Come Back, Little Sheba
1953 | 96m | English
Popularity: 1 (history)
| Director: | Daniel Mann |
|---|---|
| Writer: | Ketti Frings |
| Staring: |
| A mismatched couple's marital problems come to the surface when the husband develops an interest in their pretty boarder. | |
| Release Date: | Mar 06, 1953 |
|---|---|
| Director: | Daniel Mann |
| Writer: | Ketti Frings |
| Genres: | Drama, Romance |
| Keywords | dreams, liquor, housewife, postman, childlessness, marriage, lodger, alcoholism, art student, grief, loneliness, based on play or musical, neighbor, hospital, domestic violence, infatuation, drunkenness, lost dog, alcoholics anonymous, premarital sex, college athlete, knifepoint, slut, idleness, broken dreams, frowsy |
| Production Companies | Paramount Pictures, Wallis-Hazen Inc. |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 29, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Burt Lancaster | Doc Delaney |
| Shirley Booth | Lola Delaney |
| Terry Moore | Marie Buckholder |
| Richard Jaeckel | Turk Fisher |
| Philip Ober | Ed Anderson |
| Edwin Max | Elmo Huston |
| Lisa Golm | Mrs. Coffman |
| Walter Kelley | Bruce Cunningham |
| Ned Glass | Man at AA Meeting (uncredited) |
| William Haade | Hospital Intern (uncredited) |
| Virginia Hall | Blonde in Restaurant (uncredited) |
| Anthony Jochim | Mr. Cruthers (uncredited) |
| Peter Leeds | Milkman (uncredited) |
| Kitty McHugh | Pearl Stinson, AA Member (uncredited) |
| Paul McVey | Postman (uncredited) |
| Beverly Mook | Judy Coffman (uncredited) |
| Virginia Mullen | Henrietta Colby, AA Member (uncredited) |
| Name | Job |
|---|---|
| Daniel Mann | Director |
| Hal Pereira | Art Direction |
| Ross Dowd | Set Decoration |
| Don McKay | Sound Recordist |
| Walter Oberst | Sound Recordist |
| Ketti Frings | Screenplay |
| Franz Waxman | Original Music Composer |
| James Wong Howe | Director of Photography |
| Henry Bumstead | Art Direction |
| Sam Comer | Set Decoration |
| Edith Head | Costume Design |
| William Inge | Theatre Play |
| Wally Westmore | Makeup Supervisor |
| Gordon Jennings | Visual Effects |
| Warren Low | Supervising Editor |
| Richard McWhorter | Assistant Director |
| Roy Roberts | Gaffer |
| Name | Title |
|---|---|
| Hal B. Wallis | Producer |
| Organization | Category | Person | |
|---|---|---|---|
| Academy Awards | Best Supporting Actress | Stefanie Powers | Nominated |
| Academy Awards | Best Director | Delbert Mann | Nominated |
| Academy Awards | Best Supporting Actor | Burt Lancaster | Nominated |
| Academy Awards | Best Supporting Actress | Shirley Booth | Won |
| Academy Awards | Best Director | William Wyler | Nominated |
| Academy Awards | Best Supporting Actor | Leonard Graves | Won |
| Academy Awards | Best Supporting Actor | Burl Ives | Nominated |
| Academy Awards | Best Supporting Actress | Judy Holliday | Won |
| Academy Awards | Best Supporting Actress | Lola Albright | Nominated |
| Golden Globes | Best Supporting Actress | Lori Nelson | Nominated |
| Golden Globes | Best Picture | N/A | Nominated |
| Golden Globes | Best Supporting Actor | Arthur Kennedy | Won |
| BAFTA Awards | Best Supporting Actress | Joanne Woodward | Nominated |
| BAFTA Awards | Best Supporting Actress | Mary Astor | Nominated |
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 5 | 8 | 2 |
| 2024 | 5 | 7 | 9 | 3 |
| 2024 | 6 | 5 | 10 | 2 |
| 2024 | 7 | 5 | 10 | 2 |
| 2024 | 8 | 5 | 8 | 3 |
| 2024 | 9 | 5 | 12 | 2 |
| 2024 | 10 | 4 | 7 | 2 |
| 2024 | 11 | 4 | 9 | 2 |
| 2024 | 12 | 4 | 5 | 2 |
| 2025 | 1 | 3 | 8 | 2 |
| 2025 | 2 | 3 | 5 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 1 |
| 2025 | 11 | 1 | 2 | 1 |
| 2025 | 12 | 1 | 3 | 1 |
| 2026 | 1 | 1 | 4 | 0 |
| 2026 | 2 | 0 | 1 | 0 |
Trending Position
I'd never heard of this film until I stumbled upon it today, and boy - what a stumble. Shirley Booth turns in one of the most intense performances I have ever seen. "Lola" is married to recovering alcoholic "Doc" (Burt Lancaster) and they live a meticulously ordered life with her the housewife and h ... e at the hospital. As the story transpires, we learn a little more of what has driven them to their current scenario whilst she yearns for companionship. To that end she rents out their spare room to student "Marie" (Terry Moore). Initially, "Doc" isn't sure, but he takes a shine to the girl - if not to her all-American boyfriend "Turk" (Richard Jaeckel). She seems set on him, though, and as his paternal concern for her choices starts to mount his need for that lone bottle sitting in the cupboard starts to mount too! It's only really in the last fifteen minutes that the story all falls into place and we realise just why both of these characters are as they are. Lancaster plays his role in a measured and entirely convincing fashion as he foils the almost perfect effort from an entirely convincing Booth who elicits sympathy and exasperation in almost equal measure. What's also quite effective here is that the story isn't full of contrived pitfalls and disasters. It's a story of humanity with it's roots in a plausible scenario (of the time, anyway) that has provided these two, perhaps despite themselves, with a true and lasting affection. It's much more of a drama than a romance, and really is worth an hour and half of your time.