Popularity: 6 (history)
Director: | Scott Derrickson |
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Writer: | Scott Derrickson, Paul Harris Boardman |
Staring: |
When a younger girl called Emily Rose dies, everyone puts blame on the exorcism which was performed on her by Father Moore prior to her death. The priest is arrested on suspicion of murder. The trial begins with lawyer Erin Bruner representing Moore, but it is not going to be easy, as no one wants to believe what Father Moore says is true. | |
Release Date: | Sep 09, 2005 |
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Director: | Scott Derrickson |
Writer: | Scott Derrickson, Paul Harris Boardman |
Genres: | Drama, Horror, Crime, Thriller |
Keywords | court, epilepsy, possession, based on true story, trial, priest, teenage girl, spirit, umbrella, cross, prosecutor, tape recording , catholicism, negligent homicide, archdiocese, agnostic, malnutrition, burning, psychotic epileptic disorder |
Production Companies | Lakeshore Entertainment, Firm Films, Screen Gems |
Box Office |
Revenue: $145,166,804
Budget: $19,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Laura Linney | Erin Bruner |
Tom Wilkinson | Father Moore |
Campbell Scott | Ethan Thomas |
Jennifer Carpenter | Emily Rose |
Kenneth Welsh | Dr. Mueller |
Mary Beth Hurt | Judge Brewster |
Colm Feore | Karl Gunderson |
Henry Czerny | Dr. Briggs |
Shohreh Aghdashloo | Dr. Adani |
Duncan Fraser | Dr. Cartwright |
Mary Black | Dr. Vogel |
Julian Christopher | District Attorney |
Terence Kelly | Medical Examiner |
Katie Keating | Alice |
Marilyn Norry | Maria Rose |
Taylor Hill | Emily's Sister #3 |
John Innes | University Professor |
Iris Graham | Emily's Sister #2 |
Andrew Wheeler | Nathaniel Rose |
JR Bourne | Ray |
Joshua Close | Jason |
Aaron Douglas | Asst. DA #1 |
George Gordon | Karl's Crony #2 |
Chelah Horsdal | Asst. DA #3 |
Lorena Gale | Jury Foreman |
Liduina Vanderspek | Praying Woman #1 |
Cory Lee | Umbrella Girl |
Ally Warren | Blond Juror (uncredited) |
Steve Archer | Guy in Bar |
David Berner | Karl's Crony #1 |
Name | Job |
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Barbara Harris | ADR Voice Casting |
Monica Sandstede | Story Editor |
Sharon Simms | Stunts |
Caroline Field | Stunts |
Audra Neil | Set Decoration Buyer |
Daniel Wehr | Assistant Sound Engineer |
Robert Fernandez | Mixing Engineer |
Michael Anthony Jackson | Storyboard Artist |
Jeff Betancourt | Editor |
Tish Monaghan | Costume Design |
David Brisbin | Production Design |
Sandi Tanaka | Art Direction |
Lesley Beale | Set Decoration |
James D. Brown | Hairstylist |
Jeffrey Sacino | Hairstylist |
Victoria Down | Makeup Artist |
Mindy Hall | Makeup Artist |
Gitte Axen | Makeup Artist |
Keith VanderLaan | Visual Effects, Makeup Effects |
Chris Gallaher | Makeup Effects |
Heather Watson | Art Department Coordinator |
Kendelle Elliott | Assistant Art Director |
Glenn Foerster | Greensman |
Madonna Blunt | Lead Painter |
Chris Beach | Set Designer |
Jay Mitchell | Set Designer |
Doug Hardwick | Construction Coordinator |
Pamela Kahn | Foley |
Joseph Bonn | First Assistant Sound Editor |
Jussi Tegelman | Foley Editor, Sound Effects Editor |
Todd Grace | Sound Re-Recording Mixer |
Marti D. Humphrey | Sound Re-Recording Mixer |
William H. Orr | Special Effects Coordinator |
Diana Tauder | Visual Effects Producer, Post Production Supervisor |
Michael Shelton | Visual Effects Supervisor |
Dean Choe | Stunt Coordinator, Second Unit Director |
Stephen S. Campanelli | Camera Operator |
Andrew D. Wilson | Camera Operator |
Diyah Pera | Still Photographer |
Andrew W. Davidson | Gaffer |
Andrew Loschin | First Assistant Editor |
Thomas Milano | Music Editor |
Jake Callihoo | Transportation Coordinator |
Christine Wilson | Script Supervisor |
Rino Pace | Location Manager |
Gloria Davies | Unit Publicist |
David Scott Rubin | Line Producer |
Adrian Hrytzak | Art Department Assistant |
Kirk Adamson | Location Scout |
Cynthia Burtinshaw | Set Decoration Buyer |
Colin Gillett | Standby Painter |
Sean M. Harding | First Assistant Camera |
Dillard Brinson | Key Grip |
Ben Rusi | Grip |
Karin Nosella | Assistant Costume Designer |
Sherry Linder-Gygli | Key Hair Stylist |
Lee Sollenberger | Set Costumer |
Warren Dunlop | Carpenter |
Mike Cook | Chef |
Glenn Mowatt | Craft Service |
Dave Ash | Driver |
David Frisk | Post Production Assistant |
Janis Lee | Scenic Artist |
Elle Paterson | Stand In |
Norman Hunger | Transportation Captain |
Penny Gibbs | Unit Production Manager |
Morgan Beggs | First Assistant Director |
Shane Dobie | Best Boy Electric |
Bill Dawson | Lighting Technician |
Keith Woods | Rigging Gaffer |
Richard LaBossiere | Rigging Grip |
Kelly Wagner | Casting Associate |
Don Orlando | Production Accountant |
Jasmine Barry | Production Coordinator |
Ted Gidlow | Production Supervisor |
Michael Hibberson | Boom Operator |
Darian Pollard | Music Supervisor |
Anton Koch | Orchestrator |
Steven A. Morrow | Sound Mixer |
Ernie Camacho | Digital Compositors |
Karen Spangenberg | ADR Editor, Dialogue Editor |
Wayne McLaughlin | Property Master |
Richard C. Franklin | Foley Editor, Sound Effects Editor |
Mark Prior | Dresser |
Bev Wright | First Assistant Makeup Artist |
Elaine Arsens | Truck Costumer |
Mark Bunting | Second Assistant Director |
Sean Osmack | Third Assistant Director |
Marta McLaughlin | Assistant Property Master |
Jan Holmsten | Construction Buyer |
Sally Hudson | Graphic Designer |
Laurie Edmundson | Lead Set Dresser |
Jean-Paul Costaz | Paint Coordinator |
Michelle Hunter | Set Supervisor |
Brian Smith | ADR Mixer |
Vincent Guisetti | Foley Artist |
Kyle Rochlin | Foley Mixer |
Chris Flemington | Special Effects Assistant |
Zack Fox | Visual Effects Production Assistant |
Michael Cox | Best Boy Grip |
Cynthia Greer | Camera Trainee |
Jack Cruikshank | Dolly Grip |
Lisa Guerriero | Second Assistant Camera |
Kevin Arens | Casting Assistant |
Jason Dale | Assistant Editor |
Ron Barr | Digital Intermediate Editor |
Jason Collier | Assistant Location Manager |
Stephen Chan | Location Production Assistant |
Allan Wilson | Conductor |
Dana Dubé | Animal Coordinator |
Tina Perenseff | Assistant Chef |
Penny Rogers | Assistant Production Coordinator |
John Adams | Chief Lighting Technician |
Harvey Lowry | Director of Operations |
Andrea Brown | Extras Casting |
Andrea Hughes | Extras Casting Assistant |
Jason Elsworth | First Assistant Accountant |
David Goyer | Generator Operator |
Rick Tait | Head Driver |
Kevin McCloy | Key Rigging Grip |
Brian Key | Production Assistant |
Gary J. Gross | Production Consultant |
Jamie Feldman | Production Secretary |
Andrew Bronstein | Second Assistant Production Coordinator |
Tom Stern | Director of Photography |
Scott Derrickson | Screenplay, Director |
Paul Harris Boardman | Screenplay |
Nancy Nayor | Casting |
Paul N.J. Ottosson | Supervising Sound Editor |
J.M. Logan | Visual Effects Producer |
J.J. Makaro | Stunt Coordinator |
Christopher Young | Original Music Composer |
Name | Title |
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Beau Flynn | Producer |
Andre Lamal | Executive Producer |
Gary Lucchesi | Producer |
David McIlvain | Executive Producer |
Terry McKay | Executive Producer |
Paul Harris Boardman | Producer |
Tom Rosenberg | Producer |
Tripp Vinson | Producer |
Julie Yorn | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 42 | 53 | 30 |
2024 | 5 | 50 | 73 | 35 |
2024 | 6 | 48 | 79 | 34 |
2024 | 7 | 49 | 76 | 35 |
2024 | 8 | 46 | 81 | 29 |
2024 | 9 | 37 | 49 | 28 |
2024 | 10 | 50 | 80 | 36 |
2024 | 11 | 42 | 79 | 29 |
2024 | 12 | 37 | 49 | 28 |
2025 | 1 | 37 | 51 | 29 |
2025 | 2 | 33 | 56 | 7 |
2025 | 3 | 11 | 36 | 3 |
2025 | 4 | 7 | 11 | 4 |
2025 | 5 | 6 | 12 | 4 |
2025 | 6 | 6 | 8 | 5 |
2025 | 7 | 5 | 6 | 4 |
2025 | 8 | 4 | 7 | 4 |
2025 | 9 | 7 | 9 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 632 | 695 |
Year | Month | High | Avg |
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2025 | 7 | 778 | 887 |
Year | Month | High | Avg |
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2025 | 4 | 479 | 804 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 450 | 741 |
During the trial for his events, a lawyer tries to help her client, a priest, seek the truth about what happened to the young woman who died under his care while performing an exorcism to cure her of a demonic possession and eventually lets the truth about it be known. This wasn't anywhere as bad ... as it could've been. The film is really split into two halves here with this one being basically helped greatly by its really good possession and shock scenes. The opening scene that sets her up to becoming possessed is one of it's best sequences, as the long hallway and the unearthly voices floating around give it an unearthly feel while the first scene in the classroom where she sees a demonic face appearing in the window through a cloud of mist and turns around to see a student's face turn into a distorted demon's face giving off an unearthly roar makes it quite shocking. Running out into the rain and seeing more demonic faces give off the same unearthly roar is a bit clichéd, but it still helps to sell the mood while the finale in the church giving this a quite creepy conclusion. The different manners of how she’s become afflicted are quite memorable moments with the frenzied bug-eating, speaking in tongues or just contorting her body into such impossible positions that it really becomes obvious something is wrong with her, and the long, suspenseful and chilling exorcism is the film's selling point, coming off with any number of creepy ideas and scenes in such a drawn-out style is one of the best scenes in the film. Otherwise, beyond the shocks and the exorcism, there isn't much else to like about it. Therefore, everything else in it doesn't really work which is only relegated to the courtroom battle drama. It's marketed as being a supernatural possession film, and the best moments come from those scenes, but the fact that the majority of the film is a courtroom battle with the supernatural elements coming in the form of flashbacks is a real misstep and is likely to confuse those coming in expecting the other kind of film. It's not that they're boring or anything, it's just that it's out of nowhere that it becomes that way, and it can be a disappointment. The fact that these are slow and really long don't help matters, extending this out far longer than it should. This could've easily been an hour and a half, or maybe a little longer, but the two hours running time forces it to keep the courtroom antics going for no reason other than to extend the running time. A few extraneous scenes could've been snipped as well, including the introductory scenes at the bar that repeat information we already know and also keep the running time going, and most of the time simply elicit a feeling of wanting to move along and get to the good scenes. These really harm the film. Rated PG-13: Language, Mild Violence and intense demonic and spiritual themes.
**_Scares the hell out of ya_** This was based on the actual story of a German girl who died while being exorcised in the late 1970s. The priest was then put on trial for neglectful homicide. Google it for details. Erin Bruner (Laura Linney) plays an agnostic who defends the priest (Tom Wilkin ... son) while the prosecutor (Campbell Scott) is a believer. This creates some problems: How can an unbeliever defend a believer who performs a service that apparently kills the young woman? How can a believer come against another believer who was simply trying to deliver the girl from spiritual malevolence? The prosecutor makes the case that the woman was ill with various mental disorders and that the exorcism was just a bunch of superstitious mumbo jumbo. By contrast, Erin Bruner argues that these illnesses were the RESULT OF possession -- that the girl's possession brought on the symptoms. This makes sense in light of the scriptural evidence of Jesus Christ delivering people from evil spirits who induced insanity, muteness and deafness. Another important argument of the defense is that a potent drug that Emily was prescribed trapped her in a mode that was resistant to the exorcism. The fascinating story provokes many questions. We need to take an honest look at our mental health practices and institutions. Although there are some genuinely good people working in this field who care about the patients, it seems that the best we can do is drug people and make them, more or less, numbed-up living zombies or even mindless vegetables. Unfortunately this is how they're damned to live the rest of their lives, subservient and dependent on the mental health establishment (that actually needs them to stay ill in order to exist). Such people don't need more drugs and "therapy." What they need is delivered. They need delivered from evil spiritual powers that have possessed them. They need FREED. Don't mistake me here, I'm not against mental health people or facilities because I realize they're just doing what they know to do. It's just not working. Again, the mentally ill need delivered not force-fed more drugs and essentially locked-up for the rest of their lives. That's not life, it's living death! Of course, releasing a horde of religious wackos into our mental institutions isn't the answer. Yet, what if some believers who walked in the boldness and authority of Jesus Christ were available, people who show documented evidence of DELIVERING the mentally ill? The New Testament relays case after case of Jesus Christ exorcising demons from hundreds of people, maybe thousands. He didn't numb 'em up and sentence them to a life of living death. Rather he came to set the prisoners free from darkness, heal the sick and heal the brokenhearted! If there are people out there who walk in this same anointing of power and freedom, shouldn't we allow them to minister to our mentally ill? Unfortunately a large percentage of the church is very weak in regards to spiritual deliverance. Except for offering eternal salvation, which is wonderful, their gospel is powerless and next to worthless. Yet this wasn't the way of the early Church. Paul, Peter and others offered total deliverance. Thankfully, there are still a remnant of these types of believers and these are the ones who can help our mentally ill, as long as the oppressed WANT freedom, healing and deliverance (since some WANT to stay dependent and "cared for"). I'm only raising such moral/theological/philosophical questions because the film provokes it. So please don't be irked at me for getting all heavy and theological. Despite the numerous courtroom scenes (which I'm not a fan of) there are certainly enough horrifying elements in "The Exorcism of Emily Rose" to please most horror fans, just don't expect Freddy or Jason shenanigans. Interestingly, while it's horrifying "The Exorcism of Emily Rose" is also somehow warm and faith-affirming, even sometimes beautiful. My only criticism is a theological theory introduced late in the movie. This theory is incredible wrong. I won't elaborate except to say that God would never allow the option of Emily's possession as a supposed testimony to the world of the existence of dark spiritual powers, rather the God's purpose is always to deliver such people, which not only testifies to the existence of the malevolent powers but, more importantly, sets the person FREE and gives glory to the Almighty. The film runs 119 (the unrated version 122 minutes) and was shot in Vancouver, BC. GRADE: A