Popularity: 6 (history)
Director: | Peter Segal |
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Writer: | David Zucker, Pat Proft, Robert LoCash |
Staring: |
Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby. | |
Release Date: | Mar 18, 1994 |
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Director: | Peter Segal |
Writer: | David Zucker, Pat Proft, Robert LoCash |
Genres: | Comedy, Crime |
Keywords | police, parody, slapstick comedy, los angeles, california, state prison, based on tv series, undercover, sexual humor, spoof, terrorism, good versus evil, hilarious |
Production Companies | Paramount Pictures |
Box Office |
Revenue: $132,032,598
Budget: $30,000,000 |
Updates |
Updated: Jun 18, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Leslie Nielsen | Lt. Frank Drebin |
Priscilla Presley | Jane Spencer |
George Kennedy | Ed Hocken |
O. J. Simpson | Nordberg |
Fred Ward | Rocco |
Kathleen Freeman | Muriel |
Anna Nicole Smith | Tanya |
Ellen Greene | Louise |
Ed Williams | Ted |
Raye Birk | Papshmir |
Matt Roe | Clayton |
Wylie Small | Defense Attorney |
Sharon Cornell | Stenographer |
Earl Boen | Dr. Eisendrath |
Jeff Wright | Store Manager |
Lorali Hart | Melon Lady |
Mallory Sandler | Grocery Mother |
K.L. Segal | Purse Woman |
Brad Lockerman | Jason |
Rosalind Allen | Bobbi |
Charlotte Zucker | Nurse |
Lois de Banzie | Dr. Kohlzak |
Doris Belack | Dr. Roberts |
Nigel Gibbs | Carjacker |
Andre Rosey Brown | Corridor Guard |
Randall "Tex" Cobb | Big Hairy Con |
Ann B. Davis | Ann B. Davis |
Alex Zimmerman | Mess Hall Convict |
Marc Alaimo | Trucker |
Tom Finnegan | Priest |
Hammam Shafie | Cabbie |
Jeffrey Anderson-Gunter | Cabbie |
Danny Daniels | Cabbie |
Joe Grifasi | Director |
Vanna White | Vanna White |
'Weird Al' Yankovic | 'Weird Al' Yankovic |
Rick Scarry | Security Guard |
Mary Lou Retton | Mary Lou Retton |
James R. Scribner | Phil Donahue's Make-Up Man |
Lou Felder | Presenter |
Chrissy Bocchino | Mother Theresa |
Pia Zadora | Pia Zadora |
Joe D'Angerio | Security Guard |
Gary Cooper | Cop |
Christopher J. Keene | Cop |
Joe Flood | Cop |
Scott Evers | Umpire |
Paul A. Hutton | Doctor |
Burton Zucker | Clinic Patient |
Susan Breslau | Train Lady #1 |
Erin MacArthur | Train Lady #2 |
Marcy Goldman | Train Lady #3 |
David Zucker | Teleprompter Guy |
Robert K. Weiss | Tuba Player |
Peter Segal | Producer of 'Sawdust & Mildew' |
Robert LoCash | Producer of 'Sawdust & Mildew' |
William Kerr | Producer of 'Sawdust & Mildew' |
Jolie Chain | Producer's Wife |
Wendy Hogan | Producer's Wife |
Jeri Caldwell | Producer's Wife |
Michael Ewing | Assistant Director |
David Malloy | Maalox Boy |
Vanessa Sandin | Gabriella |
Julie Strain | Dominatrix |
Andrew Craig | Bryce Porterhouse Guard |
David Fresco | Lifetime Award Recipient |
Bill Erwin | Conductor |
Adam Hasart | Frank Jr. |
John Capodice | Mr. Big |
Glen Chin | Sumo Wrestler |
Philip Yamaguchi | Sumo Wrestler |
Florence Henderson | Florence Henderson |
Tim Bohn | Waldo |
Timothy Watters | President Clinton |
Eugene Greytak | Pope |
Aaron Seville | Cop |
Blane Savage | Dancer |
Michael Chambers | Dancer |
T.C. Diamond | Dancer |
Brett Heine | Dancer |
Jerald Vincent | Dancer |
Wayne 'Crescendo' Ward | Dancer |
Brian Wightman | Dancer |
Bryan Anthony | Dancer |
Paul Feig | Oscar Audience Member |
Joel Madison | Oscar Audience Member |
Steve Pepoon | Oscar Audience Member |
Scott Herriott | Oscar Audience Member |
Edward Weber | Oscar Audience Member |
Adrienne Parsons | Mercedes Lady |
Robert J. Elisberg | Taxi Driver |
Elisa Gabrielli | Mourner |
Taran Killam | Boy of Geriatric Park |
Marianne Davis | Girl of Geriatric Park |
Bill Zuckert | Old Man |
Nikki Segal | Screaming Supermarket Baby |
James Earl Jones | James Earl Jones (uncredited) |
Raquel Welch | Raquel Welch (uncredited) |
Shannen Doherty | Shannen Doherty (uncredited) |
Elliott Gould | Elliott Gould (uncredited) |
Mariel Hemingway | Mariel Hemingway (uncredited) |
R. Lee Ermey | Prison Guard (uncredited) |
Thomas Rosales Jr. | Prisoner #2 (uncredited) |
Morgan Fairchild | Morgan Fairchild (uncredited) |
Bruce A. Young | Tyrone (uncredited) |
Olympia Dukakis | Olympia Dukakis (uncredited) |
Symba | Oscar Guest in Birdcage Skirt (uncredited) |
Heather Hewitt | Academy Awards Guest (uncredited) |
Susan McNabb | Academy Awards Guest (uncredited) |
Françoise Ruggieri | Academy Awards Guest (uncredited) |
Name | Job |
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Debbie Lynn Ross | Stunts |
David Zucker | Writer |
Peter Segal | Director |
Pat Proft | Writer |
Ira Newborn | Conductor, Original Music Composer |
Mary E. Vogt | Costume Design |
Michael Tadross | Executive In Charge Of Production |
Miranda Garrison | Choreographer |
Patricia Tallman | Stunts |
Mary Peters | Stunts |
Jeff Imada | Stunts |
Gene LeBell | Stunts |
Thomas Rosales Jr. | Stunts |
Chuck Picerni Jr. | Stunts |
Peter McKernan Jr. | Aerial Coordinator |
Robert K. Weiss | Second Unit Director |
Laura Albert | Stunts |
Andy Gill | Stunts |
Peewee Piemonte | Stunts |
Paul E. Short | Stunts |
Al Goto | Stunts |
Eugene Collier | Stunts |
Marian Green | Stunts |
Jimmy N. Roberts | Stunts |
Robert LoCash | Writer |
Robert M. Stevens | Director of Photography |
Bruce Crone | Art Direction |
James R. Symons | Editor |
Pamela Basker | Casting |
Lawrence G. Paull | Production Design |
Kathe Klopp | Set Designer |
Ashley Burnham | Art Department Coordinator |
Robert L. Anderson | Construction Coordinator |
Richard W. Jones | Greensman |
Joseph Musso | Production Illustrator |
Steve Koch | Sculptor |
John Berger | Set Designer |
Robert Primes | Additional Photography |
Jeff Case | Grip |
David Emmerichs | Steadicam Operator |
Ron Phillips | Still Photographer |
Marjorie K. Chan | Costume Supervisor |
Elaina P. Schulman | Hairstylist |
Stephen Abrums | Makeup Artist |
Bob Moore Jr. | Set Costumer |
Tom Randol | Set Dressing Artist |
Clark 'Cajun' Davis | Craft Service |
Brad Kuehn | Digital Effects Supervisor |
Richard Anton | Driver |
Michael P. Finnegan | Propmaker |
Bill MacSems | Property Master |
Anna Baltimore | Set Medic |
Jeff Jarvis | Special Effects Coordinator |
Alexandra Datig | Stand In |
Phil Adams | Stunts |
Raymond A. McLaughlin | Transportation Captain |
Vince del Castillo | Transportation Coordinator |
William C. Gerrity | Unit Production Manager |
Robert J. Elisberg | Unit Publicist |
John Hockridge | First Assistant Director |
Phil Hetos | Color Timer |
Gregory Gontz | First Assistant Editor |
Renée George | Electrician |
Paul Avery | Lighting Technician |
Greg Cantrell | Rigging Gaffer |
Burton Lindemoen | Rigging Grip |
Kate Brinegar | Casting Associate |
Eric Klosterman | Location Manager |
Elton MacPherson | Production Accountant |
Gil Gagnon | Production Coordinator |
Anne Couk | Assistant Sound Editor |
Pamela Bentkowski | Foley Editor |
Jeff Carson | Music Editor |
Gloria D'Alessandro | Sound Editor |
Hank Garfield | Sound Mixer |
Joseph A. Ippolito | Supervising Sound Editor |
Don Lee | Digital Compositors |
Mykel Denis | Visual Effects Coordinator |
David Kuklish | Visual Effects Supervisor |
Ellis Cohen | Costumer |
Margaret E. Elliott | Extras Makeup Artist |
Joseph J. Kontra | Second Assistant Director |
Violet Cazanjian | Second Second Assistant Director |
Christopher G. Feederle | Assistant Property Master |
David B. Miller | Special Props |
Douy Swofford | Title Designer |
Stephen Janisz | ADR Editor |
Bob Baron | ADR Mixer |
Ken Dufva | Foley Artist |
Eric Gotthelf | Foley Mixer |
Bill Cochran | Special Effects Assistant |
John Cassel | Special Effects Technician |
Hubie Kerns Jr. | Stunt Driver |
Alberto S. Ramos | Dolly Grip |
Paul E. Sutton | First Company Grip |
Steven W. Gage | Second Company Grip |
Barbie Block | Casting Assistant |
Theresa Repola Mohammed | Negative Cutter |
David Thornsberry | Assistant Location Manager |
Doug Netter | Art Department Production Assistant |
Benny McNulty | Assistant Chief Lighting Technician |
Brigette Lester | Assistant Production Coordinator |
Leslie J. Kovacs | Chief Lighting Technician |
Richard Patterson | Digital Supervisor |
Michael Cain | Generator Operator |
Felicidad Contreras | Payroll Accountant |
Jeremy Alter | Production Assistant |
Jeffrey G. Barnett | Stunts |
Simone Boisseree | Stunts |
Robert Fernandez | Scoring Mixer |
Fred Stafford | Supervising ADR Editor |
Bruce Paul Barbour | Stunt Double |
Name | Title |
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Jim Abrahams | Executive Producer |
Jerry Zucker | Executive Producer |
David Zucker | Producer |
Robert K. Weiss | Producer |
Jeff Wright | Associate Producer |
Gil Netter | Executive Producer |
Michael Ewing | Associate Producer |
William C. Gerrity | Co-Producer |
Robert LoCash | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 38 | 53 | 28 |
2024 | 5 | 36 | 51 | 22 |
2024 | 6 | 34 | 62 | 20 |
2024 | 7 | 48 | 78 | 18 |
2024 | 8 | 34 | 59 | 21 |
2024 | 9 | 25 | 30 | 18 |
2024 | 10 | 33 | 62 | 18 |
2024 | 11 | 29 | 44 | 20 |
2024 | 12 | 31 | 80 | 19 |
2025 | 1 | 35 | 71 | 21 |
2025 | 2 | 30 | 48 | 5 |
2025 | 3 | 10 | 34 | 3 |
2025 | 4 | 7 | 10 | 5 |
2025 | 5 | 5 | 6 | 3 |
2025 | 6 | 5 | 7 | 3 |
2025 | 7 | 6 | 8 | 4 |
2025 | 8 | 9 | 13 | 6 |
2025 | 9 | 8 | 10 | 6 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 37 | 297 |
Year | Month | High | Avg |
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2025 | 8 | 47 | 259 |
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2025 | 7 | 61 | 392 |
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2025 | 6 | 81 | 643 |
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2025 | 5 | 224 | 613 |
Year | Month | High | Avg |
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2025 | 4 | 105 | 447 |
Year | Month | High | Avg |
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2025 | 3 | 245 | 743 |
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2025 | 2 | 497 | 751 |
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2025 | 1 | 169 | 596 |
Year | Month | High | Avg |
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2024 | 12 | 694 | 847 |
Year | Month | High | Avg |
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2024 | 11 | 707 | 808 |
Year | Month | High | Avg |
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2024 | 9 | 821 | 922 |
Year | Month | High | Avg |
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2024 | 8 | 853 | 890 |
Given the huge success of the first two, I suppose the trilogy was bound to happen - but by now the joke and the characterisations had really worn very thin indeed. "Drebin" (Leslie Nielsen) is now happily (?) retired and living with his long-suffering wife "Jane" (Priscilla Presley) when he is soug ... ht out by his erstwhile colleagues "Ed" (George Kennedy) and "Nordberg" (OJ Simpson) to help out on their most dangerous case yet. Nope, the Queen is not making another state visit - it's "Rocco" (Fred Ward) and it looks like he wants to save Chris Rock any future embarrassment by blowing up the Oscars ceremony. What now ensues is a by now routine sequence of frying pan to fire scenarios, straight out of a Laurel & Hardy film. Sadly, that humour is all a bit passé now and though an appearance by Anna Nicole Smith must have given every budding actress from Tallahassee to Timbuktu a sense of hope that if she can make it, they can - the rest of it falls pretty flat! It is well enough made, the quips are quickly delivered and some of them still raise the odd smile. In the main, though, it is 80 minutes that almost looks like out-takes from the first two films with a thinly constructed plot by way of a template to hold it all together. It is watchable, but just not a patch on the earlier iterations.
**A fitting end to one of the great comedy trilogies of the 90s.** This is the third and final film in the “Naked Gun” trilogy. Throughout the film, one can smell farewell and conclusion, and it is undeniable that, among them, this is the weakest and least interesting. Even so, the film does what ... it needs to do to please its audience, who already know perfectly well what they are going to see and have a certain level of expectations. Although his style of humor may displease many people, we cannot deny that the three films were a notable success in the 80s and 90s, and that they had a major impact on Leslie Nielsen's filmography. In fact, the strength of Nielsen's work and charisma is what makes the film work. Without him, or with another actor, nothing would make sense and the final product would have no value. Even so, we must also highlight the work developed by O. J. Simpson, Priscilla Presley and George Kennedy, actors who put a lot of effort into their respective roles and found, in this film, time and material to match their talent. In fact, compared to its predecessors – and in these cases comparisons are inevitable – I thought this film gave more space to the secondary actors and gained additional quality as a result. It's not worth talking too much about the technical aspects, as this is a comical film that invests little in them and puts all its chips on humor and the main actor's performance. Even so, we can say that the film manages to maintain the quality that the trilogy has accustomed the public to. The script continues to be a problem, however, and is seen only as a vehicle for successive comic sequences and slapstick humor routines.
<em>'Naked Gun 33⅓: The Final Insult'</em> is the weakest of the trilogy, though fair amusement is still produced. Leslie Nielsen is so good in the lead role that I don't think it's really possible for these films to drag, at least alongside the decent gags and short run time. Admittedly this thi ... rd entry does meander a tad, though my interest in events never waned into negative territory. The ending is the strongest part, that facepalm scene (which I knew of before) is gold. Overall, this is a good franchise. I'm quite looking forward to hopefully checking out Liam Neeson in the 2025 remake, as long as the writing is suitable I think he can absolutely make it work.