The Wandering Earth II
2023 | 173m | Mandarin
Popularity: 7 (history)
| Director: | Frant Gwo |
|---|---|
| Writer: | Gong Geer, Ye Ruchang, Frant Gwo, Liu Cixin, Yang Zhixue |
| Staring: |
| Humans built huge engines on the surface of the earth to find a new home. But the road to the universe is perilous. In order to save earth, young people once again have to step forward to start a race against time for life and death. | |
| Release Date: | Jan 22, 2023 |
|---|---|
| Director: | Frant Gwo |
| Writer: | Gong Geer, Ye Ruchang, Frant Gwo, Liu Cixin, Yang Zhixue |
| Genres: | Action |
| Keywords | space station, earth in peril, global threat, giant engine, global government, admiring |
| Production Companies | China Film Group Corporation, DF Pictures, G!Film Studio, Guo Fan Culture and Media |
| Box Office |
Revenue: $5
Budget: $73,800,000 |
| Updates |
Updated: Jan 14, 2026 Entered: Sep 28, 2025 |
| Name | Character |
|---|---|
| Wu Jing | Liu Peiqiang |
| Andy Lau | Tu Hengyu |
| Li Xuejian | Zhou Zhezhi |
| Sha Yi | Zhang Peng |
| Ning Li | Ma Zhao |
| Wang Zhi | Liu Qi's Mom |
| Zhu Yanmanzi | Hao Xiaoxi |
| Andy Friend | Mike |
| Wang Ruoxi | Tu Yaya |
| Tong Liya | Tu Hengyu's Wife |
| Vatilli Makarychev | Andrey Gerasinov |
| Zhang Yi | Wang Zhijian |
| Kawawa Kadichi | Herbert Copley |
| Clara Lee | Space Elevator Female Attacker A |
| Vladimir Ershov | Space Elevator Male Attacker B |
| Tony Nicholson | Space Elevator Male Attacker A |
| Hu Xianxu | Young Diplomat |
| Huo Qing | Chinese Chief Coordinator |
| Liu Yin | Zhou Zhezhi's Bodyguard |
| Guo Yiqian | Wedding Host |
| Wu Enxuan | TV Presenter |
| Wang Hongwei | Wang Hongwei |
| Kong Dashan | Chinese Astronaut |
| Eric Xu | Xu Jian |
| Liu Jiayun | 4-Year-Old Liu Qi |
| Ding Yanlai | Construction Worker 1 |
| Gao Ang | Construction Worker 2 |
| Andrew Yan Hua | Construction Worker 3 |
| Li Ren | Korean Pilot |
| Ang Cin | Thai Astronaut |
| Wang Lei | Wang Sanshi |
| Roy Wang | Male Research Assistant |
| Yang Hongtao | Chinese Father Underground City |
| Zhao Yesuo | Interpreter |
| Li Luqi | Young Man |
| Huang Jiyuan | Diving Expert |
| Zheng Chuyi | Electrical Engineer |
| Wu Jingyi | Chinese Mother Underground City |
| Fu Jiahao | Departure Hall Young Soldier |
| Valentin Vorobev | MakaRov |
| Li Yiran | Liu Peiqiang's Mother |
| Zhou Qiang | Liu Peiqiang's Father |
| Zhu Chaoyi | Pilot |
| He Jinhelong | Chinese Boy Underground City |
| He Jinhejin | Chinese Girl Underground City |
| Daniela Tassy | Emilia |
| Li Peidong | Enthusiastic Passenger |
| Name | Job |
|---|---|
| Jeanna Canatsey | Key Makeup Artist |
| Diego Quecano | Property Master |
| James Gott | Data Wrangler |
| Sunny Vinsavich | Stunts |
| Tim Gilligan | Assistant Camera |
| Geoffrey Jean-Baptiste | Camera Operator, Steadicam Operator |
| Josh Reyes | First Assistant Camera |
| Jake Loff | Production Accountant |
| Luca Liang | Manager of Operations |
| Gong Geer | Screenplay |
| Wang Hong | Production Manager |
| Ye Ruchang | Screenplay |
| Andrew Yan Hua | Stunt Coordinator |
| Albert Yeung | Presenter |
| Hanrui Wang | Production Design |
| Achille Vanderhaeghen | Second Assistant Director |
| Marco Wuest | Props |
| Ashleigh Awusie | Stunts |
| Fredrik Yderström | Stunts |
| Tomasz Gryz | Steadicam Operator |
| Chloe Locarro | Second Assistant Camera |
| Dash Porter | Location Assistant |
| Frant Gwo | Screenplay, Director |
| Roc Chen | Original Music Composer |
| Lu Jia | Presenter |
| Wu Jing | Presenter |
| Wang Hongwei | Script Consultant |
| Wang Danrong | Sound Supervisor |
| Wayne Chang | Casting |
| Cheung Ka-Fai | Editor |
| Binxing Fu | Presenter |
| Allen Wei | Visual Effects |
| Hannah Kittell | Costume Design |
| Catherine Gubernick | Assistant Property Master |
| Han Cao | Visual Effects Supervisor |
| Joanna Carpenter | Stunts |
| Govinda Angulo | First Assistant Camera |
| Dominick Pietrzak | Digital Imaging Technician |
| Anna Maues | Production Assistant |
| Liu Cixin | Writer, Novel |
| Liu Yin | Director of Photography |
| Wang Yibing | Presenter |
| Yaping Li | Presenter |
| Yang Zhixue | Screenplay |
| Zhu Yanfeng | Sound Designer |
| Xiangjin Yin | Presenter |
| Ye Xiang | Editor |
| Eric Xu | Visual Effects |
| Rao Xiaozhi | Presenter |
| Name | Title |
|---|---|
| Gong Geer | Producer |
| Li Jie | Producer |
| Liu Cixin | Executive Producer |
| Wang Ke | Co-Executive Producer |
| Liu Kailuo | Producer |
| Fu Ruoqing | Executive Producer |
| Wu Xian | Producer |
| Wang Zhonglei | Co-Executive Producer |
| Wang Hong | Executive Producer |
| Meng Jun | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 68 | 85 | 58 |
| 2024 | 5 | 67 | 88 | 50 |
| 2024 | 6 | 67 | 80 | 57 |
| 2024 | 7 | 80 | 114 | 51 |
| 2024 | 8 | 62 | 90 | 51 |
| 2024 | 9 | 51 | 62 | 38 |
| 2024 | 10 | 54 | 89 | 41 |
| 2024 | 11 | 47 | 76 | 36 |
| 2024 | 12 | 43 | 54 | 31 |
| 2025 | 1 | 47 | 90 | 35 |
| 2025 | 2 | 41 | 60 | 9 |
| 2025 | 3 | 14 | 42 | 3 |
| 2025 | 4 | 8 | 13 | 6 |
| 2025 | 5 | 10 | 13 | 8 |
| 2025 | 6 | 6 | 8 | 5 |
| 2025 | 7 | 5 | 9 | 4 |
| 2025 | 8 | 4 | 5 | 4 |
| 2025 | 9 | 6 | 7 | 5 |
| 2025 | 10 | 6 | 9 | 5 |
| 2025 | 11 | 6 | 10 | 5 |
| 2025 | 12 | 6 | 8 | 4 |
| 2026 | 1 | 4 | 6 | 3 |
| 2026 | 2 | 4 | 7 | 3 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 597 | 829 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 12 | 306 | 693 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 11 | 136 | 718 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 258 | 720 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 702 | 834 |
Now then, it's best - I think - to just accept that there is very, very, little plausible science to this save-the-planet movie. The format, and the story, have oft been done by Hollywood before so it's not top of the originality tree either - but it's still quite a watchable and well produced story ... of a group of Chinese trainees who must raise their game when they find themselves trying to save the infrastructure being built to help save the planet from terrorists. It's extremely perilous for them, their enemy is sophisticated and well entrenched. When the moon becomes unstable, it again falls to them to stop it crashing into the Earth before a carefully placed series of thousands of engines around the globe can be activated to propel us all out of danger and off to a new orbit around Alpha Centauri. The acting talents and the dialogue are really neither here nor there, but the visual effects - especially at the start - are effective and the pace of the film is as times entertaining as this dedicated team - and others from around the world - must unite to thwart the unseen enemy and rescue mankind before it's all too late. It really does need shortening though. It could lose an hour and - tightened up - have a much more focussed and impactful storyline that would hold the attention just as well as any Western equivalents. It does need a big screen to get the best from the creativity of the visuals but students of physics (astro or otherwise) may blush at some of it!
The Wandering Earth II or the "wandering script", as I call it, does nothing to improve upon a proposition that failed to work, the first time around. Its alright to create a space saga but trying to cram the whole thing down the audiences throat in two sittings, is simply too much to ask. My wif ... e, who is Chinese, became exasperated about half an hour in and I don't blame her. There are simply too many disparate things going on at once, for this film to present anything, even a highly switched on viewer, like my economist other half, can reasonably follow. What you are left with, is what amounts to mini films, that feel like little like extended trailers, cobbled together over an lengthy time line, that become so diffuse, as to loose the potential to represent any semblance of a comprehensible "whole". Graphics are admittedly amazing, as are some of the sci fi conceptualisations. Acting's mostly pretty decent, too. That said, what are these elements without clarity of storytelling? In summary, best described as an overly ambitious, ill considered "sci fi, hot mess" that's clearly had a lot of time and money invested in it. If this had been broken down into smaller, bite sized films with less crammed in, I think it could have worked, a lot better.