Popularity: 5 (history)
Director: | John Badham |
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Writer: | Eric Lerner, Louis Venosta, David Seltzer |
Staring: |
An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge. | |
Release Date: | May 18, 1990 |
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Director: | John Badham |
Writer: | Eric Lerner, Louis Venosta, David Seltzer |
Genres: | Comedy, Adventure, Action, Romance |
Keywords | martial arts, helicopter, poison, veterinarian, drug addiction, zoo, witness protection, ladies' man, alzheimer's disease, motorcycle, detroit, michigan, machine gun, piranha, opposites attract, road movie, disguises, absurd |
Production Companies | Universal Pictures, Interscope Communications, The Badham-Cohen Group |
Box Office |
Revenue: $138,697,012
Budget: $20,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Mel Gibson | Richard "Rick" Jarmin |
Goldie Hawn | Marianne Graves |
David Carradine | Eugene Sorensen |
Bill Duke | Albert Diggs |
Stephen Tobolowsky | Joe Weyburn |
Joan Severance | Rachel Varney |
Harry Caesar | Marvin Larson |
Jeff Corey | Lou Baird |
Alex Bruhanski | Raun |
John Pyper-Ferguson | Jamie |
Clyde Kusatsu | Mr. Takawaki |
Jackson Davies | Paul Bernard |
Florence Paterson | Molly Baird |
Tim Healy | Paul |
Wes Tritter | Scottie |
Lossen Chambers | Lossen |
Ken Camroux-Taylor | Neff |
Wendy Van Riesen | Secretary |
Lesley Ewen | Night Receptionist |
Robert Metcalfe | Dex |
Kevin McNulty | Brad |
Robert Thurston | Bank Teller |
Brian Torpe | Bank Vice President |
Oscar Goncalves | Bank Guard |
Tim Price | Beggar |
Oscar Ramos | Cop at Fire |
Dan Zale | Fireman |
Blu Mankuma | Plainclothesman |
Christopher Judge | Cop at Cafe |
Jon Garber | Nikita Knatz |
Paul Jarrett | Carl Laemmle |
James Kidnie | Underworld Boss |
Kim Kondrashoff | Guard at Gate |
Michel Barbe | Maitre d' |
Maria Leone | Sales Clerk |
Danny Wattley | Cement Worker |
John Banovich | Mall Cop (uncredited) |
Name | Job |
---|---|
Rick Patton | Sound Designer |
Frank Morriss | Editor |
Dallas Puett | Editor |
Eric Lerner | Screenplay, Story |
Judy Taylor | Casting |
Cyrus Block | Camera Operator |
Jean Bereziuk | Script Supervisor |
Sandy Cooper | Makeup Artist |
Mike Crestejo | Stunts |
Richard Coleman | Second Assistant Director |
Daniel R. Bradette | Assistant Set Decoration |
Jim Dunn | Stunts |
Gene Heck | Stunts |
Dawn Stofer-Rupp | Stunts |
Kenna Marshall-Pittman | Third Assistant Director |
Douglas Craik | First Assistant Camera |
Richard Patton | Sound Mixer |
Nigel Hollick | Assistant Editor |
Neil Burrow | Sound Editor |
Larry Mann | Sound Editor |
R.D. 'Luther' Fairbairn | Assistant Property Master |
Sherry Linder-Gygli | Hairstylist |
Colin Gray | Rigging Gaffer |
Oliver Berg | Best Boy Grip |
Craig P. Cathers | Script Supervisor |
Matthew O'Connor | Production Manager |
Debbie Douglas | Costume Supervisor |
Rose Marie McSherry | Production Design, Set Decoration |
Robert Primes | Director of Photography |
Louis Venosta | Screenplay, Story |
Eduardo Castro | Costume Design, Costume Designer |
John Clothier | Camera Operator |
John Thomas | Special Effects Coordinator |
John Harling | Boom Operator |
James Flamberg | Music Editor |
Betty Thomas Quee | Stunt Coordinator, Stunts |
Ronald Robinson | Stunts |
Sandy Cochrane | Assistant Art Director |
Paul R. Prince | First Assistant Camera |
Jeff Jones | Associate Editor |
William L. Manger | Supervising Sound Editor |
Scott Burrow | Sound Editor |
Richard Oswald | Sound Editor |
Kelly L. Manger | Assistant Sound Editor |
Rick Alexander | Sound Re-Recording Mixer |
Albert Romero | Sound Recordist |
Philip Harrison | Production Design |
Richard Hudolin | Art Direction, Production Design |
Wayne A. Finkelman | Costume Designer |
Lynda Gordon | Casting |
Bill Thumm | Property Master |
Lynne Carrow | Casting |
Wendy Foster | Set Costumer |
Paul Guenette | Second Assistant Camera |
Emma E. Hickox | Assistant Editor |
Milton C. Burrow | Supervising Sound Editor |
Gordon Davidson | Sound Editor |
Bill Wyley | Sound Editor |
Robyn A. Manger | Assistant Sound Editor |
Bill Voigtlander | ADR Editor |
Stephen Dewey | Sound Effects |
Robert L. Hoyt | Sound Re-Recording Mixer |
Thom Wells | Construction Coordinator |
E. Thomas Case | Makeup Artist |
Stephen Jackson | Gaffer |
Tim Hogan | Key Grip |
Mark Davidson | Set Dresser |
James Clare | Set Dresser |
Michael J. Siver | Greensman |
Jon Garber | Dialogue Coach |
Nikita Knatz | Storyboard Artist |
Carol McDonald | Transportation Captain |
Beverly Wiens | Assistant Accountant |
Jim Rankin | Craft Service |
Donah Bassett | Negative Cutter |
James Bolt | Sound Re-Recording Mixer |
Allen L. Stone | Script Supervisor |
Monique Prudhomme | Costume Designer |
Lyndell Quiyou | Hairstylist |
Richard Buckmaster | Best Boy Electric |
John L. Brown | Dolly Grip |
H. Chuck Robinson | Set Dresser |
Chris Hayward | Painter |
Chris Rudolph | Assistant Location Manager |
Joseph Lederer | Still Photographer |
John G. Oliver | Transportation Captain |
Joey Steele | Assistant Accountant |
Gretchen Goode | Assistant Production Coordinator |
Robert L. Harman | Sound Re-Recording Mixer |
Joanne Quirk | Set Dresser |
Glen Moseley | Carpenter |
Stewart Bethune | Location Manager |
Elizabeth Aird | Unit Publicist |
Dave Bowe | Transportation Coordinator |
Lorraine Baird | Production Accountant |
Jeanie Lamb | Production Coordinator |
Sandra Couldwell | Extras Casting |
John Badham | Director |
Hans Zimmer | Original Music Composer |
Mic Rodgers | Stunt Coordinator, Stunts |
David Seltzer | Screenplay |
Mike Fenton | Casting |
Peter D. Marshall | First Assistant Director |
Cheryl Wheeler Duncan | Stunts |
Kurt Bryant | Stunts |
Melissa R. Stubbs | Stunts |
Tom Glass | Stunts |
Ernie Jackson | Stunts |
Ken Kirzinger | Stunts |
Jacob Rupp | Stunts |
Tony Morelli | Stunts |
Brent Woolsey | Stunts |
Barbara Harris | ADR Voice Casting |
Shirley Walker | Conductor, Orchestrator |
Steve Bartek | Orchestrator |
Rob Cohen | Second Unit Director |
Name | Title |
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Fitch Cady | Co-Producer |
Robert W. Cort | Executive Producer |
Keith Rubinstein | Associate Producer |
Eric Lerner | Co-Producer |
Louis Venosta | Co-Producer |
Rob Cohen | Producer |
Ted Field | Executive Producer |
Dana Satler Hankins | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 35 | 87 | 21 |
2024 | 5 | 38 | 64 | 25 |
2024 | 6 | 31 | 70 | 13 |
2024 | 7 | 30 | 58 | 16 |
2024 | 8 | 28 | 57 | 16 |
2024 | 9 | 25 | 41 | 15 |
2024 | 10 | 22 | 33 | 12 |
2024 | 11 | 19 | 35 | 11 |
2024 | 12 | 20 | 34 | 13 |
2025 | 1 | 20 | 36 | 15 |
2025 | 2 | 14 | 23 | 4 |
2025 | 3 | 6 | 20 | 1 |
2025 | 4 | 2 | 3 | 2 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 2 | 3 | 2 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 3 | 5 | 1 |
2025 | 9 | 5 | 6 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 654 | 791 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 839 | 843 |
Serviceable and entertaining, but throwaway action-romance-comedy with both Mel Gibson and Goldie Hawn showing their individual charms. However, the plot is thin and the action kind of average. There's not a whole lot here memorable for either of the stars. Guess it's fine for a lazy Saturday. **3.0 ... /5**
I am currently attempting to con my wife into watching this, not because it's a great movie, but because I know it's the kind of movie that she is going to laugh at and enjoy. It has that humor that people that are ESL can really pick up on without having to be an expert native speaker to follow the ... word play... ... but then again, she's actually gotten good enough with English that she's watching and enjoying Monty Python so, who knows if that still applies. As I said, it's not a great film, but it is memorable, and memorable for it's dumb humor and brainless action alone that is personified by Gibson when he was at the top of his game for fun, dumb, and entertaining action/comedy flicks. Historically we can call it a cult of personality, because, honestly, you are watching it strictly because of Gibson's personality and his sense of humor. And mind you, this was before he did that thing... which he asked forgiveness for very publicly... and I personally don't see why people feel it's necessary to continue to beat a man after he made amends for a mistake. Honestly, you're watching it and remembering it because it is a funny Gibson action comedy, and nothing more. Especially since he kind of outshines Hawn in the comedy department in this one, which is kind of shocking given that she can be pretty hysterical when she wants to. In this, however, I'm not sure she was really giving it her A game, or maybe she just sulked back to a co-star routine. But, it doesn't claim to be anything more, it achieves it's goals, and it entertains.