Popularity: 0.8 (history)
Director: | Mark Robson |
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Writer: | Colin Forbes, Abraham Polonsky |
Staring: |
CIA agent Harry Wargrave is sent to aid Gen. Marenkov, a senior Russian official, who is defecting to the west. Wargrave decides they should travel to safety on a train across Europe, the "Atlantic Express". During the journey, they must survive attacks by terrorists and an avalanche, all planned by Russian spy-catcher Nikolai Bunin. | |
Release Date: | Sep 27, 1979 |
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Director: | Mark Robson |
Writer: | Colin Forbes, Abraham Polonsky |
Genres: | Action, Thriller |
Keywords | central intelligence agency (cia), locomotive, cold war, kgb, double agent, secret agent, espionage, mole, alps mountains, avalanche, spy thriller, soviet defector, passenger train, soviet agent |
Production Companies | Lorimar Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Jul 30, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Lee Marvin | Harry Wargrave |
Robert Shaw | General Markenkov |
Linda Evans | Else Lang |
Maximilian Schell | Colonel Nikolai Bunin |
Joe Namath | Leroy |
Horst Buchholz | Scholten |
Mike Connors | Haller |
Claudio Cassinelli | Molinari |
Kristina Nel | Helga Mann |
David Hess | Geiger |
Günter Meisner | Rudi Muehler |
Sylva Langová | Olga |
Cyril Shaps | Sedov |
Vladek Sheybal | Zannbin |
Arthur Brauss | Neckermann |
Sky du Mont | Philip John |
Richard Marner | Prachko |
Arnold Drummond | Commissar |
Paul Glawion | Alfredo |
Dan van Husen | Bernardo |
Rainer Steffen | 1st Policeman |
Dieter Groest | 2nd Policeman |
Hans-Jürgen Leuthen | Dutch Customs Man |
Maximilian Wolters | Swiss Officer |
Gudo Hoegel | Adjutant of Molinari |
Rudolf Waldemar Brem | 1st Signal Man |
Erland Erlandsen | 2nd Signal Man |
Walter Kraus | Engineer |
Osman Ragheb | Security Agent |
Robert Rietti | Marenkov (voice) |
Name | Job |
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Mark Robson | Director |
Jack Cardiff | Director of Photography |
Colin Forbes | Novel |
Allyn Ferguson | Original Music Composer |
Garth Craven | Editor |
John Dykstra | Special Effects |
Willy Egger | Production Manager |
Elke Etzold | Set Decoration |
Federico Del Zoppo | Additional Photography, Assistant Camera |
Travis Nixon | Set Decoration |
Mickey Sherrard | Costume Design |
Jack English | Location Manager |
Howard A. Anderson | Special Effects |
Wayne Artman | Sound Re-Recording Mixer |
Tom Beckert | Sound Re-Recording Mixer |
Fred J. Brown | Sound Effects |
Michael Jiron | Sound Re-Recording Mixer |
Charlie McFadden | Boom Operator |
Michele Sharp | Sound Effects |
George Stephenson | Sound Mixer |
Ralph Aubert | Property Master |
Sam Gordon | Property Master |
Ed Graves | Art Direction |
Eberhard Schwartz | Property Buyer |
Abraham Polonsky | Screenplay |
Jeannie Epper | Stunts |
Fred Tuch | Production Design |
Ago von Sperl | Makeup Artist |
Rüdiger von Sperl | Makeup Artist |
Harry Caplan | Unit Production Manager |
Rudolf Geiger | Production Supervisor |
Lynn Guthrie | Production Manager |
Peter Naguschewski | Second Unit Location Manager |
Stefan Zürcher | Production Manager |
Don French | Second Assistant Director |
Alan Gibbs | Assistant Director |
Wieland Liebske | Assistant Director |
Jon Paré | Second Assistant Director |
Gerald Walsh | Assistant Director |
Caryl Wickman | Sound Effects |
Jeff Clifford | Special Effects |
Peter Dawson | Special Effects |
Ross Hahn | Special Effects |
Richard O. Helmer | Special Effects |
Bill Nipper | Special Effects Assistant |
Kevin Pike | Special Effects |
Dragomir Stanojević | Special Effects, Stunts |
Kit West | Special Effects |
Wayne Beauchamp | Special Effects Coordinator |
Karl-Heinz Bochnig | Special Effects |
Ted Koerner | Special Effects |
Tom Lupo | Stunt Coordinator, Stunts |
Miomir Radević 'Pigi' | Stunts |
Jack Cooper | Stunt Coordinator |
Jean Coulter | Stunts |
Richard Epper | Stunts |
Dean Raphael Ferrandini | Stunts |
Dorothy Ford | Stunts |
Whitey Hughes | Stunts |
Howard A. Anderson III | Director of Photography |
Terry Bowen | First Assistant Camera |
Brink Brydon | Gaffer |
John Cardiff | Assistant Camera |
Dick Deats | Grip |
Jerry Deats | Grip |
Frank Heeney | Gaffer |
W.C. 'Chunky' Huse | Grip |
Barry Peake | Still Photographer |
Miki Thomas | Assistant Camera |
Michael Waldleitner | Clapper Loader |
Renate Arbes | Casting |
Anton Eder | Wardrobe Master |
Friedel Schröder | Wardrobe Master |
Angela Allen | Script Supervisor |
Betty Levin | Script Supervisor |
Trudy von Trotha | Script Supervisor |
Monte Hellman | Editor |
Alec Mills | Camera Operator |
Name | Title |
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Mark Robson | Producer |
Lynn Guthrie | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 9 | 16 | 4 |
2024 | 5 | 12 | 23 | 5 |
2024 | 6 | 10 | 25 | 5 |
2024 | 7 | 8 | 16 | 4 |
2024 | 8 | 10 | 23 | 5 |
2024 | 9 | 8 | 12 | 5 |
2024 | 10 | 6 | 10 | 2 |
2024 | 11 | 5 | 14 | 2 |
2024 | 12 | 6 | 12 | 3 |
2025 | 1 | 6 | 16 | 3 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
Stop the train, I want to get off. Awful attempt at blending a political thriller with disaster movie shenanigans, Avalanche Express is also a sad end to the careers of Robert Shaw (Jaws/The Sting) and Mark Robson (The Seventh Victim/Bedlam). Both of whom died during the production. Plot essen ... tially sees Shaw's Soviet official, Marenkov, defecting to the west whilst aiming to kill off his homeland's biological weapons programme in the process. Basically putting himself up as bait to flesh out the baddies, Marenkov is being protected by Lee Marvin's CIA agent Harry Wargrave and his pals. Cue a train snaking through the snowy mountains as they all try to evade an avalanche and some shifty types attempting to spoil the mission. There's a whole bunch of talking and a whole bunch of actors drifting in and out of the film without making a mark. The action, what little there is, is slip-shod and the dubbing of Shaw only brings more sadness to what is quite simply a sad movie! Jack Cardiff's photography is crisp and deserves a better film, and even though the model work on show is a bit hit and miss, it does have a quaintness that steers you away from the turgid screenplay. But all told it's a boring mess of a movie and really only one for Marvin and Shaw fans to tick off of their lists. 3.5/10