Children of Darkness
1983 | 57m | English
Popularity: 0.2 (history)
| Director: | Ara Chekmayan, Richard Kotuk |
|---|---|
| Writer: | Ara Chekmayan, Richard Kotuk |
| Staring: |
| A significant number of American children and teenagers - from all social backgrounds - suffer from mental disorders, schizophrenia, autism and emotional problems, leading them to isolation from society while treating their issues in mental health facilities. But there's no end in sight for those young individuals when they face obstacles and mistreatment in inadequate places under the supervision of careless and inexperienced professionals. The documentary follows some of those public mental institutions and another private center dealing with troubled kids and reveals what's wrong with their procedures, and the irreparable harm they cause in those patients. | |
| Release Date: | Jan 01, 1983 |
|---|---|
| Director: | Ara Chekmayan, Richard Kotuk |
| Writer: | Ara Chekmayan, Richard Kotuk |
| Genres: | Documentary |
| Keywords | schizophrenia, autism, mental institution, mental illness, treatment of mental disorders |
| Production Companies | Thirteen |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: May 03, 2024 |
| Name | Character |
|---|---|
| Peter Thomas | Narrator (voice) |
| Richard Kotuk | Self - Reporter |
| John Brooks | Self |
| Billy Calhoun | Self |
| Mary Calhoun | Self |
| Gerald Davidson | Self |
| Alice Dunn | Self |
| Kenneth Kaufman | Self |
| Brian Mcanally | Self |
| Jim Mcanally | Self |
| Joseph Ricci | Self |
| Mark Williams | Self |
| Name | Job |
|---|---|
| Don Dixon | Thanks |
| Ara Chekmayan | Editor, Writer, Director |
| Richard Kotuk | Writer, Director |
| Chuck Levey | Director of Photography |
| Kathy Kline | Coordinating Producer |
| Dave Clark | Sound |
| Lee Dichter | Sound Re-Recording Mixer |
| Alan Lebow | Sound |
| Robert Rogow | Sound |
| Pedro Bonilla | Assistant Camera |
| Tony Cobbs | Assistant Camera |
| Herb Forsberg | Assistant Camera |
| Rick Malkames | Camera Operator |
| Bud Mikhitarian | Sound |
| Craig Mikhitarian | Camera Operator |
| Debby Sargeant | Assistant Camera |
| Joel Shapiro | Camera Operator |
| Bill Vasak | Assistant Camera |
| Lawrence Mischel | Negative Cutter |
| Anne Gorfinkel | Production Secretary |
| Carol Jenkins | Researcher |
| Maggie Kotuk | Art Designer |
| Karen Arikian | Thanks |
| Name | Title |
|---|---|
| Karen Butler | Associate Producer |
| Ara Chekmayan | Producer |
| Cheryl Miller Houser | Associate Producer |
| Richard Kotuk | Producer |
| David R. Loxton | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 1 | 1 | 1 |
| 2024 | 5 | 2 | 4 | 1 |
| 2024 | 6 | 1 | 4 | 1 |
| 2024 | 7 | 4 | 14 | 1 |
| 2024 | 8 | 3 | 11 | 1 |
| 2024 | 9 | 5 | 14 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 1 | 3 | 1 |
| 2024 | 12 | 1 | 2 | 1 |
| 2025 | 1 | 1 | 2 | 1 |
| 2025 | 2 | 1 | 1 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 0 | 0 |
| 2025 | 11 | 0 | 0 | 0 |
| 2025 | 12 | 1 | 2 | 0 |
| 2026 | 1 | 0 | 1 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
Statistically, there are some seriously scary numbers quoted here as we spend an hour with some of the seven million American kids who have some sort of learning or behavioural difficulties. Initially, we visit Pennsylvania’s Eastern State School - the largest in the nation - that cares for over 150 ... young people with a budget of $13.5 million which roughly equates to just shy of $85,000 to feed, house and medicate each resident. It’s the lively Brian who is the poignant focus here, a lad whose behaviour vacillates from the friendly and charming to the violently temperamental and it’s that latter type of behaviour that illustrates that this establishment relies heavily on drugs to becalm and control those living here. There are other techniques employed elsewhere, and to Maine we head next where a much smaller facility offers a different type of treatment. Therapies that are professionally one-to-one, that allow much greater freedom of expression and that rely less on medication and more on “normalising” the lives of the youngsters are prevalent here and serve well as a contrast. The whole thrust of the narrative here is to, backed by the occasional use of the numbers, show the widest variety of psychotic, autistic, hyperactive and organic issues that can lead to behaviour ranging from the withdrawn and subdued to the self harming, hallucinating and suicidal and many of the contributors are those suffering from ailments that those caring for them have little idea how to do much more than manage as best they can. It’s to many of those people, modestly paid and/or volunteers, that this documentary pays a tribute and though it is undoubtedly a tough and harrowing watch at times, it’s their efforts that suggest that in some cases there is hope of help. At times I did feel the camerawork a bit too intrusive, but there are loads of personalities here and though traumatic at times, it is a film that promotes and challenges opinions across the board.