Popularity: 2 (history)
Director: | Peter Cornwell |
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Writer: | Adam Simon, Tim Metcalfe |
Staring: |
When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover. | |
Release Date: | Mar 27, 2009 |
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Director: | Peter Cornwell |
Writer: | Adam Simon, Tim Metcalfe |
Genres: | Horror, Thriller |
Keywords | crematorium, hallucination, based on true story, haunting, occult, funeral home, mortuary, incinerator, cousin relationship, told in flashback, reverend, funeral parlor, boy in peril, oncology ward, desecration, child cancer, rosary, isolated house, hide and seek, duringcreditsstinger, scientific experiment |
Production Companies | Lionsgate, Gold Circle Films, Integrated Films |
Box Office |
Revenue: $77,578,320
Budget: $10,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Virginia Madsen | Sara Campbell |
Kyle Gallner | Matt Campbell |
Martin Donovan | Peter Campbell |
Amanda Crew | Wendy |
Elias Koteas | Reverend Popescu |
Sophi Knight | Mary Campbell |
Ty Wood | Billy Campbell |
D.W. Brown | Dr. Brooks |
John B. Lowe | Mr. Sinclair |
Jessica Burleson | 1920's Séance Attendee #4 |
Adriana O'Neil | Chemo Nurse |
Will Woytowich | Cop |
Erik J. Berg | Jonah |
John Bluethner | Ramsey Aickman |
James Durham | Matt's Cell Mate |
Darren Ross | Paramedic #1 |
Sarah Constible | Paramedic #2 |
Blake Taylor | 1920's Séance Attendee #1 |
Kelly Wolfman | 1920's Séance Attendee #3 |
Name | Job |
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Adam Simon | Writer |
Rick Skene | Stunt Coordinator |
Robert J. Kral | Original Music Composer |
Kristen Sawatzky | Stunt Double |
Tim Metcalfe | Writer |
John Clarke | Gaffer |
Koah Kruse | Post Production Supervisor |
Edward Bonutto | Art Direction |
Dylan Tarason | Executive In Charge Of Production |
Alicia Keywan | Production Design |
Dan Rebert | Prosthetic Supervisor |
Lesley Oswald | Line Producer, Production Manager |
Adam Swica | Director of Photography |
Craig Sandells | Set Decoration |
Jim Heber | Casting |
Steve Shewchuk | Set Decoration |
Joanna L. Jones | Executive In Charge Of Post Production |
Eric L. Beason | Editor |
Todd Busch | VFX Editor |
Tom Elkins | Editor |
Alanna Mills | Script Supervisor |
Janet Kusnick | Storyboard Artist |
Meg McMillan | Costume Design |
Junichi Hosoi | Steadicam Operator |
Eyde Belasco | Casting |
Khali Wenaus | Art Department Coordinator |
Peter Cornwell | Director |
Todd Masters | Prosthetic Supervisor |
Name | Title |
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Phyllis Laing | Co-Producer |
Paul Brooks | Producer |
Brad Kessell | Co-Producer |
Wendy Rhoads | Producer |
Norm Waitt | Executive Producer |
Scott Niemeyer | Executive Producer |
Andrew Trapani | Producer |
Jeff Levine | Co-Producer |
Steve Whitney | Executive Producer |
Daniel Farrands | Producer |
Jonathan Shore | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 21 | 32 | 16 |
2024 | 5 | 22 | 35 | 14 |
2024 | 6 | 17 | 22 | 14 |
2024 | 7 | 21 | 45 | 13 |
2024 | 8 | 20 | 38 | 13 |
2024 | 9 | 19 | 27 | 11 |
2024 | 10 | 20 | 37 | 12 |
2024 | 11 | 18 | 27 | 13 |
2024 | 12 | 18 | 31 | 12 |
2025 | 1 | 18 | 29 | 10 |
2025 | 2 | 14 | 26 | 3 |
2025 | 3 | 6 | 20 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 1 |
2025 | 8 | 1 | 2 | 1 |
Trending Position
The Connecticut Horror. Supposedly grounded in truth, The Haunting in Connecticut is a decent little spooker, yet still a pic that has all the pitfalls of other notable films of its ilk. Plot for what it's worth has a family move into a new home, only to find that it has ghosts and ghoulies resid ... ing within. But why? There's good strength in the family dynamic at work here, the eldest son has cancer and is undergoing treatment. Thus he becomes the conduit for the strange happenings, and this as his parents fight impending grief and personal worries. The scares toddle along effectively, atmosphere via camera work and sound effects is perfectly efficient, and the story has enough mystery about it to carry you through to the end. Unfortunately there's a lot of daft stuff as well, I mean who in their right mind would sleep in a basement room and not force open an adjoining door to see what is in there? It's these ridiculous leaps of faith required that if you are not willing? Then they kill the movie for you. The ending also takes some believing, such is the rampant stench of Hollywood of it all. Well performed in the main (Virginia Madsen solid as a rock/Elias Koteas shining in spite of being under used), this deserves to be rated above average. But ultimately it rings hollow at times and quickly runs out of scares in the last third. 6/10