The Moor
Out there, we are all lost.
2024 | 120m | English
Popularity: 1 (history)
| Director: | Chris Cronin |
|---|---|
| Writer: | Paul Thomas |
| Staring: |
| Claire is approached by the father of her murdered childhood friend to help investigate the haunted moor he believes is his son's final resting place. | |
| Release Date: | Jun 14, 2024 |
|---|---|
| Director: | Chris Cronin |
| Writer: | Paul Thomas |
| Genres: | Horror, Drama, Mystery |
| Keywords | father, yorkshire, grief, serial killer, paganism, missing child, search party, folk horror, demonic, moor |
| Production Companies | Nuclear Tangerine |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Mar 03, 2026 Entered: Apr 27, 2024 |
| Name | Character |
|---|---|
| Sophia La Porta | Claire |
| David Edward-Robertson | Bill |
| Elizabeth Dormer-Phillips | Eleanor |
| Mark Peachey | Alex |
| Vicki Hackett | Liz |
| Bernard Hill | Thornley |
| Dexter Sol Ansell | Danny |
| Margaret Brearey | Tracey |
| Trevor Dwyer-Lynch | Mr. Hobson |
| Velton Lishke | Detective |
| Duggal Ram | Ashad |
| Billie Suggett | Young Claire |
| Mia Vore | Becky |
| Jack Wagman | Police Officer |
| Mark Williams | The Prisoner |
| Aatif Ati Zafer | Lead Archaeologist |
| Name | Job |
|---|---|
| Ryan Sweetman | Foley Mixer |
| Chris Cronin | Director |
| Paul Thomas | Writer |
| Nir Perlman | Music |
| Jess Manning | Makeup Artist |
| Mita Patel | Makeup Department Head |
| Sabrina Tait | Assistant Makeup Artist |
| Jordan Fleming | Unit Production Manager |
| Georgia Padfield | Unit Production Manager |
| Kyle Brearey | First Assistant Director |
| Dax G Cook | Props |
| Michael Coyle | Props |
| Alex Gregson | Sound Mixer |
| Andrew Layfield | Sound Designer |
| Martin Jones | Special Effects |
| Scott McIntyre | Special Effects Supervisor |
| Iain McDonald | Special Effects |
| Lucas Hanwell | Visual Effects Producer |
| Richard Van De Steenoven | Compositing Supervisor |
| Eleanor Fowler | Compositor |
| Damon Gough | Compositor |
| Daniel Cooper | Rotoscoping Artist |
| Lewis Powis | Rotoscoping Artist |
| Josh Morris | Rotoscoping Artist |
| Carly Brown | Costume Supervisor |
| Tom Majerski | Colorist |
| Lisa Collins | Script Supervisor |
| Kaitlin Michaels | Script Supervisor |
| Andrew Oldbury | Thanks |
| Nathan Mark Willmott | Title Designer |
| Sam Cronin | Director of Photography |
| Pawel Pracz | Editor |
| Benjamin Newsome | Casting |
| Name | Title |
|---|
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 4 | 11 | 1 |
| 2024 | 6 | 8 | 22 | 3 |
| 2024 | 7 | 10 | 17 | 3 |
| 2024 | 8 | 7 | 16 | 3 |
| 2024 | 9 | 5 | 10 | 3 |
| 2024 | 10 | 3 | 9 | 1 |
| 2024 | 11 | 5 | 19 | 2 |
| 2024 | 12 | 227 | 665 | 7 |
| 2025 | 1 | 235 | 379 | 133 |
| 2025 | 2 | 106 | 215 | 21 |
| 2025 | 3 | 24 | 115 | 1 |
| 2025 | 4 | 7 | 10 | 5 |
| 2025 | 5 | 3 | 5 | 3 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 2 | 2 | 1 |
| 2025 | 8 | 1 | 2 | 1 |
| 2025 | 9 | 1 | 2 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
| 2025 | 11 | 3 | 6 | 1 |
| 2025 | 12 | 4 | 7 | 1 |
| 2026 | 1 | 2 | 4 | 0 |
| 2026 | 2 | 1 | 1 | 0 |
| 2026 | 3 | 1 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 3 | 359 | 715 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 132 | 374 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 782 | 896 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 346 | 746 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 99 | 175 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 767 | 767 |
This one starts out with a Horrorific incident, and then time passes and enough has been accomplished, most definitely not enough for those whom it matters to. The view of the land in the film is definitely Breathtaking, and at the same time, it is still very Terrifying to be in or lost within. I d ... on't know how to explain this, yet the Ambiance of the atmosphere is Deafening and also a bit Overwhelming. As Heartbreaking as the film is, there are glimpses of Hope that poke through. It looks as if we're messing with something older than time, possibly, and even they aren't sure what's going on either. Such a bold tale and beyond engaging for Horror Folklore or Mythology fans, in so freaking engrossed with this tale. Such a crazy Heartbreaking end to the Madness that is this film, I must, absolutely must watch again.