Popularity: 5 (history)
Director: | David Lean |
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Writer: | Robert Bolt, Michael Wilson |
Staring: |
The story of British officer T.E. Lawrence's mission to aid the Arab tribes in their revolt against the Ottoman Empire during the First World War. Lawrence becomes a flamboyant, messianic figure in the cause of Arab unity but his psychological instability threatens to undermine his achievements. | |
Release Date: | Dec 11, 1962 |
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Director: | David Lean |
Writer: | Robert Bolt, Michael Wilson |
Genres: | Adventure, History, War |
Keywords | arabian, british empire, historical fiction, thoughtful, epic, horse, damascus, quicksand, ottoman empire, world war i, british army, based on true story, arab, cairo, jerusalem, camel, desert, provocative |
Production Companies | Horizon Pictures |
Box Office |
Revenue: $69,995,385
Budget: $15,000,000 |
Updates |
Updated: Aug 05, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Peter O'Toole | T.E. Lawrence |
Alec Guinness | Prince Feisal |
Omar Sharif | Sherif Ali |
Anthony Quinn | Auda abu Tayi |
Jack Hawkins | General Allenby |
José Ferrer | Turkish Bey |
Anthony Quayle | Colonel Harry Brighton |
Claude Rains | Mr. Dryden |
Arthur Kennedy | Jackson Bentley |
Donald Wolfit | General Murray |
I.S. Johar | Gasim |
Gamil Ratib | Majid |
Michel Ray | Farraj |
John Dimech | Daud |
Zia Mohyeddin | Tafas |
Howard Marion-Crawford | Medical Officer |
Jack Gwillim | Club Secretary |
Hugh Miller | R.A.M.C. Colonel |
John Barry | MP in Map Room (uncredited) |
Bruce Beeby | Captain at Officer's Club (uncredited) |
Fred Bennett | Sergeant at Cairo Headquarters (uncredited) |
John Bennett | Arab Sheik (uncredited) |
Steve Birtles | Motor Bike Rider (uncredited) |
Robert Bolt | Officer with Pipe Gazing at Lawrence (uncredited) |
Peter Burton | Damascus Sheik (uncredited) |
J.R.M. Chapman | Extra (uncredited) |
Barbara Cole | Nurse (uncredited) |
Basil Dignam | Cavalry General at Field Briefing (uncredited) |
Peter Dukelow | Driver in Cairo (uncredited) |
Mohamed El Habachi | Talal (uncredited) |
Kenneth Fortescue | Allenby's Aide (uncredited) |
Harry Fowler | William Potter (uncredited) |
James Hayter | Sheik in Arab Council (uncredited) |
Jack Hedley | Reporter (uncredited) |
Rafael Hernández | Turkish Soldier (uncredited) |
Noel Howlett | Vicar at St. Paul's (uncredited) |
Patrick Kavanagh | Staff Major - Murray's Aide (uncredited) |
David Lean | Motorcyclist by Suez Canal (uncredited) |
Ian MacNaughton | Michael George Hartley (uncredited) |
Clive Morton | Artillery General at Field Briefing (uncredited) |
Daniel Moynihan | Officer in Officer's Club (uncredited) |
Henry Oscar | Silliam (uncredited) |
George Plimpton | Bedouin (uncredited) |
Bryan Pringle | Driver (uncredited) |
Ernie Rice | Mourner (uncredited) |
Robert Rietti | Majid (voice) (uncredited) |
John Robinson | Infantry General at Field Briefing (uncredited) |
Norman Rossington | Corporal Jenkins (uncredited) |
John Ruddock | Elder Harith (uncredited) |
Fernando Sancho | Turkish Sergeant (uncredited) |
Stuart Saunders | Regimental Sergeant Major (uncredited) |
Cyril Shaps | Bartender in Officer's Club (uncredited) |
Jack Sharp | Mourner (uncredited) |
George Spence | Mourner (uncredited) |
Roy Stevens | Truck Driver (uncredited) |
Graham Tonbridge | Mourner (uncredited) |
Barry Warren | Arab Sheik (uncredited) |
Name | Job |
---|---|
David Lean | Director |
Maude Spector | Casting |
John Box | Production Design |
Dario Simoni | Set Decoration |
Cliff Richardson | Special Effects |
Wally Veevers | Special Effects |
Phyllis Dalton | Costume Design |
Eddie Fowlie | Property Master |
George Richardson | Assistant Art Director |
Tony Rimmington | Assistant Art Director |
Roy Rossotti | Assistant Art Director |
Paddy Cunningham | Sound Recordist |
Winston Ryder | Sound Editor |
Ernest Day | Camera Operator |
Steve Birtles | Gaffer |
Peter Dukelow | Construction Coordinator |
Roy Stevens | Assistant Director |
Charles E. Parker | Makeup Artist |
A. G. Scott | Hairstylist |
R.L.M. Davidson | Production Manager |
Tadeo Villalba | Unit Production Manager |
Ken Buckle | Stunts |
John Wilson-Apperson | Costume Design |
Ray Lovejoy | Assistant Editor |
Norman Savage | Editorial Services |
Gerard Schurmann | Orchestrator |
Lawrence Ashmore | Orchestrator |
Douglas Twiddy | Location Manager |
Bryan Coates | Assistant Director |
John Palmer | Production Manager |
John Dowdell | Color Timer |
Barbara Cole | Script Supervisor |
Lee Turner | Script Supervisor |
Pat Moon | Production Secretary |
Mike Fox | Focus Puller |
Kenneth J. Withers | Focus Puller |
Maureen Whitty | Production Secretary |
Noreen Hipwell | Production Secretary |
John Cox | Sound |
Robert Bolt | Screenplay |
Michael Wilson | Screenplay |
Maurice Jarre | Original Music Composer |
Freddie Young | Director of Photography |
Anne V. Coates | Editor |
Terence Marsh | Assistant Art Director |
Anthony Masters | Art Direction |
Nicolas Roeg | Second Unit Cinematographer |
Morris Stoloff | Music Coordinator |
Michael Stevenson | Second Assistant Director |
John Stoll | Art Direction |
Name | Title |
---|---|
Sam Spiegel | Producer |
Organization | Category | Person | |
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Academy Awards | Best Director | Nicholas David Lean | Won |
Academy Awards | Best Picture | N/A | Won |
Academy Awards | Best Director | David Lean | Won |
Academy Awards | Best Actor | Peter O'Toole | Won |
Golden Globes | Best Picture | N/A | Won |
Golden Globes | Best Director | David Lean | Won |
BAFTA Awards | Best Picture | N/A | Nominated |
Berlin International Film Festival | Best Picture | N/A | Won |
Cannes Film Festival | Best Actor | Peter O'Toole | Won |
BAFTA Awards | Best Picture | N/A | Won |
BAFTA Awards | Best Director | David Lean | Won |
Venice Film Festival | Best Actor | Peter O'Toole | Won |
BAFTA Awards | Best Director | Nicholas David Lean | Won |
BAFTA Awards | Best Supporting Actor | Anthony Quinn | Won |
BAFTA Awards | Best Actor | Peter O'Toole | Won |
Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 56 | 94 | 42 |
2024 | 5 | 114 | 131 | 93 |
2024 | 6 | 84 | 131 | 36 |
2024 | 7 | 59 | 82 | 33 |
2024 | 8 | 39 | 50 | 27 |
2024 | 9 | 31 | 56 | 27 |
2024 | 10 | 32 | 59 | 22 |
2024 | 11 | 34 | 41 | 26 |
2024 | 12 | 36 | 52 | 27 |
2025 | 1 | 41 | 56 | 30 |
2025 | 2 | 29 | 44 | 7 |
2025 | 3 | 13 | 43 | 3 |
2025 | 4 | 9 | 13 | 5 |
2025 | 5 | 6 | 15 | 4 |
2025 | 6 | 5 | 9 | 4 |
2025 | 7 | 5 | 6 | 3 |
2025 | 8 | 5 | 6 | 3 |
2025 | 9 | 6 | 8 | 5 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 428 | 762 |
Year | Month | High | Avg |
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2025 | 8 | 411 | 763 |
Year | Month | High | Avg |
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2025 | 7 | 180 | 662 |
Year | Month | High | Avg |
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2025 | 6 | 211 | 674 |
Year | Month | High | Avg |
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2025 | 5 | 548 | 747 |
Year | Month | High | Avg |
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2025 | 4 | 240 | 705 |
Year | Month | High | Avg |
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2025 | 3 | 364 | 768 |
Year | Month | High | Avg |
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2025 | 2 | 586 | 794 |
Year | Month | High | Avg |
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2025 | 1 | 421 | 792 |
Year | Month | High | Avg |
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2024 | 12 | 521 | 825 |
Year | Month | High | Avg |
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2024 | 11 | 595 | 846 |
Year | Month | High | Avg |
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2024 | 10 | 811 | 924 |
Year | Month | High | Avg |
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2024 | 9 | 461 | 752 |
Year | Month | High | Avg |
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2024 | 8 | 460 | 729 |
This is obviously an epic film, lasting nearly four hours with the wide, sweeping desert vistas and huge cast. It describes a fairly brief period of time out of a remarkable man’s life. I wonder how modern viewers handle the length of the movie, accustomed as they are to movies this lengthy featuri ... ng superheroes with humor and almost constant action. I don’t even remember how long ago I originally watched Lawrence of Arabia —quite possibly forty or more years ago. It has aged pretty well overall. The only negative thing that struck me when I recently re-watched it may well be due to my age. But it can be a talkative film at times, which is fine, but they sometimes talk fairly softly, and if such a scene transitions to music, I found the music to be so loud in comparison that it lifted me half of my chair. I had to have remote in hand to be ready to adjust the volume. A minor thing.
227 minutes of greatness! I've always wanted to watch <em>'Lawrence of Arabia'</em> given its standing as being one of the greats, though that rather long run time always put it on my subconscious back-burner. At last, I rooted out some time for it and man it was a well spent near four hours! I'm ... not going to say its length is ignorable, though it truly doesn't feel like a 3hr 47min movie - so every credit to all involved. Peter O'Toole's performance is undoubtedly outstanding, I can't really add anything more to what I'm sure many, many others have noted down the decades - he is, put simply, brilliant. Other strong performers are Alec Guinness, Anthony Quinn, Omar Sharif and, albeit more minorly, Claude Rains. No-one on the cast puts a foot wrong, as expected. The cinematography throughout is also absolutely exquisite, the entire look and feel of the film is just stunning. There is much more to say about this but I'll leave that to those that have already said such things. I'm just here to watch great movies and this 1962 picture is unequivocally one of those. Quite evidently a classic, no doubt about it.
This has got to be in my top ten movies - it is an almost flawless exercise in marrying fantastic photography, casting, writing, costumes and a score into three hours of wonderful entertainment. Rumour has it that Albert Finney was offered the lead role and suggested Peter O'Toole instead. If that i ... s true (or not) then clearly serendipity was already on hand to guide this rendition of the story of TE Lawrence, who inspired and led an Arab uprising against the Ottoman empire. The iconic scene that introduces us to Omar Sharif as Lawrence heads to meet Prince Faisal (Alec Guinness) starts us on a journey mixing adventure, politics, superstition, ambition and cruelty. Anthony Quinn is superb as are, in lesser capacities, Claude Rains, José Ferrer and Jack Hawkins as his somewhat cynical, but opportunistic GOC. Arthur Kennedy helps take Lawrence's story to the world and through his eyes we see how his character is changed by all the violence around/instigated by him. Peter O'Toole conveys the emotional rollercoaster of a journey from naive, optimistic officer to war-weary veteran in a dazzling fashion. This is a true treat of a film.