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Dressed to Kill Poster

Dressed to Kill

1941 | 74m | English

(1313 votes)

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Popularity: 1 (history)

Details

A detective's wedding is postponed when gunshots are heard nearby.
Release Date: Aug 08, 1941
Director: Eugene Forde
Writer: Stanley Rauh, Manning O'Connor, Richard Burke
Genres: Thriller, Mystery
Keywords
Production Companies 20th Century Fox
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2026
Entered: Apr 27, 2024
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Full Credits

Name Character
Lloyd Nolan Michael Shayne
Mary Beth Hughes Joanne La Marre
Sheila Ryan Connie Earle
William Demarest Inspector Pierson
Ben Carter Sam
Virginia Brissac Lynne Evans
Erwin Kalser Otto Kuhn
Henry Daniell Julian Davis
Dick Rich Al -Police Detective
Milton Parsons Max Allaron
Charles Arnt Hal Brennon
Charles Trowbridge David Earle
Hamilton MacFadden Reporter
May Beatty Phyllis Lathrop
Charles C. Wilson Newspaper Editor
William Benedict Singing Telegram Boy
Spec O'Donnell Elevator Operator
Minerva Urecal Landlady
Emmett Vogan Smiley Joe Bishop
Harry Tyler Stage Manager
Mantan Moreland Rusty
Name Job
Eugene Forde Director
Stanley Rauh Screenplay
Manning O'Connor Screenplay
Richard Burke Novel
Brett Halliday Characters
Name Title
Organization Category Person
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Reviews

Geronimo1967
6.0

Lloyd Nolan was quite good as the slightly acerbic detective “Shayne” and this one moves along amiably for an hour or so as he has to investigate a very am-dram version of “The Phantom of the Opera”. All of this isn’t impressing “Joanne” (Mary Beth Hughes) who just wanted to get him, replete in his ... brand new suit, away for long enough to get themselves married. These theatrical types prove ripe for his investigation not least arch-ham “Julian” (Henry Daniell) and the deaf-as-a-post porter “Carlo” (Erwin Kalser) who work together with the hapless but entertaining cop “Pierson” (William Demarest) who possibly couldn’t find his own teeth in his own mouth as our quick-witted sleuth lays a cunning trap to ensnare the murderous felon - complete with a secret passage! There are a few red herrings here to keep it intriguing and the story doesn’t quite follow the line I was expecting. Essentially this is a vehicle for the on-form Nolan to deliver an amiable crime drama very much in the vein of you scratch my back and I’ll scratch it too. You might spot the long-suffering comic foil to “Charlie Chan” - Montand Moreland in here, too, as it sails along effortlessly.

Jun 05, 2025