Popularity: 8 (history)
Director: | Wolfgang Petersen |
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Writer: | William D. Wittliff, Sebastian Junger |
Staring: |
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. | |
Release Date: | Jun 29, 2000 |
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Director: | Wolfgang Petersen |
Writer: | William D. Wittliff, Sebastian Junger |
Genres: | Adventure, Action, Drama |
Keywords | based on true story, new england, city hall, man vs nature, natural disaster, shark, meteorologist, male camaraderie, u.s. air force, tragic event, rescue boat, storm at sea, based on novel or book, disaster, jamaican, the flemish cap, biography, thunderstorm, marina, 1990s |
Production Companies | Warner Bros. Pictures, Baltimore/Spring Creek Pictures, Radiant Productions |
Box Office |
Revenue: $328,718,434
Budget: $130,000,000 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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George Clooney | Capt. Billy Tyne |
Mark Wahlberg | Bobby Shatford |
Diane Lane | Christina "Chris" Cotter |
John C. Reilly | Dale "Murp" Murphy |
William Fichtner | David "Sully" Sullivan |
Mary Elizabeth Mastrantonio | Linda Greenlaw |
John Hawkes | Mike "Bugsy" Moran |
Dash Mihok | Sgt. Jeremy Mitchell |
Karen Allen | Melissa Brown |
Bob Gunton | Alexander McAnally III |
Cherry Jones | Edie Bailey |
Allen Payne | Alfred Pierre |
Josh Hopkins | Capt. Darryl Ennis |
Todd Kimsey | Lt. Rob Pettit |
Christopher McDonald | Todd Gross |
Michael Ironside | Bob Brown |
Rusty Schwimmer | Irene "Big Red" Johnson |
Janet Wright | Ethel Shatford |
Chris Palermo | Flight Engineer Borgers |
Wiley M. Pickett | Sgt. Millard Jones |
Hayden Tank | Dale Murphy, Jr. |
Merle Kennedy | Debra Murphy |
Jennifer Sommerfeld | Alfred Pierre's Girlfriend |
Joseph D. Reitman | Douglas Kosco |
Sandy Ward | Quentin - The Old Timer |
Melissa Samuels | Pam - Todd Gross' Assistant |
Steven Barr | Commander Brudnicki |
Billy Mayo | C-130 Pilot |
Marcio Rosario | Pool Player (uncredited) |
Brad Martin | Gloucester Fisherman #1 (uncredited) |
Name | Job |
---|---|
William Sandell | Production Design |
Ed Nyerick | Marine Coordinator |
Kevin Bartnof | Foley |
Mickey Giacomazzi | Stunts |
William D. Wittliff | Screenplay |
Chas. Butcher | Art Direction |
Bruce Crone | Art Direction |
Ernie Bishop | Set Decoration |
Erica Edell Phillips | Costume Design |
Susan A. Cabral | Makeup Department Head |
Mark Johnston | Sound Recordist |
Beth Bajuk | Art Department Coordinator |
Kevin Ishioka | Assistant Art Director |
David Sandefur | Assistant Art Director |
Martha Johnston | Assistant Art Director |
Gary Deaton | Construction Coordinator |
Theodore Suchecki | Construction Foreman |
Craig B. Ayers Sr. | Head Greensman |
Airick Kredell | Leadman |
Butch McCarthy | On Set Props |
Julia Garrison | Painter |
Gary Metzen | Painter |
Steven Fidler | Prop Maker |
Tony Chavez | Prop Maker |
William A. Petrotta | Property Master |
Gary Tuers | Props |
Christine Kaseta Cornelius | Scenic Artist |
Gerald Lehtola | Set Decorating Coordinator |
Doug J. Meerdink | Set Designer |
Bill Taliaferro | Set Designer |
Bruce West | Set Designer |
John Leimanis | Set Designer |
Jefferson Murff | Set Dresser |
Kenneth Sayers | Set Dresser |
Anthony Gaudio | Standby Painter |
George Jenson | Storyboard Artist |
Tom Jung | Storyboard Artist |
Philip Keller | Storyboard Artist |
David B. Nowell | Aerial Director of Photography |
John McEveety | Assistant Camera |
Greg Wimer | Assistant Camera |
Heather Scobie | Assistant Camera |
Wayne Baker | Assistant Camera |
Donald J. Vos | Best Boy Grip |
Elizabeth Algieri | Camera Loader |
Daniel C. Gold | Camera Operator |
John Carney | Chief Lighting Technician |
Mike Schwake | Dolly Grip |
Peter McAdams | Dolly Grip |
Curtis Failor | Electrician |
Chris Nickerson | Electrician |
Michael Rudolph | Electrician |
Tim Stratton | Electrician |
Zachary K. Lazar | Electrician |
Brendan Keefe | Electrician |
Annie McEveety | First Assistant Camera |
Jeff Graham | First Assistant Camera |
Patrick Murray | Underwater Gaffer |
Paul Farley | Grip |
Billy Green | Grip |
Erik Hecomovich | Grip |
Glen Purdy | Grip |
Michael E. Reynolds | Grip |
Brian Rosso | Grip |
Greg Wilson | Grip |
Daryl Richardson | Grip |
Porfirio Dominguez | Grip |
Casey Jones | Key Grip |
Chris Bennett | Lighting Programmer |
Antar Abderrahman Jr. | Lighting Technician |
Huston Beaumont | Lighting Technician |
Jesse Mather | Lighting Technician |
James Keys | Rigging Gaffer |
Dana Baker | Rigging Grip |
Carlos DePalma | Rigging Grip |
Rick Harris | Rigging Grip |
Chuck Turner | Rigging Grip |
Jeff Pelton | Second Assistant Camera |
Walt Lloyd | Second Unit Director of Photography |
Michael Pescasio | Techno Crane Operator |
Gary Capo | Underwater Director of Photography |
Virginia G. Hadfield | Hair Department Head |
Michele Payne | Hairstylist |
Diane Pepper | Hairstylist |
Waldo Sanchez | Hairstylist |
Vivian McAteer | Hairstylist |
Emma C. Rotondi | Key Hair Stylist |
Marleen Alter | Makeup Artist |
Norman Page | Makeup Artist |
Wendy Washbrook | Extras Casting |
Timothy Rose | Extras Casting Assistant |
Dominick De Rasmo | Ager/Dyer |
Donna Marcione Pollack | Costume Supervisor |
Mark Peterson | Costume Supervisor |
April Hunter Reed | Costumer |
Aimee McCue | Costumer |
Lisa A. Doyle | Set Costumer |
Cookie Lopez | Set Costumer |
John M. 'Jack' Wright | Set Costumer |
Hayley Stuppel | Wardrobe Assistant |
Paris Paul | Assistant Accountant |
Eric D. Shain | Assistant Accountant |
Cabernet Murray | Assistant Accountant |
Candice D. Campos | Assistant Production Coordinator |
Cory Foster | Craft Service |
Jamie Kehoe | Craft Service |
Katie Zaslaw | First Assistant Accountant |
Carol Demarti | Ager/Dyer |
Al Cerullo | Pilot |
Douglas C. Merrifield | Marine Coordinator |
Daniel Berkowitz | Production Assistant |
Jenifer Bonisteel | Production Assistant |
Joseph Bouvier | Production Assistant |
Anna Bradley | Production Assistant |
Danielle Fenati | Production Assistant |
Angela Goodwin | Production Assistant |
F. Carl Hansen | Production Assistant |
Patrick J. Healy | Production Assistant |
Erik Heiberg | Production Assistant |
Kevin McNamara | Production Assistant |
Humberto Ramirez Jr. | Production Assistant |
Sue Smith | Production Assistant |
Carlos A. de Castro | Production Assistant |
Kris Fullan Martinez | Production Coordinator |
Denise Heinrich | Production Coordinator |
Kevin Bissada | Production Secretary |
Rob Harris | Publicist |
Dianne Dreyer | Script Supervisor |
Jennifer Scott | Travel Coordinator |
Andy Wong | Animation |
Peter Daulton | Animation Supervisor |
Joakim Arnesson | Sequence Supervisor |
Joel Aron | Sequence Supervisor |
Gerald Gutschmidt | Sequence Supervisor |
Samir Hoon | Sequence Supervisor |
Henry Preston | Sequence Supervisor |
Michael Conte | Compositor |
Curt I. Miyashiro | CG Supervisor |
Dan B. Goldman | CG Supervisor |
Julie Adrianson-Neary | Digital Compositor |
Vince De Quattro | Digital Compositor |
Stephen Kennedy | Digital Compositor |
Marshall Richard Krasser | Digital Compositor |
Kimberly Lashbrook | Digital Compositor |
Sean MacKenzie | Digital Compositor |
Jeff Sutherland | Digital Compositor |
Susan M. Weeks | Digital Compositor |
Ronnie E. Williams Jr. | Digital Compositor |
Greg Maloney | Digital Compositor |
Bill Gilman | Digital Compositor |
Barry Safley | Digital Compositor |
Mitchell Ferm | Visual Effects Coordinator |
Robin Saxen | Visual Effects Coordinator |
Monique Gougeon | Visual Effects Coordinator |
Leslie Safley | Visual Effects Coordinator |
Stacey Shear | Visual Effects Coordinator |
Tom Barrett | Visual Effects Editor |
Anthony Pitone | Visual Effects Editor |
V. Scott Balcerek | Visual Effects Editor |
Helen Elswit | Visual Effects Producer |
Ginger Theisen | Visual Effects Producer |
Jennifer Spenelli | Assistant Editor |
David Orr | Color Timer |
Doug Lovett | Colorist |
Robert C. Lusted | First Assistant Editor |
Mo Henry | Negative Cutter |
David E. Hall | Post Production Coordinator |
Michael John Meehan | Location Manager |
T.J. Healy II | Location Manager |
H. Franklin Baker III | Location Assistant |
Dan O. Healy | Location Assistant |
Andy Weltman | Location Assistant |
Joe E. Rand | Music Editor |
Maureen Crowe | Music Supervisor |
James Thatcher | Musician |
Bruce Dukov | Musician |
Joseph Alfuso | Orchestrator |
Carl Johnson | Orchestrator |
J. Eric Schmidt | Orchestrator |
Steven Bernstein | Orchestrator |
Jim Henrikson | Supervising Music Editor |
Daniel W. Barringer | Stunt Coordinator |
Raul Essig | CG Artist |
Ty Boyce | Animatronics Designer |
Wayne Burnes | Special Effects |
Tommy Frazier | Special Effects |
Kenneth Van Order | Special Effects |
Ray L. Wilkerson | Special Effects |
Ross Young | Special Effects |
Dominic V. Ruiz | Special Effects |
H. Barclay Aaris | Special Effects |
Rocky Gehr | Special Effects Coordinator |
Eric Dressor | Special Effects Technician |
Ken Mieding | Special Effects Technician |
Christopher A. Suarez | Special Effects Technician |
James G. Thomas | Special Effects Technician |
Bryan Wohlers | Special Effects Technician |
R.J. Mino | Production Manager |
Todd Arnow | Unit Production Manager |
Duncan Henderson | Unit Production Manager |
Alan B. Curtiss | First Assistant Director |
Michael Green | First Assistant Director |
Robert Huberman | First Assistant Director |
Laura Graham | ADR Editor |
Michele Perrone | ADR Editor |
Jennifer Mann | ADR Editor |
Kimaree Long | ADR Editor, Dialogue Editor |
Richard Dwan Jr. | ADR Editor, Dialogue Editor |
Hugh Waddell | ADR Supervisor |
Timothy P. Salmon | Boom Operator |
Gregg Frazier | Boom Operator |
Tom Williams | Cableman |
Katrina Siegmund | First Assistant Sound Editor |
Ellen Heuer | Foley Artist |
Jeffrey Wilhoit | Foley Artist |
Stu Bernstein | Foley Editor |
Valerie Davidson | Foley Editor |
Craig S. Jaeger | Foley Editor |
Eric Gotthelf | Foley Mixer |
Greg Zimmerman | Foley Recordist |
Jon Title | Sound Effects Designer |
Wade Wilson | Sound Effects Designer |
Randy Kelley | Sound Effects Editor |
Scott Sanders | Sound Effects Editor |
Nerses Gezalyan | Sound Mixer |
Douglas J. Schulman | Sound Mixer |
Gregg Rudloff | Sound Re-Recording Mixer |
David E. Campbell | Sound Re-Recording Mixer |
John T. Reitz | Sound Re-Recording Mixer |
Habib Zargarpour | Visual Effects Supervisor |
Walt Conti | Animatronics Supervisor |
Keith A. Wester | Sound |
Michael Parenti | Painter |
Basti Van Der Woude | Third Assistant Director |
Jennifer Watson-Johnston | Stunts |
Wolfgang Petersen | Director |
Sebastian Junger | Novel |
James Horner | Original Music Composer, Orchestrator |
John Seale | Director of Photography |
Richard Francis-Bruce | Editor |
Janet Hirshenson | Casting |
Donald Mowat | Makeup Artist |
Kim Marks | Camera Operator |
Bob Muñoz | Key Grip |
Claudette Barius | Still Photographer |
Alfred Ainsworth Jr. | Video Assist Operator |
Kevin Fennessy | Extras Casting |
David Rapaport | Extras Casting Assistant |
Catherine Vlasuk | Production Coordinator |
Robert Weaver | Sequence Supervisor |
Patrick Tubach | Compositor |
Stefen Fangmeier | Visual Effects Supervisor |
J.A.C. Redford | Orchestrator |
Doug Coleman | Stunt Coordinator |
John Frazier | Special Effects Supervisor, Special Effects Coordinator |
Harry Cohen | Sound Designer |
Scott Martin Gershin | Sound Designer |
Hector C. Gika | Sound Effects Editor |
Wylie Stateman | Supervising Sound Editor |
Jane Jenkins | Casting Director |
David R. Ellis | Second Unit Director |
Kurt D. Lott | Stunts |
George P. Wilbur | Stunts |
Eliza Coleman | Stunts |
Mark Chadwick | Stunts |
Robin Bonaccorsi | Stunts |
Tim Rigby | Stunts |
Dana Dru Evenson | Stunts |
Joey Box | Stunt Double |
Kerry Carmean-Williams | Sound Effects Editor |
Keith Woulard | Stunts |
Amy Gross | Production Assistant |
Jay Cooper | Digital Compositor |
Mohen Leo | Visual Effects Technical Director |
Masi Oka | CG Artist |
Polly Ing | CG Artist |
Name | Title |
---|---|
Gail Katz | Producer |
Wolfgang Petersen | Producer |
Paula Weinstein | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 44 | 26 |
2024 | 5 | 36 | 48 | 23 |
2024 | 6 | 35 | 61 | 26 |
2024 | 7 | 40 | 73 | 26 |
2024 | 8 | 34 | 54 | 24 |
2024 | 9 | 26 | 45 | 19 |
2024 | 10 | 46 | 105 | 23 |
2024 | 11 | 27 | 45 | 16 |
2024 | 12 | 23 | 30 | 16 |
2025 | 1 | 29 | 51 | 20 |
2025 | 2 | 20 | 34 | 4 |
2025 | 3 | 8 | 30 | 1 |
2025 | 4 | 4 | 5 | 2 |
2025 | 5 | 3 | 5 | 2 |
2025 | 6 | 3 | 5 | 2 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 4 | 5 | 3 |
2025 | 9 | 5 | 8 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 835 | 917 |
Year | Month | High | Avg |
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2025 | 8 | 799 | 895 |
Year | Month | High | Avg |
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2025 | 7 | 366 | 662 |
Year | Month | High | Avg |
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2025 | 6 | 691 | 738 |
Year | Month | High | Avg |
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2025 | 4 | 797 | 857 |
Year | Month | High | Avg |
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2025 | 1 | 405 | 554 |
Year | Month | High | Avg |
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2024 | 12 | 855 | 910 |
The Perfect Storm, I just love it so much. "The fog's just lifting, you throw off your bow line, you throw off your stern-you head out to South Chanel past Rocky Neck...Ten Pound Island, past Niles Pond where I skated as a kid-and you blow your air horn and throw a wave to the lighthouse keepers ... kid on Thatcher's Island - then the birds show up, black backs and herring gulls, big dump ducks - the sun hits you, head North, open up to 12, you're steaming now, the guys are busy, you're in charge - you know what? You're a god damn sword boat captain, is there anything better in the world?" Ordinarily I would write a review that is fair minded and as honest as I can call it, something that hopefully would interest the readers either side of the fence. But here with The Perfect Storm I just want to write why I love this particular picture, and what a most divisive picture it has turned out to be. I'm aware of the complaints about the movie, even the ones from the family of the real Captain Billy Tyne {played by Alpha Male regular George Clooney}, but as an entertaining spectacle with huge slices of emotional fortitude, The Perfect Storm will forever be hitting my spots. The character build up is just wonderful, people with things to prove, fractured and blossoming romances, loyalties on the line, grudges carried over from previous encounters, the lives of sea fishermen fully formed in the films first quarter. Then there is a sequence as George Clooney says the monologue that I have opened this review with, beautifully recited, but it's the emotion in Linda Greenlaw's face (Mary Elizabeth Mastrantonio) as she watches and listens to him speak it, just wonderful. Then the boys go out to see, heading off into dangerous waters to hopefully make a killing in the fish market, tensions run high, accidents happen, heroes are born and rivalries quickly overturned, but the boys must go further if they are to corner the market, the Grand Banks are evil at this time of year. A three pronged hostile weather front is heading their way, they are, as Linda tells Billy on the radio, heading into the belly of the monster, and what a monster it is. Here the makers excel, director Wolfgang Petersen, his cinematographer John Seale and his S/E maestro John Frazier do literally put me right there in a amongst the waves and derringdo bravado. Then it's the final couple of reels, the emotional mangler, even a spiritual coda that is hated by so many can't make me dislike the film any less, and I'll wager right here and now that as funeral eulogies go, few if any have been delivered with as much heartbreaking emotion as the one read by Mastrantonio here. All of which is backed by a truly involving score by James Horner, shades of Braveheart's emotional swirls in there. It's a personal opinion you know, but The Perfect Storm is a magnificent film that I enjoy three times a year, every year, and nobody will ever be able to take that away from me. "There's no goodbyes Christina, only love," damn straight! 9/10
I recently watched this for the second time, many years after my initial viewing. I confess I didn't always give it my full attention, not just because I had seen it once but also because the plot isn't very subtle, and careful viewing isn't necessary. The dialogue is realistic and well done, but th ... e characters seem a bit stereotypical. You have the grizzled captain whose skills and luck seem to be in decline, a gentle giant with an ex-wife and a kid, a young man desperately in love, the newcomer ready to pick a fight with one of the above and a ladies man who I think was creole, but I am not sure. So the plot bumps along and the special effects of huge waves and wind works to build suspense, only partly successfully. There are subplots also: the meteorologists with their eyes widening as the perfect storm develops, a yacht crew of three and the Coast Guard rescuers who try to save them, and a female ship captain who in real life wrote the book all this is based on. The film is entertaining enough, in its undemanding way, but I can safely say I don’t expect to watch it for a third time. There were a few cliche moments and moments of melodrama. But it is watchable, especially if it is your first time.