Popularity: 4 (history)
Director: | Richard Benjamin |
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Writer: | John Mattson |
Staring: |
Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession. | |
Release Date: | Aug 31, 1994 |
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Director: | Richard Benjamin |
Writer: | John Mattson |
Genres: | Comedy, Drama, Romance |
Keywords | stripper, red-light district, prostitute, mob boss, tree house, father son relationship, make a match |
Production Companies | Paramount Pictures, The Kennedy/Marshall Company |
Box Office |
Revenue: $18,137,661
Budget: $0 |
Updates |
Updated: Aug 03, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Melanie Griffith | V |
Ed Harris | Tom Wheeler |
Michael Patrick Carter | Frank Wheeler |
Malcolm McDowell | Waltzer |
Anne Heche | Betty |
Casey Siemaszko | Cash |
Philip Bosco | Jerry the Pope |
Adam LaVorgna | Brad |
Brian Christopher | Kevin Clean |
Jessica Wesson | Stacey |
Amanda Sharkey | Holly |
Margaret Nagle | Mrs. Fetch |
Katie Powell | Mrs. Clean |
Tom Coop | Holly's Brother |
Greg Procaccino | Man / Thief |
Andrea Afanador | Gaggle Member |
John Alvin | Rich Old Guy |
Jack Arwine | Senior Citizen on Street |
Nathan Williams | Kid |
Name | Job |
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John Mattson | Writer |
Kathryn Blondell | Hairstylist |
Casey Hallenbeck | Set Decoration |
Robin Browne | Second Unit Director of Photography |
Jacqueline Cambas | Editor |
Lucy Coldsnow-Smith | Dialogue Editor |
Susan Trembly | Unit Publicist |
Kim Secrist | Sound Effects Editor |
Chris David | Sound Re-Recording Mixer |
Matthew Harrison | Foley Editor |
Nava R. Sadan | Costumer |
Karen G. Wilson | Dialogue Editor |
Gary Krivacek | Sound Effects Editor |
Neil Burrow | Foley Editor |
Scott D. Jackson | Foley Editor |
Richard Arias | Makeup Artist |
Kelly Barr | Production Coordinator |
Antoinette J. Gordon | Set Designer |
Bob Baron | ADR Mixer |
Kenneth Fundus | Dolly Grip |
Gabriel Cubos | Boom Operator |
Wallace G. Lane Jr. | Assistant Costume Designer |
Horst Grandt | Property Master |
Mary Goldberg | Casting |
Juno J. Ellis | ADR Supervisor |
Richard Burton | Dialogue Editor |
Artie Kane | Conductor |
Bucky Braunsdorf | Transportation Captain |
Nathan Gendzier | Location Manager |
Charlotte Garnell-Scheide | Set Dresser |
Mike Dobie | Supervising Sound Editor |
Pam Cane | Assistant Costume Designer |
Jeffrey Sacino | Hairstylist |
Patrick J. Palmer | Second Unit Director, Unit Production Manager |
Robert C. Campion | Production Accountant |
Jule Ann Jappe | Location Manager |
James P. Dolan | Chief Lighting Technician |
Jennifer Appleberry | Casting Assistant |
Scott Metcalfe | Second Assistant Director |
Denise Horta | ADR Editor |
Naomi Donne | Makeup Designer |
Vincent Agostino | First Assistant Director |
Karen Hale Wookey | Script Supervisor |
Richard Whitfield | Music Editor |
Linda Matthews | Costume Supervisor |
Jon Baronn Farmer | Still Photographer |
Christie Barnes | Music Supervisor |
Oscar Beguiristain | Transportation Captain |
Harald Ortenburger | Camera Operator |
Richard Lightstone | Sound Mixer |
Constance A. Kazmer | Dialogue Editor |
Harold Collins | Construction Coordinator |
Yvonne Yaconelli | Production Coordinator |
Margaret Adachi | Assistant Editor |
Alan E. Lorimer | Special Effects Coordinator |
Paul Martinez | Assistant Editor |
Kenneth Wannberg | Music Editor |
Michael Magill | Dialogue Editor |
Deirdre Costa | Location Manager |
Bob O'Brien | Sound Effects Editor |
Michael Sean Ryan | Transportation Captain |
Richard M. Ellis | Stunts |
Richard Benjamin | Director |
David Watkin | Director of Photography |
Paul Sylbert | Production Design |
Rocky Capella | Stunt Coordinator |
Cara Giallanza | First Assistant Director |
Adam Shankman | Choreographer |
Alan Robert Murray | Supervising Sound Editor |
Barbara Harris | ADR Voice Casting |
Paul Massey | Sound Re-Recording Mixer |
Dennis Sands | Sound Re-Recording Mixer |
Doc Kane | ADR Mixer |
Pablo Ferro | Title Designer |
Annie Ellis | Stunts |
Scott Wilder | Stunts |
Danny Wynands | Stunts |
Cris Thomas-Palomino | Stunts |
Michael Convertino | Original Music Composer |
Theoni V. Aldredge | Costume Design |
Ronnie Rondell Jr. | Stunt Coordinator |
Frank Marshall | Second Unit Director |
Amy Lippens | Casting |
Randy K. Singer | Foley Mixer |
Name | Title |
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Patrick J. Palmer | Executive Producer |
Kathleen Kennedy | Producer |
Michael Finnell | Executive Producer |
Frank Marshall | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 21 | 34 | 13 |
2024 | 5 | 21 | 30 | 15 |
2024 | 6 | 20 | 34 | 12 |
2024 | 7 | 22 | 33 | 14 |
2024 | 8 | 20 | 34 | 10 |
2024 | 9 | 13 | 16 | 10 |
2024 | 10 | 19 | 36 | 13 |
2024 | 11 | 15 | 25 | 9 |
2024 | 12 | 16 | 25 | 9 |
2025 | 1 | 16 | 32 | 10 |
2025 | 2 | 17 | 39 | 3 |
2025 | 3 | 7 | 20 | 1 |
2025 | 4 | 3 | 5 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 4 | 5 | 3 |
Trending Position
I don't think that film is too bad,of course it's not the most interesting film I ever saw but I don't think it was the point of that movie. The all film turns around Frank (nicely played by Michael Patrick),He never knew his mum because she died giving birth to him,OK just to say with a plot like t ... hat the film could have been a catastrophe but because the character of Frank was played well enough it did'nt. In other Family drama with that kind of story the kid is always moaning and crying because he dos'nt know his mum or dad but Frank look more curious than depressed,Is acting like a real kid would in that situation,It's a simple but good thing about that film. And there is V,I don't agree with the comments which said she was a prostitute with a heart of gold far from it,V is very lost and she have very low self esteem.I think Melanie Griffith was lovely as V and it was different from character she usually play. Nothing to say with Ed Harris,he did is best with very little to work with because we have to admit it that the Dad is a very flat and boring character. The character of Anne Heche was supposed to be comic it was'nt instead you were wondering what the hell she was doing in that movie,the same go for Malcolm Mcdowell. the film turns around the relationship between V and Frank which is well played by both Mickael and Melanie. Of course their is some annoying scenes with Frank's Friends and Heche/Macdowell but I think the film is what it was meant to be, a heart warming family film and I had quite a relaxing one hours and a half watching it.
_**Doesn’t deserve the bad rap**_ In the Ohio suburb of Middleton three boys gather their ‘milk money’ so they go to the nearby city, Cincinnati, and see a prostitute naked. One of the boys, Frank (Michael Patrick Carter), befriends the woman (Melanie Griffith) and wants her to meet his single da ... d (Ed Harris), a teacher who’s trying to save the nearby wetlands. Malcolm McDowell is on hand as a heavy while Anne Heche appears as a kept woman in the city. "Milk Money" (1994) is a modern day fairy tale that’s part pubescent coming-of-age dramedy and part romantic-comedy. Critics reviled it, obviously because the subject matter made it an easy target but it has a lot of heart once you look beyond the prostitution component. For instance, Frank really just wants a caring mother, as well as a wife for his lonely, workaholic father who needs a good woman to rock his mundane world. The question is, can a call girl possibly be a ‘good woman’? In other words, is there redemption for a soiled sex worker and what is the key to that redemption? Not only is love the answer it’s also the element necessary for bringing out submerged love in the one being redeemed. There’s also a lesson about objectifying a woman. The boys only see the prostitute as an object to appease their curiosity and blossoming lust, but soon discover she’s a human being with feelings and value beyond her body. Even more, the woman clearly wants OUT of the empty, repugnant lifestyle she fell into since she was 14; she craves love, wholesomeness and respect. Say what you will, but these are some heavy morals for a farce about some boys wanting to become men, a nice father concerned about the condemned wetlands and a pretty sex worker. The film runs 1 hour, 47 minutes, and was shot in Cincinnati, Ohio, including the Wheeler house and the school, while the ice cream parlor & town scenes were done in Lebanon, about a 20 minute drive northeast of the city. Some shots were also done in Pittsburgh. GRADE: B-