Popularity: 5 (history)
Director: | Sofia Coppola |
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Writer: | Sofia Coppola |
Staring: |
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America. | |
Release Date: | Sep 18, 2003 |
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Director: | Sofia Coppola |
Writer: | Sofia Coppola |
Genres: | Comedy, Drama, Romance |
Keywords | upper class, japan, adultery, hotel room, age difference, photographer, commercial, karaoke, homesickness, culture clash, midlife crisis, jet lag, pop star, unsociability, loneliness, tokyo, japan, older man younger woman relationship, unlikely friendship, aftercreditsstinger, woman director, loving |
Production Companies | American Zoetrope, Elemental Films |
Box Office |
Revenue: $119,723,856
Budget: $4,000,000 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Bill Murray | Bob Harris |
Scarlett Johansson | Charlotte |
Akiko Takeshita | Ms. Kawasaki |
Kazuyoshi Minamimagoe | Press Agent |
Kazuko Shibata | Press Agent |
Take | Press Agent |
Ryuichiro Baba | Concierge |
Akira Yamaguchi | Bellboy |
Catherine Lambert | Jazz Singer |
François du Bois | Sausalito Piano |
Tim Leffman | Sausalito Guitar |
Gregory Pekar | American Businessman #1 |
Richard Allen | American Businessman #2 |
Giovanni Ribisi | John |
Diamond Yukai | Commercial Director |
Jun Maki | Suntory Client |
Nao Asuka | Premium Fantasy Woman |
Tetsuro Nakagawa | Stills Photographer |
Kanako Nakazato | Makeup Person |
Fumihiro Hayashi | Charlie |
Hiroko Kawasaki | Hiroko |
Daikon | Bambie |
Anna Faris | Kelly |
Asuka Shimuzu | Kelly's Translator |
Ikuko Takahashi | Ikebana Instructor |
Koichi Tanaka | Bartender (NY Bar) |
Hugo Codaro | Aerobics Instructor |
Akiko Monou | P Chan |
Akimitsu Naruyama | French Japanese Club Patron |
Hiroshi Kawashima | Bartender (Nightclub) |
Hiromix | Hiromix |
Nobuhiko Kitamura | Nobu |
Nao Kitman | Nao |
Akira | Hans |
Kunichi Nomura | Kun |
Yasuhiko Hattori | Charlie's Friend |
Shigekazu Aida | Mr. Valentine |
Kazuo Yamada | Hospital Receptionist |
Akira Motomura | Old Man |
Osamu Shigematu | Doctor |
Takashi Fujii | TV Host |
Kei Takyo | TV Translator |
Ryo Kondo | Politician |
Yumi Ikeda | Politician's Aide |
Yumika Saki | Politician's Aide |
Yuji Okabe | Politician's Aide |
Dietrich Bollmann | German Hotel Guest |
Georg O.P. Eschert | German Hotel Guest |
Mark Willms | Carl West |
Lisle Wilkerson | Sexy Businesswoman |
Nancy Steiner | Lydia Harris (voice) (uncredited) |
Name | Job |
---|---|
Sofia Coppola | Director, Writer |
Lance Acord | Camera Operator, Director of Photography |
Sarah Flack | Editor |
K.K. Barrett | Production Design |
Nancy Steiner | Costume Design |
Morag Ross | Key Hair Stylist |
Kent Sparling | Sound Re-Recording Mixer |
Roman Coppola | Other, Thanks |
Spike Jonze | Thanks |
Kelly Lynch | Thanks |
Paul Simon | Thanks |
Towako Kuwashima | Set Decoration |
Anthony Katagas | Production Supervisor |
Roger Joseph Manning Jr. | Additional Music |
Ryo Sugimoto | Assistant Art Director |
Roy Hawkins | Music |
Wes Anderson | Thanks |
Anne Ross | Production Design |
Callum Greene | Line Producer |
Kiyoshi Inoue | Line Producer |
Rika Nakanishi | Art Direction |
Keizô Shukuzaki | Unit Production Manager |
Kira Smith | Boom Operator |
Yuji Wada | Gaffer |
Jamie Kirkpatrick | Assistant Editor |
Richard Beggs | Sound Designer, Sound Re-Recording Mixer, Music Editor |
Eva Z. Cabrera | Script Supervisor |
Deborah Wallach | ADR & Dubbing |
Andrea F. Cannistraci | Legal Services |
Tomomi Nishio | Set Decoration |
Drew Kunin | Production Sound Mixer |
Julia Shirar | Sound Effects Editor |
Masahiro Yoshikawa | Production Coordinator |
Michael Kirchberger | Supervising Sound Editor |
Glenn Kasprzycki | Sound Recordist |
Masae Sakurai | Set Costumer |
Akemi | Makeup Artist |
Momoko Nakamura | Assistant Art Director |
Mark Williams | First Assistant Camera |
Takahide Kawakami | First Assistant Director |
Taiichi Sugiyama | Second Assistant Director |
Shu Fujimoto | Second Second Assistant Director |
Motonobu Kato | Second Second Assistant Director |
David A. Cohen | Dialogue Editor, ADR Editor |
Marnie Moore | Foley Artist |
William Storkson | Additional Music, Foley Supervisor |
Jory K. Prum | Foley Recordist |
Kevin Shields | Original Music Composer |
Brian Reitzell | Music Supervisor, Music Producer, Additional Music |
Francis Ford Coppola | Thanks |
Blake Crawford | Stand In |
Angela Panetta | Stand In |
Josh Hartnett | Thanks |
Lorne Michaels | Thanks |
T. Rafael Cimino | Writers' Production |
Name | Title |
---|---|
Sofia Coppola | Producer |
Ross Katz | Producer |
Fred Roos | Executive Producer |
Mitch Glazer | Associate Producer |
Stephen Nomura Schible | Co-Producer |
Francis Ford Coppola | Executive Producer |
Organization | Category | Person | |
---|---|---|---|
Golden Globes | Best Director | Sofia Coppola | Nominated |
Golden Globes | Best Actress | Scarlett Johansson | Nominated |
Golden Globes | Best Picture | N/A | Nominated |
Academy Awards | Best Director | Sofia Coppola | Nominated |
BAFTA Awards | Best Picture | N/A | Nominated |
BAFTA Awards | Best Actress | Scarlett Johansson | Won |
BAFTA Awards | Best Picture | N/A | Nominated |
Spirit Awards | Best Actress | Scarlett Johansson | Won |
Spirit Awards | Best Supporting Actor | Bill Murray | Nominated |
Sundance Film Festival | Best Supporting Actor | Bill Murray | Nominated |
Sundance Film Festival | Best Supporting Actress | Scarlett Johansson | Won |
SAG Awards | Best Picture | N/A | Nominated |
SAG Awards | Best Actress | Scarlett Johansson | Won |
SAG Awards | Best Supporting Actor | Giovanni Ribisi | Nominated |
Berlin International Film Festival | Best Actor | Bill Murray | Nominated |
Berlin International Film Festival | Best Actress | Scarlett Johansson | Nominated |
Cannes Film Festival | Best Actress | Scarlett Johansson | Won |
Cannes Film Festival | Best Supporting Actress | N/A | Nominated |
Venice Film Festival | Best Actress | Scarlett Johansson | Won |
Venice Film Festival | Best Supporting Actor | Bill Murray | Nominated |
Venice Film Festival | Best Picture | N/A | Nominated |
Venice Film Festival | Best Supporting Actor | Bill Murray | Nominated |
BAFTA Awards | Best Actor | Bill Murray | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 51 | 94 | 33 |
2024 | 5 | 89 | 106 | 73 |
2024 | 6 | 65 | 100 | 30 |
2024 | 7 | 52 | 85 | 31 |
2024 | 8 | 35 | 52 | 27 |
2024 | 9 | 40 | 53 | 26 |
2024 | 10 | 34 | 48 | 24 |
2024 | 11 | 45 | 75 | 30 |
2024 | 12 | 36 | 59 | 28 |
2025 | 1 | 38 | 47 | 28 |
2025 | 2 | 31 | 52 | 6 |
2025 | 3 | 13 | 45 | 4 |
2025 | 4 | 9 | 11 | 7 |
2025 | 5 | 8 | 10 | 6 |
2025 | 6 | 6 | 7 | 5 |
2025 | 7 | 6 | 9 | 5 |
2025 | 8 | 6 | 9 | 5 |
Trending Position
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2025 | 8 | 268 | 674 |
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2025 | 7 | 271 | 704 |
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2025 | 6 | 309 | 638 |
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2025 | 5 | 227 | 656 |
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2025 | 4 | 312 | 713 |
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2025 | 3 | 261 | 629 |
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2025 | 2 | 390 | 764 |
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2024 | 12 | 303 | 758 |
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2024 | 11 | 553 | 789 |
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2024 | 10 | 429 | 769 |
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2024 | 9 | 619 | 844 |
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2024 | 8 | 551 | 810 |
Ok movie Lovers. If you didn't like The Life Aquatic with Steve Zissou, then don't even bother with Lost in Translation. The jokes are dry and the dialogue is weak. At least in Life Aquatic they wore funny outfits. Being a world traveler myself I could appreciate the jet lag and overall moping aroun ... d thru out the whole film. You will definatly feel lost. Although I found myself laughing out loud a few times at Bill Murray and his quips, BY NO MEANS should the average movie fans think this is a comedy. It is an independent art film and should be treated as so.
True love transcends sexual expression RELEASED IN 2003 and written & directed by Sofia Coppola, "Lost in Translation" was a big hit in 2003-2004. It's about an aging actor, Bob Harris (Bill Murray), who's in Tokyo doing commercials for a week. His home-life is mundane and he's experiencing a bit ... of the mid-life crisis. He runs into an attractive 20 year-old something woman, Charlotte (Scarlett Johansson), who's in Tokyo with her photog husband (), but he's gone most of the time and takes her for granted. This is a mature, semi-arty film and you have to be in the right mode/maturity level to appreciate it. I said "maturity level" and not "age" because some people are pretty mature at 16 while others are completely immature at 50. For me, the story, music and visuals pulled me into these characters’ temporary world for the 102-minute runtime. The film succeeds as an amusing social commentary and a deep love story, as well as a visual/musical delight. I'll only focus on the deep love element. It's been noted that the story originated from Sofia's experience with an aging actor when she was younger, possibly Harrison Ford. Sofia is obviously Charlotte, while Charlotte's husband is Sofia's ex and Anna Faris plays the role of the other woman, which would be Cameron Diaz in real life. So there's a lot of reality in the picture. But it's not just a cathartic piece. Sofia has some potent insights to offer on the nature of true romantic love. For one, love transcends age difference (Bob is about 35 years older than Charlotte). For another, it's possible to be married and experience romantic love for another. Not that this ever justifies adultery, it's just a fact. As the story progresses you'll see how comfortable Bob and Charlotte are with each other, how they look into each other's eyes, the windows of the soul, in a profoundly naked sense. This can happen in the flash of a moment where the two people just KNOW, or it can take place over a period of time, as is the case with Bob and Charlotte (which is a handful of days). They see the same things and speak the same language, and I don't mean English. But this presents a conundrum for Bob. Bob COULD take advantage of Charlotte because she's so lonely in a sea of people, which is one of the movie's themes; she's also inexperienced and vulnerable. Will he or won't he take advantage? ***SPOILER ALERT*** Don't read further if you haven't seen the film. If Bob loves Charlotte so much, not to mention his wife & kids, why does he have a one-night stand with the lounge singer (Catherine Lambert)? Bob slept with her to release sexual tension that had been building up between him and Charlotte. This was a moral failure, but keep in mind he was drunk (another failure but, have pity, he was going through a mid-life crisis). While all this is obvious, it goes deeper... Bob could have taken advantage of Charlotte if he wanted to but didn't because he genuinely loved her, which is revealed at the end. Bob could sleep with the singer because he didn't love her (not that it justifies his actions). Simply put, true love transcends sexual expression and sexual union does not equal love. The ending is powerful and tear-inducing. No CGI, explosion or action stunt can compare. It's just an older man and a too-young woman embracing in the midst of 20 million strangers. Tears flow, kisses are given and unheard words are whispered. They could never be a couple, even if they weren't married, and they know they'll never see each other again, at least on this physical plane, but their love has been expressed and will be treasured for eternity. GRADE: A
Lost in Translation is one of my all-time favorite movies. The film grabbed me when I first saw it in the theater (unusual for back then, but my cineplex got this one in) and since I've watched it dozens of times. Bill Murray and Scarlet Johansson are both great and Sofia Coppola's direction taking ... in the sights and sounds of Tokyo (a city I've always been curious about and wanted to visit) was amazing.
The first time I watched Lost in Translation, many years ago, I really liked it. I am partial to quiet movies, which feature a good ensemble cast, wit and good dialogue. Often, as with this movie, the story is told simply from start to finish without complex bounces back and forth with flashbacks, ... or made complicated with multiple perspectives. And in fact, I bought a used copy of Lost in Translation on DVD. After all this time I finally watched it again recently. I still like the movie. I love watching Bill Murray and he gives a fine restrained performance of an actor past his prime and riding on name recognition. Scarlett Johansson does great also. They are witty and display a subtle sense of humor. Still, I did not like it as much as I remember from before; something seemed lacking. Then I watched the Behind the Scenes extra video. You know, The Making of... and I realized I likedjust as much as I did the movie itself. It made me think that maybe the movie was too laid back. When Scarlett’s character Charlotte spoke to her husband, they were quiet and civil, when she spoke to Bill Murray as Bob, they were quiet and civil, and when Bob spoke to his wife on the phone back home they were quiet and civil, even when she was clearly getting irritated. Perhaps the film would have benefited from a little passion, a little more intensity here and there. I am glad I watched it a second time, but I don’t expect I will hold onto the DVD for a future viewing.