The Candidate
Bill McKay has a lot going for him...but nothing compared to what's coming.
1972 | 110m | English
Popularity: 1 (history)
| Director: | Michael Ritchie |
|---|---|
| Writer: | Jeremy Larner |
| Staring: |
| Bill McKay is a candidate for the U.S. Senate from California. He has no hope of winning, so he is willing to tweak the establishment. | |
| Release Date: | Jun 29, 1972 |
|---|---|
| Director: | Michael Ritchie |
| Writer: | Jeremy Larner |
| Genres: | Comedy, Drama |
| Keywords | california, politics, political campaign, u.s. senator, political candidate |
| Production Companies | Warner Bros. Pictures, Redford-Ritchie Productions |
| Box Office |
Revenue: $2,500,000
Budget: $1,600,000 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Robert Redford | Bill McKay |
| Peter Boyle | Marvin Lucas |
| Melvyn Douglas | John J. McKay |
| Don Porter | Senator Crocker Jarmon |
| Allen Garfield | Klein |
| Karen Carlson | Nancy McKay |
| Quinn K. Redeker | Rick Jenkin |
| Morgan Upton | Wally Henderson |
| Michael Lerner | Paul Corliss |
| Kenneth Tobey | Floyd J. Starkey |
| Christopher Pray | David |
| Joe Miksak | Neil Atkinson |
| Jenny Sullivan | Lynn |
| Tom Dahlgren | Pilot |
| Gerald Hiken | Station Manager |
| Leslie Allen | Mabel |
| Jason Goodrow | Boy in the Commercial |
| Robert De Anda | Jaime |
| Robert Goldsby | Fleischer |
| Mike Barnicle | Wilson |
| Natalie Wood | Natalie Wood |
| Fred R. Harris | Sen. Fred Harris |
| Beans Morocco |
| Name | Job |
|---|---|
| John Rubinstein | Original Music Composer |
| Michael Ritchie | Director |
| Victor J. Kemper | Director of Photography |
| Jeremy Larner | Screenplay |
| Patrizia von Brandenstein | Set Decoration |
| Gene Callahan | Production Design |
| Patricia Norris | Costume Design |
| Hoyt Bowers | Casting |
| Richard A. Harris | Editor |
| Robert Estrin | Editor |
| Richard Portman | Sound Mixer |
| Gene S. Cantamessa | Sound Mixer |
| Marcia Lucas | Editor, Assistant Editor |
| Name | Title |
|---|---|
| Robert Redford | Executive Producer |
| Walter Coblenz | Producer |
| Nelson Rising | Associate Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Supporting Actress | Sylvia Miles | Nominated |
Popularity History
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| 2024 | 4 | 14 | 23 | 8 |
| 2024 | 5 | 16 | 32 | 9 |
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| 2025 | 1 | 11 | 18 | 7 |
| 2025 | 2 | 7 | 10 | 3 |
| 2025 | 3 | 5 | 9 | 1 |
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| 2025 | 7 | 1 | 3 | 0 |
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| 2025 | 12 | 3 | 6 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 1 | 1 | 0 |
Trending Position
| Year | Month | High | Avg |
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| 2025 | 9 | 710 | 847 |
The cast is really good and Redford delivers a great performance. The story depicts the trip from an activist in the way to become the politician he was despising from the beginning, showing all the things that is is dropping in the raise to the election. However, the story is a bit rushed and th ... e transfixing is not so evident as it could have been depicted.
The Candidate: This film is a great look into the current administration in the White House. ‘The Candidate’ is a fine example of art imitating life! ...
“McKay” (Robert Redford) is your stereotypical protest lawyer in California who is drafted in to fight the incumbent Republican “Crocker” (Don Porter) in what would appear to be little more than a box-ticking exercise for the Democrats. He only agrees to run if he is allowed by his election agent “M ... arvin” (Peter Boyle) to pretty much do and say what he likes throughout the campaign. Before long, that frankness and candour starts to resonate with an electorate coming to terms with some profound social and economic issues whilst already being represented by a man who has become somewhat distant and institutionalised by Washington and by a long term in the Senate. As the enthusiastic young man’s efforts gather pace, his erstwhile rather cynical advisor starts to take things more seriously and begins to impose himself on this fly by the seat of your pants process. If “McKay” is to actually succeed, just what and where is he going to have to compromise? Redford is a natural here and brings a degree of authenticity to hustings that all too often come across as being a procedure in which the voter is taken for granted. His ineptness, bluntness and open-mindedness is seen by many of his constituents as a source of hope and optimism, and he delivers that characterisation charismatically well. It’s set in the USA at the start of the 1970s, but it could quite readily be transferred to so many democracies where parliamentarians are elected and routinely re-elected based largely on the colour of their rosettes rather than on their representatives striving to serve the evolving needs of the communities. Although this doesn’t really offer us anything particularly revelatory, it’s a keen look at the effects of rocking the boat. Will he win, though?