Popularity: 1 (history)
Director: | Steve Miner |
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Writer: | Carol Black |
Staring: |
A white prospective grad student's affluent family won't pay his way through law school, so he takes tanning pills to darken his skin in order to qualify for an African-American scholarship at Harvard. He soon gets more than he bargained for, as he begins to learn what life is really like for blacks in America. | |
Release Date: | Oct 24, 1986 |
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Director: | Steve Miner |
Writer: | Carol Black |
Genres: | Comedy |
Keywords | secret identity, harvard university, college, scholarship, los angeles, california |
Production Companies | The Steve Tisch Company |
Box Office |
Revenue: $35,000,000
Budget: $4,500,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
C. Thomas Howell | Mark Watson |
Rae Dawn Chong | Sarah Walker |
Arye Gross | Gordon Bloomfeld |
James Earl Jones | Professor Banks |
Melora Hardin | Whitney Dunbar |
Leslie Nielsen | Mr. Dunbar |
Ann Walker | Mrs. Dunbar |
James B. Sikking | Bill Watson |
Max Wright | Dr. Aronson |
Jeff Altman | Ray McGrady |
Julia Louis-Dreyfus | Lisa Stimson |
Maree Cheatham | Dorothy Watson |
Wallace Langham | Barky Brewer |
Eric Schiff | Booey Fraser |
Ron Reagan | Frank |
Mark Neely | Brad Small |
David Reynolds | Ernie |
Wolfe Perry | Leon |
Jerry Pavlon | Bruce Wizansky |
Laurel Green | Zendel |
John David Bland | Seth |
Jonathan 'Fudge' Leonard | George Walker |
Felix Nelson | Mr. Walker |
Betty Cole | Mrs. Walker |
Bo Mancuso | Bundy Dunbar |
Donald Hotton | Mr. Wicher |
Linda Hoy | Mrs. Sherwood |
Robert Burleigh | Bouchard Man |
Jonathan Wise | Andrew |
Amy Stoch | Kim |
Paul O'Brien | Officer Schkolnick |
M.C. Gainey | Jail Cell Bigot |
Freddie Dawson | D.J. |
Name | Job |
---|---|
Steve Miner | Director |
Josh King | Second Assistant Director |
Don Diers | Art Direction |
Gene Serdena | Set Dresser |
Doug Lefler | Storyboard Artist |
Steve M. Davison | Stunts |
Pat Romano | Stunts |
David Finfer | Editor |
John Krenz Reinhart Jr. | Construction Coordinator, Art Direction |
Gregg Fonseca | Production Design |
Anne Tamrazi | Assistant Property Master |
Kelly Elder McGowen | Second Assistant Camera |
Sharon Simonaire | Costume Design |
Enid Arias | Hairstylist |
Ricky Perez | Electrician |
Clarence Brown | Grip |
Joseph A. Liuzzi | Location Manager |
Roger George | Special Effects |
Chris Howell | Stunt Coordinator |
Gordon Ecker | Supervising Sound Editor |
Karen G. Wilson | Sound Editor |
Carol Black | Screenplay |
David Anderle | Music Supervisor |
Betsy Magruder | First Assistant Director |
Dorree Cooper | Set Decoration |
Donna Smith | Production Manager, Line Producer |
Robert L. Blatman | First Assistant Camera |
Karen Golden | Script Supervisor |
Devora Fischa | Makeup Artist |
Paul McIlvaine | Best Boy Electric |
Khan Griffith | Dolly Grip |
Steve Sollars | Boom Operator |
Michelle Solotar | Production Coordinator |
Michael Reinhart | Construction Foreman |
Hal Lary | Transportation Captain |
Nina Saxon | Title Designer |
David A. Whittaker | Sound Editor |
Sherman Waze | Sound Editor |
Shawn Sykora | Assistant Sound Editor |
Gregg Rudloff | Sound Re-Recording Mixer |
William H. Burton Sr. | Stunts |
Jeffrey Jur | Director of Photography |
Tom Scott | Original Music Composer |
Kirk Corwin | Property Master |
Larry Fulton | Set Designer |
Stuart B. Hagen | Second Second Assistant Director |
Melissa Skoff | Casting |
Lisa Dean | Set Dresser |
Elizabeth Flaherty | Art Department Coordinator |
Michael Becker | Still Photographer |
Christopher Brooks | Supervising Music Editor |
Karen Bean | Gaffer |
Donne Daniels | Key Grip |
Don Summer | Sound Mixer |
Dianne Mapp-Cheek | Production Accountant |
Mike Padovich | Transportation Coordinator |
Deborah Ross | Title Designer |
John Leveque | Sound Editor |
Marvin Walowitz | Sound Editor |
Becky Sullivan | ADR Editor |
David E. Campbell | Sound Re-Recording Mixer |
David Burton | Stunts |
Richard E. Yawn | Foley Editor |
John T. Reitz | Sound Re-Recording Mixer |
Lois Trent-Bring | Negative Cutter |
Name | Title |
---|---|
Steve Tisch | Producer |
Bernie Goldmann | Associate Producer |
Stephen Vaughan | Associate Producer |
Carol Black | Co-Producer |
Neal Marlens | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 57 | 17 |
2024 | 5 | 65 | 80 | 53 |
2024 | 6 | 36 | 72 | 21 |
2024 | 7 | 18 | 33 | 9 |
2024 | 8 | 14 | 22 | 8 |
2024 | 9 | 10 | 15 | 6 |
2024 | 10 | 14 | 23 | 8 |
2024 | 11 | 14 | 35 | 7 |
2024 | 12 | 12 | 17 | 8 |
2025 | 1 | 12 | 23 | 7 |
2025 | 2 | 8 | 14 | 3 |
2025 | 3 | 4 | 10 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
Trending Position
**Soul Man** Had heard a bit about this movie before I saw it, many times refered to as being racist. In fact COMPLEX MAGAZINE listed it as number 4 on a 'most racist movies' list they made. Watching it, I must say it's a whole lot less racist than I expected it to be. In fact I wouldn't call ... it racist at all. It's about a white guy who gets into Harvard but can't afford to go there so he looks for scholarships that he can take but the only one applicable to him is one designed for African Americans. So he fakes being black (with full blackface makeover and a 80's jerrycurl to match) and gets it. There is of course a stigma around blackfaces stemming from early 20th century films where white people would dress up as black people and make fun of them and make them look stupid etc. But to say that this movie is racist for that reason alone is very simpleminded. Cause even though the guy does put on a blackface, there is not a malicious intent behind it. And he does learn a thing or two about racism himself as the movie progresses. I would probably argue that if anything it's more racist towards whites and perhaps a general white perception of blackness (at least of the time) than it is of blacks. But even that would be a bit of a stretch. Anyways slightly overthinking it here perhaps, as it is in fact not a too serious movie but a comedy. And as a comedy, albeit it has a bit of a rough start it works pretty good. It's no masterpiece or anything and it could have done with some editing cutting it down by 15-20 minutes or so. But overall a decent and fairly harmless watch that does manage to convey a pretty good message while also gathering up some big laughs ocassionally.