Popularity: 4 (history)
Director: | Tom McLoughlin |
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Writer: | Tom McLoughlin |
Staring: |
Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage. | |
Release Date: | Aug 01, 1986 |
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Director: | Tom McLoughlin |
Writer: | Tom McLoughlin |
Genres: | Horror, Thriller |
Keywords | mask, new jersey, lightning, sadism, psychopath, cemetery, sequel, woods, slaughter, serial killer, slasher, series of murders, supernatural horror, meta |
Production Companies | Paramount Pictures, Sean S. Cunningham Films, Terror, Inc. |
Box Office |
Revenue: $19,472,525
Budget: $3,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Thom Mathews | Tommy Jarvis |
Jennifer Cooke | Megan Garris |
Darcy DeMoss | Nikki |
Ann Ryerson | Katie |
Renée Jones | Sissy |
Temi Epstein | Little Girl |
Michael Swan | Officer Pappas |
David Kagen | Sheriff Garris |
Kerry Noonan | Paula Mott |
Cynthia Kania | Annette |
C.J. Graham | Jason Vorhees |
Tony Goldwyn | Darren |
Vincent Guastaferro | Deputy Rick Cologne |
Tom Fridley | Cort |
Ron Palillo | Allen Hawes |
Nancy McLoughlin | Lizbeth |
Alan Blumenfeld | Larry |
Matthew Faison | Stan |
Whitney Rydbeck | Roy |
Courtney Vickery | Nancy |
Bob Larkin | Martin |
Mike Nomad | Thornton |
Wallace Merck | Burt |
Roger Rose | Steven |
Thomas Nowell | Tyen |
Justin Nowell | Billy |
Sheri Levinsky | Bus Monitor |
Taras O'Har | Little Boy |
Kimberly Beck | Trish (voice) (archive footage) |
Melanie Kinnaman | Pam Roberts (archive footage) |
Christopher Swift | Jason Voorhees (Opening Scene) |
Brian Wade | Ambulance Attendant |
Valentino Curati | Blind Man |
Dan Bradley | Jason Voorhees (Paintball Scene) |
Tom McLoughlin | Tommy's Opening Coffin Scene |
John Shepherd | Tommy (archive footage) |
Corey Feldman | Tommy (voice) (archive footage) |
Name | Job |
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J. Patrick Daily | Additional Photography, Key Grip |
Tom McLoughlin | Screenplay, Director |
Harry Manfredini | Original Music Composer |
Alice Cooper | Theme Song Performance |
Fern Champion | Casting |
Lonnie R. Smith Jr. | Stunts |
Alfredo Gabrielli | Catering |
Paul Nickel | Catering |
Dennis Jorgenson | Driver |
James Reeves | Stunts, Driver |
Darla Judd | Driver |
John P. MacQuilliam | Driver |
Derrick Lumpkin | Driver |
Gretchen Armstrong | Craft Service |
Beth Lilly | Craft Service |
Dan Curry | Main Title Designer |
Stephen R. Sheridan | Color Timer |
Maria Mancuso | Costume Designer |
Don Behrns | Production Supervisor |
Jon Kranhouse | Director of Photography |
Bruce Green | Editor |
Joseph T. Garrity | Production Design |
Pat Tagliaferro | Art Direction |
Jerie Kelter | Set Decoration |
Barbara Barnaby | Dialogue Editor |
Dane A. Davis | Supervising Sound Editor |
Laura Graham | Assistant Sound Editor |
Wayne Heitman | Sound Re-Recording Mixer |
Matthew Iadarola | Sound Re-Recording Mixer |
Greg Jacobs | Dialogue Editor |
Blake Leyh | Supervising Sound Editor |
Steve Shearsby | Sound Effects Editor |
Pamela Basker | Casting |
Martin Becker | Special Effects |
Debra Rubinstein | Casting Associate |
Iya Labunka | Production Manager |
Vikki Williams | Production Coordinator |
Martin Walters | First Assistant Director |
Cathy Gesualdo | Second Assistant Director |
Anthony Smoller | Second Second Assistant Director |
Connie Talley-Sherman | Production Accountant |
Jennifer Zolten Freed | Production Accountant |
Connie Papineau | Script Supervisor |
Pam O'Har | Production Consultant |
Jennifer Nicholson | Production Consultant |
Wanda Shaw | Studio Teacher |
Hank McGill | Set Medic |
Jim Randall | Production Assistant |
Andrew L. Sherman | Production Assistant |
Kay Allison | Extras Casting Coordinator |
Robert Lucas | Leadman |
Wayne Frost | Set Dresser |
Shari Griffin | Seamstress |
Guy H. Tuttle | Property Master |
Irby Langley | Props |
Patrick Graham | Carpenter |
Ken Deubel III | Carpenter |
Angela Riserbato | Carpenter |
David Jennings | Carpenter |
Charles Armstrong | Carpenter |
Robert Klander | Carpenter |
Donna O'Neal | Costumer |
Melissa Gleason | Assistant Costume Designer |
Denise Can Arsdale | Makeup & Hair |
Phyllis Temple | Makeup & Hair Assistant |
J. Barry Herron | Underwater Camera |
John Allen | First Assistant Camera |
James R. Tynes | Gaffer |
John 'Fest' Sandau | Best Boy Electric |
Ronald J. Pure Jr. | Electrician |
John L. Demps Jr. | Electrician |
Lane Russell | Second Assistant Camera |
Chuck McIntyre | Electrician |
Irl Dixon | Electrician |
James 'Brandy' Spear | Camera Operator |
Randy Nolen | Steadicam Operator |
James H. Armfield | Still Photographer |
Brett Laumann | Electrician |
David Pence | Electrician |
Hugh Esco | Rigging Gaffer |
Tom West | Best Boy Grip |
Kent H. Jorgensen | Dolly Grip |
Jonas Thaler | Assistant Editor |
Susan Kurtz | Apprentice Sound Editor |
James Thornton | Sound Mixer |
Stephen Halbert | Boom Operator |
Eric Whitehead | Grip |
Dan Aguar | Grip |
David Holt | Rigging Grip |
Perry Husman | Transportation Coordinator, Stunts |
Diane Hetfield | Stunts |
Jerry Trent | Foley Artist |
Joan Rowe | Foley Artist |
Gregg Barbanell | Foley Artist |
Margaret Carlton | Foley Editor |
Gregory Steele | Sound Recordist |
Ron Capone | Sound Engineer |
Michael Nomad | Stunt Coordinator |
Bettie Kauffman | Stunt Coordinator |
Chris Swift | Special Effects Makeup Artist |
Brian Wade | Special Effects Makeup Artist |
Gabriel Bartolos | Special Effects Makeup Artist |
John Blake | Special Effects Makeup Artist |
Thomas Floutz | Special Effects Makeup Artist |
David Wells | Mechanical Designer |
Ken Sher | Mechanical Designer |
Gary Crawford | Special Effects Assistant |
Thomas K. Hartigan | Special Effects Assistant |
Bill Forsche | Special Effects Makeup Artist |
Jim Gill | Special Effects Makeup Artist |
Jim McLoughlin | Special Effects Makeup Artist |
Richard Mayone | Special Effects Makeup Artist |
Steven Sommers | Special Effects Makeup Artist |
William Stoneham | Special Effects Makeup Artist |
William Wysock | Lighting Design |
Steve Jordon | Special Effects Assistant |
James T. Keefe | Transportation Captain |
Gail Taylor | Special Effects Makeup Artist |
James Neilan | Driver, Genetator Operator |
Dale Johnson | Driver |
Joel Stout | Driver |
R. Christopher Biggs | Special Effects Makeup Artist |
Barbara Anne Bock | Special Effects Makeup Artist |
Name | Title |
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Don Behrns | Producer |
Ian McVey | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 32 | 47 | 22 |
2024 | 5 | 38 | 47 | 25 |
2024 | 6 | 38 | 61 | 26 |
2024 | 7 | 43 | 76 | 27 |
2024 | 8 | 41 | 59 | 28 |
2024 | 9 | 39 | 60 | 27 |
2024 | 10 | 53 | 114 | 28 |
2024 | 11 | 58 | 164 | 24 |
2024 | 12 | 32 | 65 | 19 |
2025 | 1 | 26 | 36 | 19 |
2025 | 2 | 19 | 38 | 4 |
2025 | 3 | 11 | 28 | 1 |
2025 | 4 | 3 | 5 | 2 |
2025 | 5 | 2 | 3 | 2 |
2025 | 6 | 4 | 6 | 2 |
2025 | 7 | 3 | 3 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 4 | 6 | 2 |
Trending Position
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2025 | 9 | 559 | 766 |
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2025 | 8 | 757 | 825 |
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2025 | 7 | 740 | 865 |
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2025 | 6 | 210 | 611 |
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2025 | 5 | 316 | 554 |
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2025 | 3 | 339 | 737 |
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2025 | 2 | 949 | 973 |
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2025 | 1 | 993 | 993 |
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2024 | 12 | 536 | 800 |
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2024 | 11 | 735 | 807 |
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2024 | 10 | 642 | 808 |
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2024 | 9 | 295 | 618 |
Year | Month | High | Avg |
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2024 | 8 | 975 | 984 |
Jason 6: Welcome To Camp Blood! An absolute hoot of a addition to the Friday 13th franchise. As is often the way with the "Friday" sequels, you can talk to one horror fan and this is the worst of the bunch, talk to another and it's the best etc etc. There's a more airy touch here and it serves th ... e formula well, which if the series' fans are honest, is a formula that was getting stale quite early in the chain, so any sort of new ideas or direction is most welcome. After a glorious James Bond parody opens the credits sequence, accompanied by Harry Manfredini's superbly thunderous musical score, we get long running tormented character Tommy, here played by Thom Matthews, digging up Jason Voorhees' corpse so as to make sure the evil one is dead - oh and to kill him again. Enter a glorious Frankenstein homage (cheeky steal if you like) that sets us up for another round of stalk and dismember as Jason heads back to Camp Crystal Lake, which is now called Camp Forest Green! The kills are not particularly inventive, but there's a real thud of humour about much of them. From an American Express Card to a bloody smiley face imprint, it's clear the makers have a glint in their eyes. We even get an early appearance from Tony Goldwyn, some four years before Ghost would make him a known name. Adding to the quality score, which BTW rattles around home cinema speakers lie a supernatural entity, is Jon Kranhouse's cinematography, which is gorgeous in colour lens selections. All that and you get an Alice Cooper soundtrack as well. From joyful reanimation to a suitably watery finale, this part 6 delivers more than enough to almost make you rush out to rent part 7. Almost... 6.5/10
_Jason Lives_ is the _Friday the 13th_ movie that starts injecting comedy into the franchise, which after 5 movies of more or less the same tone, is understandable. Prior entires have still had fun, but _Part VI_ has multiple, actual jokes. This bugs a lot of people, but me? Not so much. It's defini ... tely not the high point of the franchise, but I still would never skip this one during a marathon. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
***Jason lives again as a horrific zombie, plus Megan (Jennifer Cooke)*** Released in 1986, "Jason Lives: Friday the 13th Part VI" is notable for being the premiere of the zombie Jason as his rotting corpse is resurrected in the prologue indirectly through the actions of Tommy Jarvis and a friend ... who recently got out of a mental institution. This prologue also shows that Tommy didn't murder Pam at the end of Part V and that he was simply experiencing hallucinations from his trauma with the diabolic Voorhees spirit. Another difference with Part VI is that we finally get to see a busload of kids, children, at Crystal Lake, although they changed the name to Forest Green. Tommy runs to the local police to inform them that Jason has been resurrected but the sheriff, of course, doesn't believe him (would you?). His hot daughter, Megan, is attracted to Tommy and, when the bloody body count rises, the sheriff realizes that Jason is indeed alive. Tommy Jarvis is played by Thom Mathews rather than John Shepherd, who was excellent in Part V. Thom is a worthy replacement, but I prefer Shepherd's brooding charisma. The film features one of the best Friday girls in Megan, played by Jennifer Cooke, although Pam from the previous film is my favorite. Other than that, though, the females in Part VI are rather weak, although the redhead in the Volkswagen is notable (Nancy McLoughlin). The campiness of Part III and Part V returns for this installment, particularly with the goofy paintball warriors and the graveyard caretaker. But “Jason Lives” is noticeably superior to Part III and shares the kinetic vibe of Part V. As far as locations go, Part VI returns to the East for filming, being shot roughly 40 miles East of Atlanta in Covington & Rutledge . BOTTOM LINE: You either like the Friday the 13th series or you don't. Part VI is another retread of the same Friday formula with the entertaining spirit of Part V and the distinction of Jason now being totally inhuman, a horrific zombie; not to mention the addition of children at the camp. It also has a better story than parts III and IV with the sheriff and his daughter & Tommy going after Jason, plus Megan is one of the top Friday girls in the series. The film runs 91 minutes and the cut version 86 minutes. GRADE: B/B-
Going through the F13 franchise again, skipping Part V since I just watched an online review (and remembered not caring for it much), and this one was... odd. Went full on with the cheese which makes sense since Jason is brought back to life through the dumb ass decision by Tommy Jarvis to not only ... dig up the grave but stabbing the corpse with an iron post, he was just asking for trouble (and running into the sheriff's office yelling like a psycho didn't help). I did like the female lead but everyone else, including Thom Matthews, was a bit bland. **2.75/5**