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The Exorcism of Emily Rose Poster

The Exorcism of Emily Rose

One person's story of faith and possession.
2005 | 122m | English

(146542 votes)

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Popularity: 6 (history)

Details

When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trial begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true.
Release Date: Sep 09, 2005
Director: Scott Derrickson
Writer: Scott Derrickson, Paul Harris Boardman
Genres: Drama, Horror, Crime, Thriller
Keywords court, epilepsy, possession, based on true story, trial, priest, teenage girl, spirit, umbrella, cross, prosecutor, tape recording  , catholicism, negligent homicide, archdiocese, agnostic, malnutrition, burning, psychotic epileptic disorder
Production Companies Lakeshore Entertainment, Firm Films, Screen Gems
Box Office Revenue: $145,166,804
Budget: $19,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Laura Linney Erin Bruner
Tom Wilkinson Father Moore
Campbell Scott Ethan Thomas
Jennifer Carpenter Emily Rose
Kenneth Welsh Dr. Mueller
Mary Beth Hurt Judge Brewster
Colm Feore Karl Gunderson
Henry Czerny Dr. Briggs
Shohreh Aghdashloo Dr. Adani
Duncan Fraser Dr. Cartwright
Mary Black Dr. Vogel
Julian Christopher District Attorney
Terence Kelly Medical Examiner
Katie Keating Alice
Marilyn Norry Maria Rose
Taylor Hill Emily's Sister #3
John Innes University Professor
Iris Graham Emily's Sister #2
Andrew Wheeler Nathaniel Rose
JR Bourne Ray
Joshua Close Jason
Aaron Douglas Asst. DA #1
George Gordon Karl's Crony #2
Chelah Horsdal Asst. DA #3
Lorena Gale Jury Foreman
Liduina Vanderspek Praying Woman #1
Cory Lee Umbrella Girl
Ally Warren Blond Juror (uncredited)
Steve Archer Guy in Bar
David Berner Karl's Crony #1
Name Job
Barbara Harris ADR Voice Casting
Monica Sandstede Story Editor
Sharon Simms Stunts
Caroline Field Stunts
Audra Neil Set Decoration Buyer
Daniel Wehr Assistant Sound Engineer
Robert Fernandez Mixing Engineer
Michael Anthony Jackson Storyboard Artist
Jeff Betancourt Editor
Tish Monaghan Costume Design
David Brisbin Production Design
Sandi Tanaka Art Direction
Lesley Beale Set Decoration
James D. Brown Hairstylist
Jeffrey Sacino Hairstylist
Victoria Down Makeup Artist
Mindy Hall Makeup Artist
Gitte Axen Makeup Artist
Keith VanderLaan Visual Effects, Makeup Effects
Chris Gallaher Makeup Effects
Heather Watson Art Department Coordinator
Kendelle Elliott Assistant Art Director
Glenn Foerster Greensman
Madonna Blunt Lead Painter
Chris Beach Set Designer
Jay Mitchell Set Designer
Doug Hardwick Construction Coordinator
Pamela Kahn Foley
Joseph Bonn First Assistant Sound Editor
Jussi Tegelman Foley Editor, Sound Effects Editor
Todd Grace Sound Re-Recording Mixer
Marti D. Humphrey Sound Re-Recording Mixer
William H. Orr Special Effects Coordinator
Diana Tauder Visual Effects Producer, Post Production Supervisor
Michael Shelton Visual Effects Supervisor
Dean Choe Stunt Coordinator, Second Unit Director
Stephen S. Campanelli Camera Operator
Andrew D. Wilson Camera Operator
Diyah Pera Still Photographer
Andrew W. Davidson Gaffer
Andrew Loschin First Assistant Editor
Thomas Milano Music Editor
Jake Callihoo Transportation Coordinator
Christine Wilson Script Supervisor
Rino Pace Location Manager
Gloria Davies Unit Publicist
David Scott Rubin Line Producer
Adrian Hrytzak Art Department Assistant
Kirk Adamson Location Scout
Cynthia Burtinshaw Set Decoration Buyer
Colin Gillett Standby Painter
Sean M. Harding First Assistant Camera
Dillard Brinson Key Grip
Ben Rusi Grip
Karin Nosella Assistant Costume Designer
Sherry Linder-Gygli Key Hair Stylist
Lee Sollenberger Set Costumer
Warren Dunlop Carpenter
Mike Cook Chef
Glenn Mowatt Craft Service
Dave Ash Driver
David Frisk Post Production Assistant
Janis Lee Scenic Artist
Elle Paterson Stand In
Norman Hunger Transportation Captain
Penny Gibbs Unit Production Manager
Morgan Beggs First Assistant Director
Shane Dobie Best Boy Electric
Bill Dawson Lighting Technician
Keith Woods Rigging Gaffer
Richard LaBossiere Rigging Grip
Kelly Wagner Casting Associate
Don Orlando Production Accountant
Jasmine Barry Production Coordinator
Ted Gidlow Production Supervisor
Michael Hibberson Boom Operator
Darian Pollard Music Supervisor
Anton Koch Orchestrator
Steven A. Morrow Sound Mixer
Ernie Camacho Digital Compositors
Karen Spangenberg ADR Editor, Dialogue Editor
Wayne McLaughlin Property Master
Richard C. Franklin Foley Editor, Sound Effects Editor
Mark Prior Dresser
Bev Wright First Assistant Makeup Artist
Elaine Arsens Truck Costumer
Mark Bunting Second Assistant Director
Sean Osmack Third Assistant Director
Marta McLaughlin Assistant Property Master
Jan Holmsten Construction Buyer
Sally Hudson Graphic Designer
Laurie Edmundson Lead Set Dresser
Jean-Paul Costaz Paint Coordinator
Michelle Hunter Set Supervisor
Brian Smith ADR Mixer
Vincent Guisetti Foley Artist
Kyle Rochlin Foley Mixer
Chris Flemington Special Effects Assistant
Zack Fox Visual Effects Production Assistant
Michael Cox Best Boy Grip
Cynthia Greer Camera Trainee
Jack Cruikshank Dolly Grip
Lisa Guerriero Second Assistant Camera
Kevin Arens Casting Assistant
Jason Dale Assistant Editor
Ron Barr Digital Intermediate Editor
Jason Collier Assistant Location Manager
Stephen Chan Location Production Assistant
Allan Wilson Conductor
Dana Dubé Animal Coordinator
Tina Perenseff Assistant Chef
Penny Rogers Assistant Production Coordinator
John Adams Chief Lighting Technician
Harvey Lowry Director of Operations
Andrea Brown Extras Casting
Andrea Hughes Extras Casting Assistant
Jason Elsworth First Assistant Accountant
David Goyer Generator Operator
Rick Tait Head Driver
Kevin McCloy Key Rigging Grip
Brian Key Production Assistant
Gary J. Gross Production Consultant
Jamie Feldman Production Secretary
Andrew Bronstein Second Assistant Production Coordinator
Tom Stern Director of Photography
Scott Derrickson Screenplay, Director
Paul Harris Boardman Screenplay
Nancy Nayor Casting
Paul N.J. Ottosson Supervising Sound Editor
J.M. Logan Visual Effects Producer
J.J. Makaro Stunt Coordinator
Christopher Young Original Music Composer
Name Title
Beau Flynn Producer
Andre Lamal Executive Producer
Gary Lucchesi Producer
David McIlvain Executive Producer
Terry McKay Executive Producer
Paul Harris Boardman Producer
Tom Rosenberg Producer
Tripp Vinson Producer
Julie Yorn Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 42 53 30
2024 5 50 73 35
2024 6 48 79 34
2024 7 49 76 35
2024 8 46 81 29
2024 9 37 49 28
2024 10 50 80 36
2024 11 42 79 29
2024 12 37 49 28
2025 1 37 51 29
2025 2 33 56 7
2025 3 11 36 3
2025 4 7 11 4
2025 5 6 12 4
2025 6 6 8 5
2025 7 5 6 4
2025 8 4 7 4
2025 9 7 9 6

Trending Position


Year Month High Avg
2025 9 632 695
Year Month High Avg
2025 7 778 887
Year Month High Avg
2025 4 479 804
Year Month High Avg
2024 12 450 741

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Reviews

slayrrr666
4.0

During the trial for his events, a lawyer tries to help her client, a priest, seek the truth about what happened to the young woman who died under his care while performing an exorcism to cure her of a demonic possession and eventually lets the truth about it be known. This wasn't anywhere as bad ... as it could've been. The film is really split into two halves here with this one being basically helped greatly by its really good possession and shock scenes. The opening scene that sets her up to becoming possessed is one of it's best sequences, as the long hallway and the unearthly voices floating around give it an unearthly feel while the first scene in the classroom where she sees a demonic face appearing in the window through a cloud of mist and turns around to see a student's face turn into a distorted demon's face giving off an unearthly roar makes it quite shocking. Running out into the rain and seeing more demonic faces give off the same unearthly roar is a bit clichéd, but it still helps to sell the mood while the finale in the church giving this a quite creepy conclusion. The different manners of how she’s become afflicted are quite memorable moments with the frenzied bug-eating, speaking in tongues or just contorting her body into such impossible positions that it really becomes obvious something is wrong with her, and the long, suspenseful and chilling exorcism is the film's selling point, coming off with any number of creepy ideas and scenes in such a drawn-out style is one of the best scenes in the film. Otherwise, beyond the shocks and the exorcism, there isn't much else to like about it. Therefore, everything else in it doesn't really work which is only relegated to the courtroom battle drama. It's marketed as being a supernatural possession film, and the best moments come from those scenes, but the fact that the majority of the film is a courtroom battle with the supernatural elements coming in the form of flashbacks is a real misstep and is likely to confuse those coming in expecting the other kind of film. It's not that they're boring or anything, it's just that it's out of nowhere that it becomes that way, and it can be a disappointment. The fact that these are slow and really long don't help matters, extending this out far longer than it should. This could've easily been an hour and a half, or maybe a little longer, but the two hours running time forces it to keep the courtroom antics going for no reason other than to extend the running time. A few extraneous scenes could've been snipped as well, including the introductory scenes at the bar that repeat information we already know and also keep the running time going, and most of the time simply elicit a feeling of wanting to move along and get to the good scenes. These really harm the film. Rated PG-13: Language, Mild Violence and intense demonic and spiritual themes.

Jun 23, 2021
Wuchak
9.0

**_Scares the hell out of ya_** This was based on the actual story of a German girl who died while being exorcised in the late 1970s. The priest was then put on trial for neglectful homicide. Google it for details. Erin Bruner (Laura Linney) plays an agnostic who defends the priest (Tom Wilkin ... son) while the prosecutor (Campbell Scott) is a believer. This creates some problems: How can an unbeliever defend a believer who performs a service that apparently kills the young woman? How can a believer come against another believer who was simply trying to deliver the girl from spiritual malevolence? The prosecutor makes the case that the woman was ill with various mental disorders and that the exorcism was just a bunch of superstitious mumbo jumbo. By contrast, Erin Bruner argues that these illnesses were the RESULT OF possession -- that the girl's possession brought on the symptoms. This makes sense in light of the scriptural evidence of Jesus Christ delivering people from evil spirits who induced insanity, muteness and deafness. Another important argument of the defense is that a potent drug that Emily was prescribed trapped her in a mode that was resistant to the exorcism. The fascinating story provokes many questions. We need to take an honest look at our mental health practices and institutions. Although there are some genuinely good people working in this field who care about the patients, it seems that the best we can do is drug people and make them, more or less, numbed-up living zombies or even mindless vegetables. Unfortunately this is how they're damned to live the rest of their lives, subservient and dependent on the mental health establishment (that actually needs them to stay ill in order to exist). Such people don't need more drugs and "therapy." What they need is delivered. They need delivered from evil spiritual powers that have possessed them. They need FREED. Don't mistake me here, I'm not against mental health people or facilities because I realize they're just doing what they know to do. It's just not working. Again, the mentally ill need delivered not force-fed more drugs and essentially locked-up for the rest of their lives. That's not life, it's living death! Of course, releasing a horde of religious wackos into our mental institutions isn't the answer. Yet, what if some believers who walked in the boldness and authority of Jesus Christ were available, people who show documented evidence of DELIVERING the mentally ill? The New Testament relays case after case of Jesus Christ exorcising demons from hundreds of people, maybe thousands. He didn't numb 'em up and sentence them to a life of living death. Rather he came to set the prisoners free from darkness, heal the sick and heal the brokenhearted! If there are people out there who walk in this same anointing of power and freedom, shouldn't we allow them to minister to our mentally ill? Unfortunately a large percentage of the church is very weak in regards to spiritual deliverance. Except for offering eternal salvation, which is wonderful, their gospel is powerless and next to worthless. Yet this wasn't the way of the early Church. Paul, Peter and others offered total deliverance. Thankfully, there are still a remnant of these types of believers and these are the ones who can help our mentally ill, as long as the oppressed WANT freedom, healing and deliverance (since some WANT to stay dependent and "cared for"). I'm only raising such moral/theological/philosophical questions because the film provokes it. So please don't be irked at me for getting all heavy and theological. Despite the numerous courtroom scenes (which I'm not a fan of) there are certainly enough horrifying elements in "The Exorcism of Emily Rose" to please most horror fans, just don't expect Freddy or Jason shenanigans. Interestingly, while it's horrifying "The Exorcism of Emily Rose" is also somehow warm and faith-affirming, even sometimes beautiful. My only criticism is a theological theory introduced late in the movie. This theory is incredible wrong. I won't elaborate except to say that God would never allow the option of Emily's possession as a supposed testimony to the world of the existence of dark spiritual powers, rather the God's purpose is always to deliver such people, which not only testifies to the existence of the malevolent powers but, more importantly, sets the person FREE and gives glory to the Almighty. The film runs 119 (the unrated version 122 minutes) and was shot in Vancouver, BC. GRADE: A

Aug 21, 2024