When I Grow Up
Bobby takes on the elderly
1951 | 90m | English
Popularity: 0.2 (history)
| Director: | Michael Kanin |
|---|---|
| Writer: | |
| Staring: |
| Josh is a young boy who feels neglected and misunderstood at home. Preparing to run away, he chances across an old diary once kept by his grandfather. Leafing through the yellowed pages, Josh discovers that Grandpa went through many of the same childhood travails that he is enduring at that moment. Armed with a renewed understanding of and appreciation for his elders, Josh decides to stick around for a while and see how things develop. | |
| Release Date: | Apr 19, 1951 |
|---|---|
| Director: | Michael Kanin |
| Writer: | |
| Genres: | |
| Keywords | growing up |
| Production Companies | Horizon Pictures |
| Box Office |
Revenue: $100,000
Budget: $50,000 |
| Updates |
Updated: Jan 17, 2026 Entered: Apr 27, 2024 |
| Name | Character |
|---|---|
| Bobby Driscoll | Josh / Danny Reed |
| Robert Preston | Father Reed |
| Martha Scott | Mother Reed |
| Sherry Jackson | Ruthie Reed |
| John Wilder | Duckface Kelly |
| Frances Chaney | Mrs. Kelly |
| Poodles Hanneford | Bobo |
| Ralph Dumke | Carp |
| Paul Guilfoyle | Doc |
| Paul Levitt | Carp's Assistant |
| Griff Barnett | Dr. Bailey |
| Margaret Lloyd | Volunteer Nurse |
| Charley Grapewin | Grandpa Reed |
| Harry Morgan | Father Reed (Modern) |
| Elisabeth Fraser | Mother Reed |
| Robert Hyatt | Binks |
| Hamilton Camp | Bully |
| Ruth Lee | Bully's Mother |
| Donald Gordon | Harmonica Boy |
| Robert Gordon | Boy with Water Trough |
| Name | Job |
|---|---|
| Ted Larsen | Makeup Artist |
| Jack R. Berne | Assistant Director |
| Ben Winkler | Sound Mixer |
| George Fields | Musician |
| Irving Friedman | Musical |
| Jerome Moross | Music |
| Edward Mann | Editor |
| Bruce Schoengarth | Editor |
| Nicolai Remisoff | Art Direction |
| Edward R. Robinson | Set Decoration |
| Norma Koch | Costume Design |
| Sally Berkeley | Hair Setup |
| Samuel Rheiner | Production Intern |
| Michael Kanin | Director |
| Ross Hunter | Script Supervisor |
| Ernest Laszlo | Director of Photography |
| Name | Title |
|---|---|
| Jack Broder | Associate Producer |
| Sam Spiegel | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 2 | 5 | 1 |
| 2024 | 5 | 4 | 7 | 2 |
| 2024 | 6 | 3 | 6 | 1 |
| 2024 | 7 | 3 | 10 | 1 |
| 2024 | 8 | 2 | 4 | 1 |
| 2024 | 9 | 3 | 7 | 1 |
| 2024 | 10 | 2 | 4 | 1 |
| 2024 | 11 | 2 | 5 | 1 |
| 2024 | 12 | 1 | 3 | 1 |
| 2025 | 1 | 2 | 3 | 1 |
| 2025 | 2 | 1 | 2 | 1 |
| 2025 | 3 | 1 | 1 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 3 | 0 |
| 2025 | 10 | 1 | 3 | 1 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 1 | 4 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
"Danny" (Bobby Driscoll) lives with his dad (Harry Morgan) and mum (Elisabeth Fraser) but isn't especially happy. Indeed, he feels neglected and determines to leave home and chance his arm in the outside world. Before he hits the road, though, he discovers an old diary written by his grandpa (Charle ... y Grapewin) that details the trials and tribulation of his own youth - and tells of his desire to flee with his best pal "Duckface" (John Wilder) and join the circus. It's very hard work and the youngsters are largely ignored by the staff except, that is, for the clown "Bobo" (Poodles Hanneford) who promises to go into business with them if they make it big. Sadly, the 1890s wasn't the healthiest of times to live and when typhoid hits the town, it puts a great deal in perspective and back in 1950s America, it reminds the young "Danny" that maybe life could be quite a bit worse and maybe he ought to count his blessings? There's something really quite touching about the Driscoll effort(s) in this film as he skips from the older to the more modern character effortlessly and engagingly. It's quite a telling story of grass being greener, but also of childhood - and of the dreams we all had before life got us by the scruff of the neck. There's also quite a strong effort from both Robert Preston and Martha Scott as the 19th century parents facing a not dissimilar problem rearing a lad full of spark and ambition only without electricity and with more distracting elephants. It's simplicity is affecting and it's well worth a watch.