Popularity: 3 (history)
Director: | Barry Jenkins |
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Writer: | Barry Jenkins, Tarell Alvin McCraney |
Staring: |
The tender, heartbreaking story of a young man’s struggle to find himself, told across three defining chapters in his life as he experiences the ecstasy, pain, and beauty of falling in love, while grappling with his own sexuality. | |
Release Date: | Oct 21, 2016 |
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Director: | Barry Jenkins |
Writer: | Barry Jenkins, Tarell Alvin McCraney |
Genres: | Drama |
Keywords | drug dealer, high school, florida, drug abuse, parent child relationship, fight, drug addiction, ghetto, restaurant, coming of age, male homosexuality, lgbt, addict, black lgbt, loving, gay theme, boys' love (bl), melodramatic |
Production Companies | Plan B Entertainment, A24, PASTEL |
Box Office |
Revenue: $65,046,687
Budget: $4,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Trevante Rhodes | Black |
André Holland | Kevin |
Janelle Monáe | Teresa |
Ashton Sanders | Chiron |
Jharrel Jerome | Kevin Age 16 |
Alex R. Hibbert | Little |
Jaden Piner | Kevin Age 9 |
Naomie Harris | Paula |
Mahershala Ali | Juan |
Shariff Earp | Terrence |
Duan Sanderson | Azu |
Herman 'Caheei McGloun | Longshoreman |
Kamal Ani-Bellow | Portable Boy 1 |
Keomi Givens | Portable Boy 2 |
Eddie Blanchard | Portable Boy 3 |
Rudi Goblen | Gee |
Edson Jean | Mr. Pierce |
Patrick Decile | Terrel |
Herveline Moncion | Samantha |
Fransley Hyppolite | Pizzo |
Jesus Mitchell | Old School Guard |
Larry Anderson | Antwon |
Tanisha Cidel | Principal Williams |
Stephon Bron | Travis |
Don Seward | Tip |
Justin Ebenhack | Gang Member (uncredited) |
Name | Job |
---|---|
Barry Jenkins | Screenplay, Director |
Hannah Beachler | Production Design |
Keisha Rae Witherspoon | Location Scout |
Ryan Coogler | Thanks |
Justin Simien | Thanks |
Jay Van Hoy | Thanks |
Nicholas Britell | Original Music Composer |
James Laxton | Director of Photography |
Joi McMillon | Editor |
Nat Sanders | Editor |
Caroline Eselin Shaefer | Costume Design |
James Parnell | Assistant Sound Editor |
Giovanni Rodriguez | Grip |
Tim Fain | Musician |
Maggie Phillips | Music Supervisor |
Anna Boden | Thanks |
Amy Seimetz | Thanks |
Leslie Shatz | Thanks |
Chris Giles | Sound Mixer |
Alex Edlin | Stunt Coordinator |
Shane Carruth | Thanks |
Tarell Alvin McCraney | Story |
Veronica Nickel | Line Producer |
Becca Kenyon | Property Master |
David Lanes | Key Grip |
Jennifer Radzikowski | Unit Production Manager |
Ryan Briley | ADR Editor, Dialogue Editor |
Mabel Barba | Art Direction |
Doniella Davy | Makeup Department Head |
Yesi Ramirez | Casting |
Frederick Howard | Sound Effects Editor |
Elayne Schneiderman Schmidt | Line Producer |
Regina McLarney | Set Decoration |
Julio Alvarez | Boom Operator |
James Baldanza | Steadycam |
Joseph B. Dare | Camera Operator |
Daniel Williams | Grip |
Graham Leggat | Thanks |
Andres Des Rochers | Thanks |
Nate Grady-Reitan | Assistant Sound Editor |
Anthony Schrader | Key Grip |
Carolyn Govers | Thanks |
Gianna Sparacino | Hair Department Head |
Joshua Adeniji | Supervising Sound Editor |
Ryan Crowley | Leadman |
Micah Green | Thanks |
Onnalee Blank | Sound Re-Recording Mixer |
Jean Daguillard | Grip |
Fabricio Sacknies | Grip |
Stéphane Renard | First Assistant Camera |
Christopher Bonis | Sound Effects Editor |
Artie Malesci | Stunt Coordinator |
Thomas Vicari | Scoring Mixer |
Mathew Waters | Sound Re-Recording Mixer |
Pedro M. Guillen | Production Coordinator |
Marco Antonio Martinez | Thanks |
Stephen P. Del Prete | First Assistant Director |
Robert Crowley | Leadman |
Kiva Knight | Gaffer |
Laura Pinto | Script Supervisor |
Roger Mendoza | Second Assistant Director |
Jeremy Koenig | Leadman |
Benjamin Gieschen | Foley Editor |
Ruben Malaret | Publicist |
Osvaldo Silvera Jr. | Steadicam Operator |
Rod Deal | Location Scout |
Faren Humes | Location Manager |
Deby Stewart | Studio Teachers |
Morgan Kellum | Thanks |
Alessandro Checcacci | Sound Re-Recording Mixer |
Chris David | Sound Re-Recording Mixer |
Melinda Taksen | Script Supervisor |
Libor Cevelik | Steadicam Operator |
Adam Roback | Electrician |
Fernando Rodriguez | Wardrobe Supervisor |
Dirk Greene | VFX Artist |
Sebastian Pardo | Title Designer |
Name | Title |
---|---|
Adele Romanski | Producer |
Dede Gardner | Producer |
Jeremy Kleiner | Producer |
Tarell Alvin McCraney | Executive Producer |
Brad Pitt | Executive Producer |
Veronica Nickel | Co-Producer |
John Montague | Associate Producer |
Andrew Hevia | Co-Producer |
Sarah Esberg | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Actor | Mahershala Ali | Nominated |
Spirit Awards | Best Picture | N/A | Won |
Venice Film Festival | Best Director | Barry Jenkins | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 34 | 54 | 18 |
2024 | 5 | 38 | 47 | 26 |
2024 | 6 | 36 | 62 | 22 |
2024 | 7 | 43 | 92 | 23 |
2024 | 8 | 34 | 68 | 19 |
2024 | 9 | 32 | 81 | 20 |
2024 | 10 | 35 | 79 | 18 |
2024 | 11 | 33 | 50 | 20 |
2024 | 12 | 34 | 76 | 22 |
2025 | 1 | 34 | 47 | 23 |
2025 | 2 | 26 | 40 | 6 |
2025 | 3 | 13 | 45 | 2 |
2025 | 4 | 26 | 116 | 5 |
2025 | 5 | 16 | 102 | 6 |
2025 | 6 | 32 | 131 | 5 |
2025 | 7 | 5 | 6 | 3 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 963 | 963 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 57 | 686 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 653 | 782 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 965 | 965 |
**Blue is the warmest colour.** This is an exceptional film, but only from one perspective and that is, LGBT. I totally respect that, because I'm a big supporter. But apart from that, particularly from the filmmaking aspect I did not like it. I felt like this film took place somewhere in Africa, ... but the accent was American. Because I could not find a single white or any other race people, even in the background. The happy parts are, it is surprisingly a very interesting theme. I loved the storyline. The three phases of a man's life. How things around us can influence to build a personality. Sometimes in a good sense, but according to this film, there are some dramatic turns. Though the end was very simple, but I liked the first episode. It had potential to be a message film, but the later parts turned differently. Most importantly realistic narrative. More like it is about the life cycle. Feels like a short and suburban version of 'Spring, Summer, Fall, Winter and Spring'. All the actors were so good. The screenplay was adapted from a book. Looks like it's a breakthrough for the director. I hope he keeps up the momentum and gives us the best products in the future. This film is not for everyone, mainly because of the theme. Initial parts were okay, but the latter developments were unexpected. It is one of the good films of the year, not the best. _7/10_
It's the third segment of this that's the most interesting but the preceding two are essential in helping us to understand the situation in which the young "Chiron" (Alex R. Hibbert, then an effective Ashton Sanders as a troubled teenager before finally, by this latter point, Trevante Rhodes) finds ... himself. Initially we see a young boy living in Miami with his crack-addicted mother "Paula" (Naomie Harris). He grows up being shunned and bullied at school with his search for some sort of stability and guidance through life coming largely from his pal "Kevin", neighbourhood dealer "Juan" (Mahershala Ali) and his generously spirited girlfriend "Teresa" (Janelle Monáe). It's these people that put him on a path - a twisting and uncomfortable path - to his own self-discovery and a start in believing in himself and in his own identity. It's a coming of age drama, sure, but it carefully and delicately looks at the life of a young boy who evolves amidst an environment of indifference, confusion and intolerance. Of a lad who is coming to terms with his own sexual identity with little if any peer support to assist with this complex process of maturity. His grasp on decency and integrity is sorely challenged all through his life, but he never loses a sense of what is right and the last half hour is as poignant a tale of manhood as you're likely to see on screen. The acting across the board is pretty top drawer, as is the powerfully delivered but sparingly written dialogue. This is not a festival of endless chatter, but a presentation of scenarios that we can assess as "Chiron" grows up and we share in his life choices. It's emotional and engaging, not without a little humour to lighten it at times and we maybe even get the start of a love story? Well worth a watch a few times, i'd say.