Popularity: 2 (history)
Director: | Peter Hyams |
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Writer: | Larry Ferguson |
Staring: |
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping their relationship. | |
Release Date: | Jun 10, 1988 |
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Director: | Peter Hyams |
Writer: | Larry Ferguson |
Genres: | Action, Crime, Mystery, Thriller |
Keywords | san francisco, california, adversary, court case, investigation, base, competition, military service |
Production Companies | Paramount Pictures |
Box Office |
Revenue: $20,324,096
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Sean Connery | Lt. Col. Alan Caldwell |
Mark Harmon | Jay Austin |
Meg Ryan | Donna Caldwell |
Jack Warden | Sgt. Maj. Ross Maclure |
Mark Blum | Arthur Peale |
Dana Gladstone | Col. Paul Lawrence |
Jenette Goldstein | Patti Jean Lynch |
Marvin J. McIntyre | MP Zeke |
Don Calfa | Howard Buckely |
John DiSanti | Det. Marvin Powell |
Robert Lesser | Sgt. Mueller |
James Hooks Reynolds | George Spota |
Curtis W. Sims | Sgt. Garfield |
Rick Zumwalt | Bully in Bar |
Rosalyn Marshall | Lawrence's Secretary |
Jessie Lawrence Ferguson | Pilot at Travis AFB |
Larry Jenkins | MP Dutton |
Jesse D. Goins | MP Bygrave |
Kim Robillard | MP Mitchell |
Michael Strasser | MP Stillwell |
Chuckie Davis | Julius |
Ron Cummins | Maintenance Man |
Patrick Kilpatrick | Mark |
John Allen Vick | Post Commander |
Michael Fosberg | Capt. Gordon |
Joe Hart | Bully's Bar Pal ("Arrowhead") |
Clay Wilcox | Bully's Bar Pal ("Arrowhead") |
Bob Rochelle | Bully's Bar Pal ("Arrowhead") |
Susan Saiger | Gloria |
Ruth de Sosa | Teacher |
Tracy Tanen | Peale's Receptionist |
Peter Fitzsimmons | Patrolman Schmidt |
Pete Antico | Patrolman Dotson |
Dean R. Miller | Leroy |
Jophery C. Brown | Workman |
Justin De Rosa | Workman |
Allan Graf | Workman |
Frank Orsatti | Workman |
Peter Kwong | Squad Room Officer |
Bob Delegall | Squad Room Lieutenant |
Richard Kwong | Chinese Kitchen Chef |
Sam Arnold | Military Officer (uncredited) |
Conrad Hurtt | Captain (uncredited) |
Ronnie Rondell Jr. | Man In Bar (uncredited) |
Theodore Carl Soderberg | Pedestrian (uncredited) |
Name | Job |
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Peter Hyams | Director, Director of Photography |
Bruce Broughton | Original Music Composer |
Larry Ferguson | Screenplay |
Dick Ziker | Stunts |
Janet Hirshenson | Casting |
Jane Jenkins | Casting |
Gillian L. Hutshing | Assistant Editor |
Jophery C. Brown | Stunts |
Chuck Picerni Jr. | Stunts |
Buddy Joe Hooker | Stunts |
Glenn R. Wilder | Stunt Coordinator |
David R. Ellis | Stunts |
Tim A. Davison | Stunts |
Kenny Endoso | Stunts |
Diane Adler | Editor |
James Mitchell | Editor |
Marvin March | Set Decoration |
Randle Akerson | Supervising Sound Editor |
Beau Barthel | Editor |
Kandy Stern | Art Direction |
Brad Wilder | Makeup Artist |
Fred C. Caruso | Unit Production Manager |
Roland E. Hill Jr. | Set Designer |
Gene S. Cantamessa | Production Sound Mixer |
Ralph Gerling | Camera Operator |
Michael P. May | Second Assistant Camera |
E. Christopher Reed | Assistant Chief Lighting Technician |
Hamilton Sterling | Sound Editor |
Mark Pappas | Foley Supervisor |
Aaron Rochin | Sound Re-Recording Mixer |
Mark McKenzie | Orchestrator |
Julie Pitkanen | Script Supervisor |
Michael W. Hoffman | Wardrobe Supervisor |
C.J. Maguire | Property Master |
Yvonne Yaconelli | Production Office Coordinator |
Anne Marie Stein | Unit Publicist |
Bob Noland | Color Timer |
Albert Brenner | Production Design |
Stephen Abrums | Makeup Artist |
Regina Gordon | Second Assistant Director |
Bernard P. Cutler | Set Designer |
Curt Sobel | Music Editor |
Mark Jennings | Cableman |
Baird Steptoe | First Assistant Camera |
Tim Griffith | Chief Lighting Technician |
Beth Sterner | Sound Editor |
David B. Cohn | Sound Editor |
Michael J. Kohut | Sound Re-Recording Mixer |
Armin Steiner | Scoring Mixer |
Al Broussard | Special Effects |
Sugar Blymyer | Hairstylist |
Dallas D. Dornan | Set Costumer |
Ralph Nelson Jr. | Still Photographer |
Mario Iscovich | Location Manager |
Leroy Reed | Transportation Coordinator |
Nancy Hayes | Extras Casting |
Alan B. Curtiss | First Assistant Director |
Harold Fuhrman | Set Designer |
Beverly Pinnas | Assistant Editor |
Steve Cantamessa | Boom Operator |
Steve Peterson | First Assistant Camera |
John Hennessey | Dolly Grip |
Walter Nichols | Assistant Chief Lighting Technician |
Asher Yates | Sound Editor |
Thomas Whiting | ADR Supervisor |
Carlos Delarios | Sound Re-Recording Mixer |
Phil Cory | Special Effects Coordinator |
Aggie Lyon | Wardrobe Supervisor |
Frank L. Brown | Assistant Property Master |
Brian Fong | Second Second Assistant Director |
Richard Dean Rankin | Construction Coordinator |
David W. Gray | Dolby Consultant |
Ronnie Rondell Jr. | Stunts |
Norval D. Crutcher III | Supervising Sound Editor |
Janet Brady | Stunts |
Steve Picerni | Stunts |
Name | Title |
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D. Constantine Conte | Producer |
Fred C. Caruso | Co-Producer |
Jonathan A. Zimbert | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 39 | 10 |
2024 | 5 | 22 | 42 | 13 |
2024 | 6 | 16 | 33 | 10 |
2024 | 7 | 18 | 26 | 9 |
2024 | 8 | 15 | 22 | 9 |
2024 | 9 | 13 | 18 | 8 |
2024 | 10 | 14 | 22 | 8 |
2024 | 11 | 15 | 46 | 7 |
2024 | 12 | 13 | 17 | 8 |
2025 | 1 | 15 | 31 | 10 |
2025 | 2 | 9 | 20 | 3 |
2025 | 3 | 4 | 13 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 3 | 3 | 2 |
Trending Position
Mark Harmon is "Jay", a former military policeman turned cop who is called upon to investigate a series of murders that reintroduce him to his former CO "Col. Caldwell" (Sean Connery) with whom he doesn't especially get along. It doesn't help when he starts to date the colonel's independently minded ... daughter "Donna" (Meg Ryan) but can they put their differences aside long enough to find out what's going on and stop any more killings? Well, of course they can - this film has precisely no jeopardy at all. Though the motive for the crimes remains a mystery for a while, the rest of this follows a well travelled line that is disappointingly predictable. Harmon is never a particularly strong or convincing actor, Connery - and his traditional, wry, smile - clearly just wanted his fee and not for the first time Meg Ryan adds very little as this plods along. It's watchable on the television over a glass or two, but it's all very unremarkable.
Occasionally my mother would really get into a movie, choose a quote as a favorite, and then repeat it constantly in a cartoonish exaggeration of whoever said it in the film. The Persidio is one of those films she latched onto, and for years after we were subjected to her Sean Connery impression ... as she threatened to beat us up using only her thumb. So now every time I see it, heck, every time I'm in Frisco, that is the quote that gets stuck in my head for days after. But, in her defense, it was a very good scene and actually does deserve to be remembered and quoted more. It's my go to Sean Connery impression... when I'm not impersonating Johnny Lee Miller impersonating Sean Connery. Or the Untouchables, but I kind of feel that one is over used. Everyone goes there when they do Connery. Or, you know, I could just live in Chicago. Maybe the rest of the country and the world just does James Bond. The point is, you have a quotable Sean Connery scene. And that alone is worth it. And you have the San Francisco chase scene, and I really hate Frisco, but I do really love movies that are set there and any chase through San Francisco streets is fun if for no other reason than it makes you instantly think of Bullet. The multi-jurisdictional cliche thing is here, and tragically underused in a lot of movies. But you get a good dynamic of military and civilian cop bumping heads with one another. It's a situation that is made worse by bad blood and a bit of history, and then made even worse by a blooming romantic interest. And it's the 80s, so you know that the romantic interest is going to be Meg Ryan, no spoiler there. And all of that with an actual compelling case that the two cops have to solve. It's kind of all over the place, but in the best possible 80s cliche kind of way.
"The Presidio" is an interesting diversion that has an immediately intriguing and literally explosive opening gambit which is eye catching and it easily grabs your full attention, but then the pace quickly eases up out of pure necessity and the murder of Patti Jean Lynch loses all sense of urgency a ... nd it is eventually relegated to becoming a secondary consideration as the main focus of the film now concentrates upon the complex and argumentative character dynamics of Lieutenant Colonel Caldwell, his daughter Donna, and Inspector Jay Austin although all of this is nicely juxtaposed with the ongoing murder investigation. However, this film is much too pedestrian for the talented cast involved, but at least the action sequences are superb and the pace is extremely well maintained throughout.