Popularity: 2 (history)
| Director: | Alex Ross Perry |
|---|---|
| Writer: | Alex Ross Perry |
| Staring: |
| A self-destructive punk rocker struggles with sobriety while trying to recapture the creative inspiration that led her band to success. | |
| Release Date: | Apr 12, 2019 |
|---|---|
| Director: | Alex Ross Perry |
| Writer: | Alex Ross Perry |
| Genres: | Drama, Music |
| Keywords | drug abuse, punk rock, recording studio, concert, addiction, backstage, rock band, sobriety, mother daughter relationship, self destructiveness |
| Production Companies | Faliro House Productions, Bow + Arrow Entertainment |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Elisabeth Moss | Becky Something |
| Cara Delevingne | Crassy Cassie |
| Dan Stevens | 'Dirtbag' Danny |
| Agyness Deyn | Marielle Hell |
| Gayle Rankin | Ali van der Wolff |
| Ashley Benson | Roxie Rotten |
| Dylan Gelula | Dottie O.Z. |
| Virginia Madsen | Ania Adamcyzk |
| Amber Heard | Zelda E. Zekiel |
| Eric Stoltz | Howard Goodman |
| Eka Darville | Ya-ema |
| Lindsay Burdge | Lauren |
| Hannah Gross | Tiffany |
| Daisy Pugh-Weiss | Tama |
| Jessie Pinnick | Kat |
| Yusef Bulos | Dymoke |
| Keith Poulson | Keith the Engineer |
| Jeremy Sample | Security Guard |
| Kentucker Audley | Roy |
| Alexis Krauss | Vivvy |
| Clive Piotrowicz | Baby Tama |
| Craig Butta | Scumbag Greg the Roadie |
| David Godlis | Photographer |
| Stephen Gurewitz | Broomfeld, Doc Cameraman |
| Andrew Nunziata | Clayton, Doc Boom Operator |
| Kelsey Kummerl | Concert Goer (uncredited) |
| Name | Job |
|---|---|
| Alex Ross Perry | Director, Screenplay |
| Patrick M. Walsh | Stunt Coordinator |
| Robert Greene | Editor |
| Sean Price Williams | Director of Photography |
| Keegan DeWitt | Original Music Composer |
| Marie Bardi | Unit Production Manager |
| Steve Giammaria | Dialogue Editor |
| Ryan Collison | Foley Mixer |
| Nick Seaman | Foley Mixer |
| Rob Lowry | Music Supervisor |
| Craig Butta | Line Producer |
| Fletcher Chancey | Production Design |
| Paige Mitchell | Set Decoration |
| Gordon Bell | Script Supervisor |
| Patrick Southern | Sound, Sound Mixer |
| Ryan Price | Sound Designer, Supervising Sound Editor, Sound Re-Recording Mixer |
| Jenai Chin | Makeup Artist |
| Amanda Ford | Costume Design |
| John Arnos | Art Direction |
| Emma Strachman | Makeup Department Head |
| Jeremy Cox | Visual Effects |
| Joshua Hartsoe | First Assistant Director |
| Andreas O'Donohue Villaggio | Second Assistant Director |
| Bayley Sweitzer | First Assistant Camera |
| Rachel Fedorkova | Second Assistant Camera |
| Luke Provenzano | Loader |
| Aaron Brown | Steadicam Operator |
| Dan Merrill | Additional First Assistant Camera |
| Nicholas Timmons | Additional First Assistant Camera |
| Maxwell Sloan | Additional Second Assistant Camera |
| Metrah Pashaee | Camera Trainee |
| Donald Stahl | Still Photographer |
| Natalia Mantini | Still Photographer |
| Deanna Williams | Boom Operator |
| Atom Pate | Boom Operator |
| Daniel April | Gaffer |
| Keagan Fuller | Best Boy Electric |
| Kevin Bacon | Key Grip |
| Ben Potter | Best Boy Grip |
| Matt Keyser | Grip |
| Evan Childs | Dolly Grip |
| Benjamin R. Davis | Grip |
| Sergio Giovanni Fernandez | Grip |
| Adam Mantell | Grip |
| Omar Nasr | Grip |
| Colby Smith | Grip |
| Lyon Taylor | Grip |
| Ramsey Scott | Art Department Coordinator |
| Winston Willingham | Leadman |
| Madeline Sadowski | Set Dresser |
| Gemini Garcia | Set Dresser |
| Dani Broom-Peltz | Property Master |
| Mariana Soares da Silva | Graphic Designer |
| Jason Singleton | Construction Coordinator |
| Sean Callaghan | Carpenter |
| Danny Rovira | Construction Coordinator |
| Matthew Goedecke | Carpenter |
| Griffin Rovira | Key Carpenter |
| Sarah Maiorino | Assistant Costume Designer |
| Alexandra Emmons | Wardrobe Supervisor |
| Chantal Nightingale Thomas | Key Costumer |
| Rudy Rojas | Costumer |
| Jenel Cota | Set Costumer |
| Allyson Camitta | Costume Assistant |
| Emily Mays | Costume Assistant |
| Dong Lee | Costume Assistant |
| Amy L. Forsythe | Hair Designer, Makeup Designer |
| Missy Scarbrough | Key Makeup Artist |
| Naomi Raddatz | Key Makeup Artist |
| Jenn Blum | Makeup Artist |
| Christen Edwards | Hairstylist |
| Samantha Wiener | Hairstylist |
| Jennifer Mullins | Hairstylist |
| Marissa Smith | Wigmaker |
| Lani Barry | Wigmaker |
| Ryan Piotrowicz | Location Manager |
| Wolfgang Herting | Location Manager |
| Joe Mennella | Production Coordinator |
| Pierre Zagdoun | Second Second Assistant Director |
| Varun Bajaj | Key Production Assistant |
| Chelsey Cary | Stunts |
| Gabriela Alvarado | Craft Service |
| Kellan Hayley Marvin | Assistant Editor |
| JiYe Kim | Assistant Editor |
| Jason Crump | Colorist |
| Laura Heinzinger | Foley Editor |
| Teddy Blanks | Main Title Designer |
| Name | Title |
|---|---|
| Elisabeth Moss | Producer |
| Christos V. Konstantakopoulos | Executive Producer |
| Alex Ross Perry | Producer |
| Matthew Perniciaro | Producer |
| Adam Piotrowicz | Producer |
| Michael Sherman | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 28 | 9 |
| 2024 | 5 | 21 | 41 | 10 |
| 2024 | 6 | 18 | 51 | 7 |
| 2024 | 7 | 13 | 25 | 8 |
| 2024 | 8 | 12 | 26 | 6 |
| 2024 | 9 | 8 | 12 | 5 |
| 2024 | 10 | 12 | 25 | 7 |
| 2024 | 11 | 10 | 25 | 6 |
| 2024 | 12 | 9 | 12 | 5 |
| 2025 | 1 | 11 | 20 | 7 |
| 2025 | 2 | 7 | 17 | 3 |
| 2025 | 3 | 5 | 10 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 1 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 2 | 4 | 1 |
| 2025 | 11 | 2 | 2 | 2 |
Trending Position
This is more along the lines of "What if Courtney Love fronted Bikini Kill...and Bikini Kill was still good despite her presence?" It's not a bad movie for 90s punk nostalgia. And it's not a bad movie to depict the punk scene at all. I think, honestly, that a lot of the negativity comes because t ... he star is too close to a Courtney Love type to actually be someone people can tolerate to watch...and that is fair. I can't condemn that. But, from my take, I liked the concept and the execution. So I can't criticize it, even if it meant watching Love at her 90s lowest for the duration of the film and absolutely hated it now just as much as I did then. And, since that is what I believe everyone involved was going for, I have to say it was a good film. It's just a good film that is a hard watch and for obvious reasons.