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Milk Money Poster

Milk Money

You can't get enough of a good thing... But first you have to find it.
1994 | 108m | English

(13629 votes)

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Popularity: 4 (history)

Director: Richard Benjamin
Writer: John Mattson
Staring:
Details

Three young boys pool their money and pay V, a kindhearted prostitute, to strip for them. Afterward, she drives them home to the suburbs -- but then her car breaks down. It's just as well, though, because a mobster named Waltzer is after her, and V realizes the suburbs are the perfect place to hide. But things get a lot more complicated when V falls in love with Tom, a single father who is unaware of her real profession.
Release Date: Aug 31, 1994
Director: Richard Benjamin
Writer: John Mattson
Genres: Comedy, Drama, Romance
Keywords stripper, red-light district, prostitute, mob boss, tree house, father son relationship, make a match
Production Companies Paramount Pictures, The Kennedy/Marshall Company
Box Office Revenue: $18,137,661
Budget: $0
Updates Updated: Aug 03, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Melanie Griffith V
Ed Harris Tom Wheeler
Michael Patrick Carter Frank Wheeler
Malcolm McDowell Waltzer
Anne Heche Betty
Casey Siemaszko Cash
Philip Bosco Jerry the Pope
Adam LaVorgna Brad
Brian Christopher Kevin Clean
Jessica Wesson Stacey
Amanda Sharkey Holly
Margaret Nagle Mrs. Fetch
Katie Powell Mrs. Clean
Tom Coop Holly's Brother
Greg Procaccino Man / Thief
Andrea Afanador Gaggle Member
John Alvin Rich Old Guy
Jack Arwine Senior Citizen on Street
Nathan Williams Kid
Name Job
John Mattson Writer
Kathryn Blondell Hairstylist
Casey Hallenbeck Set Decoration
Robin Browne Second Unit Director of Photography
Jacqueline Cambas Editor
Lucy Coldsnow-Smith Dialogue Editor
Susan Trembly Unit Publicist
Kim Secrist Sound Effects Editor
Chris David Sound Re-Recording Mixer
Matthew Harrison Foley Editor
Nava R. Sadan Costumer
Karen G. Wilson Dialogue Editor
Gary Krivacek Sound Effects Editor
Neil Burrow Foley Editor
Scott D. Jackson Foley Editor
Richard Arias Makeup Artist
Kelly Barr Production Coordinator
Antoinette J. Gordon Set Designer
Bob Baron ADR Mixer
Kenneth Fundus Dolly Grip
Gabriel Cubos Boom Operator
Wallace G. Lane Jr. Assistant Costume Designer
Horst Grandt Property Master
Mary Goldberg Casting
Juno J. Ellis ADR Supervisor
Richard Burton Dialogue Editor
Artie Kane Conductor
Bucky Braunsdorf Transportation Captain
Nathan Gendzier Location Manager
Charlotte Garnell-Scheide Set Dresser
Mike Dobie Supervising Sound Editor
Pam Cane Assistant Costume Designer
Jeffrey Sacino Hairstylist
Patrick J. Palmer Second Unit Director, Unit Production Manager
Robert C. Campion Production Accountant
Jule Ann Jappe Location Manager
James P. Dolan Chief Lighting Technician
Jennifer Appleberry Casting Assistant
Scott Metcalfe Second Assistant Director
Denise Horta ADR Editor
Naomi Donne Makeup Designer
Vincent Agostino First Assistant Director
Karen Hale Wookey Script Supervisor
Richard Whitfield Music Editor
Linda Matthews Costume Supervisor
Jon Baronn Farmer Still Photographer
Christie Barnes Music Supervisor
Oscar Beguiristain Transportation Captain
Harald Ortenburger Camera Operator
Richard Lightstone Sound Mixer
Constance A. Kazmer Dialogue Editor
Harold Collins Construction Coordinator
Yvonne Yaconelli Production Coordinator
Margaret Adachi Assistant Editor
Alan E. Lorimer Special Effects Coordinator
Paul Martinez Assistant Editor
Kenneth Wannberg Music Editor
Michael Magill Dialogue Editor
Deirdre Costa Location Manager
Bob O'Brien Sound Effects Editor
Michael Sean Ryan Transportation Captain
Richard M. Ellis Stunts
Richard Benjamin Director
David Watkin Director of Photography
Paul Sylbert Production Design
Rocky Capella Stunt Coordinator
Cara Giallanza First Assistant Director
Adam Shankman Choreographer
Alan Robert Murray Supervising Sound Editor
Barbara Harris ADR Voice Casting
Paul Massey Sound Re-Recording Mixer
Dennis Sands Sound Re-Recording Mixer
Doc Kane ADR Mixer
Pablo Ferro Title Designer
Annie Ellis Stunts
Scott Wilder Stunts
Danny Wynands Stunts
Cris Thomas-Palomino Stunts
Michael Convertino Original Music Composer
Theoni V. Aldredge Costume Design
Ronnie Rondell Jr. Stunt Coordinator
Frank Marshall Second Unit Director
Amy Lippens Casting
Randy K. Singer Foley Mixer
Name Title
Patrick J. Palmer Executive Producer
Kathleen Kennedy Producer
Michael Finnell Executive Producer
Frank Marshall Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 34 13
2024 5 21 30 15
2024 6 20 34 12
2024 7 22 33 14
2024 8 20 34 10
2024 9 13 16 10
2024 10 19 36 13
2024 11 15 25 9
2024 12 16 25 9
2025 1 16 32 10
2025 2 17 39 3
2025 3 7 20 1
2025 4 3 5 1
2025 5 2 6 1
2025 6 3 4 2
2025 7 3 4 2
2025 8 2 3 1
2025 9 4 5 3

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Reviews

Olivergbyrne
N/A

I don't think that film is too bad,of course it's not the most interesting film I ever saw but I don't think it was the point of that movie. The all film turns around Frank (nicely played by Michael Patrick),He never knew his mum because she died giving birth to him,OK just to say with a plot like t ... hat the film could have been a catastrophe but because the character of Frank was played well enough it did'nt. In other Family drama with that kind of story the kid is always moaning and crying because he dos'nt know his mum or dad but Frank look more curious than depressed,Is acting like a real kid would in that situation,It's a simple but good thing about that film. And there is V,I don't agree with the comments which said she was a prostitute with a heart of gold far from it,V is very lost and she have very low self esteem.I think Melanie Griffith was lovely as V and it was different from character she usually play. Nothing to say with Ed Harris,he did is best with very little to work with because we have to admit it that the Dad is a very flat and boring character. The character of Anne Heche was supposed to be comic it was'nt instead you were wondering what the hell she was doing in that movie,the same go for Malcolm Mcdowell. the film turns around the relationship between V and Frank which is well played by both Mickael and Melanie. Of course their is some annoying scenes with Frank's Friends and Heche/Macdowell but I think the film is what it was meant to be, a heart warming family film and I had quite a relaxing one hours and a half watching it.

Jun 23, 2021
Wuchak
6.0

_**Doesn’t deserve the bad rap**_ In the Ohio suburb of Middleton three boys gather their ‘milk money’ so they go to the nearby city, Cincinnati, and see a prostitute naked. One of the boys, Frank (Michael Patrick Carter), befriends the woman (Melanie Griffith) and wants her to meet his single da ... d (Ed Harris), a teacher who’s trying to save the nearby wetlands. Malcolm McDowell is on hand as a heavy while Anne Heche appears as a kept woman in the city. "Milk Money" (1994) is a modern day fairy tale that’s part pubescent coming-of-age dramedy and part romantic-comedy. Critics reviled it, obviously because the subject matter made it an easy target but it has a lot of heart once you look beyond the prostitution component. For instance, Frank really just wants a caring mother, as well as a wife for his lonely, workaholic father who needs a good woman to rock his mundane world. The question is, can a call girl possibly be a ‘good woman’? In other words, is there redemption for a soiled sex worker and what is the key to that redemption? Not only is love the answer it’s also the element necessary for bringing out submerged love in the one being redeemed. There’s also a lesson about objectifying a woman. The boys only see the prostitute as an object to appease their curiosity and blossoming lust, but soon discover she’s a human being with feelings and value beyond her body. Even more, the woman clearly wants OUT of the empty, repugnant lifestyle she fell into since she was 14; she craves love, wholesomeness and respect. Say what you will, but these are some heavy morals for a farce about some boys wanting to become men, a nice father concerned about the condemned wetlands and a pretty sex worker. The film runs 1 hour, 47 minutes, and was shot in Cincinnati, Ohio, including the Wheeler house and the school, while the ice cream parlor & town scenes were done in Lebanon, about a 20 minute drive northeast of the city. Some shots were also done in Pittsburgh. GRADE: B-

Jun 23, 2021