Popularity: 2 (history)
Director: | Sam Raimi |
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Writer: | Scott B. Smith |
Staring: |
Captivated by the lure of sudden wealth, the quiet rural lives of two brothers erupt into conflicts of greed, paranoia and distrust when over $4 million in cash is discovered at the remote site of a downed small airplane. Their simple plan to retain the money while avoiding detection opens a Pandora's box when the fear of getting caught triggers panicked behavior and leads to virulent consequences. | |
Release Date: | Dec 11, 1998 |
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Director: | Sam Raimi |
Writer: | Scott B. Smith |
Genres: | Drama, Crime, Thriller |
Keywords | sibling relationship, based on novel or book, money delivery, minnesota, airplane, greed, friendship, snow, bag of money, police officer, financial transactions, neo-noir, plane wreck |
Production Companies | Paramount Pictures, Newmarket Capital Group, TOHO-TOWA, Mutual Film Company, Tele München, BBC, Marubeni, Savoy Pictures, UGC PH |
Box Office |
Revenue: $16,316,273
Budget: $17,000,000 |
Updates |
Updated: Aug 02, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Billy Bob Thornton | Jacob Mitchell |
Bill Paxton | Hank Mitchell |
Bridget Fonda | Sarah Mitchell |
Brent Briscoe | Lou Chambers |
Jack Walsh | Tom Butler |
Chelcie Ross | Carl Jenkins |
Becky Ann Baker | Nancy Chambers |
Gary Cole | Baxter |
Bob Davis | FBI Agent Renkins |
Peter Syvertsen | FBI Agent Freemont |
Tom Carey | Dwight Stephanson |
John Paxton | Mr. Schmitt |
Marie Mathay | News Reporter |
Paul Magers | Anchorman |
Joan Steffend | Anchorwoman |
Jill Sayre | Hospital Nurse |
Wayne A. Evenson | Bartender |
Tim Storms | Drinker |
Terry Hempleman | Dead Pilot |
Jay Gjernes | Bearded Man |
Grant Curtis | Bar Patron |
Solomon Abrams | Bar Patron |
Nina Kaczorowski | Bar Patron |
Thomas Boedy | Priest |
Mary Woolever | Linda |
Rhiannon R. Sauers | Girl on Sled |
Christopher Gallus | Boy on Sled |
Eric Cegon | Tommy |
Robert Martin Halverson | Detective |
Roger Watton | Barber |
Frank Beard | Funeral Party Member (uncredited) |
Steven Gilmer | Funeral Director (uncredited) |
Name | Job |
---|---|
Alar Kivilo | Director of Photography |
Sam Raimi | Director |
Danny Elfman | Original Music Composer |
Julie Weiss | Costume Design |
Ilene Starger | Casting |
James Fierro | Stunts |
Jake McKinnon | Makeup Effects |
Barbara Harris | ADR Voice Casting |
Wayne Toth | Makeup Effects |
Spice Williams-Crosby | Stunts |
Howard Berger | Makeup Supervisor |
Robert Kurtzman | Makeup Effects |
Dave Halls | Second Second Assistant Director |
Michael Anthony Jackson | Storyboard Artist |
Jay Caputo | Stunt Coordinator |
Matthew W. Mungle | Special Effects Makeup Artist |
Robin R. Oliver | Second Assistant Director |
John Barry McMahon | Painter |
John Berger | Assistant Art Director |
Amie McCarthy Winn | Property Master |
Peter Clemence | Second Company Grip |
Steve Bartek | Orchestrator |
Robert Tapert | Thanks |
Scott B. Smith | Novel, Screenplay |
Monty Rowan | Camera Operator |
Hilton Rosemarin | Set Decoration |
James F. Truesdale | Art Direction |
Lynne K. Eagan | Makeup Artist |
Patrizia von Brandenstein | Production Design |
Eric L. Beason | Editor |
Ellen Segal | Music Editor |
Thomas O'Connor | Gaffer |
Frederick H. Stahly | Dialogue Editor |
Susana Preston | Script Supervisor |
Sean Valla | First Assistant Editor |
Elan Yaari | Gaffer |
Michael D. Wilhoit | Supervising Sound Editor |
Laura Harris Atkinson | Dialogue Editor |
Eric Ramsey | Storyboard Artist |
Craig S. Jaeger | Foley Editor |
Brad Sherman | Sound Re-Recording Mixer |
James Moriana | Foley Artist |
Jim Passon | Color Timer |
Robert C. Carlson | First Assistant "B" Camera |
George Kohut | "B" Camera Operator |
Gary D. Scott | First Assistant Camera |
Kamar Bitar | Makeup Supervisor |
Garrett Immel | Makeup Effects |
Mary Jo Seidl | Assistant Hairstylist |
Janice F. Sperling | Production Coordinator |
Hope Slepak | Costume Supervisor |
Melissa Moseley | Still Photographer |
Kimaree Long | Dialogue Editor |
Greg Walker | Stunts |
Gary Mundheim | Foley Editor |
David W. Alstadter | Foley Mixer |
Tyler Osman | Construction Coordinator |
Theresa Repola Mohammed | Negative Cutter |
Ed Dally | Second Assistant "B" Camera |
Peter Kuttner | First Assistant Camera |
Afshin Shahidi | Second Assistant Camera |
Crist Ballas | Special Effects Makeup Artist |
Sherry Heart | Makeup & Hair |
Karen Keener | Makeup Effects |
Kim Santantonio | Hair Supervisor |
Joe Dishner | Unit Production Manager |
Newt Arnold | First Assistant Director |
Ron Bedrosian | ADR Mixer |
Melissa Sherwood Hofmann | Sound Re-Recording Mixer |
Jeffrey Wilhoit | Foley Artist |
Marc Scott | Transportation Coordinator |
Greg Bubb | "B" Camera Operator |
Milo Durben | Dolly Grip |
Paul Ryan | Second Unit Director of Photography |
J.R. Thompson | First Assistant "B" Camera |
Ted Haines | Makeup Effects |
Janeen Schreyer | Makeup Supervisor |
Dave Wogh | Makeup Effects |
Julie Hartley | Production Supervisor |
Alton Anderson | Painter |
Adam Beck | Property Master |
Sarah Black | Painter |
John Alan Champion | Set Dresser |
Kimberly Lawler | Painter |
Troy Osman | Construction Foreman |
Rando Schmook | Set Designer |
Cathy Shapiro | Painter |
Thomas Torrison | Painter |
Douglas Weatherhead | Painter |
Harve Cook | Cableman |
Julie Lucas | Foley Recordist |
Kelly Oxford | Sound Editor |
Drew Webster | Sound Mixer |
Mike Gulenchyn | Special Effects Assistant |
John D. Milinac | Special Effects Supervisor |
Will McCoy | Digital Compositor |
Mark Franco | Executive Visual Effects Producer |
George Hernandez | Post Production Supervisor |
Joseph Barillaro | Painter |
Curtis Bellows | Painter |
Chad Busewicz | Painter |
Kelly Hemenway | Scenic Artist |
Cyril H. Matthys | Set Dresser |
Joel Prihoda | Leadman |
Tim Schwob | Construction Foreman |
Stuart Skrien | Set Dresser |
Scott Troha | Set Dresser |
William A. Wilson | Set Dresser |
Dana Porter | ADR Recordist |
Dino DiMuro | Sound Editor |
Philip D. Morrill | Sound Assistant |
Alan Rankin | Sound Editor |
Scott Wolf | ADR Editor |
Rodman Kiser | Special Effects |
Brett Tardiff | Special Effects Assistant |
John Rauh | Digital Compositor |
Dave Rand | VFX Artist |
Eric D. Howell | Stunts |
Christopher Devitt | Electrician |
Tom Franchett | Assistant Chief Lighting Technician |
Michael Hoffer | Rigging Grip |
Michelle Mann | Camera Technician |
Rory Olson | Electrician |
George Fortmuller | Second Unit First Assistant Director |
Bill Cancienne | Property Master |
Deeanna Langely | Painter |
Scott Nordhausen | Set Dresser |
Michelle Roy | Painter |
F. Andrew Scott | Painter |
Joshua Sundby | Property Master |
Susan J. Tveit | Art Department Coordinator |
Patricia Lamberti | Sound Assistant |
Nick Kharabadz | First Assistant Sound Editor |
Christopher O'Donnell | Boom Operator |
Scott Sanders | Sound Editor |
Marc Mahowald | Special Effects Assistant |
Nate Courteau | Special Effects Makeup Artist |
Brigitte Bourque | Visual Effects Compositor |
Matt Linder | VFX Artist |
Benjamin Meade | Stunt Double |
Joseph Dianda | First Company Grip |
Dave Gillen | Electrician |
Christopher Hultgren | Electrician |
David Meyers | Gaffer |
James Schaidler | Grip |
Steve Speers | Camera Loader |
Jeff Villars | Rigging Grip |
Lynn Blumenthal | Casting |
Sonya 'Sonny' Tormoen | Extras Casting |
Erin Sahlstrom | Extras Casting Assistant |
Trina Mrnak | Set Costumer |
Vincent Donohue | Rigging Gaffer |
Michael Handley | Assistant Chief Lighting Technician |
Chris Malone | Electrician |
Timothy O'Toole | Video Assist Operator |
Joseph Slagerman | Electrician |
Laura Mae Sutherland-Bobick | Camera Loader |
Wilson Webb | Electrician |
Nancy Briggs | Casting Assistant |
Elisabeth Davies | Extras Casting |
Janice Wilde | Casting Assistant |
Reese Spensley | Key Costumer, Set Costumer |
Susan Strubel | Costume Assistant |
Amanda M. Pirkl | Post Production Assistant |
Bob Medcraft | Location Manager |
Artie Kane | Conductor |
Edgardo Simone | Orchestrator |
Christopher Slater | Electrician |
Laura Holzschuh | Camera Loader |
Gerard Riautschnig | Grip |
Kim Miscia | Casting Associate |
David Pollison | Casting Associate |
Nancy Mrnak | Seamstress |
Patrick Gallagher | Assistant Editor |
Mark Har | Assistant Location Manager |
Marc Mann | Orchestrator |
Linda Kuusisto | Script Supervisor |
Spence Spensley | Set Costumer |
Lynel Moore | Assistant Editor |
Anne Healy | Location Manager |
Tod Holcomb | Music Editor |
Shawn Murphy | Scoring Mixer |
Paul Asplund | Assistant Production Coordinator |
Ron Pipes | Special Effects Makeup Artist |
Margaret J. Orlando | Assistant Production Coordinator |
Arthur Coburn | Editor |
Doug Lefler | Second Unit Director |
Doug Shamburger | Boom Operator |
Ed Novick | Sound Mixer |
Christopher Doyle | Stunt Coordinator |
Name | Title |
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Mark Gordon | Executive Producer |
Michael Polaire | Co-Producer |
James Jacks | Producer |
Adam Schroeder | Producer |
Gary Levinsohn | Executive Producer |
Organization | Category | Person | |
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BAFTA Awards | Best Supporting Actress | Bridget Fonda | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 26 | 40 | 17 |
2024 | 5 | 38 | 72 | 23 |
2024 | 6 | 31 | 54 | 14 |
2024 | 7 | 25 | 47 | 12 |
2024 | 8 | 27 | 63 | 14 |
2024 | 9 | 21 | 37 | 16 |
2024 | 10 | 22 | 41 | 12 |
2024 | 11 | 32 | 88 | 15 |
2024 | 12 | 20 | 42 | 14 |
2025 | 1 | 20 | 29 | 13 |
2025 | 2 | 15 | 24 | 3 |
2025 | 3 | 7 | 25 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 403 | 698 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 3 | 715 | 848 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 158 | 443 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 309 | 728 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 213 | 624 |
Do you ever feel evil? A Simple Plan is directed by Sam Raimi and adapted to screenplay by Scott Smith from his own novel of the same name. It stars Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe, Chelcie Ross and Jack Walsh. Music is by Danny Elfman and cinematography by Alar Kivi ... lo. The snowy wilds of Midwest America, and two brothers and one friend unearth a crashed plane in the snow that hosts one dead pilot and a duffel bag with over $4 million dollars stashed inside. It's moral quandary time. Keep the money as it's probably drug money anyway, tell the police, or sit on it and wait to see what happens? A decision is made, and it literally turns everyone's life upside down... Scott B. Smith's novel was perfect for a filmic adaptation, in essence it's classic noir with its small town Americanna setting that houses a moral twist of fate that ultimately sees the town implode from within. How refreshing to find the author adapting his own source material, and not only that, to find that it has also gotten a grade "A" production from Raimi and his team. The story is in all truth simple, it asks the characters, and us, what to do when finding so much cash? Fate meant they found it and fate then dealt its moral card, from the point the decision is made, nothing will ever be the same. The tale spins the three male characters, and one pregnant wife, into a vortex of bad decision making and misery. Enter paranoia, greed, murder, panic and a whole host of other bad things to upset the equilibrium that once dominated their mundane, but safe, lives. Director Raimi, who apparently received coaching from his pals Joel and Ethan Coen about how best to work in the snow (the Fargo likeness is well noted by critics), ensures the coldness of the landscape dovetails perfectly with the untangling world of the protagonists. With the frost bitten locale acting as the extra character, and as an accomplice as it happens, Raimi slots in memorable imagery to tickle away at the senses. Animals figure most darkly, with crows and a fox in the hen house beautifully endorsing the themes of decay and the need to kill to survive. While the pacing is sublime, Raimi using a slow dripping tap method that tightens the screws until violence jolts the story, and us, to the precipice. As a character piece it's superbly mounted, where Raimi is indebted to a four pronged delivery of acting performances of some substance. Thornton was rightly lauded for his turn as the slower brother to Paxton's (excellent) all American nice guy, but Briscoe as the "town drunk" best friend and Fonda as the inverted femme fatale wife, also deserve great praise for realisation of characters that bring this Shakespearean neo-noir to vivid life. Elswhere the tech credits are thematically notable. Kivilo's photography is in sync with Raimi's ideals about the snowy backdrop playing a key part, and Elfman's score, while not something to interest potential newcomers to his work, works very well as blunderbuss percussion is replaced by appropriate woodwind that flits about the wooded surrounds with foreboding glee. At the end of the day it comes down to quality of story telling, in that regard A Simple Plan is a first class production. If you haven't seen the film or read the novel, then I certainly would recommend the novel to read first as there are inevitable tone downs in the movie. But that is not detrimental to the film's worth, for the visual version of Smith's novel is engrossing, chilling and poignantly bleak. And away from his Indies, it's still Raimi's most accomplished film so far, and he really should consider doing more neo-noir in the future. 9/10
***Bleak crime drama in the wintery Minnesota woods*** Two brothers & a friend from a small town in Minnesota (Bill Paxton, Billy Bob Thornton and Brent Briscoe) happen upon a crashed plane in the woods, which contains over $4 million in cash. They assume it’s drug money and hatch a simple plan t ... o sit on the money until spring when the plane is discovered; if no one legitimately claims it they’ll divvy it up. But things don’t go according to plan due to idiocy, mistrust and greed. Bridget Fonda is on hand as the main protagonist’s wife. Directed by Sam Raimi before his ultra-success with the Spider-Man trilogy, "A Simple Plan” (1998) was written by Scott B. Smith based on his page-turning book of the same name (there are enough changes to make both worthwhile). The wintery Minnesota setting is fitting for the bleak psychological drama. Speaking of which, the best thing about this movie is its exploration of human nature and how “the love of money is the root of all kinds of evil,” as the Bible puts it. The movie effectively shows how basically good and normal people can be corrupted by the temptation of easy wealth; so corrupted that he or she is suddenly willing to murder, lie and connive. The story works so well because of the three well-defined characters. We’ve all met these types in real life: The wholesome, educated man who’s not quite living up to his potential and yet is generally satisfied; the loser, screw-up who’s never been with a girl even though he’s in his 40s; and the annoying redneck hick. The film runs 2 hours and was shot in Minnesota (Delano, St. Paul & Golden Valley) and Wisconsin (Ashland). GRADE: A-
Yikes, talk about money being the root of all evil! "Hank" (Bill Paxton), brother "Jacob" (Billy Bob Thornton) and their friend "Lou" (Brent Briscoe) are out hunting in the snowy wilderness when they discover the wreck of a plane. The pilot's corpse is still at the controls but they are more interes ... ted in the contents of a sports bag. It's got over $4m in it! What to do? Hand it in? Put it back? Keep it? Well the whole story is set against a backdrop of a less attractive American dream with a paucity of opportunity for any of these men. "Hank" will soon be a father and "Jacob" is determined to reclaim a family farm that was foreclosed upon years earlier. Decision made! Initially they are organised and disciplined. No splashing the cash, taking things responsibly and keeping under the radar - but gradually that disciple starts to crack. Not least because the expecting "Sarah" (Bridget Fonda) is conceivably even more determined to use the cash than the men who found it. Pressures begin to build, trusts begin to fray and some newspaper clippings inform them a little more of the likely source of their windfall. With the arrival of the FBI - well things turn sour on just about every level. It's Thornton who takes the plaudits here with an understated effort as probably the most principled of the men but all three work well together, with the increasingly Fonda stoking the fire, and though maybe just a little drastically far-fetched towards the end, this is quite a telling story of just what people might be prepared to do to better their lot. It's setting amidst the cold and darkness coupled with a rather benign small-town mentality (especially amongst local law enforcement) serves the scenario effectively as a sleepy town where nothing much ever happens starts to resemble something from an horror film. It's carefully written with little excess dialogue cluttering up a story of bad choices eliciting even worse ones, and is well worth a couple of hour.