Popularity: 3 (history)
Director: | Joe Wright |
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Writer: | Tracy Letts, A.J. Finn |
Staring: |
An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence. | |
Release Date: | May 13, 2021 |
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Director: | Joe Wright |
Writer: | Tracy Letts, A.J. Finn |
Genres: | Crime, Mystery, Thriller |
Keywords | new york city, based on novel or book, wine, murder, neighbor, agoraphobia, car accident, death, mental illness, medication pills |
Production Companies | Fox 2000 Pictures, 20th Century Studios |
Box Office |
Revenue: $0
Budget: $4,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Amy Adams | Anna Fox |
Gary Oldman | Alistair Russell |
Anthony Mackie | Ed Fox |
Fred Hechinger | Ethan Russell |
Wyatt Russell | David Winter |
Brian Tyree Henry | Detective Little |
Jennifer Jason Leigh | Jane Russell 2 |
Jeanine Serralles | Detective Norelli |
Mariah Bozeman | Olivia Fox |
Julianne Moore | Jane Russell 1 (Katie) |
Diane Dehn | 911 Dispatcher (voice) |
Daymien Valentino | Mover |
Anna Cameron | Alex (voice) |
Myers Bartlett | 911 Dispatcher (voice) |
Haven Burton Paschall | Shelly (voice) |
Ben Davis | Steve (voice) |
Blake Morris | 911 Dispatcher (voice) |
Tracy Letts | Dr. Landy (uncredited) |
Name | Job |
---|---|
Mark Pettograsso | Stunts |
William Cote | Stunt Driver |
Shane Geraghty | Utility Stunts |
Evan Dane Taylor | Stunts |
Ben Rezendes | Stunts |
Alexa Marcigliano | Utility Stunts |
Califf Guzman | Stunt Double |
Brick Mason | Storyboard Artist |
Alexios Chrysikos | Concept Artist |
Winsome G. McKoy | Set Costumer |
Justine Baker | ADR Recordist |
Paul Carter | Sound Designer |
Paul Cotterell | Sound Re-Recording Mixer |
David Lucarelli | ADR Recordist |
Kobi Quist | Sound Mix Technician |
Barnaby Smyth | Foley Artist |
Caleb Townsend | Assistant Sound Editor |
Simon McKelleget | Visual Effects |
Louise McCarthy | Makeup Department Head |
Josh Turi | Prosthetic Makeup Artist |
Duncan Key | Digital Compositor |
Eric Papa | Location Scout |
Eleonora de Simone | Assistant Art Director |
Kevin Thompson | Production Design |
Oliver Zeller | Assistant Art Director |
Brandon Endy | Data Wrangler |
Bill O'Leary | Gaffer |
Thomas Varga | Sound Mixer |
Valerio Bonelli | Editor |
David Boulton | ADR Mixer |
Jack Cheetham | Sound Mix Technician |
Chris Fondulas | Boom Operator |
Michael Maroussas | Dialogue Editor |
Keith Partridge | Foley Mixer |
Bobby Roelofs | Boom Operator |
Ken Strain | Boom Operator |
Alyssa Koncelik-Diemer | Visual Effects |
Kimberly Felix | Makeup Artist |
Susan Reilly LeHane | Makeup Artist |
Brian Spears | Special Effects Makeup Artist |
Ruben Rodas | Visual Effects Supervisor |
Steven Benjamin | Digital Compositor |
Aaron Vexler | Stunts |
Drew Reade | Stunt Double |
Daniel Dupre | Digital Compositor |
Jasper M. Baltzersen | Digital Compositor |
Richard Buckman | Utility Stunts |
Melinda Sue Gordon | Still Photographer |
Joe Wright | Director |
Tracy Letts | Screenplay |
A.J. Finn | Novel |
Bruno Delbonnel | Director of Photography |
Ellen Chenoweth | Casting |
Craig Haagensen | "A" Camera Operator |
Sarah Irwin | Stunt Double |
Albert Wolsky | Costume Design |
Danny Elfman | Original Music Composer |
Craig Berkey | Supervising Sound Editor, Sound Re-Recording Mixer |
Chris Navarro | ADR Mixer |
Morag Ross | Makeup Artist |
Sara Tremblay | Visual Effects Producer |
Scott Burik | Utility Stunts |
Name | Title |
---|---|
Eli Bush | Producer |
Tracy Letts | Producer |
Scott Rudin | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 19 | 25 | 14 |
2024 | 5 | 22 | 33 | 11 |
2024 | 6 | 21 | 37 | 14 |
2024 | 7 | 22 | 50 | 12 |
2024 | 8 | 19 | 32 | 14 |
2024 | 9 | 12 | 16 | 9 |
2024 | 10 | 15 | 28 | 9 |
2024 | 11 | 18 | 35 | 12 |
2024 | 12 | 15 | 23 | 10 |
2025 | 1 | 16 | 21 | 12 |
2025 | 2 | 13 | 21 | 3 |
2025 | 3 | 5 | 17 | 1 |
2025 | 4 | 4 | 7 | 1 |
2025 | 5 | 3 | 8 | 2 |
2025 | 6 | 2 | 4 | 1 |
2025 | 7 | 2 | 2 | 1 |
2025 | 8 | 2 | 3 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2024 | 11 | 607 | 607 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ www.msbreviews.com How many times have you heard something along the lines of "oh, this film has phenomenal actors, surely it must be great"? Obviously, countless examples defend or contradict this last statement, but unfortun ... ately, the average moviegoer often gives more credit to the cast than to the director(s) and/or writer(s). This means that when a movie is truly amazing, actors receive the best compliments even if they didn't contribute as much as the other two filmmaking roles. However, when a film turns out to be a massive disappointment, the cast rarely gets the worst commentaries. The Woman in the Window is the perfect example of a movie that should have never created high expectations. Contrary to what people might think, this Joe Wright's film went through non-stop delays, even before the pandemic began. Netflix wasn't even the original distributor, but the general audience doesn't care about production issues. If the cast boasts some well-known, fan-favorite actors, most viewers will highly anticipate that movie without ever thinking about who's directing or writing it. It's no surprise that this adaptation of A. J. Finn's novel is a strong contender for the following year's Razzies… From the confusing editing work (Valerio Bonelli) - probably due to the constant re-edits - to the tremendously forced dialogues, Tracy Letts' screenplay is packed with problems concerning basically every single character interaction. The overall narrative is an utter mess that never finds its footing, ending in a convoluted, nonsensical, incredibly fake-looking film. Everything feels overdramatic, extremely fictional, and emotionless. Amy Adams, Gary Oldman, Julianne Moore, and all the other popular actors struggle so much with their scripts that some of them genuinely deliver an awful caricature of themselves. Honestly, the only reason this doesn't get my lowest grade is due to a couple of actors that actually try to make the story a little less unbearable. Rating: D-
Excellent watch, would watch again, and do recommend. For Hitchcock fans, this is sort of a spiritual successor to "Rear Window", and an excellent one. Amy Adams is fantastic, the story is detailed and quality through and through, and the presentation is on point. This is good enough that I ... 'm not going to risk spoiling the movie by going on here, but this is completely worth the watch.