Ten Cents a Dance
SHE WAS A DANCE HALL HOSTESS BUT THE BAND NEVER PLAYED "HOME SWEET HOME" FOR HER
1931 | 77m | English
Popularity: 3 (history)
| Director: | Lionel Barrymore, Edward Buzzell |
|---|---|
| Writer: | Dorothy Howell, Jo Swerling |
| Staring: |
| A taxi dancer with a jealous husband finds herself falling for a wealthy client. | |
| Release Date: | Jan 30, 1931 |
|---|---|
| Director: | Lionel Barrymore, Edward Buzzell |
| Writer: | Dorothy Howell, Jo Swerling |
| Genres: | Drama, Romance |
| Keywords | pre-code, taxi dancer |
| Production Companies | Columbia Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 30, 2026 Entered: Apr 26, 2024 |
| Name | Character |
|---|---|
| Barbara Stanwyck | Barbara O'Neill |
| Ricardo Cortez | Bradley Carlton |
| Monroe Owsley | Eddie Miller |
| Sally Blane | Molly |
| Blanche Friderici | Mrs. Blanchard |
| Phyllis Crane | Eunice |
| Olive Tell | Mrs. Carlton |
| Victor Potel | Smith, a Sailor |
| Al Hill | Jones, a Sailor |
| Jack Byron | Leo |
| Abe Lyman | Band Leader |
| Pat Harmon | Casey, the Bouncer |
| Martha Sleeper | Nancy Clark |
| David Newell | Ralph Clark |
| Sidney Bracey | Wilson, Carlton's Butler |
| Harry Todd | Mr. Carney |
| Aggie Herring | Mrs. Carney |
| Peggy Doner | Yvonne |
| James Ford | Dancer |
| Hal Price | Doorman |
| Bess Flowers | Bridge Player |
| Ernie Alexander | Elevator Operator |
| Lee Phelps | Bouncer (uncredited) |
| Virginia Verrill | Off-screen Singing Voice (uncredited) |
| Florence Wix | Bridge Player (uncredited) |
| Jean Reno | Minor Role (uncredited) |
| Name | Job |
|---|---|
| Gilbert Warrenton | Director of Photography |
| Arthur Huffsmith | Editor |
| Edward C. Jewell | Art Direction |
| Lionel Barrymore | Director |
| Ernest Haller | Director of Photography |
| Richard Rosson | Assistant Director |
| Dorothy Howell | Screenplay, Continuity |
| C. Bakaleinikoff | Music Director |
| Abe Lyman | Music |
| Edward Buzzell | Co-Director |
| Jo Swerling | Story, Screenplay |
| Richard Rodgers | Idea |
| Lorenz Hart | Idea |
| Russell Malmgren | Sound Recordist |
| Mischa Bakaleinikoff | Additional Music |
| Name | Title |
|---|---|
| Frank Fouce | Producer |
| Harry Cohn | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 12 | 2 |
| 2024 | 5 | 6 | 13 | 2 |
| 2024 | 6 | 3 | 10 | 2 |
| 2024 | 7 | 4 | 9 | 2 |
| 2024 | 8 | 5 | 9 | 2 |
| 2024 | 9 | 3 | 5 | 2 |
| 2024 | 10 | 6 | 17 | 2 |
| 2024 | 11 | 3 | 14 | 1 |
| 2024 | 12 | 2 | 5 | 1 |
| 2025 | 1 | 2 | 5 | 1 |
| 2025 | 2 | 2 | 3 | 1 |
| 2025 | 3 | 1 | 2 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 2 | 3 | 0 |
| 2025 | 12 | 1 | 3 | 0 |
| 2026 | 1 | 1 | 4 | 0 |
| 2026 | 2 | 4 | 4 | 3 |
Trending Position
"Barbara" (Barbara Stanwyck) works in one of those dance halls where the managers charge the punters 10 cents to dance with her - unless they are at table drinking (she's partial to milk!). It's not really a marriage of true love, but she ends up marrying the petty waster "Eddie" (Monroe Owsley) - a ... man who steals left, right and centre from his boss to stay one step ahead of his gambling debts. When she realises the size of the hole he's in, she borrows $5,000 from a wealthy client to bail him out. His reaction is the final straw for her patience with this relationship and she turns to a more practical solution with her loved-up benefactor "Carlton" (Ricardo Cortez). Thing is, that doesn't really make anyone very happy either... Lionel Barrymore directs this and he keeps it engaging enough as the plot itself regurgitates a fairly well trammelled triangular romantic drama. It's really Stanwyck who stands out as a star - she steals each scene simply by being on screen. There is a degree of chemistry between all three of the characters, but the ones with the pretty odious "Eddie" worked better as tempers fray. There is also a strong sense of camaraderie depicted between the gals who are trapped in a cycle of paw or be pawed and though the production is basic, it's still a watch hinting at what's to come from this actress.