Popularity: 5 (history)
Director: | Greg Berlanti |
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Writer: | Rose Gilroy, Keenan Flynn, Bill Kirstein |
Staring: |
Sparks fly in all directions as marketing maven Kelly Jones, brought in to fix NASA's public image, wreaks havoc on Apollo 11 launch director Cole Davis' already difficult task of putting a man on the moon. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as backup, and the countdown truly begins. | |
Release Date: | Jul 10, 2024 |
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Director: | Greg Berlanti |
Writer: | Rose Gilroy, Keenan Flynn, Bill Kirstein |
Genres: | Comedy, Romance |
Keywords | nasa, space race, apollo program, absurd, amused, romcom, moon landing, nostalgic, 1960s, playful, inspirational, hilarious, admiring, audacious |
Production Companies | Berlanti Productions, These Pictures, Apple Studios |
Box Office |
Revenue: $42,247,783
Budget: $100,000,000 |
Updates |
Updated: Aug 11, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Scarlett Johansson | Kelly Jones |
Channing Tatum | Cole Davis |
Woody Harrelson | Moe Berkus |
Ray Romano | Henry Smalls |
Jim Rash | Lance Vespertine |
Anna Garcia | Ruby Martin |
Donald Watkins | Stu Bryce |
Noah Robbins | Don Harper |
Christian Clemenson | Walter |
Colin Woodell | Buzz Aldrin |
Nick Dillenburg | Neil Armstrong |
Christian Zuber | Michael Collins |
Gene Jones | Senator Hopp |
Joe Chrest | Senator Vanning |
Stephanie Kurtzuba | Jolene Vanning |
Colin Jost | Senator Cook |
Dariusz Wolski | Edvard |
Njema Williams | Wolfie's Joe |
Peter Jacobson | Chuck Meadows |
Lauren Revard | Ella |
Greg Kriek | Henry Look-A-Like |
Bill Barrett | Cole Look-A-Like |
Gary Weeks | Neil Brown |
Todd Allen Durkin | Phil Hunley |
Chris Vroman | Zack Tanner |
Christian Grey Moore | Kelly’s Photographer |
Kade Pittman | Fake Neil |
Trevor Morgan | Fake Buzz |
Todd James Jackson | Gus Grissom |
Peter Wallack | Roger Chaffee |
Jeremy Carr | Ed White |
Eugene Alper | Nikita Khrushchev |
Aidan Patrick Griffin | Yuri Gagarin |
Alan Boell | Midtown Bartender |
Meg Gillentine | Reporter |
Rowan Bousaid | Fuel Engineer |
Robert McLeroy | Bryce Firmage |
Daniel Norris | Police Officer |
Rory Keane | Gantry Engineer |
Joseph Britt | Joseph |
Frank Hughes | Frank |
J. Michael Popovich | Pops |
Mark Armstrong | NY Times Reporter |
Gerry Griffin | Colonel Taylor |
Victor Garber | Senator Hedges (uncredited) |
Kyle S. Brown | Secret Service Agent (uncredited) |
Robert Tinsley | NASA Employee (uncredited) |
Keith Paul Carpenter | NASA Engineer (uncredited) |
Name | Job |
---|---|
Greg Berlanti | Director |
Renae Moneymaker | Stunt Coordinator |
Heidi Moneymaker | Stunt Double, Stunt Coordinator, Second Unit Director |
Mary Zophres | Costume Design |
Deborah La Mia Denaver | Makeup Department Head |
Matthew W. Mungle | Prosthetics Sculptor |
Deborah Rutherford | Makeup Artist |
Timothy M. Earls | Set Designer |
Laurent Kossayan | Sound Re-Recording Mixer, Sound Designer, Supervising Sound Editor |
Tara Feldstein Bennett | Casting |
Amanda Bradley | Stunts |
John Dixon | Stunts |
Michael Hugghins | Stunts |
Dena Sodano | Stunts |
Jewelianna Ramos-Ortiz | Stunt Double |
Ramon Engle | Steadicam Operator |
Eric Salas | Utility Stunts |
Ryan Green | Utility Stunts |
Daniel Pemberton | Original Music Composer |
Dariusz Wolski | Director of Photography |
Nix Herrera | Special Effects Makeup Artist |
Harry Jierjian | Editor |
Shane Valentino | Production Design |
David Batchelor Wilson | Production Design |
Artie Contreras | Art Direction |
Sean Falkner | Art Direction |
Kristen Nowotarski | Art Direction |
Laura Wallgren | Set Decoration |
Lance Aldredge | Hairstylist |
Dawn Angeletti | Makeup Artist |
Merc Arceneaux | Makeup Artist |
Charmaine Balcerzak | Hairstylist |
Deborah Brozovich | Additional Hairstylist |
Larraya Bynum | Hairstylist |
Amber Crowe | Makeup Artist |
Lawrence Davis | Hair Department Head |
Dhyana Forte | Makeup Artist |
Mazena Puksto | Key Makeup Artist |
Don Rutherford | Makeup Artist |
Leo Satkovich | Makeup Artist |
Derrick Spruill | Hairstylist |
Matt Sprunger | Makeup Artist |
Haile Werntz | Makeup Artist |
Christian Agypt | Unit Production Manager |
Cam Everson | Second Second Assistant Director |
Robert S. Hoffman | Second Assistant Director |
Sybil Kim | Production Assistant |
Bradley Parker | Second Unit Director |
Davey Sawitzky | Additional Second Assistant Director |
Rachel Argo | Art Department Coordinator |
Lizbeth Ayala | Assistant Set Decoration |
Carolina Barros | Assistant Property Master |
Kip Bartlett | Assistant Property Master |
Rachel Bell | Set Decoration Buyer |
Michael C. Biddle | Assistant Art Director, Set Designer |
Jameson Buston | Leadman |
James Carson | Concept Artist |
Brett Fahle | Set Dresser |
Alan Farkas | Set Designer |
Forest P. Fischer | Set Designer |
Rusty Grimes II | Set Dresser |
Aaron Robert Hall | On Set Dresser |
Deborah Jurvis | Art Department Coordinator |
Blade Ladish | Set Dresser |
Victor James Martinez | Concept Artist |
David Moreau | Set Designer |
Emmalee Muller | Set Dresser |
Nick Pelham | Storyboard Artist |
Rebecca Runyon | Assistant Art Director |
Philip Schneider | Property Master |
David Soukup | Props |
Sarah Stimpson | Graphic Designer |
John Isaac Watters | Set Designer |
Yu Kil-won | Set Designer |
Shelley Zortman | Assistant Set Decoration |
Rob Disner | Boom Operator |
Christopher Mills | Sound Mixer |
Matthew Nicolay | Sound Mixer |
Kurdice Neal | Utility Sound |
Erick Ocampo | Sound Designer |
Keegan Osburn | Utility Sound |
Daniel Saxlid | Dialogue Editor, ADR Supervisor |
Linda Yeaney | First Assistant Sound Editor |
Matt Dengel | Special Effects Coordinator |
Lee R. LaCaille | Special Effects Technician |
Wayne Rowe | Special Effects Coordinator |
Jeremy Zamora | Special Effects Technician |
Darrell Hall | Music Editor |
Amber Harley | Script Supervisor |
Annie Thompson | Script Supervisor |
Steven Docherty | Transportation Coordinator |
Zabdiel Arocho | Assistant Location Manager |
Andi Behring | Location Scout |
Laura M. Blair | Assistant Location Manager |
Stacey McGillis | Location Manager |
Maida N. Morgan | Location Manager |
Brooks Reynolds | Location Assistant |
Benjamin Sutton | Assistant Location Manager |
James Troutman | Assistant Location Manager |
Kaylee Karlik | Additional Editor, First Assistant Editor |
Jenny Lindamood | Assistant Editor |
Mallory Bradley | Key Costumer |
Lauren Driskill | Costumer |
Dustin Fletcher | Costumer |
Kristen Kadel | Costumer |
Aimee McCue | Costumer |
Donna O'Neal | Costume Supervisor |
Anya Peregrino | Costumer |
Jocelyn Walker | Set Costumer |
Jamie Lynn Catrett | Extras Casting |
Rose Locke | Extras Casting |
Melanie M. Moreno | Extras Casting |
Robb Pendleton | Extras Casting Assistant |
Patrick Rokn | Extras Casting Assistant |
Bailey Vetterick | Extras Casting Assistant |
Tasha Ward | Casting Assistant |
Mario Xavier | Extras Casting |
Diana Upp Warner | Stunts |
Peter Wallack | Stunts |
Josh Mueller | Stunts |
David Besh | Lighting Technician |
Conor Daily | Additional Grip |
Mike Davidson | Best Boy Electric |
Javier Diaz | Video Assist Operator |
Dominic Goodie | Grip |
Peter Graf | Aerial Camera |
Daniel Guadalupe | First Assistant "C" Camera |
Caleb Holland | Camera Operator |
Minseo Joo | Drone Operator |
Daniel C. McFadden | Still Photographer |
Tammy Middleton | Still Photographer |
Ryan Nguyen | Digital Imaging Technician |
Louie Northern | Drone Pilot |
David B. Nowell | Aerial Director of Photography |
Ken Palladino | Best Boy Electric |
Trevor Rios | First Assistant "B" Camera |
Brian Rosso | Additional Camera |
Jesse Roth | "B" Camera Operator |
Steven Serna | Key Grip |
David Shakibanasab | Rigging Gaffer |
Katrienne Soulagnet | Second Assistant "C" Camera |
Joshua Stern | Chief Lighting Technician |
Stephen Stumberg | Video Assist Operator |
Daniel Vlahos | Rigging Grip |
Alex Wahoski | Lighting Technician |
Kevin Wilson | Second Assistant "B" Camera |
William D. Wynn | Dolly Grip |
Sydney Berman | Visual Effects Coordinator |
Shwee Chou | Visual Effects Producer |
Caroline Delgado | Digital Compositor |
Sean Devereaux | Visual Effects Supervisor |
James Dornoff | VFX Director of Photography, Data Wrangler |
Brian Drewes | VFX Production Coordinator |
Jacob Eaton | Visual Effects Producer |
Edward Ferrysienanda | Effects Supervisor |
Mark Owen Forker | Visual Effects Supervisor |
Brian Houlihan | Visual Effects Supervisor |
Beth Howe | Visual Effects Producer |
Kym McCann | Visual Effects Coordinator |
Samantha Slaughter | Visual Effects Coordinator |
Laurens Vermeulen | Digital Compositor |
LaNeisha Watson | Visual Effects Coordinator |
Scott Winston | Visual Effects Supervisor |
Rose Gilroy | Screenplay |
Keenan Flynn | Story |
Bill Kirstein | Story |
Anthony Winn | Storyboard Artist |
C.C. Ice | Utility Stunts |
Lauren Rosenbloom | Supervising Art Director |
Leslie McDonald | Art Direction |
David Stark | Boom Operator |
Chase Paris | Casting |
Josephine Allegretti | Visual Effects |
Kyle Cooper | Main Title Designer |
Name | Title |
---|---|
Sarah Schechter | Producer |
Bob Dohrmann | Executive Producer |
Jonathan Lia | Producer |
Keenan Flynn | Producer |
Scarlett Johansson | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 23 | 34 | 15 |
2024 | 5 | 23 | 30 | 18 |
2024 | 6 | 40 | 72 | 18 |
2024 | 7 | 131 | 243 | 60 |
2024 | 8 | 274 | 818 | 80 |
2024 | 9 | 149 | 263 | 112 |
2024 | 10 | 104 | 140 | 77 |
2024 | 11 | 82 | 115 | 55 |
2024 | 12 | 77 | 108 | 55 |
2025 | 1 | 67 | 91 | 43 |
2025 | 2 | 43 | 69 | 7 |
2025 | 3 | 15 | 52 | 4 |
2025 | 4 | 9 | 14 | 6 |
2025 | 5 | 8 | 15 | 6 |
2025 | 6 | 6 | 9 | 4 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 4 | 7 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 731 | 836 |
Year | Month | High | Avg |
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2025 | 8 | 491 | 755 |
Year | Month | High | Avg |
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2025 | 7 | 198 | 656 |
Year | Month | High | Avg |
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2025 | 6 | 278 | 735 |
Year | Month | High | Avg |
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2025 | 5 | 299 | 764 |
Year | Month | High | Avg |
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2025 | 4 | 81 | 684 |
Year | Month | High | Avg |
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2025 | 3 | 123 | 680 |
Year | Month | High | Avg |
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2025 | 2 | 472 | 740 |
Year | Month | High | Avg |
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2025 | 1 | 119 | 500 |
Year | Month | High | Avg |
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2024 | 12 | 52 | 398 |
Year | Month | High | Avg |
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2024 | 11 | 307 | 650 |
Year | Month | High | Avg |
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2024 | 10 | 118 | 331 |
Year | Month | High | Avg |
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2024 | 9 | 40 | 136 |
Year | Month | High | Avg |
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2024 | 8 | 1 | 94 |
"Cole Davis" (Channing Tatum) is the launch director at Cape Canaveral and is charged with getting the Apollo 11 mission to the moon (and back!). Thing is, with the Vietnam war in full swing the public have rather lost interest in the space race with the USSR. Presidential adviser "Moe" (Woody Harre ... lson) hits on the idea of bringing in marketing specialist "Kelly" (Scarlett Johansson) to spruce things up and get the public - and the US Senate - more engaged with the project before it runs out of money and impetus. She's pushy and brassy and "Cole" hates her! Thing is, though, he also starts to realise that she's not half bad at the hoodwinking game and seems to be making some headway engaging sponsors and senators alike with the aspirations of Messrs. Armstrong and Aldrin to set foot in the Sea of Tranquility. With public interest piqued, "Moe" realises that the last thing they need is a flop, so he tells "Kelly" to create a moonscape and get in her favourite director - "Lance Vespertine" (Jim Rash doing his best Stanley Tucci) to essentially make their own, terrestrial, version of the landings that can be shown to the public should the worst case scenario actually occur. With her and "Cole" becoming closer and the launch date now imminent, it's soon clear that this isn't just a contingency plan - and that might finally present the unflappable "Kelly" with a moral dilemma she can't easily shrug off. What to do? It's quite entertaining, this, with Johansson clearly enjoying herself playing a myriad of parts within her character and there's a decent spark with the better than usual Tatum as the story swipes at politics (largely thanks to a playfully devious effort from Harrelson) and advertising whilst we learn that she is not quite the woman she seems to be. At times the writing is quite funny and the whole thing offers lunar conspiracy theorists (and the disbelieving Soviets) the perfect opportunity for the mother of wet dreams. There's plenty of rocket photography and though maybe just twenty minutes too long, this is one of Apple's better and more creative efforts. You just have to love that mischievous black cat at the end!
Not for me. I found <em>'Fly Me to the Moon'</em> to be a disappointment. A sure sign of that being the case is that I don't have any positives for this movie. Well, OK, Scarlett Johansson is good, but there honestly isn't any other element to this that I can say I enjoyed. Johansson's co-star Ch ... anning Tatum feels miscast, I like the guy as an actor but here I didn't feel like he fit - visually his character didn't look or sound like someone out of the 1960s, in my eyes at least. None of the support cast did anything for me either, though Woody Harrelson and Ray Romano are passable. Away from the cast, the story also didn't hold much interest for me. I feel like the moon landing bits, generally speaking, is all pretty standard and stuff we've seen before. The romance plot isn't merged in well, I didn't sense any chemistry between Johansson and Tatum. The music is also quite weak, almost TV-esque. The run time is also too long, no way this 2024 flick needed to last over two hours! If I ignore all of that, then I guess I enjoyed it...
“Fly Me to the Moon” is so generic and sanitized that it feels like a blanket, sterilized television sitcom designed to appeal to the masses in middle America. Director Greg Berlanti‘s throwback romance has its moments, but even the chemistry between the leads a few flashes of creativity can’t save ... the overlong, draggy film. Set against the backdrop of NASA’s historic Apollo 11 moon landing in 1969, former con artist Kelly (Scarlett Johansson) is hired by President Nixon’s clandestine staff member Moe (Woody Harrelson) to launch a marketing campaign on a mission that the White House has deemed too important to fail. Kelly has a huge job cut out for her, and her fiery personality, unconventional methods, and out-of-the-box ideas to fix the space agency’s public image wreaks havoc on the straight-laced launch director, Cole Davis (Channing Tatum). She’s in his way and is a major annoyance, but even Cole can’t deny the sparks that are flying whenever the two are in the same room. The film works as a mid-level romantic comedy with Johansson and Tatum sharing an agreeable chemistry that, while not exactly electric, at least feels organic. Their playful banter and genuine affection shines, providing some of the film’s most enjoyable moments. It’s a classic odd couple pairing that adds much-needed comedic elements. The script is messy and forgettable, with a lot of ineffective bids at humor. The most charming aspects are burdened by unnecessary subplots that detract from the main story, making the entire film feel far too long. Certain scenes drag on and on, especially when relying on clichés, predictable plot points, and tired tropes that fail to fully capitalize on the unique setting and wealth of historical context. So much more could’ve been done with this material in a much better way. Although it provides some decent lighthearted entertainment, “Fly Me to the Moon” plays it so safe that it definitely falls short of its potential. It’s overstuffed and bland to a fault, struggling so mightily to be a crowd pleaser that it squanders most of the charm and authenticity that could have made it something truly special. By: Louisa Moore / SCREEN ZEALOTS