Popularity: 3 (history)
| Director: | Hadi Hajaig | 
|---|---|
| Writer: | Hadi Hajaig | 
| Staring: | 
| While working undercover as a bodyguard to arms dealer Harry, former-soldier-turned-secret-service-agent Ewan survives a bloody shootout with a member of an Islamic terrorist cell who steals Harry's briefcase full of Semtex explosives and escapes. Ewan's spymasters task Ewan with hunting down the cell members and retrieving the briefcase. | |
| Release Date: | Mar 08, 2012 | 
|---|---|
| Director: | Hadi Hajaig | 
| Writer: | Hadi Hajaig | 
| Genres: | Drama, Crime, Thriller | 
| Keywords | |
| Production Companies | UK Film Studio, The Salt Company | 
| Box Office | 
              
                Revenue: $0
                Budget: $0  | 
      
| Updates | 
          Updated: Feb 01, 2025 Entered: Apr 13, 2024  | 
      
| Name | Character | 
|---|---|
| Sean Bean | Ewan | 
| Abhin Galeya | Ash | 
| Charlotte Rampling | Charlotte McQueen | 
| Peter Polycarpou | Nabil | 
| Tuppence Middleton | Kate | 
| Tom Burke | Mark | 
| Sam Douglas | Harry | 
| Michelle Ryan | Emma | 
| James Fox | Scott Catesby | 
| Shivani Ghai | Rena | 
| Glenn Wrage | Sergeant Glen Conlan | 
| Silas Carson | Amin | 
| Chris Geere | Nick | 
| Tariq Jordan | Paul | 
| Name | Job | 
|---|---|
| Hadi Hajaig | Director, Editor, Writer | 
| John Adams | Production Manager | 
| Peter Pedrero | Stunt Coordinator | 
| Elaine Grainger | Casting | 
| Simon Lambros | Music | 
| Maja Meschede | Costume Design | 
| Stéphane Collonge | Production Design | 
| Humphrey Jaeger | Production Design | 
| Jenny Ray | Art Direction | 
| Sonya Yu | Art Direction | 
| Farah Abushwesha | Production Manager | 
| Mira Bajagic | Production Manager | 
| Pedro Moura | Assistant Art Director | 
| Tom Parsons | Sound Designer | 
| André Jacquemin | Sound Designer | 
| Craig Irving | Sound Re-Recording Mixer | 
| Robert Karlsson | Dolby Consultant | 
| Aaron Trinder | Visual Effects Supervisor, Main Title Designer | 
| Rob Llewellyn | Camera Operator | 
| Liam Iandoli | Camera Operator | 
| Matt Allsop | Steadicam Operator | 
| Stephen Brayne | Still Photographer | 
| James Eckersley | Still Photographer | 
| Kevin Day | Gaffer | 
| Jonathan Spencer | Gaffer | 
| Frank Macauley | Video Assist Operator | 
| Paul J. Wright | Digital Intermediate | 
| Rebecca Sheridan | Script Supervisor | 
| Ben O'Farrell | Location Manager | 
| David Colenutt | Location Manager | 
| Janine Azern | Public Relations | 
| Louisa Bradshaw | Public Relations | 
| Ian Howes | Director of Photography | 
| John Liu | Hairstylist | 
| Nikki Belding | Makeup Artist | 
| Hannah Edwards | Makeup Artist | 
| Annabelle Miller | Makeup Artist | 
| Alexandra Sanders | Makeup Artist | 
| Sally Alcott | Makeup Artist | 
| Laura Milligan | Makeup Artist | 
| Dominic Webb | Makeup Designer | 
| Stuart Conran | Makeup Effects Designer | 
| Jude Campbell | First Assistant Director | 
| Ben Burt | Second Assistant Director | 
| Emily Perowne | Second Assistant Director | 
| Paula Turnbull | Second Assistant Director | 
| Katya Guy | Property Master | 
| Hugh Fottrell | Set Dresser | 
| James Morrall | Set Dresser | 
| Max Berman | Standby Art Director | 
| Sarah Powell | Standby Art Director | 
| Tony Chance | Storyboard Artist | 
| Moncho Aldamiz | Assistant Camera | 
| Roland C. Phillips | Camera Loader | 
| David Mills | Camera Loader | 
| Ossian Bacon | Focus Puller | 
| Karl Hui | Focus Puller | 
| Mark Sneddon | Focus Puller | 
| Henry Howes | Gaffer | 
| Kevin Foy | Grip | 
| Steve Manningham | Grip | 
| Kate Thomson | Assistant Costume Designer | 
| Adrienn Lakatos | Costume Assistant | 
| Naomi Howarth | Wardrobe Assistant | 
| Jessica Snyder | Wardrobe Assistant | 
| Sarah Jane Thomson | Wardrobe Assistant | 
| Richard Hooper | Armorer | 
| Colin Gorry | Special Effects Supervisor | 
| George Pinnock | Foley Artist | 
| Garie Kan | Boom Operator | 
| Robin Gerrard | Boom Operator | 
| Don 'Chudi' Nelson | Boom Operator | 
| Jerry Richards | Dialogue Editor | 
| Andrew Quinney | Production Sound Mixer | 
| Alex Martin | Assistant Editor | 
| Brian Krijgsman | Colorist | 
| Tony Ray | Digital Intermediate | 
| Julie Harding | Digital Intermediate Producer | 
| Scott Dawkins | Online Editor | 
| Ann Marie Shields | Music Supervisor | 
| Sascha Robey | Armorer | 
| Joss Skottowe | Armorer | 
| Carleen Beadle | Production Accountant | 
| Lynn Scrimgeour | Production Coordinator | 
| Sanjay Sharma | Production Coordinator | 
| Helen Taylor | Production Secretary | 
| Gary Cohen | Special Effects Technician | 
| Joseph Geday | Special Effects Technician | 
| Paul Mann | Special Effects Technician | 
| David Payne | Special Effects Technician | 
| Louisa Bradshaw | Public Relations | 
| Name | Title | 
|---|---|
| Hadi Hajaig | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 17 | 27 | 10 | 
| 2024 | 5 | 18 | 35 | 11 | 
| 2024 | 6 | 17 | 33 | 10 | 
| 2024 | 7 | 17 | 32 | 8 | 
| 2024 | 8 | 13 | 25 | 7 | 
| 2024 | 9 | 10 | 20 | 5 | 
| 2024 | 10 | 11 | 19 | 6 | 
| 2024 | 11 | 10 | 15 | 6 | 
| 2024 | 12 | 10 | 17 | 7 | 
| 2025 | 1 | 13 | 24 | 7 | 
| 2025 | 2 | 9 | 15 | 3 | 
| 2025 | 3 | 5 | 12 | 1 | 
| 2025 | 4 | 2 | 4 | 1 | 
| 2025 | 5 | 1 | 4 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 1 | 1 | 0 | 
| 2025 | 8 | 1 | 1 | 0 | 
| 2025 | 9 | 2 | 2 | 1 | 
| 2025 | 10 | 2 | 4 | 1 | 
| 2025 | 11 | 3 | 3 | 3 | 
Trending Position
It's a format I've seen before in British crime thriller/political intrigue films, a format I'm not particularly fond of, and _Cleanskin_ isn't even a well done example of it. No letdowns in the acting department though, so credit where credit's due. _Final rating:★★ - Had some things that appeal ... to me, but a poor finished product._
A young British student (Abhin Galeya) is gradually indoctrinated into a Muslim cell bent on revenge after the "War on Terror", and is pursued by a government agent - Sean Bean - who is pretty much given a clean slate by his boss Charlotte Rampling. The story is told via parallel timelines in which ... we discover what has driven both men to their current courses of action; and whilst it does use some fairly sweeping stereotypical generalising for plot development, the characterisations delivered by both - especially Galeya - are quite revealing as a potential explanation for extremes in behaviour caused by fear, ignorance and large scale indifference. Regrettably, the dialogue is mundane; and the direction loses focus all to often as we flit between scenarios whilst trying to build up some sort of interest in two rather unlikeable - if good looking - men obsessed with their own perspectives. Rampling features sparingly, as does James Fox, which is a shame as they could have both have been used to further develop the cause and effect toxicity of the storyline. It is worth a watch, but is not particularly original in either concept nor execution.