Popularity: 7 (history)
Director: | Rawson Marshall Thurber |
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Writer: | Rawson Marshall Thurber |
Staring: |
An Interpol-issued Red Notice is a global alert to hunt and capture the world's most wanted. But when a daring heist brings together the FBI's top profiler and two rival criminals, there's no telling what will happen. | |
Release Date: | Nov 04, 2021 |
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Director: | Rawson Marshall Thurber |
Writer: | Rawson Marshall Thurber |
Genres: | Comedy, Action, Crime |
Keywords | fbi, interpol, cleopatra, heist, art thief |
Production Companies | Flynn Picture Company, Seven Bucks Productions, Bad Version |
Box Office |
Revenue: $178,143
Budget: $160,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Dwayne Johnson | John Hartley |
Ryan Reynolds | Nolan Booth |
Gal Gadot | Sarah Black / The Bishop |
Ritu Arya | Inspector Urvashi Das |
Chris Diamantopoulos | Sotto Voce |
Ivan Mbakop | Tambwe |
Vincenzo Amato | Director Gallo |
Rafael Petardi | Security Chief Ricci |
Seth Michaels | Souvenir Stand Owner |
Sebastien Large | Gelato Truck Driver |
Guy Nardulli | Museum Reporter / Italian VIP |
Andrew Hunter | Moped Tourist |
George Tsai | Bali Van Driver |
Rawson Marshall Thurber | Exhausted Film Director in Bar |
Robert Mata | Handsome Bartender |
Anthony Belevtsov | Prison Guard Sergeant |
Daniel Bernhardt | Drago Grande |
Yosef Podolski | Lead Guard |
Martin Harris | Tower Guard |
Alexander Perkins | Intelligence Analyst |
Joseph A. Garcia | Old Tech |
Gonzalo Escudero | Head Waiter |
Jay Romero | Sotto Vocce Display Room Guard |
Ethan Herschenfeld | Aranoub Magdy |
Brenna Marie Narayan | Cleopatra |
Tom Choi | Mongolian Captain |
Nick Arapoglou | Officer on Yacht |
Robert Clotworthy | Opening Narrator (voice) |
Ed Sheeran | Ed Sheeran (uncredited) |
Steve Eifert | Prison Captain (uncredited) |
Elbert Kim | Italy Vatican Museum Patron (uncredited) |
Victoria Paige Watkins | Child (uncredited) |
Name | Job |
---|---|
George Cottle | Second Unit Director |
Rawson Marshall Thurber | Writer, Director |
Jackson Spidell | Fight Choreographer |
Markus Förderer | Director of Photography |
Steve Jablonsky | Original Music Composer |
Kami Asgar | Supervising Sound Editor |
Dan Kenyon | Sound Effects Editor |
Nancy Cummings | Makeup Artist |
Cassie Russek | Key Hair Stylist |
Hubert Maston | Visual Effects Supervisor |
Chris Hahn | Stunts |
Mark LeDoux | VFX Supervisor |
Chris LeDoux | VFX Supervisor |
Matt Akey | Visual Effects Producer |
Steve Dinozzi | Visual Effects Supervisor |
Bobby Tucker | Visual Effects Producer |
Tangela Large | Dialect Coach |
Gabe Hilfer | Music Supervisor |
Rachel Tenner | Casting |
Mary E. Vogt | Costume Design |
Doug Coleman | Stunt Coordinator |
Vanessa Zamarripa | Stunts |
Riley Flanagan | Additional Second Assistant Director |
Paul E. Short | Stunts |
Joe Bucaro III | Stunts |
Tanoai Reed | Stunt Double |
Peter Epstein | Stunts |
Duffy Gaver | Utility Stunts |
Mickey Giacomazzi | Stunt Driver |
Nitasha Bhambree | Stunts |
Justin O'Neal Miller | Art Direction |
James Bitonti | First Assistant Director |
Michael L. Sale | Editor |
Jason Knox-Johnston | Supervising Art Director |
Andy Nicholson | Production Design |
Rachel Block | Art Direction |
Rory Bruen | Supervising Art Director |
Will Coubrough | Art Direction |
Andi Crumbley | Art Direction |
Adam Squires | Art Direction |
Danielle Berman | Set Decoration |
Larry Dias | Set Decoration |
David Werntz | Sound Designer |
Heather Benson | Makeup Artist |
Suzanna Boykin | Hairstylist |
Leay Cangelosi | Hairstylist |
Jessica Craig | Makeup Artist |
Jennifer Hodges | Key Hair Stylist |
Morgon Lindskog | Makeup Artist |
Jacqueline Noel | Hairstylist |
Mark James Ross | Makeup Artist |
Matt Sprunger | Makeup Artist |
Haile Werntz | Makeup Artist |
Sam Carter | Set Dresser |
Ashley Fidalgo Fogleman | Set Designer |
Terry Hill | Set Dresser |
Britain Illingworth-Cramer | Set Designer |
Kristen Jenkins | Set Designer |
Maxfield Ladish | Set Dresser |
George Lee | Set Designer |
Chris McGlamery | Set Dresser |
Eric Sherlin | Set Dresser |
Eitan Sonnenberg | Set Dresser |
Sean McCormack | Supervising Sound Editor |
Kevin O'Connell | Sound Re-Recording Mixer |
Blondel Aidoo | Visual Effects Producer |
Tony Lupoi | Visual Effects Supervisor |
Rebecca West | Visual Effects Producer |
Richard Schoen | Costume Supervisor |
Kate Duke | Set Costumer |
Stefano De Nardis | Costume Supervisor |
Ginger Knussmann | Set Costumer |
Jacinthe Côté | Visual Effects Producer |
Sean Pollack | Visual Effects Supervisor |
Mathieu Raynault | Visual Effects Supervisor |
Virginie Wintrebert | Visual Effects Producer |
Tiuana Bell | Costumer |
Whit Cornwall | Costumer |
Enrica Iacoboni | Set Costumer |
Stephanie Powers | Set Costumer |
Daniel Dupre | Matte Painter |
Jon Balcome | CG Supervisor |
Daniel J. Pastor | Compositing Artist |
Burke Roane | Animation Supervisor |
Jereme Gelske | Visual Effects Coordinator |
Chad Fetzer | Compositing Lead |
Brad Lucas | Compositing Artist |
Butch Seibert | Compositing Artist |
Christopher Cheng | Compositing Artist |
Timothy Fescoe | Compositing Artist |
Ndosi Anyabwile | Compositing Artist |
Daniel L. Smith | Compositing Artist |
Daniel Berkowitz | Compositing Artist |
Scott Curtis | Compositing Artist |
Daniel Kaczkowski | Compositing Artist |
Nathan Carlson | Graphic Designer |
Richard R. Hoover | Visual Effects Supervisor |
Julian Clarke | Editor |
Pedro Eustache | Musician |
Kenneth Koh | VFX Artist |
Brian Barlettani | Visual Effects Producer |
Dana Howes | Transportation Coordinator |
Hannah Hildebrandt | Art Department Coordinator |
Tony Lamberti | Sound Re-Recording Mixer, Sound Designer |
Carla Martinez | Assistant Art Director |
Craig Hammack | Visual Effects Supervisor |
Leroy McLeod | Production Assistant |
Name | Title |
---|---|
Dwayne Johnson | Producer |
Dany Garcia | Producer |
Hiram Garcia | Producer |
Rawson Marshall Thurber | Producer |
John Wildermuth | Co-Producer |
David B. Householter | Executive Producer |
Beau Flynn | Producer |
Wendy Jacobson | Executive Producer |
Scott Sheldon | Executive Producer |
Mika Saito | Co-Producer |
Blondel Aidoo | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 71 | 92 | 44 |
2024 | 5 | 68 | 112 | 41 |
2024 | 6 | 72 | 141 | 45 |
2024 | 7 | 68 | 126 | 46 |
2024 | 8 | 62 | 108 | 41 |
2024 | 9 | 45 | 52 | 35 |
2024 | 10 | 60 | 110 | 37 |
2024 | 11 | 68 | 113 | 44 |
2024 | 12 | 53 | 86 | 41 |
2025 | 1 | 58 | 84 | 42 |
2025 | 2 | 38 | 54 | 8 |
2025 | 3 | 15 | 52 | 3 |
2025 | 4 | 10 | 15 | 7 |
2025 | 5 | 9 | 15 | 7 |
2025 | 6 | 8 | 13 | 6 |
2025 | 7 | 7 | 8 | 6 |
2025 | 8 | 7 | 8 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 8 | 571 | 771 |
Year | Month | High | Avg |
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2025 | 7 | 559 | 728 |
Year | Month | High | Avg |
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2025 | 6 | 323 | 755 |
Year | Month | High | Avg |
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2025 | 5 | 413 | 773 |
Year | Month | High | Avg |
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2025 | 4 | 154 | 576 |
Year | Month | High | Avg |
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2025 | 3 | 586 | 790 |
Year | Month | High | Avg |
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2025 | 2 | 376 | 704 |
Year | Month | High | Avg |
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2025 | 1 | 604 | 785 |
Year | Month | High | Avg |
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2024 | 12 | 738 | 895 |
Year | Month | High | Avg |
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2024 | 11 | 441 | 762 |
Year | Month | High | Avg |
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2024 | 10 | 460 | 744 |
Year | Month | High | Avg |
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2024 | 9 | 768 | 864 |
Year | Month | High | Avg |
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2024 | 8 | 747 | 862 |
i realize that this movie was not set to be a cinematographic masterpiece, but this is way too primitive of a plot, actor's performance, and overall impression. ...
Heist Movie? Gal Gadot? I’m in. Plus Dwayne Johnson and Ryan Reynolds. I said I’m in! Sounds like a bunch of fun. But somehow, it’s just not. Johnson is FBI agent John Hartley, and he’s on the trail of Nolan Booth (Reynolds), the 2nd most wanted art thief in the world. Who’s number 1? ... That would be The Bishop (Gadot), a mysterious criminal who always seems one step ahead of Booth in the quest to reunite three priceless jeweled eggs that Marc Antony once gave to Cleopatra. Yes, Cleopatra. After a snappy, parkour-heavy chase to open the film, Hartley offers Booth the chance to move up to the top spot on Interpol’s Red Notice (highest level arrest warrant) list. All he has to do is help Hartley and the Feds nab The Bishop. And the game is on! Read the full review on our website. https://www.ukfilmreview.co.uk/reviews/red-notice
This movie is one of those ridiculously silly but quite fun movies. It is a movie that makes no pretense other than to be entertaining. The movie is a mixture of art heist thriller, Indiana Jones inspired treasure hunts and fast and furious chase action. All served with a large dose of humor. ... I have to confess one thing right away. Ryan Reynolds grated on me. I guess he was chosen to provide most of the comic relief and, to me, he is over the top silly not to mention dishonest (most of the time) in a way that was not really my cup of tea. Luckily Dwayne Johnson largely compensated for that. I have not yet seen a movie with Dwayne Johnson in that I felt was really bad. Also, sorry to all the Gal Gadot haters out there, I did like her in this movie but then, as guy, maybe I am a wee bit biased on that, you know what I mean. The story is bordering on the ludicrous with, mostly predictable, twists around every corner but then it is just there to tie the action sequences and jokes together so it is good enough. This is a movie that you watch for the silly action, even sillier jokes and, for me at least, because Dwayne Johnson is in it. It has a single purpose and that is to entertain. No bullshit preaching, no finger pointing and no pretense to provide food for your brain. I liked it. It allowed me to spend two hours together with my oldest son just being entertained. Oh, one more proof that it is a movie worthwhile to watch is of course the woke crappy tomatoes score. Note the discrepancy between their far left woke “critics” and the actual audience. Even that bullshit of separating the audience in “verified” and others couldn’t hide the fact that their “critics” are totally out of sync with the audience.
_Red Notice_ is a run of the mill spy adventure with twists, turns, and an inflated runtime that leaves the movie feeling bloated. I was having a decent time in the start of the movie, I enjoyed the back and forth between Dwayne Johnson and Ryan Reynolds, the set pieces were great, and the plot was ... somewhat interesting. But after awhile, the movie got stale as the same style jokes were recycled and the plot kept being strung along. All the acting was fine in the film, but by this point Dwayne Johnson plays Dwayne Johnson and Ryan Reynolds plays Ryan Reynolds. There is no diversity in their acting, every role they take on is the exact same. In the beginning it was fine, but too much of a good thing is not enough. I found myself getting increasingly bored throughout the duration of the film, and the ending was a grind to get through. The twists at the end were interesting, although if I was remotely engaged in the plot I could have spotted it from a mile away. Overall, this film was below average cinema, even after the spending $60m plus on star power. **Score:** _45%_ **Verdict:** _Poor_
**Red Notice might be imperfect, but it is definitely enjoyable with its mega-star cast and grand adventure.** Red Notice is a fun adventure film with the biggest stars, beautiful locations, and spectacular effects while missing the mark in a few places. Still, it is an entertaining movie that is ... wildly enjoyable if you don't take it too seriously. With a cast boasting three of the most sought-after A-Listers of its day, Red Notice wisely focuses on these characters giving each actor a chance to grace the screen with their unique charm. The movie advances rapidly from action set piece to action set piece. The moments in between are filled with Reynolds and Johnson's playful banter that is funny but not as natural as Kevin Hart's chemistry with Dwayne Johnson. Ryan Reynolds does a great job playing his character that fits his strengths, but there are times when Johnson and Gadot's characters start to venture into Batman and Robin levels of cheesiness. Yes, Red Notice has flaws, but it really is an enjoyable film, and I look forward to its sequels.