Popularity: 7 (history)
Director: | Lana Wachowski |
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Writer: | Aleksandar Hemon, David Mitchell, Lana Wachowski |
Staring: |
Plagued by strange memories, Neo's life takes an unexpected turn when he finds himself back inside the Matrix. | |
Release Date: | Dec 16, 2021 |
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Director: | Lana Wachowski |
Writer: | Aleksandar Hemon, David Mitchell, Lana Wachowski |
Genres: | Adventure, Action, Science Fiction |
Keywords | man vs machine, prophecy, woman director, sincere, future, virtual reality, dream world, romantic, computer, aftercreditsstinger, grand, underground world, dystopia, philosophical, artificial intelligence (a.i.), cyberpunk, gnosticism |
Production Companies | Village Roadshow Pictures, Warner Bros. Pictures, Venus Castina Productions |
Box Office |
Revenue: $156,497,322
Budget: $190,000,000 |
Updates |
Updated: Aug 04, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Mickey Giacomazzi | Stunt Driver |
Jolene Van Vugt | Stunt Double |
Barrie Gower | Prosthetics |
Alexander Wunsch | Sound Mix Technician |
Steve Skroce | Storyboard Artist |
Geof Darrow | Conceptual Design |
Dan Glass | Visual Effects Supervisor |
Lindsay Pugh | Costume Design |
Marc-André Gerke | Location Coordinator |
Joseph Jett Sally | Editor |
Albert Gasser | Sound Effects Editor |
Tom Tykwer | Original Music Composer |
Scott Kinzey | Boom Operator |
Barry O'Sullivan | Sound Mixer |
Thomas Wallis | Boom Operator |
Aharon Bourland | Visual Effects Supervisor |
Ankur Mishra | Visual Effects |
Daniele Massaccesi | Director of Photography, Steadicam Operator |
Hugh Bateup | Production Design |
Peter Walpole | Production Design |
Marta Camer | Makeup Artist |
Stephan Dupuis | Makeup Artist |
Stephen M. Kelley | Makeup Artist |
Aisha King | Makeup Artist |
Jalil Romo Corro | Makeup Artist |
Jamie Hearing | VFX Artist |
Alexander T.H. Browne | VFX Artist |
Heike Merker | Makeup Designer |
Richard Bloom | Art Direction |
Ravi Bansal | Art Direction |
Stephan O. Gessler | Supervising Art Director |
Wolfgang Metschan | Art Direction |
Tarnia Nicol | Art Direction |
Nanci Noblett | Art Direction |
Esther Schreiner | Art Direction |
Lisa Brennan | Set Decoration |
Barbara Munch | Set Decoration |
Chris Cortner | Set Designer |
Wilko Drews | Set Designer |
Jens Gaube | Set Dresser |
Claudia Granucci | Set Designer |
Celina Hollaender | Set Designer |
Christian Hoobyar | Set Dresser |
Loren Hoselton | Set Dresser |
Ines Kramer | Set Designer |
Robin Plöger | Set Dresser |
Serban Rotariu | Set Designer |
Michael Thede | Set Dresser |
Mariana Vasconcellos | Set Designer |
Louis Visco | Set Dresser |
Paul Wingert | Set Dresser |
Stefanie Übelhör | Set Designer |
Lars Ginzel | Sound Re-Recording Mixer |
Matthew W. Kielkopf | Sound Editor, First Assistant Sound Editor |
Matthias Lempert | Sound Re-Recording Mixer |
Markus Stemler | Sound Effects Editor |
Tyson Donnelly | Visual Effects Supervisor |
Moriah Etherington-Sparks | Visual Effects Producer |
Daniel Hazeltine | VFX Artist |
Marco Lee | VFX Artist |
Owen McGonigle | VFX Artist |
Javier Meroño | Visual Effects |
Pete Polyakov | Visual Effects Supervisor |
Kazia Roach | VFX Artist |
Balthazar Sahel | VFX Artist |
Annabelle Zoellin | Visual Effects Producer |
Javier Arrieta | Costume Supervisor |
Caroline Hill | Costume Supervisor |
Cort Rogers | Stunts |
Zachary Rogers | Utility Stunts |
Hannah Spreitzenbarth | Stunts |
Ming Qui | Stunts |
Mustafa Beyter | Stunts |
Felix Audu | Stunts |
Dave Ardito | Stunts |
Joel Adrian | Stunts |
Raffael Armbruster | Stunt Double |
Billy Buff | Stunt Double |
Gabriel Isaac Mounsey | Score Engineer, Music Editor |
Gene Pritsker | Orchestrator |
Justin Bell | Orchestrator |
Aleksandar Hemon | Writer |
Garrett Grant | Unit Production Manager |
Toby Pease | Unit Production Manager |
Miki Emmrich | Unit Production Manager |
Michael Salven | First Assistant Director |
Michael Saunders | Second Assistant Director |
Kim Whittaker | Second Assistant Director |
Megan Gray | Assistant Costume Designer |
Reetu Aggarwal | 3D Artist |
Lane Leavitt | Stunts |
Tom Elliott | Stunts |
Zachary Fannin | Graphic Designer |
Guglielmo Emmolo | Compositing Artist |
John Toll | Director of Photography |
Johnny Klimek | Original Music Composer |
Daniel Parker | Makeup Designer |
Bryan O. Watkins | Sound Effects Editor |
Pierre Buffin | Visual Effects Supervisor |
Gabriel Rios | Stunts |
Tim Rigby | Stunts |
Scott Rogers | Stunt Coordinator |
Cale Schultz | Stunts |
Jeff Mosley | Stunts |
Mike Möller | Stunts |
Brett Praed | Utility Stunts |
Chris Reid | Stunts |
Eric Brown | Fight Choreographer |
Doug Coleman | Stunts |
Zack Duhame | Stunts |
Jonathan Eusebio | Stunt Coordinator |
Can Aydin | Stunt Double |
Hans Hafner | Music Editor |
David Mitchell | Writer |
Carmen Cuba | Casting |
Flora Moody | Makeup Designer, Hair Designer |
Debbie Evans | Stunts |
Phong Giang | Stunts |
Mark De Alessandro | Stunt Double |
Eliza Coleman | Stunts |
Lance Gilbert | Stunts |
Renae Moneymaker | Stunt Double |
Oakley Lehman | Stunts |
Danny Wynands | Stunts |
Darrin Prescott | Stunts |
Tim Trella | Stunts |
Maya Shimoguchi | Supervising Art Director |
Robin Bonaccorsi | Stunts |
Lana Wachowski | Writer, Characters, Director |
Lilly Wachowski | Characters |
Dane A. Davis | Supervising Sound Editor, Sound Designer |
Claudia Heinz | Stunt Double |
Stephen Dunlevy | Stunts |
Ryan Urban | Visual Effects Supervisor |
Glenn König | Key Grip |
Juan José Alcaide | Lighting Technician |
Axel Scholz | Lighting Technician |
Jarred Waldron | Chief Lighting Technician |
Sebastian Behrens | Chief Lighting Technician |
Kelly A. Cook | Still Photographer |
Ben Edlich | Grip |
Cevat Maskar | Colorist |
Toska Hartmann | First Assistant Editor |
Jeff Yaworski | Colorist |
Graham Page | Visual Effects Supervisor |
Shunika Terry | Hair Department Head |
Wouter Gilsing | Compositing Lead |
Cali Nelle | Stunt Double |
Matthias Günther | Stunts |
Name | Title |
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Garrett Grant | Executive Producer |
Terry Needham | Executive Producer |
Michael Salven | Executive Producer |
Jesse Ehrman | Executive Producer |
Karin Wachowski | Executive Producer |
Aimee Allegretti | Executive Producer |
Miki Emmrich | Co-Producer |
Matt Bilski | Associate Producer |
Loranne Turgeon | Associate Producer |
Carl Woebcken | Co-Producer |
Grant Hill | Producer |
James McTeigue | Producer |
Henning Molfenter | Co-Producer |
Christoph Fisser | Co-Producer |
Lana Wachowski | Producer |
Bruce Berman | Executive Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 78 | 119 | 62 |
2024 | 5 | 162 | 183 | 112 |
2024 | 6 | 118 | 187 | 68 |
2024 | 7 | 85 | 127 | 59 |
2024 | 8 | 68 | 109 | 44 |
2024 | 9 | 56 | 101 | 42 |
2024 | 10 | 65 | 126 | 43 |
2024 | 11 | 63 | 99 | 39 |
2024 | 12 | 60 | 106 | 40 |
2025 | 1 | 69 | 93 | 55 |
2025 | 2 | 54 | 77 | 11 |
2025 | 3 | 24 | 67 | 3 |
2025 | 4 | 14 | 20 | 9 |
2025 | 5 | 11 | 20 | 9 |
2025 | 6 | 10 | 15 | 8 |
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2025 | 9 | 9 | 12 | 6 |
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2024 | 8 | 317 | 658 |
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-matrix-resurrections-spoiler-free-review "The Matrix Resurrections is one of my biggest disappointments of the year. Lana Wachowski delivers a surprisingly meta, self-aware movie about the original trilogy packed with bold, f ... ascinating ideas but an absolutely terrible execution. From the dreadfully unfunny, cringe-worthy brainstorming sessions about the previous films to the heavy-handed, headache-inducing exposition, the director constantly tries to tell the viewers how incredible the original trilogy is, forgetting to create a compelling, captivating story for this new installment. The gorgeous visuals and impactful score aren't good enough to elevate the shockingly average, choppy action sequences. Despite remarkable performances from Keanu Reeves, Carrie-Anne Moss, and the standout Jessica Henwick, Resurrections just didn't work for me. If you're a fan of the franchise, I obviously recommend watching it. Just be aware that this isn't a new The Matrix movie, but instead a film about the actual saga." Rating: C-
SPOILERS!! If you believe that this story was written by Thomas Anderson in another Model, under the pressure of the peers with the help of the Analyst then it is worthy to give at least 4 stars to this movie. But I think I am not in Matrix. So just 3/5 is enough. ...
I was a bit confused at first, but be patient, it all sorts itself out and then it is nothing short of fantastic. The action scenes, the effects, and of course Reeves and Moss. They brought the chemistry and the bad ass - ness. The vibe was unmatched. ...
> The whole film is leftist TRASH! Its obvious Keanu is not behind this sham and simply did it for a paycheck! The story is terrible and BORING! CGI is the ONLY SAVE for this VERY SAD ENDING TO WHAT WAS (the first three films) the hottest and most exciting sci-fi shows ever filmed. NOBODY I KNOW ... thought this movie was worth the $14 Movie ticket! I actually felt dumber after having wasted money on a ticket! From now on, I'll be reading reviews for EVERY new film I want to see - before I go... What a total letdown! The last letdown was the new 007! What a JOKE! More total leftist trash! They're stealing all the best shows and turning them into a leftist socialist agenda and it REALLY SUCKS! The next 007 looks like a man, but its a WOMAN??! I MEAN, REALLY!? Get your own heroes! leave MY STAR TREK, The Matrix and JAMES BOND out of this political BS! As far as Matrix Resurrections goes... - Move along! NOTHING TO SEE HERE! Just being honest... I hate being right all the time.
Some interesting elements for sure and I still like the chemistry between Reeves and Moss was great, but everything else was pretty poor, including some of the effects. This is just another entry further proving the first film not only was special, but should've been standalone (and can still be vie ... wed as such, just ignore 2-4). Won't say it was bad but ill-advised. **2.5/5**
I know it must be tempting to get the old cash cow out of the barn for one last miking, but this is just one temptation too far. It's not so much that the story is weak (it is), it's that it all takes far too long for the "Neo" (Keanu Reeves) and "Trinity" (Carrie-Anne Moss) characters to get up and ... running. Reeves has largely lost his freshness and vivacity and the baddies exude all the menace of a wet lettuce. At best the supporting casting borders on the bizarre - Jonathan Groff and Neil Patrick Harris are both far better sticking to their more familiar genres, and Jessica Henwick's "Bugs" character, though feisty, was just far too flat. The graphics are all old hat, as are the time-shifting themes and action scenes. There is plenty of gun totin', but nothing at all innovative. This was entertaining and escapist stuff first time around in 1999, but at 2½ hours this is slow and repetitive with some seriously wilting dialogue and the real time/their time narrative just bored me. It certainly looks good on a big screen, I fear what little it does have will not work at all on the television, but otherwise - sorry, this is poor.
**Nostalgia is the only thing that will make this mess enjoyable.** Welcoming exciting new characters, introducing new threats and alliances, and resurrecting classic characters seemed to promise the next chapter worth getting our hopes up. With the return of Reeves and Moss, we had even more rea ... son to believe! And the movie was decent... but not what we had hoped. My biggest disappointment was the action sequences. What once raised the bar on choreographed fight sequences fell below its predecessors and landed in the typical shakey cam fighting we see in many lazy action movies today. Neo's force push powers also became a disappointing solution to every dangerous situation. It wasn't horrible, but in its attempt to be meta and self-aware, The Matrix Resurrections forgot what made the franchise great.
There's absolutely no reason for this movies to exist. It makes Reloaded and Revolutions look like masterpieces. For some reason, someone thought it would be a good idea to make a new Matrix movie with none of the core elements of the original Matrix. The original style is completely gone and the mo ... vie is visually generic and boring. The fights are messy and meaningless. The returning characters are forced into an extremely weak plot and are stripped of their original characteristics in favor of some new characters nobody cares about. There are lore inconsistencies all over the place and the overall goal of protagonists is pointless. Also, the meta jokes, the usage of footage from the original movie and the forced comedy moments are the worst things I've seen in recent history. What a slap in the face for Matrix fans.
This is another one of those movies where I hesitated quite some time before getting around to watch it. I was worried it was going to either be another woke Hollywood destruction of a franchise or just a mediocre money grab trying to squeeze the last drops out the franchise. I was wrong though. ... When the end credits started to roll I found myself having quite enjoyed the movie. Sure, it does not have the wow factor of the first movie but that one was the first with an entirely new story and concept so it is perhaps not so surprising. I would say that I easily enjoyed this one more than the third movie in the original trilogy though. They have made a story with a semi-plausible explanation as to why and how Neo is back in the Matrix and why he is alive in the first place. After a somewhat slow but not at all uninteresting beginning the movie takes of with the usual stunts, mysteries and cool special effects. The martial arts scenes are really not as impressive as in the first movie but the special effects are quite cool. There is a new bad guy, or should I say program, for Neo to confront and, again, he has some new and old friends to help him. I do miss the original Morpheus though. His replacement do not have the same carisma. Otherwise the characters are not bad. The weakest character and the only one I did not like at all was the new Smith. This guy was so cool in the original trilogy. The Smith they have in this movie is just your average mediocre Hollywood bad guy. Overall a quite enjoyable sci-fi/action movie and it was nice to see Keanu Reeves back as Neo.
This a film that shouldn't have been made. I sat beside a Matrix fan who sat through Matrix 2 and Matrix 3. They couldn't sit through this one. They made this film with the assumption watchers had seen the old ones **and** remembered every detail. Having watched them all myself long ago, the film ... is filled with references and winks to the old material and I was honestly lost. The references aren't subtle and are cut very badly into the scenes with no sense of flow. This is done right from the start of the film and just never stops. It's like reliving an acid trip and getting shocked every once in a while to jump in and out of it. Ignoring the references, the story is just terrible. Within 30 minutes you know how the movie will develop and (probably) end. I couldn't finish it. Maybe this is for people who have had bad drug experiences and want to show what it's like to another person, but for me, it was not worth watching.