Fat City
Life is what happens in between rounds.
1972 | 97m | English
Popularity: 4 (history)
| Director: | John Huston |
|---|---|
| Writer: | Leonard Gardner |
| Staring: |
| Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum. | |
| Release Date: | Jul 26, 1972 |
|---|---|
| Director: | John Huston |
| Writer: | Leonard Gardner |
| Genres: | Drama |
| Keywords | california, transporter, boxer, sports, alcoholism, over-the-hill fighter, neo-noir, boxing |
| Production Companies | Columbia Pictures, Rastar Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 03, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Stacy Keach | Tully |
| Jeff Bridges | Ernie |
| Susan Tyrrell | Oma |
| Candy Clark | Faye |
| Nicholas Colasanto | Ruben |
| Art Aragon | Babe |
| Curtis Cokes | Earl |
| Sixto Rodriguez | Lucero |
| Billy Walker | Wes |
| Wayne Mahan | Buford |
| Ruben Navarro | Fuentes |
| Al Silvani | Referee at Tully-Lucero Fight (uncredited) |
| Álvaro López | Rosales (uncredited) |
| Carl D. Parker | Paymaster (uncredited) |
| Bill Riddle | Boxer (uncredited) |
| Name | Job |
|---|---|
| Walter Thompson | Editor |
| Leonard Gardner | Novel, Screenplay |
| Jennifer Shull | Casting |
| Richard Sylbert | Production Design |
| Morris Hoffman | Set Decoration |
| Virginia Jones | Hairstylist |
| Jack H. Young | Makeup Artist |
| Paul H. Stewart | Special Effects |
| Nick Bullom | Stunts |
| Rachel Schedler | Stunts |
| Thomas Del Ruth | Assistant Camera |
| Jack Gereghty | Still Photographer |
| Gary Vidor | Second Assistant Camera |
| Ronald Vidor | First Assistant Camera |
| Don Vervase | Camera Operator |
| John A. Anderson | Wardrobe Master |
| Abe Lincoln Jr. | Assistant Editor |
| Kenneth Hall | Music Editor |
| Marshall Schlom | Script Supervisor |
| Wayne Fitzgerald | Title Designer |
| John Huston | Director |
| Fred Roos | Casting |
| Dorothy Jeakins | Costume Design |
| Marvin Hamlisch | Original Music Composer, Music Supervisor |
| Richard Moore | Additional Photography |
| Margaret Booth | Supervising Editor |
| Conrad Hall | Director of Photography |
| Name | Title |
|---|---|
| David Dworski | Associate Producer |
| John Huston | Producer |
| Ray Stark | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 24 | 6 |
| 2024 | 5 | 15 | 26 | 10 |
| 2024 | 6 | 13 | 21 | 6 |
| 2024 | 7 | 14 | 28 | 8 |
| 2024 | 8 | 13 | 29 | 8 |
| 2024 | 9 | 12 | 19 | 7 |
| 2024 | 10 | 10 | 20 | 6 |
| 2024 | 11 | 9 | 19 | 5 |
| 2024 | 12 | 9 | 19 | 6 |
| 2025 | 1 | 9 | 18 | 5 |
| 2025 | 2 | 7 | 12 | 3 |
| 2025 | 3 | 5 | 8 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 1 | 2 | 0 |
| 2025 | 10 | 2 | 2 | 1 |
| 2025 | 11 | 1 | 2 | 1 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 2 | 3 | 0 |
| 2026 | 2 | 5 | 6 | 4 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 801 | 853 |
“Billy” (Stacy Keech) had been a jobbing boxer for most of his life, but his aged body has caused him to hang up his gloves, leaving him boozing with the permanently sozzled “Oma” (the scene stealing Susan Tyrell) most of the time whilst eking out an existence doing what he can to earn a buck after ... his career left him penniless. Whilst training at the YMCA, he comes across the enthusiastic young “Ernie” (Jeff Bridges) who is initially only having some fun, but is soon bent on embarking on a career that “Billy” reckons will follow the same trajectory of brief success and then failure that he suffered. Perhaps there is some way that he can use his own experiences to influence his young friend, but all the while “Ernie” is now taking advice from “Ruben” (Nicholas Colasanto) who used to manage the older man, and so is being drip fed promises of success and wealth. When “Billy” tries to intercede, he merely provokes resentment from an aspiring fighter who thinks that his erstwhile friend is envious of his potential. Meantime, girlfriend “Faye” (Candy Clark) is also putting pressure on “Ernie” to get his priorities right and so ambitious but conflicted, this competent pugilist must make some tough choices amidst a toxic environment of greed, anger and mistrust. Though there are some sub-plots that complement the story well, this is really at it’s best when it is just left to Keech and Bridges to emphasise the oft seen characterisations of boxing being the route out of hopelessness for so many whose lives saw little promise or opportunity. It’s a grittily authentic looking story that has been written from quite a powerful perspective to show us just how desperate men could become and how hard they would work to raise themselves up. Bridges delivers confidently and though there isn’t loads of action in the ring, what there is is effectively photographed to give us a sense of the punishment taken and dished out by these men week in, week out. It’s quite observational in nature, allowing us to step back and look at a scenario that you can thank your lucky stars is not your own way of living.