King of Jazz
A NEW ERA in sound and color entertainment!
1930 | 100m | English
Popularity: 0.9 (history)
| Director: | John Murray Anderson |
|---|---|
| Writer: | Harry Ruskin |
| Staring: |
| A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions. | |
| Release Date: | Apr 20, 1930 |
|---|---|
| Director: | John Murray Anderson |
| Writer: | Harry Ruskin |
| Genres: | Animation, Music |
| Keywords | dance, sketch comedy, pre-code, big band |
| Production Companies | Universal Pictures |
| Box Office |
Revenue: $0
Budget: $2,000,000 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Paul Whiteman | Paul Whiteman |
| John Boles | Vocalist ('Song of the Dawn' / 'It Happened in Monterey') |
| Jeanie Lang | Vocalist ('I'd Like To Do Things For You' / 'Ragamuffin Romeo') |
| Laura La Plante | Editor ('Ladies of the Press') / Stenographer ('In Conference') / Quartet Member, 'Nellie' |
| Jeanette Loff | Vocalist ('It Happened in Monterey' / 'Bridal Veil' / 'A Bench in the Park') |
| Glenn Tryon | Executive ('In Conference') / Unmarried Husband |
| William Kent | General ('All Noisy on the Eastern Front') / Goldfish Owner ('Oh! Forevermore!') / Unmarried Couple's Offspring / Vocal ('Do Things For You') |
| Slim Summerville | Automobile Owner ('Springtime') / Rear End of Horse / Charles |
| Kathryn Crawford | Fourth Reporter ('Ladies of the Press') |
| Carla Laemmle | Chorine (as Beth Laemmle) |
| Stanley Smith | Bridegroom ('Bridal Veil' / 'A Bench in the Park') |
| Charles Irwin | Himself, Announcer / Soldier ('All Noisy on the Eastern Front') |
| George Chiles | Dancer ('It Happened in Monterey' / Vocalist 'A Bench in the Park' / 'Ragamuffin Romeo') |
| Jack White | Jack White |
| Frank Leslie | Quartet Lead Singer ('Nellie') |
| Walter Brennan | Desk Sergeant ('Springtime') / Soldier ('All Noisy on the Eastern Front') / Waiter ('Oh! Forevermore!') / Front End of Horse / Quartet Member ('Nellie') |
| Churchill Ross | Quartet Member ('Nellie') |
| John Arledge | First Pianist at Giant Piano ('Rhapsody in Blue') / Quartet Member ('Nellie') (as Johnson Arledge) |
| Al Norman | Rubber Legs Dancer ('Happy Feet') |
| Jacques Cartier | Voodoo Dancer ("Rhapsody in Blue") |
| Nell O'Day | Dancer |
| Marion Stattler | Specialty Dancer 'Ragamuffin Romeo' / 'Melting Pot' |
| Don Rose | Specialty Dancer 'Ragamuffin Romeo' |
| Bobbe Brox | Bobbe (as The Brox Sisters) |
| Patricia Brox | Kathlyn (as The Brox Sisters) |
| Lorayne Brox | Lorraine (as The Brox Sisters) |
| Bing Crosby | Trio Singer (as The Rhythm Boys) |
| Yola d'Avril | Automobile Owner's Wife ("Springtime") / Marie ("All Noisy on the Eastern Front") (uncredited) |
| Marcia Mae Jones | Child ('Bridal Veil') (uncredited) |
| Bela Lugosi | Emcee - Hungarian Version |
| Joan Marsh | Blonde ("A Bench in the Park") (uncredited) |
| Harry Barris | Trio Singer (as The Rhythm Boys) |
| Al Rinker | Trio Singer (as The Rhythm Boys) |
| Name | Job |
|---|---|
| Harry Ruskin | Writer |
| Milton Ager | Songs |
| George Gershwin | Additional Music |
| Carl Laemmle | Presenter |
| Billy Rose | Additional Music |
| Hal Mohr | Director of Photography |
| Jack Yellen | Songs |
| Russell Markert | Choreographer |
| John Murray Anderson | Director |
| Jerome Ash | Director of Photography |
| Ray Rennahan | Director of Photography |
| Robert Carlisle | Editor |
| Herman Rosse | Art Direction, Costume Design |
| Roswell A. Hoffmann | Special Effects Assistant |
| Edward T. Lowe Jr. | Scenario Writer |
| Alfonso Corelli | Music |
| Robert Ross | Assistant Director |
| Thomas F. O'Neill | Assistant Art Director |
| C. Roy Hunter | Recording Supervision |
| Eddie Ellsworth | Still Photographer |
| William Nolan | Animation |
| Maurice Pivar | Supervising Editor |
| James Dietrich | Additional Music |
| Ferde Grofé Sr. | Orchestrator, Music Director |
| Mabel Wayne | Additional Music |
| Jack Pierce | Makeup Artist |
| Walter Lantz | Animation |
| Pál Fejős | Assistant Director |
| Name | Title |
|---|---|
| Carl Laemmle Jr. | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 15 | 2 |
| 2024 | 5 | 7 | 14 | 4 |
| 2024 | 6 | 5 | 11 | 2 |
| 2024 | 7 | 7 | 18 | 3 |
| 2024 | 8 | 7 | 15 | 3 |
| 2024 | 9 | 5 | 7 | 3 |
| 2024 | 10 | 8 | 13 | 3 |
| 2024 | 11 | 5 | 14 | 2 |
| 2024 | 12 | 4 | 7 | 2 |
| 2025 | 1 | 4 | 8 | 2 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 3 | 6 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 4 | 2 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 2 | 7 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
The title of this film is a touch misleading. I was expecting much more of a jazz-based musical revue but instead got pretty much a whole gamut of colourful and precisely staged repertoire. Paul Whiteman and his accomplished orchestra provide the conduit, as it were, as a variety of performers sing, ... dance and make us laugh (or cringe) for the next hundred minutes. There's a bit of Bing Crosby's first screen appearance with the "Rhythm Boys" doing a lively version of "Happy Feet" and probably my favourite staging of George Gershwin's "Rhapsody in Blue" - featuring an orchestra within the belly of the grandest of pianos. What this illustrates really effectively is the huge variety of musical skills that audiences in 1930 could expect to see, and at just how versatile the orchestra was when it came to playing themes from just about every genre. Whoever thought about playing some patriotic Souza on a bicycle pump? It looks great and it sounds good but for me, not being an American, too many of the acts - especially the comedy - didn't really travel. The production itself, though probably impractical to deliver, needed a live audience to breathe some life into it. The skills there are superb, but the whole thing is just a bit sterile and lifeless. As an history of what engaged the American people in the 1920s, this in still an interesting piece of entertainment nostalgia, though - and it is worth a watch.