The Strangers: Chapter 2
Survival was just the beginning.
2025 | 98m | English
Popularity: 8 (history)
| Director: | Renny Harlin |
|---|---|
| Writer: | Alan Freedland, Alan R. Cohen |
| Staring: |
| When The Strangers learn that one of their victims, Maya, is still alive, they return to finish what they’ve started. | |
| Release Date: | Sep 25, 2025 |
|---|---|
| Director: | Renny Harlin |
| Writer: | Alan Freedland, Alan R. Cohen |
| Genres: | |
| Keywords | ambulance, reboot, masked maniac |
| Production Companies | Lionsgate, Lipsync Productions, Sherbone Media, Fifth Element Productions, Stream Media |
| Box Office |
Revenue: $21,921,749
Budget: $8,000,000 |
| Updates |
Updated: Jan 23, 2026 Entered: Feb 15, 2025 |
| Name | Character |
|---|---|
| Madelaine Petsch | Maya |
| Froy Gutierrez | Ryan |
| Gabriel Basso | Gregory |
| Ema Horvath | Shelly |
| Brooke Lena Johnson | Nurse Danica |
| Richard Brake | Sheriff Rotter |
| Pedro Leandro | Deputy Walters |
| Rachel Shenton | Debbie |
| Florian Clare | Chris Sampson |
| Janis Ahern | Carol |
| Pablo Sandstrom | Neil |
| JR Esposito | Dr. Tate |
| Sara Freedland | Annie |
| Jamie Taylor Ballesta | Dollface Photo Double |
| Ben Cartwright | Rudy |
| Stevee Davies | Dougie |
| Ella Bruccoleri | Jasmine |
| Nola Wallace | Young Pinup Girl |
| Pippa Blaylock | Young Tamara |
| Jake Cogman | Young Scarecrow |
| Vincent Zaninovich | The Orderly |
| Lily Knight | Shar (Farmer Woman) |
| Eric Hathern | Radio Preacher (voice) |
| Milo Callaghan | Wayne |
| William Lee Rayner | Cook |
| Joplin Sibtain | Billy Bufford |
| Brian Law | EMT Driver |
| Name | Job |
|---|---|
| Bryan Bertino | Characters, Original Film Writer |
| Matt Curtis | Title Designer |
| Renny Harlin | Director |
| José David Montero | Director of Photography |
| Vladimir Orlov | Stunt Coordinator |
| Olivia Kreutzova | Stunt Double |
| Letizia Fabbri | Stunt Double |
| Léa Cochet | Stunt Double |
| Hannah Betts | Stunt Driver |
| Michelle Harrison | Editor |
| Justin Burnett | Original Music Composer |
| Alan Freedland | Screenplay |
| Alan R. Cohen | Screenplay |
| Adrian Curelea | Production Design |
| Oana Draghici | Costume Design |
| Andy Ross | Music Supervisor |
| Òscar Senén | Original Music Composer |
| Blažej Vidlička | Sound Mixer |
| Tomás Mitko | Gaffer |
| Rastislav Slezák | Key Grip |
| James Finlan | Assistant Editor |
| Sophie Dick | Assistant Editor |
| Jordan Edward Tallis | First Assistant Editor |
| Olena Andreitseva | Key Makeup Artist |
| Yanina Berezutska | Key Hair Stylist |
| Mark Roper | First Assistant Director |
| Kristina Sakizli | First Assistant Director |
| Simona Dinu | Second Assistant Director |
| Emilie Balusson | Second Second Assistant Director |
| Luukas Harlin | Second Second Assistant Director |
| Courtney Solomon | Second Unit Director |
| Maria Djidrova | Script Supervisor |
| Adina Zota | Script Supervisor |
| Oleg Gostik | Fight Choreographer |
| Name | Title |
|---|---|
| Courtney Solomon | Producer |
| Roy Lee | Executive Producer |
| Christopher Milburn | Producer |
| Mark Canton | Producer |
| Madelaine Petsch | Executive Producer |
| Gary Raskin | Producer |
| Alastair Burlingham | Producer |
| Charlie Dombek | Producer |
| Alan R. Cohen | Executive Producer |
| Alan Freedland | Executive Producer |
| Dorothy Canton | Executive Producer |
| Paul Weinberg | Executive Producer |
| Norman Merry | Executive Producer |
| Peter Hampden | Executive Producer |
| Kia Jam | Executive Producer |
| Andrei Boncea | Executive Producer |
| Blair Ward | Executive Producer |
| Anders Erdén | Executive Producer |
| Renée Willett | Executive Producer |
| Dennis Pelino | Executive Producer |
| Rafaella Biscayn-Debest | Co-Producer |
| Juan Antonio García Peredo | Co-Producer |
| Alberto Burgueño | Co-Producer |
| Johanna Harlin | Co-Producer |
| Mark Frazier | Co-Producer |
| Evangelo Kioussis | Executive Producer |
| Simon Baxter | Executive Producer |
| Ken Halsband | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 3 | 1 |
| 2024 | 5 | 4 | 12 | 2 |
| 2024 | 6 | 12 | 21 | 3 |
| 2024 | 7 | 15 | 24 | 6 |
| 2024 | 8 | 9 | 16 | 4 |
| 2024 | 9 | 10 | 18 | 6 |
| 2024 | 10 | 10 | 16 | 6 |
| 2024 | 11 | 7 | 13 | 4 |
| 2024 | 12 | 7 | 11 | 5 |
| 2025 | 1 | 10 | 15 | 6 |
| 2025 | 2 | 8 | 14 | 1 |
| 2025 | 3 | 3 | 11 | 0 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 3 | 4 | 1 |
| 2025 | 7 | 2 | 4 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 9 | 22 | 2 |
| 2025 | 10 | 83 | 197 | 15 |
| 2025 | 11 | 43 | 78 | 30 |
| 2025 | 12 | 28 | 34 | 24 |
| 2026 | 1 | 18 | 27 | 8 |
| 2026 | 2 | 9 | 10 | 8 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 165 | 293 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 87 | 363 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 46 | 270 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 19 | 218 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 2 | 89 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 17 | 280 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 247 | 661 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 211 | 660 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 34 | 258 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 297 | 541 |
I should probably have watched the first one of these from last year to remind me because a bit like when “Maya” (Madeleine Petsch) wakes up in hospital, I couldn’t remember what she’d survived either. We are quickly reminded that her and her perfectly manscaped boyfriend “Jeff” (who must have read ... the script so stayed home and trimmed his beard this time) had been gruesomely assaulted by three local spooks bedecked in rudimentary face masks. He’s since gone the way of the dodo, but she managed to make it to the hospital where the cops were aghast at her story. Thing is, though, once her murderous antagonists discover that not only did she she survive, but that she’s in the local hospital, then the scene is set for a chapter two. Preposterousness now ensues in an almost risible fashion, as she is pursued through this almost empty hospital and then out into the woods towards the very cabin in which their misery began. Of course, after last time, she has mastered some rustic ninja skills but unsure who she can trust from this tightly-knit community, what are her chances of survival against the trio of tormentors who want to slice and dice her - just because she is there? The dialogue is barely worth mentioning, the acting plaudits are easily stolen by the masks - at least they a supposed to be plastic, and the frying pan to fire scenarios that unfold make the decision to board the Titanic in 1912 seem entirely risk-free by comparison. The only thing that is truly scary is that this tees up for a sequel, otherwise it’s a shocker in all the wrong ways.