Shield for Murder
Thrill after thrill hits you where you feel it most!
1954 | 82m | English
Popularity: 0.7 (history)
| Director: | Howard W. Koch, Edmond O'Brien |
|---|---|
| Writer: | John C. Higgins, Richard Alan Simmons, William P. McGivern |
| Staring: |
| A crooked police detective masterminds a robbery then fights to keep the stolen money. | |
| Release Date: | Aug 27, 1954 |
|---|---|
| Director: | Howard W. Koch, Edmond O'Brien |
| Writer: | John C. Higgins, Richard Alan Simmons, William P. McGivern |
| Genres: | Drama, Crime |
| Keywords | detective, police, film noir, murder, bad cop, black and white, witness to murder, police shootout, witness elimination, killer cop, corrupt cop, fishnet stocking |
| Production Companies | Camden Productions Inc. |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 28, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Edmond O'Brien | Det. Lt. Barney Nolan |
| Marla English | Patty Winters |
| John Agar | Det. Sgt. Mark Brewster |
| Emile Meyer | Capt. Gunnarson |
| Carolyn Jones | Beth, Girl at Bar |
| Claude Akins | Fat Michaels |
| Herbert Butterfield | Cabot, Reporter |
| Hugh Sanders | Packy Reed |
| William Schallert | Asst. Dist. Atty. Andy Tucker |
| Richard Deacon | The Professor |
| John Beradino | Gambler Being Booked |
| Robert Bray | Detective |
| Stafford Repp | Detective O'Dell |
| Vito Scotti | Joe the Bartender |
| William Boyett | |
| Robert Bray | |
| Richard H. Cutting | |
| Lawrence Ryle | Laddie O'Neil |
| Mickey Golden | |
| David Hughes | |
| Frank Marlowe | |
| Gregg Martell | |
| Tom McKee | |
| Grazia Narciso | |
| Norman Ollestad | |
| Jack Perry | |
| John Phillips | |
| Joe Ploski |
| Name | Job |
|---|---|
| John C. Higgins | Writer |
| Richard Alan Simmons | Screenplay, Adaptation |
| Gordon Avil | Director of Photography |
| John F. Schreyer | Editor |
| Jack Rabin | Visual Effects |
| Louis DeWitt | Visual Effects |
| Paul Dunlap | Original Music Composer |
| Charles D. Hall | Production Design |
| Alfred E. Spencer | Set Decoration |
| Howard W. Koch | Director |
| Edmond O'Brien | Director |
| William P. McGivern | Novel |
| Name | Title |
|---|---|
| Aubrey Schenck | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 11 | 3 |
| 2024 | 5 | 7 | 14 | 4 |
| 2024 | 6 | 5 | 11 | 2 |
| 2024 | 7 | 5 | 12 | 2 |
| 2024 | 8 | 6 | 10 | 4 |
| 2024 | 9 | 4 | 7 | 2 |
| 2024 | 10 | 6 | 14 | 2 |
| 2024 | 11 | 6 | 16 | 3 |
| 2024 | 12 | 3 | 5 | 2 |
| 2025 | 1 | 4 | 7 | 2 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 2 | 6 | 1 |
| 2025 | 4 | 2 | 3 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 4 | 4 | 3 |
| 2025 | 11 | 1 | 2 | 0 |
| 2025 | 12 | 2 | 4 | 0 |
| 2026 | 1 | 0 | 2 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
We discover right from the outset that "Nolan" (Edmond O'Brien) is a dodgy cop, and that he has killed a bookie's runner so he can take the $25k he was carrying and use it to build a new life for him and his girlfriend 'Patty" (Marla English). Unfortunately for him, he was seen by a deaf mute and so ... has to think on his feet before his partner "Brewster" (John Agar) gets to the truth or before the mob, whose cash it was, decide to take their own form of retribution. He has a reputation as a bit of a shoot-first merchant so faces a considerable degree of internal suspicion and that doesn't help as his initially loyal colleague begins to smell a very big rat. Can he get away with it and make it to to his retirement bungalow? On that front, there's not so much jeopardy nor is the writing really up to much either. What does help this stand out, though, is the strong characterisation of the odious "Nolan". O'Brien almost sweats the role, effectively demonstrating his loathing of his fellow cops and of the arrogant mob as he treats them all with contempt and disdain. Even the usually underwhelming Agar is likewise quiet effective as this story quite cleverly marries the crooked cop with the crooked system and the crooked gangsters all in the hope that somebody, somewhere, might actually prove decent enough to avenge the slaughtered man. It's quite a potent little eighty minute thriller, and worth a watch.