Popularity: 1 (history)
| Director: | Aaron Schimberg |
|---|---|
| Writer: | Aaron Schimberg |
| Staring: |
| A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut. | |
| Release Date: | Sep 13, 2019 |
|---|---|
| Director: | Aaron Schimberg |
| Writer: | Aaron Schimberg |
| Genres: | Drama |
| Keywords | |
| Production Companies | Flies Collective, Grand Motel Films, The Eyeslicer |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 29, 2024 |
| Name | Character |
|---|---|
| Jess Weixler | Mabel |
| Adam Pearson | Rosenthal |
| Stephen Plunkett | Max |
| Charlie Korsmo | Herr Director |
| Sari Lennick | Sarah |
| Joanna Arnow | Hospital Representative |
| Cosmo Bjorkenheim | Grip |
| Will Blomker | The Waiter |
| Frank Mosley | Frank |
| Keith Poulson | An Asshole |
| Daniel Patrick Carbone | Sprinting Producer |
| Rayvin Disla | The Butler |
| Daniel Gilchrist | Demby |
| Avi Glickstein | Dr. Glickstein |
| Miranda Gruss | Miriam |
| Rebecca Gruss | Eva |
| William Huntley | Aristotle |
| Joaquina Kalukango | Michelle |
| Lucy Kaminsky | A Nurse |
| Alison Midstokke | Stella |
| Sarah Grace Lee | The Unknown Woman |
| Eleanore Pienta | Molly |
| Sayra Player | Beckett |
| Lauren Brown | Television Reporter |
| Jon Dieringer | Handsome Young Doctor |
| Colin Kane Healey | The Boom Operator |
| John Klacsmann | The Gaffer |
| Andrew Lampert | Eyewitness |
| Jane Schoenbrun | Frantic Producer |
| Name | Job |
|---|---|
| Adam J. Minnick | Director of Photography |
| Sofi Marshall | Editor |
| Aaron Schimberg | Director, Additional Music, Writer, Sound Designer |
| Madeleine Molyneaux | Music Supervisor |
| Nat Jencks | Colorist |
| C. Spencer Yeh | Original Music Composer |
| Sia Balabanova | Production Design |
| Alina Uzlov | Art Direction |
| Stacey Berman | Costume Design |
| Karen Boyer | Costume Design |
| Jessie Eden | Makeup Department Head |
| Elvira Gonzalez | Hair Department Head |
| Annalise Lockhart | First Assistant Director |
| Willy McGee | Second Assistant Director |
| Jason Gaines | Second Second Assistant Director |
| Gillian Arthur | Sound Mixer |
| Chris Foster | Supervising Sound Editor, Sound Designer, Sound Re-Recording Mixer |
| Gideon Jensen | Boom Operator |
| Nora Linde | Sound Effects Editor |
| Chelsea Paige | Special Effects Makeup Artist |
| Bethany Serpico | Special Effects Makeup Artist |
| Jon Dieringer | Line Producer |
| Sam Evoy | Script Supervisor |
| Calvin Snead | First Assistant Camera |
| Dave J. Ross | Second Assistant Camera |
| Dan Debrey | Gaffer |
| Kenneth Kildee | Key Grip |
| Rachel Kessler | Best Boy Grip |
| Matthew Atwood | Best Boy Electric |
| Nick Bartram | Grip |
| Evan Childs | Grip |
| Fred Boccia | Set Dresser |
| Robert Dancy | Property Master |
| Nell Simon | Assistant Costume Designer |
| Rachel Thompson | Production Coordinator |
| Carly Zavala | Still Photographer |
| Benjamin Tuttle | Title Designer |
| Name | Title |
|---|---|
| Jane Schoenbrun | Producer |
| Jess Weixler | Executive Producer |
| Ryan Zacarias | Co-Producer |
| Vanessa McDonnell | Producer |
| Daniel Patrick Carbone | Producer |
| Matthew Petock | Producer |
| Zachary Shedd | Producer |
| Adam Regelmann | Executive Producer |
| Nathan Slott | Executive Producer |
| Chris Foster | Co-Producer |
| Isaac Kiener | Co-Producer |
| Carlos Zozaya | Co-Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 3 | 5 | 2 |
| 2024 | 5 | 5 | 10 | 3 |
| 2024 | 6 | 6 | 12 | 2 |
| 2024 | 7 | 6 | 15 | 2 |
| 2024 | 8 | 4 | 11 | 2 |
| 2024 | 9 | 4 | 5 | 2 |
| 2024 | 10 | 6 | 10 | 3 |
| 2024 | 11 | 6 | 13 | 2 |
| 2024 | 12 | 3 | 7 | 1 |
| 2025 | 1 | 3 | 6 | 2 |
| 2025 | 2 | 3 | 4 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 1 | 1 | 1 |
Trending Position
An amusing, cunningly structured meta-commentary on filmmaking and cinematic conceptions of beauty, ‘Chained for Life’ is also an inside joke with a generosity of heart and humour that makes it accessible to anyone who would take an interest. - Jake Watt Read Jake's full article... https://www. ... maketheswitch.com.au/article/review-chained-for-life-the-aesthetics-of-acting