Popularity: 4 (history)
| Director: | April Mullen |
|---|---|
| Writer: | Stephanie Fabrizi |
| Staring: |
| An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever. | |
| Release Date: | Feb 10, 2017 |
|---|---|
| Director: | April Mullen |
| Writer: | Stephanie Fabrizi |
| Genres: | Drama, Romance |
| Keywords | sexual identity, infidelity, female friendship, love, lesbian relationship, female protagonist, love affair, lust, lesbian sex, sexual desire, lgbt, woman director, erotic movie, gender identity, lesbian |
| Production Companies | Serendipity Point Films |
| Box Office |
Revenue: $33,673
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Erika Linder | Dallas |
| Natalie Krill | Jasmine |
| Sebastian Pigott | Rile |
| Mayko Nguyen | Joslyn |
| Tommie-Amber Pirie | Quinn |
| Melanie Leishman | Claire |
| Andrea Stefancikova | M.J. |
| Daniela Barbosa | Desiree |
| Elise Bauman | Bridget |
| Jocelyn Hudon | Nikki |
| Karl Campbell | Security Guard |
| Anastasia Marinina | Bartender |
| Ian Matthews | Roofer 1 |
| John White | Roofer 2 |
| Jennifer Krukowski | Exotic Dancer 1 |
| Dawne Furey | Exotic Dancer 2 |
| Aneesa Badshaw | Exotic Dancer 3 |
| Name | Job |
|---|---|
| Faye Mullen | Production Design |
| Michelle Szemberg | Editor |
| Stephanie Fabrizi | Writer |
| Anya Shor | Gaffer |
| Julia Innes | Boom Operator |
| Jennifer Capraru | Script Supervisor |
| Megan Watson | Casting Assistant |
| Martyne Morin | Sound Mixer |
| Karen Shaw | Location Manager |
| Clara Chan | Driver |
| Alison Reid | Stunt Coordinator |
| Cait Lusk | Key Grip |
| Emma Sanders Finlayson | Post Production Supervisor |
| Jane Tattersall | Sound Effects Editor |
| Filomena Guarasci | First Assistant Director |
| Cheryl Sileikis | First Assistant Camera |
| Sabreena Peters | Transportation Coordinator |
| Julianne Costigan | Assistant Costume Designer |
| Erin Simkin | Still Photographer |
| Ginnie Woodley | Craft Service |
| Jennifer Gillespie | Third Assistant Director |
| Douglas Wilkinson | Post Production Supervisor |
| Zeina Esmail | Costume Design |
| Yesi Ramirez | Local Casting |
| Sue Johnson | Camera Operator |
| Jacqueline Koka | Driver |
| Madison Helpert | Assistant Production Coordinator |
| Christine Rochon | Production Coordinator |
| Simona Analte | Best Boy Electric |
| Lyndsay Leahy | Second Assistant Director |
| Erin Smithee | Production Manager |
| Sophie Giraud | Still Photographer |
| Sandra Fox | Foley |
| Erika Schengili-Roberts | Sound Mixer |
| Chris Martin | Location Manager |
| Quincy Morgan | Location Manager |
| Gillian Ashton | Driver |
| Gary Couto | Visual Effects Supervisor |
| Eduardo Noya Schreus | Original Music Composer |
| Camille Kennedy | Boom Operator |
| Clayton Kelly | Production Office Assistant |
| Keirsten Morris | Key Makeup Artist |
| Mark Ahee | Special Effects Supervisor |
| Augustina Saygnavong | First Assistant Camera |
| Michelle Hwu | Assistant Editor |
| Graham Rogers | Sound Re-Recording Mixer |
| Kathy Choi | Dialogue Editor |
| Jessica Shannon | Key Hair Stylist |
| April Mullen | Director |
| Maya Bankovic | Director of Photography |
| John Buchan | Local Casting |
| Jason Knight | Local Casting |
| Orlee Buium | First Assistant Editor |
| Juliann Wilding | Property Master |
| Holly Uloth | Location Manager |
| Krystin Hunter | Sound Effects Editor |
| Matthew Chan | Sound Re-Recording Mixer |
| Russ De Jong | Steadicam Operator |
| Clara Chan | Camera Trainee |
| Name | Title |
|---|---|
| Melissa Coghlan | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 104 | 119 | 89 |
| 2024 | 5 | 96 | 118 | 76 |
| 2024 | 6 | 90 | 112 | 77 |
| 2024 | 7 | 112 | 159 | 80 |
| 2024 | 8 | 97 | 131 | 83 |
| 2024 | 9 | 99 | 111 | 89 |
| 2024 | 10 | 113 | 139 | 75 |
| 2024 | 11 | 124 | 151 | 107 |
| 2024 | 12 | 159 | 183 | 129 |
| 2025 | 1 | 147 | 172 | 127 |
| 2025 | 2 | 114 | 168 | 23 |
| 2025 | 3 | 34 | 115 | 3 |
| 2025 | 4 | 19 | 22 | 16 |
| 2025 | 5 | 15 | 22 | 13 |
| 2025 | 6 | 15 | 16 | 13 |
| 2025 | 7 | 14 | 16 | 11 |
| 2025 | 8 | 17 | 18 | 15 |
| 2025 | 9 | 15 | 17 | 13 |
| 2025 | 10 | 10 | 20 | 5 |
| 2025 | 11 | 4 | 4 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 848 | 848 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 895 | 895 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 561 | 721 |
If you're going to open your movie with an unengaged sex scene, you should probably at some point offer during your runtime offer something else too. _Below Her Mouth_ however, does not. _Final rating:★½: - Boring/disappointing. Avoid where possible._ ...
Americans just can't make a good lesbian movie. This one is formulaic and full of clichés. A good lesbian movie is "A Room in Rome" - a sweet and sentimental movie. ...