The Garden of Allah
Two loves in conflict!
1936 | 79m | English
Popularity: 0.8 (history)
| Director: | Richard Boleslawski |
|---|---|
| Writer: | W.P. Lipscomb, Lynn Riggs, Robert Hichens |
| Staring: |
| The star-crossed desert romance of a cloistered woman and a renegade monk. | |
| Release Date: | Oct 14, 1936 |
|---|---|
| Director: | Richard Boleslawski |
| Writer: | W.P. Lipscomb, Lynn Riggs, Robert Hichens |
| Genres: | Adventure, Drama, Romance |
| Keywords | christianity, monk, based on novel or book, foreign legion, remake, romance, religion, desert, heiress, algeria, catholic priest, arab, abbess, convent |
| Production Companies | Selznick International Pictures |
| Box Office |
Revenue: $0
Budget: $2,200,000 |
| Updates |
Updated: Jan 28, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Marlene Dietrich | Domini Enfilden |
| Charles Boyer | Boris Androvsky |
| Basil Rathbone | Count Ferdinand Anteoni |
| C. Aubrey Smith | Father J. Roubier |
| Joseph Schildkraut | Batouch |
| John Carradine | Sand Diviner |
| Alan Marshal | Capt. De Trevignac |
| Lucile Watson | Mother Superior Josephine |
| Henry Brandon | Hadj |
| Tilly Losch | Irena |
| Nigel De Brulier | Lector at Monastery (uncredited) |
| John George | Waiter (uncredited) |
| Betty Jane Graham | Convent Girl (uncredited) |
| Bonita Granville | Convent Girl (uncredited) |
| Maria Riva | Young Girl Sewing (uncredited) |
| Charles Waldron | Abbe of Monastery (uncredited) |
| David Scott | Larby (uncredited) |
| Name | Job |
|---|---|
| W.P. Lipscomb | Screenplay |
| Willis Goldbeck | Producer's Assistant |
| Richard Boleslawski | Director |
| Lynn Riggs | Screenplay |
| Hal C. Kern | Editor |
| Ernest Dryden | Costume Design |
| Sturges Carne | Set Decoration |
| Lyle R. Wheeler | Set Decoration |
| Robert Hichens | Novel |
| Earl A. Wolcott | Sound Recordist |
| W. Howard Greene | Cinematography |
| Eric Stacey | Assistant Director |
| Max Steiner | Original Music Composer |
| Robert Ross | Unit Manager |
| Name | Title |
|---|---|
| David O. Selznick | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 12 | 2 |
| 2024 | 5 | 7 | 11 | 3 |
| 2024 | 6 | 6 | 12 | 3 |
| 2024 | 7 | 9 | 21 | 4 |
| 2024 | 8 | 5 | 11 | 3 |
| 2024 | 9 | 6 | 11 | 3 |
| 2024 | 10 | 5 | 7 | 3 |
| 2024 | 11 | 5 | 9 | 3 |
| 2024 | 12 | 4 | 8 | 2 |
| 2025 | 1 | 3 | 6 | 2 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 2 | 4 | 1 |
| 2025 | 10 | 3 | 4 | 3 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 1 | 6 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
Holy orders don't always suit everyone, as this rather disappointing drama concedes with neither "Domini" (Marlene Dietrich) and "Boris" (Charles Boyer) having the spirit to see their vows through. She is told by her reverend mother that maybe a time of reflection is in order, and where better than ... the Sahara. He? Well he has a slightly more duplicitous story to tell but that isn't something he immediately shares with her when they encounter amidst the shifting sands. Indeed, his Trappist monk malarkey quite endears him to her and soon they are head over heels. Now for the fly in the ointment. A bedraggled regiment of Foreign Legionnaires arrives at their remote oasis, and their captain (Alan Marshal) finds something familiar about the man! Whilst these sandy shenanigans are ongoing, we have the aristocratic count "Anteoni" (Basil Rathbone) keen on our lady, the mischievous "Irina" (Tilly Losch) with her nose out of joint and John Carradine wandering around trying to find water using divining rods. It's perhaps worse because the cast - which also includes C. Aubrey Smith - looks quite so impressive on paper, and it's a shame that this turns out to be so mundanely pedestrian. It doesn't help that they clearly never left the studio, but there's nothing at all between Dietrich and Boyer and Rathbone's camel isn't the only thing that looks like it's taken the hump. It might have looked better, or at least more authentic, had it been filmed in monochrome but sadly it wasn't, doesn't and isn't anyone's finest eighty minutes. Sorry.