Junkyard Dog
2023 | 93m | French
Popularity: 0.7 (history)
| Director: | Jean-Baptiste Durand |
|---|---|
| Writer: | Jean-Baptiste Durand |
| Staring: |
| Childhood pals Dog and Mirales live in a little village in the south of France and spend their days just hanging out. To kill time, Mirales has got into the habit of teasing Dog mercilessly. But this summer is different: Dog meets Elsa and romance blossoms. | |
| Release Date: | Apr 19, 2023 |
|---|---|
| Director: | Jean-Baptiste Durand |
| Writer: | Jean-Baptiste Durand |
| Genres: | |
| Keywords | male friendship, growing up, boyfriend girlfriend relationship, haunted by the past, troubled past, ghosts of the past, confronting the past, changing the past or future, dysfunctional relationship, male male relationship |
| Production Companies | Insolence Productions |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 14, 2026 Entered: Feb 21, 2025 |
| Name | Character |
|---|---|
| Anthony Bajon | Dog |
| Raphaël Quenard | Mirales |
| Galatea Bellugi | Elsa |
| Dominique Reymond | Christiane |
| Bernard Blancan | Bernard |
| Nathan Le Graciet | Paco |
| Mélanie Martinez | Charlotte |
| Mike Reilles | Dimitri |
| Mathieu Amilien | Enzo |
| Evelina Pitti | Madame Dufour |
| Kader Bouallaga | Ali |
| Marysole Fertard | Dimitri's Girlfriend |
| Name | Job |
|---|---|
| Jean-Baptiste Durand | Screenplay, Director |
| Léa Triboulet | Casting |
| Delphine Malaussena | Music |
| Nicolas Fleureau | Co-Writer |
| Matthieu Fraticelli | ADR Recordist |
| Kathérine Artaud | Second Assistant Camera |
| Guilhem Domercq | Foley Recordist, ADR Recordist |
| Clara René | Costume Design |
| Louise Gagnaire | Electrician |
| Joffrey Bernard | Stunts |
| Mélanie Amphonesinh | Assistant Production Manager |
| Tom Doumaux | Second Assistant Camera |
| Jonathan Crutain | Stunts |
| Benoît Jaoul | Director of Photography |
| Isabelle Harnist | Production Manager, Production Director |
| Julien Sellam | Property Master |
| Guillaume Brandois | First Assistant Camera |
| Marie Mazière | Foley Artist |
| Gregory Costecalde | Stunts |
| Mathieu Lardot | Stunt Coordinator |
| Léo Ponge | Gaffer |
| Hugo Rossi | Sound |
| Renaud Seveau | Best Boy Electric |
| Perrine Bekaert | Editor |
| Emma Benestan | Co-Writer |
| Name | Title |
|---|---|
| Anaïs Bertrand | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 20 | 9 |
| 2024 | 5 | 17 | 26 | 10 |
| 2024 | 6 | 12 | 16 | 8 |
| 2024 | 7 | 15 | 28 | 6 |
| 2024 | 8 | 9 | 13 | 5 |
| 2024 | 9 | 10 | 16 | 5 |
| 2024 | 10 | 8 | 12 | 5 |
| 2024 | 11 | 8 | 13 | 6 |
| 2024 | 12 | 8 | 13 | 6 |
| 2025 | 1 | 9 | 14 | 6 |
| 2025 | 2 | 7 | 12 | 4 |
| 2025 | 3 | 4 | 11 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 1 | 1 | 0 |
| 2025 | 11 | 1 | 1 | 0 |
| 2025 | 12 | 1 | 7 | 0 |
| 2026 | 1 | 0 | 0 | 0 |
| 2026 | 2 | 0 | 0 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 756 | 884 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 202 | 416 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 920 | 920 |
This is quite an enjoyably complex drama that follows the relationship between "Dog" (Anthony Bajon) and his pal "Miralès" (Raphaël Quenard). The latter man is more of his mentor, really, and quite a critical, even cruel, one at that. They've been friends since they were twelve and "Dog" is a rather ... shy and reticent sort of fellow that his pal constantly tries to bring more out of his shell. Well, that dynamic changes somewhat when "Elsa" (Galatéa Bellugi) arrives on the scene and quickly she and "Dog" are an item. They want to be together, they don't really want "Miralès" hanging about with them, and he doesn't take that situation well. Despite his confidence and undoubted erudition, he - a trained chef - now finds himself largely alone with only his artist other at home, and his own dog upon whom he dotes. Things come to an head when "Dog" manages to annoy a local hoodlum, draws some interesting designs on the bonnet of his car, and faces quite a perilous situation as his gang seek retribution. Things become dangerous - but who can he turn to? It's this final storyline that lets this down a bit, otherwise there's a tautly directed storyline between the two men that's peppered with a lively script riddled with sarcasm and put-downs yet also clearly imbued with a considerable degree of fraternal affection. Though a bit verbally brutal at times, there s truth to some of the barbed remarks as the young "Dog" rather aimlessly coasts through life, and Bajon portrays that character effectively - especially given that he has virtually no dialogue at all. This film is also the source of one of the most lifeless sex scenes I think I have ever seen that didn't actually involve a mortuary - and that's quite entertaining. It's quirky and different, and though I thought it did rather fizzle out a bit, I did enjoy it.