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The Presidio Poster

The Presidio

He didn't want to share the murder investigation. There's no way he's going to share his daughter.
1988 | 97m | English

(20861 votes)

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Popularity: 2 (history)

Director: Peter Hyams
Writer: Larry Ferguson
Staring:
Details

Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk driver. Now a series of murders that cross jurisdictions force them to work together again. That Austin is now dating Caldwell's daughter is not helping their relationship.
Release Date: Jun 10, 1988
Director: Peter Hyams
Writer: Larry Ferguson
Genres: Action, Crime, Mystery, Thriller
Keywords san francisco, california, adversary, court case, investigation, base, competition, military service
Production Companies Paramount Pictures
Box Office Revenue: $20,324,096
Budget: $0
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Sean Connery Lt. Col. Alan Caldwell
Mark Harmon Jay Austin
Meg Ryan Donna Caldwell
Jack Warden Sgt. Maj. Ross Maclure
Mark Blum Arthur Peale
Dana Gladstone Col. Paul Lawrence
Jenette Goldstein Patti Jean Lynch
Marvin J. McIntyre MP Zeke
Don Calfa Howard Buckely
John DiSanti Det. Marvin Powell
Robert Lesser Sgt. Mueller
James Hooks Reynolds George Spota
Curtis W. Sims Sgt. Garfield
Rick Zumwalt Bully in Bar
Rosalyn Marshall Lawrence's Secretary
Jessie Lawrence Ferguson Pilot at Travis AFB
Larry Jenkins MP Dutton
Jesse D. Goins MP Bygrave
Kim Robillard MP Mitchell
Michael Strasser MP Stillwell
Chuckie Davis Julius
Ron Cummins Maintenance Man
Patrick Kilpatrick Mark
John Allen Vick Post Commander
Michael Fosberg Capt. Gordon
Joe Hart Bully's Bar Pal ("Arrowhead")
Clay Wilcox Bully's Bar Pal ("Arrowhead")
Bob Rochelle Bully's Bar Pal ("Arrowhead")
Susan Saiger Gloria
Ruth de Sosa Teacher
Tracy Tanen Peale's Receptionist
Peter Fitzsimmons Patrolman Schmidt
Pete Antico Patrolman Dotson
Dean R. Miller Leroy
Jophery C. Brown Workman
Justin De Rosa Workman
Allan Graf Workman
Frank Orsatti Workman
Peter Kwong Squad Room Officer
Bob Delegall Squad Room Lieutenant
Richard Kwong Chinese Kitchen Chef
Sam Arnold Military Officer (uncredited)
Conrad Hurtt Captain (uncredited)
Ronnie Rondell Jr. Man In Bar (uncredited)
Theodore Carl Soderberg Pedestrian (uncredited)
Name Job
Peter Hyams Director, Director of Photography
Bruce Broughton Original Music Composer
Larry Ferguson Screenplay
Dick Ziker Stunts
Janet Hirshenson Casting
Jane Jenkins Casting
Gillian L. Hutshing Assistant Editor
Jophery C. Brown Stunts
Chuck Picerni Jr. Stunts
Buddy Joe Hooker Stunts
Glenn R. Wilder Stunt Coordinator
David R. Ellis Stunts
Tim A. Davison Stunts
Kenny Endoso Stunts
Diane Adler Editor
James Mitchell Editor
Marvin March Set Decoration
Randle Akerson Supervising Sound Editor
Beau Barthel Editor
Kandy Stern Art Direction
Brad Wilder Makeup Artist
Fred C. Caruso Unit Production Manager
Roland E. Hill Jr. Set Designer
Gene S. Cantamessa Production Sound Mixer
Ralph Gerling Camera Operator
Michael P. May Second Assistant Camera
E. Christopher Reed Assistant Chief Lighting Technician
Hamilton Sterling Sound Editor
Mark Pappas Foley Supervisor
Aaron Rochin Sound Re-Recording Mixer
Mark McKenzie Orchestrator
Julie Pitkanen Script Supervisor
Michael W. Hoffman Wardrobe Supervisor
C.J. Maguire Property Master
Yvonne Yaconelli Production Office Coordinator
Anne Marie Stein Unit Publicist
Bob Noland Color Timer
Albert Brenner Production Design
Stephen Abrums Makeup Artist
Regina Gordon Second Assistant Director
Bernard P. Cutler Set Designer
Curt Sobel Music Editor
Mark Jennings Cableman
Baird Steptoe First Assistant Camera
Tim Griffith Chief Lighting Technician
Beth Sterner Sound Editor
David B. Cohn Sound Editor
Michael J. Kohut Sound Re-Recording Mixer
Armin Steiner Scoring Mixer
Al Broussard Special Effects
Sugar Blymyer Hairstylist
Dallas D. Dornan Set Costumer
Ralph Nelson Jr. Still Photographer
Mario Iscovich Location Manager
Leroy Reed Transportation Coordinator
Nancy Hayes Extras Casting
Alan B. Curtiss First Assistant Director
Harold Fuhrman Set Designer
Beverly Pinnas Assistant Editor
Steve Cantamessa Boom Operator
Steve Peterson First Assistant Camera
John Hennessey Dolly Grip
Walter Nichols Assistant Chief Lighting Technician
Asher Yates Sound Editor
Thomas Whiting ADR Supervisor
Carlos Delarios Sound Re-Recording Mixer
Phil Cory Special Effects Coordinator
Aggie Lyon Wardrobe Supervisor
Frank L. Brown Assistant Property Master
Brian Fong Second Second Assistant Director
Richard Dean Rankin Construction Coordinator
David W. Gray Dolby Consultant
Ronnie Rondell Jr. Stunts
Norval D. Crutcher III Supervising Sound Editor
Janet Brady Stunts
Steve Picerni Stunts
Name Title
D. Constantine Conte Producer
Fred C. Caruso Co-Producer
Jonathan A. Zimbert Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 19 39 10
2024 5 22 42 13
2024 6 16 33 10
2024 7 18 26 9
2024 8 15 22 9
2024 9 13 18 8
2024 10 14 22 8
2024 11 15 46 7
2024 12 13 17 8
2025 1 15 31 10
2025 2 9 20 3
2025 3 4 13 1
2025 4 1 1 1
2025 5 1 1 1
2025 6 1 1 1
2025 7 1 2 0
2025 8 1 2 1
2025 9 3 3 2

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Reviews

Geronimo1967
5.0

Mark Harmon is "Jay", a former military policeman turned cop who is called upon to investigate a series of murders that reintroduce him to his former CO "Col. Caldwell" (Sean Connery) with whom he doesn't especially get along. It doesn't help when he starts to date the colonel's independently minded ... daughter "Donna" (Meg Ryan) but can they put their differences aside long enough to find out what's going on and stop any more killings? Well, of course they can - this film has precisely no jeopardy at all. Though the motive for the crimes remains a mystery for a while, the rest of this follows a well travelled line that is disappointingly predictable. Harmon is never a particularly strong or convincing actor, Connery - and his traditional, wry, smile - clearly just wanted his fee and not for the first time Meg Ryan adds very little as this plods along. It's watchable on the television over a glass or two, but it's all very unremarkable.

Jul 04, 2022
GenerationofSwine
10.0

Occasionally my mother would really get into a movie, choose a quote as a favorite, and then repeat it constantly in a cartoonish exaggeration of whoever said it in the film. The Persidio is one of those films she latched onto, and for years after we were subjected to her Sean Connery impression ... as she threatened to beat us up using only her thumb. So now every time I see it, heck, every time I'm in Frisco, that is the quote that gets stuck in my head for days after. But, in her defense, it was a very good scene and actually does deserve to be remembered and quoted more. It's my go to Sean Connery impression... when I'm not impersonating Johnny Lee Miller impersonating Sean Connery. Or the Untouchables, but I kind of feel that one is over used. Everyone goes there when they do Connery. Or, you know, I could just live in Chicago. Maybe the rest of the country and the world just does James Bond. The point is, you have a quotable Sean Connery scene. And that alone is worth it. And you have the San Francisco chase scene, and I really hate Frisco, but I do really love movies that are set there and any chase through San Francisco streets is fun if for no other reason than it makes you instantly think of Bullet. The multi-jurisdictional cliche thing is here, and tragically underused in a lot of movies. But you get a good dynamic of military and civilian cop bumping heads with one another. It's a situation that is made worse by bad blood and a bit of history, and then made even worse by a blooming romantic interest. And it's the 80s, so you know that the romantic interest is going to be Meg Ryan, no spoiler there. And all of that with an actual compelling case that the two cops have to solve. It's kind of all over the place, but in the best possible 80s cliche kind of way.

Jan 12, 2023
kevin2019
5.0

"The Presidio" is an interesting diversion that has an immediately intriguing and literally explosive opening gambit which is eye catching and it easily grabs your full attention, but then the pace quickly eases up out of pure necessity and the murder of Patti Jean Lynch loses all sense of urgency a ... nd it is eventually relegated to becoming a secondary consideration as the main focus of the film now concentrates upon the complex and argumentative character dynamics of Lieutenant Colonel Caldwell, his daughter Donna, and Inspector Jay Austin although all of this is nicely juxtaposed with the ongoing murder investigation. However, this film is much too pedestrian for the talented cast involved, but at least the action sequences are superb and the pace is extremely well maintained throughout.

Sep 13, 2024