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Friday the 13th Part VII: The New Blood Poster

Friday the 13th Part VII: The New Blood

On Friday the 13th, Jason is back. But this time someone's waiting.
1988 | 88m | English

(45536 votes)

TMDb IMDb

Popularity: 2 (history)

Details

Tina Shepard, a telekinetic teenage girl, accidentally unchains Jason from his watery grave, allowing him to go on another killing spree in the area.
Release Date: May 13, 1988
Director: John Carl Buechler
Writer: Daryl Haney, Manuel Fidello
Genres: Horror, Thriller
Keywords new jersey, lake, mask, sadism, telekinesis, psychopath, sequel, woods, slaughter, serial killer, slasher, series of murders, psychiatrist, supernatural horror
Production Companies Sean S. Cunningham Films, Friday Four Films Inc.
Box Office Revenue: $19,170,001
Budget: $2,800,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Lar Park Lincoln Tina Shepard
Kane Hodder Jason Voorhees
Terry Kiser Dr. Crews
Kevin Spirtas Nick
Susan Jennifer Sullivan Melissa
Debora Kessler Judy
Elizabeth Kaitan Robin
Staci Greason Jane
Jennifer Banko Young Tina Shepard
John Otrin John Shepard
Heidi Kozak Sandra
Diana Barrows Maddy
Susan Blu Amanda Shepard
William Butler Michael
Craig Thomas Ben
Diane Almeida Kate
Larry Cox Russell
Jon Renfield David
Michael Schroeder Dan
Delano Palughi Rescue Worker
Walt Gorney Opening Narrator (voice)
Dana Kimmell Chris (uncredited)
Lauren-Marie Taylor Vicky (archive footage)
Darcy DeMoss Nikki (archive footage)
C.J. Graham Jason Voorhees, Part VI (archive footage)
Corey Feldman Young Tommy (archive footage)
Thom Mathews Tommy (archive footage)
Tony Goldwyn David (archive footage)
Ted White Jason, Part IV (archive footage)
Kimberly Beck Tricia (archive footage)
Nancy McLoughlin Elizabeth (archive footage)
Jeff Bennett Eddie
Mike Nomad Thornton (archive footage)
Name Job
John Carl Buechler Line Producer, Director
John Philpotts Leadman
Sheila Jackson Other
Daryl Haney Screenplay
Harry Manfredini Original Music Composer
Kane Hodder Stunt Coordinator
Thomas L. Callaway Camera Operator
Lori Ball Assistant Editor
Paul E. Short Stunts
Paula Moody Stunts
Peter Romano Underwater Camera
Martin Jay Sadoff Editor
Fred Mollin Original Music Composer
Manuel Fidello Screenplay
Paul Elliott Director of Photography
Barry Zetlin Editor
Maureen O'Connell Editor
Anthony Barnao Casting
Richard Lawrence Production Design
Jacqueline Johnson Costume Design, Costume Designer
Jerrie Werkman Makeup & Hair
Woody Crocker Set Decoration
Martin Becker Special Effects Supervisor
Lou Carlucci Special Effects Coordinator
Rebecca Greeley Production Manager
Francis R. Mahony III First Assistant Director
Todd Amateau Second Assistant Director
Suzan Lowitz Script Supervisor
Pam O'Har Production Consultant
Edward Giovanni First Assistant Camera
Giles Dunning Second Assistant Camera
Michael Ansell Still Photographer
Harry K. Garvin First Assistant Camera
John Drake Gaffer
Don Cely Best Boy Electric
Oliver Peale Electrician
Ali Farboud Electrician
Carl Johnson Electrician
Robert Pugh Electrician
Curtis Bradford Key Grip
Anthony Caldwell Best Boy Grip
Renton-Paul Medcalf Grip
Chris Kiperman Grip
Monty Bass Grip
Henry De Bardeleben Grip
Mark C. Haskins Set Dresser
Albert Cummings Assistant Set Decoration
Terry Tubbs Assistant Set Decoration
Kevin Whitlow Grip
Jan Brodin Sound Mixer
Gail Dalton Brodin Boom Operator
Gene Bishop Swing
Barton Hilliker Swing
Les Godwin Swing
Sylvia Lawrence Swing
Batia Grafka Property Master
César Díez Álava Props
Donna Barrish Key Costumer
Jaime Bird Construction Coordinator
James Beggs Construction Coordinator
Larry Clark Painter
Francis N. 'Lucky' Costello Painter
Marcy Graig Wardrobe Supervisor
Debra L. Wright Wardrobe Supervisor
Maria Lupe de Caesar Assistant Makeup Artist, Assistant Hairstylist
David Ronan Assistant Director
Franklin A. Vallette Set Production Assistant
Connie Talley-Sherman Production Accountant
Vikki Williams Production Accountant
Shalini Waran Production Coordinator
Pat Frazier Assistant Production Coordinator
Pamela Solomon Production Office Coordinator
Marcy Stoeven Assistant Editor
Lauri Brown Assistant Editor
Alan Marcus Stunts
Bob Bragg Stunts
Bobby Bragg Stunts
Karen Garrett Stunts
Steve Hulin Stunts
Maria R. Kelly Stunts
John Sistrunk Stunts
Jeannie Malahni Stunts
Tod Keller Stunts
Tracy Hutchinson Stunts
Wayne Baker Underwater Camera
Richard Mula Underwater Gaffer
Lynn Buechler Production Controller
Ponina Ben-Daniel Production Secretary
John Foster Production Manager
Cary Howe Other, Location Coordinator
John Criswell Animatronic and Prosthetic Effects
Dave Kindlen Animatronic and Prosthetic Effects
Greg Johnson Other, Location Coordinator
Mecki Heussen Other
Joe Podnar Other
Heidi Snyder Other
Patrick Simmons Other
Timothy Ralston Other
Jennifer Martin Other
Karin Hanson Wig Designer
Richard Snell Contact Lens Designer
Loraina Drucker Location Assistant
John Frassrand Location Assistant
Jim Doyle Mechanical Designer
David Fletcher Special Effects Supervisor
Eric Dressor Special Effects Supervisor
Lenny Dalrymple Special Effects Supervisor
Scott Prescott Special Effects Supervisor
Jim Kundig Special Effects Assistant
Joe Lombardi Pyrotechnic Supervisor
Robin D’Arcy Special Effects Coordinator
Kim Larsen Driver
Michael Locke Driver
Janice Phelps Driver
Tim Wright Driver
Marvin Dials Driver
Pam Hart Driver
Arthur Smith Driver
Tony Mercier Transportation Coordinator
Ella St. John Blakey Transportation Captain
Shelba Travis Transportation Captain
David Walden Driver
David Walden Sr. Driver
Leslie Buzbee Other, Thanks
Charles Salmon Production Assistant
Mary Gaffney Local Casting
Curt Covert Production Assistant
Jonathan Sachs Production Assistant
William Mark Spencer Production Assistant
Bruce Fahr Craft Service
Cheryl Livingston Craft Service
Ronnie Livingston Craft Service
Cynthia Haagens ADR Editor
Greg Jacobs Dialogue Editor
Holly Davis Sound Effects Editor
Val Kuklowsky Sound Effects Editor
Kini Kay Sound Effects Editor
Dane A. Davis Supervising Sound Editor
Christopher Sheldon Supervising Sound Editor
Joel Berkovitz Foley Editor
Paul Wagner Assistant Sound Editor
Lisa Davis Assistant Sound Editor
Joan Rowe Foley
Jerry Trent Foley
Jon Hussein Sound Recordist
Matt Patterson Sound Recordist
Alter Image Negative Cutter
Wayne Heitman Sound Re-Recording Mixer
Mark 'Frito' Long Sound Recordist
Stanley Kastner Sound Re-Recording Mixer
Gary Gegan ADR Mixer, Foley Mixer
Scott Ganary ADR Mixer, Foley Mixer
Charles Rawls Thanks
Lynn Booth Thanks
Bob Gray Thanks
Victoria Barney Thanks
Gerald Redmon Thanks
Nick Nelson Electrician
Christopher Kennedy Music Supervisor
Name Title
Iain Paterson Producer
Frank Mancuso Jr. Producer
Barbara Sachs Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 31 48 21
2024 5 37 56 25
2024 6 37 61 22
2024 7 41 81 24
2024 8 36 60 16
2024 9 36 64 25
2024 10 46 105 26
2024 11 37 84 24
2024 12 28 50 20
2025 1 28 35 20
2025 2 20 28 4
2025 3 9 26 2
2025 4 3 6 3
2025 5 3 3 2
2025 6 3 5 2
2025 7 2 4 2
2025 8 2 2 1

Trending Position


Year Month High Avg
2025 7 826 855
Year Month High Avg
2025 6 329 682
Year Month High Avg
2025 5 1000 1000
Year Month High Avg
2025 4 801 842
Year Month High Avg
2024 12 808 808
Year Month High Avg
2024 9 394 508

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Reviews

John Chard
4.0

There's a legend around here. A killer buried, but NOT dead. Jason Voorhees is unintentionally revived from his watery grave by a girl with telekinetic powers. And so the Friday the 13th bandwagon rolled on for another sequel, a part 7, that once again pitches the unlikable Voorhees against a ... number of annoying teen types. Those involved here deserve some respect for at least trying to add some impetus to the flagging series, here by way of a gimmick, that of a telekinetic foe played by Lar Park-Lincoln, but ultimately it just ends up same old same old. In fact it's a considerable step down from the more fun and funky part 6. The telekinetic issue becomes something of a side-bar, which is annoying as there's a potentially great thread involving a devious doctor (Terry Kiser) that never reaches the heights it should have. There's a little thought in the writing as regards grief management, but ultimately all hope of something more substantial gives way to Voorhees slicing and dicing kids we don't care about anyway. We could watch the first 3 films if we wanted that again. A decent confrontation fight at the finale saves it from stinkerville, but really it's a weak sequel that offers nothing to warrant it being made in the first place. 4/10

May 16, 2024
Ruuz
3.0

I know a lot of die-hard horror fans who hold _The New Blood_ as either their favourite _Friday the 13th_ movie since the original, or even just straight up their favourite _Friday the 13th_ movie. Personally though, _The New Blood_ is the franchise low. It's arguably the most ridiculous, but that i ... sn't the problem for me. The problem is that they take something that ridiculous, and then treat it so seriously, and riding that line doesn't work with _Friday the 13th_ for me. The older and more grounded first few movies I dig, and then the absurd but having fun with it movies that came later I dig, but _Part VII_ simultaneously doesn't try to be either of those things, and falls apart from the word go. _Final rating:★½: - Boring/disappointing. Avoid where possible._

Jun 23, 2021
Wuchak
5.0

***"Carrie" vs. Jason with a subpar script*** Released in 1988, "Friday the 13th Part VII: The New Blood" takes place about ten years after the previous film, which explains its title "The New Blood": Tommy Jarvis is no longer in the picture and there's a new set of youthful blood for Jason to sp ... ill. This installment is the second to feature Jason as an inhuman rotting corpse and the F/X of Jason at the end are great. The highlight of Part VII is the inclusion of a Carrie-like heroine with mental powers who squares off against Jason at the end. We also get Terry Kiser as Tina's therapist, Dr. Crews. If you're not familiar with Mr. Kiser, he played the charismatic preacher in 1968's "Rachel, Rachel" in the mind-blowing Pentecostal service sequence. Although my title blurb describes this segment as "Carrie vs. Jason," it's the same Friday the 13th formula, but with a protagonist who has Carrie-like abilities. The script is weak however and needed tweaked to work out the kinks, which makes it the weakest in the series next to Part III (and the last act of Part IX). This entry features a quality collection of females, which the franchise is renowned for, but the creators failed to milk them for their potential, so to speak (and I don’t mean nudity or sleaze since the movie has a little bit of both). For instance Jane (Staci Greason) and Robin (Elizabeth Kaitan) are the top women, but not enough is done with them. Jane’s role is too brief as she’s the first to buy the farm while Robin eventually has some quality screen time, but the director fails to truly capture her beauty. For those who care, the attractive Sandra (Heidi Kozak) has a brief skinny dipping scene. Meanwhile Melissa (Susan Jennifer Sullivan) is decent, but she’s depicted as such a biyatch you almost WANT her to die. As far as locations go, Part VII was shot in Southern Alabama, just northeast of Mobile, with bits done in Southern Cal (e.g. the house where Robin is killed is in Topanga). BOTTOM LINE: Part VII is another retread of the same Friday formula with the distinction of the protagonist having psycho-kinetic powers and, like the previous film, Jason is now totally inhuman, an infernal monster. In addition, the climax is the best yet, featuring the "Carrie" vs. Jason fight and a spectacular explosion. Unfortunately Part VII fumbles the ball a little in regards to its subpar depiction of the women. Worst of all, the script is amateurish like Part III. Nevertheless, it's a fairly entertaining installment that thankfully lacks the camp of III, V and VI. NOTE ABOUT THE ENDING (***SPOILER***): No, the corpse of Tina's Dad was not left in the lake for ten years, the original ending made it clearer that her Dad's body coming out of the lake was a product of Tina's mind powers, although the long chain was real. Of course, this doesn't explain why Jason's corpse was still in the lake early in the film, but I suppose we could chalk that up to the curse that was on Crystal Lake and the fact that no one in their right mind would want to visit that part of the lake (near "Camp Blood") by this point in the series. The film runs 88 minutes. GRADE: C

Jun 23, 2021
TitanGusang
6.0

_Friday the 13th Part VII: The New Blood_ continues where its predecessor left off. It has an iconic tone that balances campiness while tacking itself and the antagonist seriously. The added element of telekinesis, thanks to the badass Tina, which really sets this one apart. I really enjoyed seeing ... a final girl that also has supernatural powers that are able to truly take on Jason one on one. But other that Tina, there were not a lot of characters that were really memorable, most of them were the run of the mill teenagers that were simply there to add to Jason's kill count. The kills in this movie were pretty mild as well, although the sleeping bag kill is iconic and is probably the coolest kill in series history. I was really going to give this movie 3.5 stars, but the ending was so weird and corny that I had to lower it to a 3. Even though this movie takes a lot from part VI, the loss of Tom McLoughlin is definitely felt with the slight decrease in quality. **Score:** _65%_ **Verdit:** _Decent_

Oct 17, 2022