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The Haunting in Connecticut Poster

The Haunting in Connecticut

Some things cannot be explained.
2009 | 102m | English

(67023 votes)

TMDb IMDb

Popularity: 2 (history)

Details

When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover.
Release Date: Mar 27, 2009
Director: Peter Cornwell
Writer: Adam Simon, Tim Metcalfe
Genres: Horror, Thriller
Keywords crematorium, hallucination, based on true story, haunting, occult, funeral home, mortuary, incinerator, cousin relationship, told in flashback, reverend, funeral parlor, boy in peril, oncology ward, desecration, child cancer, rosary, isolated house, hide and seek, duringcreditsstinger, scientific experiment
Production Companies Lionsgate, Gold Circle Films, Integrated Films
Box Office Revenue: $77,578,320
Budget: $10,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Virginia Madsen Sara Campbell
Kyle Gallner Matt Campbell
Martin Donovan Peter Campbell
Amanda Crew Wendy
Elias Koteas Reverend Popescu
Sophi Knight Mary Campbell
Ty Wood Billy Campbell
D.W. Brown Dr. Brooks
John B. Lowe Mr. Sinclair
Jessica Burleson 1920's Séance Attendee #4
Adriana O'Neil Chemo Nurse
Will Woytowich Cop
Erik J. Berg Jonah
John Bluethner Ramsey Aickman
James Durham Matt's Cell Mate
Darren Ross Paramedic #1
Sarah Constible Paramedic #2
Blake Taylor 1920's Séance Attendee #1
Kelly Wolfman 1920's Séance Attendee #3
Name Job
Adam Simon Writer
Rick Skene Stunt Coordinator
Robert J. Kral Original Music Composer
Kristen Sawatzky Stunt Double
Tim Metcalfe Writer
John Clarke Gaffer
Koah Kruse Post Production Supervisor
Edward Bonutto Art Direction
Dylan Tarason Executive In Charge Of Production
Alicia Keywan Production Design
Dan Rebert Prosthetic Supervisor
Lesley Oswald Line Producer, Production Manager
Adam Swica Director of Photography
Craig Sandells Set Decoration
Jim Heber Casting
Steve Shewchuk Set Decoration
Joanna L. Jones Executive In Charge Of Post Production
Eric L. Beason Editor
Todd Busch VFX Editor
Tom Elkins Editor
Alanna Mills Script Supervisor
Janet Kusnick Storyboard Artist
Meg McMillan Costume Design
Junichi Hosoi Steadicam Operator
Eyde Belasco Casting
Khali Wenaus Art Department Coordinator
Peter Cornwell Director
Todd Masters Prosthetic Supervisor
Name Title
Phyllis Laing Co-Producer
Paul Brooks Producer
Brad Kessell Co-Producer
Wendy Rhoads Producer
Norm Waitt Executive Producer
Scott Niemeyer Executive Producer
Andrew Trapani Producer
Jeff Levine Co-Producer
Steve Whitney Executive Producer
Daniel Farrands Producer
Jonathan Shore Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 32 16
2024 5 22 35 14
2024 6 17 22 14
2024 7 21 45 13
2024 8 20 38 13
2024 9 19 27 11
2024 10 20 37 12
2024 11 18 27 13
2024 12 18 31 12
2025 1 18 29 10
2025 2 14 26 3
2025 3 6 20 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 1 1 1
2025 8 1 2 1

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Reviews

John Chard
6.0

The Connecticut Horror. Supposedly grounded in truth, The Haunting in Connecticut is a decent little spooker, yet still a pic that has all the pitfalls of other notable films of its ilk. Plot for what it's worth has a family move into a new home, only to find that it has ghosts and ghoulies resid ... ing within. But why? There's good strength in the family dynamic at work here, the eldest son has cancer and is undergoing treatment. Thus he becomes the conduit for the strange happenings, and this as his parents fight impending grief and personal worries. The scares toddle along effectively, atmosphere via camera work and sound effects is perfectly efficient, and the story has enough mystery about it to carry you through to the end. Unfortunately there's a lot of daft stuff as well, I mean who in their right mind would sleep in a basement room and not force open an adjoining door to see what is in there? It's these ridiculous leaps of faith required that if you are not willing? Then they kill the movie for you. The ending also takes some believing, such is the rampant stench of Hollywood of it all. Well performed in the main (Virginia Madsen solid as a rock/Elias Koteas shining in spite of being under used), this deserves to be rated above average. But ultimately it rings hollow at times and quickly runs out of scares in the last third. 6/10

May 16, 2024