. Sandler Supervising Sound Editor
Kevin Arnold Electrician
Sanford Barr Electrician
Robert DePerna Electrician
Richard Smock Electrician
Artist W. Robinson Second Assistant Director
Mike Johnson Stunts
Roy Arbogast Special Effects Coordinator
David Blitstein Special Effects Assistant
Michael Arbogast Special Effects Assistant
Margaret Goodspeed Assistant Editor
Frederick Wardell Assistant Editor
Diamond Farnsworth Stunts
Bennie Moore Stunts
Christine Anne Baur Stunts
Donna L. Noguchi Stunts
Simone Boisseree Stunts
Joe Gilbride Stunts
John Borland Stunts
Brad Bovee Stunts
David Burton Stunts
Debbie Lynn Ross Stunts
David Cadiente Stunts
Marcia Holley Stunts
James J. Casino Stunts
Phil Chong Stunts
Matt Johnston Stunts
Russell Solberg Stunts
Ceci Vendrell Stunts
Michael M. Vendrell Stunts
Joy Ewing Production Accountant
Tim Roslan Transportation Captain
Douglas Greenfield Dolby Consultant
J.H. Arrufat Sound Editor
Alan Howarth Original Music Composer
George Fisher Stunts
Andy Gill Stunts
Allan Graf Stunts
Randy Hall Stunts
Steve Hart Stunts
Eddie Hice Stunts
Michael Runyard Stunts
Ben Scott Stunts
Gary B. Kibbe Director of Photography
Gib Jaffe Editor
Marvin March Set Decoration
Sandy King Script Supervisor
Ken Lavet Location Manager
Dave Wachtman Dolly Grip
Ken Spencer Gaffer
Ron Cardarelli Key Grip
Vic Petrotta Jr. Property Master
Hector C. Gika Sound Editor
Jack Eberhart Leadman
Roberta Alstadter Foley Recordist
Elliot Tyson Sound Re-Recording Mixer
Gary A. Hecker Foley Artist
Rick Avery Stunts
Jeff Imada Stunt Coordinator
Chuck Picerni Jr. Stunts
Branscombe Richmond Stunts
Thomas Rosales Jr. Stunts
Brian Imada Stunts
Walter Scott Stunts
John Branagan Stunts
Tony Brubaker Stunts
Kurt Bryant Stunts
Freddie Hice Stunts
Norman Howell Stunts
Jan Michael Shultz Stunts
Bob K. Cummings Stunts
Gary Davis Stunts
Tim A. Davison Stunts
Cheryl Wheeler Duncan Stunts
Scott Wilder Stunts
Barbara Harris ADR Voice Casting
John Casino Stunts
Danny Weselis Stunts
Dianne L. Wilson Stunts
Merritt Yohnka Stunts
Kenny Searle Transportation Coordinator
Gary Burritt Negative Cutter
Eric Mansker Stunts
Frank Leasure Propmaker
Phil Downey Color Timer
James Lew Stunts
Billy D. Lucas Stunts
Matt McColm Stunts
John Carpenter Screenplay, Original Music Composer, Director
Larry Franco First Assistant Director
Danny Rogers Stunts
Ronnie Rondell Jr. Stunts
John-Clay Scott Stunts
John Melvin Young Costumer
Name Title
Andre Blay Executive Producer
Sandy King Associate Producer
Shep Gordon Executive Producer
Larry Franco Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 34 49 24
2024 5 40 71 27
2024 6 36 52 23
2024 7 43 59 25
2024 8 29 47 17
2024 9 26 39 17
2024 10 25 42 17
2024 11 25 40 19
2024 12 26 34 21
2025 1 32 63 20
2025 2 20 28 4
2025 3 9 24 2
2025 4 7 12 3
2025 5 7 13 5
2025 6 5 10 4
2025 7 5 7 4
2025 8 4 5 3
2025 9 6 10 4

Trending Position


Year Month High Avg
2025 9 380 764
Year Month High Avg
2025 8 268 673
Year Month High Avg
2025 7 339 661
Year Month High Avg
2025 6 328 717
Year Month High Avg
2025 5 242 675
Year Month High Avg
2025 4 212 673
Year Month High Avg
2025 3 589 810
Year Month High Avg
2025 2 331 708
Year Month High Avg
2025 1 237 730
Year Month High Avg
2024 12 624 773
Year Month High Avg
2024 11 214 738
Year Month High Avg
2024 10 360 730
Year Month High Avg
2024 9 541 744
Year Month High Avg
2024 8 767 895

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Reviews

tmdb87069603
10.0

I have to admit up front to liking every single, John Carpenter movie. They are works of art in there unique style and quality. This is actually my favorite of all of them. There could be a criticism that this movie is didactic and sends some sort of clumsy political or philosophical message but ... I'd have to reply that you simply don't get it. Unlike the modern propensity for movies to try to hammer home some political point or perspective, the message here is only window dressing. The message may (or may not) be important but instead of getting caught up in some sort of self-important moralizing, let's remember this is a movie - and a SciFi action movie at that. (that is the approach in my opinion) If I would compare movies to literature or movie makers to authors I'd compare Carpenter to Hemingway - although Carpenter specializes in anti-heroes and sometimes over-the-top characters, while Hemingway is understated. They are analogous for their own medium. This is action, sci-fi but like Hemingway's stories, this is a man's movie. Straight forward. Fun at times, brutal at times and even funny at times. Keep a watch out for one of the great one-liners in movie history when the star is in the bank - only peripherally related to "bazooka." A+ to Roddy Piper as well. When I first saw this movie I had zero expectation from him. Now I wish he'd have made a lot more movies...

Jun 23, 2021
John Chard
8.0

Life's a bitch and she's back on heat! They Live is directed by John Carpenter who also adapts the screenplay form the short story Eight O'Clock in the Morning written by Ray Nelson. It stars Roddy Piper, Keith David and Meg Foster. Music is by Alan Howarth (and Carpenter) and cinematography by G ... ary B. Kibbe. Unemployed drifter Nada (Piper) wanders into the city looking to find work, but upon finding a unique pair of sunglasses he sees a different world to everyone else. It's a world frequented by an alien race who are using the Earth for their own nefarious means. See The Truth! Carpenter does subversive sci-fi and it's a whole bunch of fun. Stripped back it's evident that They Live is Carpenter's wry observation on the politico posers who endorse the rich getting richer and everybody else sliding down the pole; to where they stop nobody knows! It's also a blatant paean to the glorious years of the 1950s when paranoia based sci-fi schlockers and creaky creature features ruled the air waves. It's also a wonderfully macho driven action movie, laced with comedy as well. You can rest assured there will be plenty of shooting, punching, dodging and spoken lines to make you smile. Piper is no Kurt Russell, but we shouldn't hold that against him because he fills the role nicely. With muscular frame, 80s hair and a quip on the tongue, he is most assuredly a Carpenter leading man for the 80s. Alongside him is the reassuring presence of Keith David, himself a beefcake and also one of the coolest muthas on the planet. It's easy to believe that these two can save the planet, even after nearly beating each other to a pulp during a prolonged side-alley fight sequence, where Carpenter doesn't miss a chance to parody professional wrestling. While away from the beef, Meg Foster gets the lead lady role, with those amazing eyes nestling in perfectly with the world Carpenter has created. Carpenter does political? Yes, but it's not the be all and end all of his intentions. He wanted to make an action sci-fi schlocker with sly politico undertones as motives. And that's exactly what he did. Joyously so. 8/10

May 16, 2024
TitanGusang
8.0

They Live is a great movie that delivers an exceptional story with a dystopian vibe that is both thrilling and terrifying. John Carpenter's screenplay was ahead of its time in terms of its social commentary on American capitalism and the class divide. The film's story explores how a small group o ... f people has taken control of the world by using subliminal messaging and manipulation, making it a unique sci-fi tale that is still relevant today. I particularly loved how the film built tension and hysteria in many scenes, such as the protagonist's discovery of the truth behind the hidden messages. The performances in the film were okay, with some being better than others. Keith David and Meg Foster's performances stood out as impressive, bringing a sense of intensity and authenticity to their roles. On the other hand, Roddy Piper's performance was pretty corny, but it worked well for the film's B-movie style. Of course, nothing beats the iconic line "I have come here to chew bubblegum and kick ass, and I'm all out of bubblegum." John Carpenter's direction was top-notch as always, with the ten-minute fight scene between John and Frank being a standout moment. The choreography was fantastic, and the lack of cuts made it a thrilling and believable engagement. The film's score was pretty basic, but it added a subtle tension to the entire movie and had a distinctly 80s feel to it. Carpenter's vision on analyzing American capitalism and the rich was very refreshing, and it's clear how he felt about the American way, which is still very relevant 35 years later. In conclusion, They Live is a great movie that combines a unique sci-fi story, impressive direction, and memorable performances. Its themes and message remain just as important today as they were when the movie was first released. Score: 80% Verdict: Great

May 15, 2023