Blackmailed
Unless they pay, the world will know their secrets!
1951 | 85m | English
Popularity: 5 (history)
| Director: | Marc Allégret |
|---|---|
| Writer: | Elizabeth Myers, Hugh Mills, Roger Vadim |
| Staring: |
| A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website) | |
| Release Date: | Jan 30, 1951 |
|---|---|
| Director: | Marc Allégret |
| Writer: | Elizabeth Myers, Hugh Mills, Roger Vadim |
| Genres: | |
| Keywords | victim |
| Production Companies | Harold Huth Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 19, 2026 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| Mai Zetterling | Mrs. Carol Edwards |
| Fay Compton | Mrs. Christopher |
| Dirk Bogarde | Stephen Mundy |
| Robert Flemyng | Dr. Giles Freeman |
| Michael Gough | Maurice Edwards |
| James Robertson Justice | Mr. Sine |
| Joan Rice | Alma |
| Wilfrid Hyde-White | Lord Dearsley |
| Cyril Chamberlain | Police Constable |
| Harold Huth | Hugh Sainsbury |
| Nora Gordon | Sine's Housekeeper |
| Charles Saynor | Police Constable - Giles' Car |
| Derrick Penley | Patrick |
| Peter Owen | Chief Printer |
| Dennis Brian | Sub-Editor |
| Arthur Hambling | Inspector Canin |
| Shirley Wright | Mary |
| Bruce Seton | Supt. Crowe |
| Michael Ingham | Crowe's Assistant |
| Johnnie Schofield | Maurice's Taxi Driver |
| Marianne Stone | Maggie |
| Betty Cooper | Giles' Assistant |
| Vernon Greeves | Hugh's Secretary |
| Lillian Shaw | Bathing Beauty Competitor |
| Helen Goss | Matron |
| Constance Smith | Nurse Anne |
| Dorothy Bramhall | Mary's Day Nurse |
| Joan Schofield | Mary's Night Nurse |
| Edie Martin | Mrs. Porritt - a Patient |
| Valentine Dunn | Nurse in Corridor |
| John Horsley | Maggie's Doctor |
| Ballard Berkeley | Dr. McCormick |
| Patricia Glyn | 1st Nurse in Hall |
| Sally Lahee | 2nd Nurse in Hall |
| Don Liddel | Doctor |
| Name | Job |
|---|---|
| John Shirley | Editor |
| Yvonne Caffin | Costume Design |
| J. Elder Wills | Art Direction |
| John Wooldridge | Music |
| George Stretton | Director of Photography |
| John Dennis | Sound |
| Gordon K. McCallum | Sound Mixer |
| Basil Keys | Assistant Director |
| Arthur Ridout | Sound Editor |
| Elizabeth Myers | Novel |
| Hugh Mills | Screenplay |
| Marc Allégret | Director |
| Roger Vadim | Screenplay |
| Name | Title |
|---|---|
| Norman Spencer | Associate Producer |
| Harold Huth | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 8 | 1 |
| 2024 | 5 | 5 | 8 | 2 |
| 2024 | 6 | 4 | 11 | 1 |
| 2024 | 7 | 2 | 5 | 1 |
| 2024 | 8 | 3 | 5 | 1 |
| 2024 | 9 | 3 | 8 | 1 |
| 2024 | 10 | 2 | 5 | 1 |
| 2024 | 11 | 2 | 6 | 1 |
| 2024 | 12 | 2 | 3 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 4 | 7 | 1 |
| 2025 | 12 | 2 | 6 | 0 |
| 2026 | 1 | 1 | 4 | 0 |
| 2026 | 2 | 7 | 9 | 5 |
Trending Position
This is quite a cleverly conceived drama that does ask us whether, ever, two wrongs might actually make a right. It’s after “Mary” (Shirley Wright) is involved in a road accident that hospital almoner “Mrs. Christopher” (Fay Compton) is called in to comfort the injured woman and finds herself charge ... d with delivering an envelope. Inadvertently, she walks in on the nasty “Sine” (James Robertson Justice) in the middle of blackmailing a young woman. A scuffle ensues and next thing, she, “Carol” (Mai Zetterling) and “Dr. Freeman” (Robert Flemying) have quite an headache. That only gets worse when “Munday” (Dirk Bogarde) walks in on this lurid scene then promptly scarpers. With a police investigation imminent, the folks try to go about their day-to-day business only to find a series of seemingly unrelated incidents gradually and somewhat nervously brings them all together and facing a tough decision. It’s quite a good idea, this, but the execution is all rather bitty. At times it comes across as an amalgam of other Bogarde films only here serendipity plays maybe just too much of a role as we build to a vaguely comedic, convenient, denouement. There’s a bit more of a substantial role here for Michael Gough as the bed-ridden husband “Maurice” which he delivers quite well, but there’s little chemistry between Zetterling and Flemying and Compton seemed content to settle for offering us a gentle, softly lit, impersonation of Dame May Whitty. It was lost for a long time, apparently, which is quite curious given it’s cast but not so much given it’s substance.