Popularity: 2 (history)
Director: | Brian Levant |
---|---|
Writer: | Tom S. Parker, Jim Jennewein, Steven E. de Souza |
Staring: |
Modern Stone Age family the Flintstones hit the big screen in this live-action version of the classic cartoon. Fred helps Barney adopt a child. Barney sees an opportunity to repay him when Slate Mining tests its employees to find a new executive. But no good deed goes unpunished. | |
Release Date: | May 26, 1994 |
---|---|
Director: | Brian Levant |
Writer: | Tom S. Parker, Jim Jennewein, Steven E. de Souza |
Genres: | Family, Comedy, Fantasy |
Keywords | friendship, plan, jealousy, manager, adoption, bad mother-in-law, family's daily life, stone age, based on cartoon, best friend, dinosaur, cavemen |
Production Companies | Universal Pictures, Amblin Entertainment, Hanna-Barbera Productions |
Box Office |
Revenue: $341,631,208
Budget: $46,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
John Goodman | Fred Flintstone |
Elizabeth Perkins | Wilma Flintstone |
Rick Moranis | Barney Rubble |
Rosie O'Donnell | Betty Rubble |
Kyle MacLachlan | Cliff Vandercave |
Halle Berry | Sharron Stone |
Elizabeth Taylor | Pearl Slaghoople |
Dann Florek | Mr. Slate |
Richard Moll | Hoagie |
Irwin Keyes | Joe Rockhead |
Jonathan Winters | Gobo The Grizzled Man |
Harvey Korman | Ali / Dicabird / Blossom's Adopted Doll Son Ali |
Lainey Silver | Pebbles |
Melanie Silver | Pebbles |
Hlynur Sigurðsson | Bamm-Bamm |
Marinó Sigurðsson | Bamm-Bamm |
Sheryl Lee Ralph | Mrs. Pyrite |
Jean Vander Pyl | Mrs. Feldspar |
Janice Kent | Stewardess |
Jack O'Halloran | Yeti |
Becky Thyre | Roxanne |
Rod McCary | Store Manager |
Kate Pierson | BC-52's |
Fred Schneider | BC-52's |
Keith Strickland | BC-52's |
Jim Doughan | Maitre d' |
Laraine Newman | Susan Rock |
Jay Leno | Bedrock's Most Wanted Host |
Alan Blumenfeld | Fred Look-A-Like |
Messiri Freeman | Miss Stone Look-A-Like |
Alex Zimmerman | Accuser |
Sam Raimi | Cliff Look-A-Like |
Tommy Terrell | Accuser |
Andy Steinfeld | Aerobics Instructor |
Bradford Bryson | Foreman |
Tabbie Brown | Accuser |
Dean Cundey | Technician |
Lita Stevens | Woman at Chevrox |
Joseph Barbera | Man in Mersandes |
William Hanna | Executive in Boardroom |
Mel Blanc | Dino (voice) (archive sound) |
Sam the Orangutan | Mr. Henderson (uncredited) |
Name | Job |
---|---|
William Howard | Hairstylist |
Michael Orefice | Chief Lighting Technician |
Ron Cardarelli | Key Grip |
Sid Lucero | Best Boy Grip |
Dave Wachtman | Dolly Grip |
Cal DiValerio | Construction Coordinator |
Bruce DiValerio | Construction Foreman |
Jeff Jensen | Stunts |
Alex Gaona | Stunts |
Norman Fessler | Stand In |
Kent Beyda | Editor |
Nancy Patton | Art Direction |
Bill Getty | Sound Director |
Ted Nichols | Original Music Composer |
Richard Olso | Sound Director |
Tom S. Parker | Screenplay |
William Sandell | Production Design |
Christopher Burian-Mohr | Art Direction |
William James Teegarden | Art Direction |
Jim Jennewein | Screenplay |
Marty Paich | Original Music Composer |
Eloy Lobato | Production Design |
Michelle Fandetti | Post Production Supervisor |
Paul Deason | Unit Production Manager |
William Plant | Production Supervisor |
Annette Haywood-Carter | Script Supervisor |
Nancy Sandberg | Production Manager |
Dana J. Kuznetzkoff | Second Assistant Director |
Denny Caira | Transportation Coordinator |
Allen Tinkley | Location Manager |
Marty P. Ewing | First Assistant Director |
Curt Schulkey | Supervising ADR Editor |
Donald Sylvester | ADR Editor |
Jim Passon | Color Timer |
Gary Burritt | Negative Cutter |
Jay Johnson | Title Designer |
Ronald Batzdorff | Still Photographer |
Caroline Quinn | Art Department Coordinator |
Raymond Stella | Camera Operator |
Michael Lantieri | Special Effects Supervisor |
Cynthia Barr | Key Makeup Artist |
Mary Burton | Makeup Artist |
Christina Smith | Makeup Artist |
Larry Waggoner | Key Hair Stylist |
Linle White | Hairstylist |
Steven E. de Souza | Screenplay |
Dean Cundey | Director of Photography |
Nancy Nayor | Casting |
Rosemary Brandenburg | Set Decoration |
Rosanna Norton | Costume Design |
Brian Levant | Director |
Elizabeth Campbell | Trainee Production Coordinator |
Gary Hymes | Stunt Coordinator, Second Unit Director |
Susan Pickett | Second Second Assistant Director |
Chris L. Spellman | Leadman |
Brian Smrz | Stunts |
Pat Romano | Stunts |
Kim Robert Koscki | Stunts |
Mark Mangini | Supervising Sound Editor |
Adam Shankman | Choreographer |
Rosine 'Ace' Hatem | Stunt Double |
David Newman | Original Music Composer |
Geoff Blain | Actor's Assistant |
Name | Title |
---|---|
Colin Wilson | Producer |
Bruce Cohen | Producer |
Joseph Barbera | Executive Producer |
Kathleen Kennedy | Executive Producer |
David Kirschner | Executive Producer |
Gerald R. Molen | Executive Producer |
Steven Spielberg | Executive Producer |
William Hanna | Executive Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 59 | 78 | 39 |
2024 | 5 | 54 | 72 | 36 |
2024 | 6 | 44 | 62 | 30 |
2024 | 7 | 49 | 88 | 29 |
2024 | 8 | 45 | 70 | 32 |
2024 | 9 | 34 | 74 | 25 |
2024 | 10 | 41 | 70 | 26 |
2024 | 11 | 36 | 62 | 24 |
2024 | 12 | 33 | 51 | 27 |
2025 | 1 | 37 | 69 | 24 |
2025 | 2 | 25 | 48 | 5 |
2025 | 3 | 10 | 31 | 2 |
2025 | 4 | 6 | 12 | 3 |
2025 | 5 | 5 | 13 | 3 |
2025 | 6 | 5 | 8 | 3 |
2025 | 7 | 4 | 5 | 3 |
2025 | 8 | 5 | 7 | 4 |
2025 | 9 | 5 | 6 | 2 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 682 | 780 |
_**The animated show comes to life with John Goodman in the lead role**_ While critics love to bash this live-action cinematic version of "The Flintstones" and the rating here at IMDb is surprisingly low, the movie was a huge hit in 1994 and fittingly so because this is a great movie for what it ... is. Speaking of which, this explains why "The Flintstones" is such easy prey to incessant panning – it's a movie based on a cartoon. So freaking what? The question is, does it work for what it is and the answer is a resounding "yes"! Movies should be critiqued and graded according to what they are and aspire to achieve. For instance, "Godzilla" is a colossal-creature movie and should be reviewed on that level. Compared to the original "Apocalypse Now" it's dreck, but how does it stack-up to other gigantic-monster movies? It's the same thing with "The Flintstones." Roger Ebert criticized the film on the grounds that "the story is confusing, not very funny, and kind of odd, given the target audience of younger children and their families. Do kids really care much about office politics, embezzlement, marital problems, difficulties with adoption, aptitude exams and mothers-in-law?" For one thing, the film IS funny if you're familiar with The Flintstones and, more so, if you're a fan, which I am. I've seen the movie four times now and, without exception, laughed from beginning to end. Now the laughs may be more giggling at silly humor than uproarious laughter, but laughing nonetheless. As for the criticism that the story's confusing and misses the supposed target audience because of adult-oriented elements, this just shows that the "target audience" wasn't just kids. "The Flintstones" is for kids AND adults equally, which was true of the original cartoon as well, but more so with the movie, and I'm glad. The live-action version of "Dudley Do-Right" (1999) made the mistake of aiming solely for kids – real little kids -- and it seriously bombed and justifiably so because it's a complete dud. It's impossible to watch that movie as an adult and stay interested. "The Flintstones" doesn't make this mistake and that's why it was such a hit and remains thoroughly entertaining to this day. The cast is great, even Rosie O'Donnell as Betty (who I didn't think would work), but John Goodman as Fred is so good it's like the cartoon come to life! Furthermore, the sets and F/X are top-of-the line and surprisingly hold up to this day. In addition, the story has warmth and offers realistic and worthy themes. Take, for instance, Fred and Barney's bond. They're best friends and their personalities balance each other out. You'll see this in real life. My best friend, for example, is similar in some ways to Barney while I more fit the Fred role. The bottom line is that "The Flintstones" is entertaining from beginning to end for all the reasons noted above and it wisely doesn't overstay its welcome at 91 minutes. The film was shot at Vasquez Rocks, Santa Clarita and Sun Valley, California, and Snow Canyon State Park, Utah. GRADE: A