Woman of the Hour
In 1978, a serial killer appeared on live TV as a bachelor on The Dating Game. The only people who suspected were the women he pursued.
2024 | 95m | English
Popularity: 3 (history)
| Director: | Anna Kendrick |
|---|---|
| Writer: | Ian McDonald |
| Staring: |
| An aspiring actress crosses paths with a prolific serial killer in '70s LA when they're cast on an episode of "The Dating Game." | |
| Release Date: | Oct 03, 2024 |
|---|---|
| Director: | Anna Kendrick |
| Writer: | Ian McDonald |
| Genres: | |
| Keywords | rape, photographer, wyoming, usa, 1970s, female protagonist, sexual assault, social issues, aspiring actress, 20th century, actress, chilling |
| Production Companies | Vertigo Entertainment, BoulderLight Pictures, AGC Studios, BondIt Media Capital |
| Box Office |
Revenue: $0
Budget: $836,057 |
| Updates |
Updated: Jan 23, 2026 Entered: Apr 15, 2024 |
| Name | Job |
|---|---|
| Scott Cannizzaro | ADR Mixer |
| Dillon Bochon | Sound Assistant |
| Zak Cohen | ADR Engineer |
| Paradox Delilah | Boom Operator |
| Rylan Kerbes | Production Sound Mixer |
| Jesse Pomeroy | Dialogue Editor |
| Tony Solis | Sound Re-Recording Mixer |
| Paul Stanley | Supervising Sound Editor |
| Jussi Tegelman | Sound Re-Recording Mixer, Sound Designer |
| Maverick Yadao | Sound Re-Recording Mixer |
| Shannon Grover | Art Direction |
| Bret Howe | Casting |
| Melina Nancy Eck | Casting Assistant |
| Anna Kendrick | Director |
| Sadie Sieroty | Casting Associate |
| Dan Kuzmenko | Location Manager |
| Jillian Ennis | Music Supervisor |
| Mike Tuccillo | Original Music Composer |
| Andy Canny | Editor |
| Brent Thomas | Production Design |
| Cristina Bidagor | Art Direction |
| Theodore Zaleski | Art Direction |
| Zoe Jirik | Set Decoration |
| Sekyiwa Wi-Afedzi | Costume Design |
| Brooke Wilcox | Costume Design |
| Ian McDonald | Writer |
| Noa Bolozky | Makeup Department Head |
| Mary Vernieu | Casting |
| Naomi Bakstad | Makeup Designer |
| Stacey Butterworth | Wigmaker |
| Arleen Chavez | Key Hair Stylist |
| Elaine Kandel | Key Makeup Artist |
| Michelle Pedersen | Key Makeup Artist |
| Leesa Simone | Makeup Artist |
| Andrea Simpson | Hair Department Head |
| Maryann Yee | Makeup Designer |
| Chad Belair | First Assistant Director |
| Henry Brower | Additional Second Assistant Director |
| Joel Cyr | Third Assistant Director |
| Martin Ellis | Second Assistant Director |
| Loree Cameron | Graphic Designer |
| Stefan Bozenich | Paint Coordinator |
| Molly Carney | Set Dresser |
| Jenny Kirby | Art Department Coordinator |
| Bryan Korenberg | Property Master |
| Terry Lewis | Set Buyer |
| Janette Rhee | Set Designer |
| Luis Sidonio | Set Designer |
| Cody Duke Young | Set Dresser |
| Adam Estey | Visual Effects Supervisor |
| Jonathan MacPherson | Visual Effects Supervisor |
| Tim Soergel | Stunt Coordinator |
| Shelene Yung | Stunt Double |
| Corinne Clark | Local Casting |
| Ciarra Cook | Casting Associate |
| Jennifer Page | Local Casting |
| Lee Haugen | Additional Editor |
| Dylan Ball | Digital Intermediate Editor |
| Veronica Buhagiar | First Assistant Editor |
| James Giddy | Location Scout |
| Paola Cernicchiaro | Camera Loader |
| Leah Gallo | Still Photographer |
| Jeremy Goodrick | Rigging Grip |
| Aaron Haesler | First Assistant "A" Camera |
| Andrew Kearney | Key Rigging Grip |
| Kenneth Lau | Steadicam Operator |
| Monaye Moyes | Camera Trainee |
| Cale Nichols | Dolly Grip |
| Sasha Proctor | Steadicam Operator |
| Jocelyn Richards | Lighting Technician |
| Rob Wheeler | Rigging Gaffer |
| Yannie Yu | Gaffer |
| Emelie Qvick | First Assistant Makeup Artist |
| Dan Romer | Original Music Composer |
| Zach Kuperstein | Director of Photography |
| Raquel Tarbet | Assistant Set Decoration |
| Chris Webb | Stunt Coordinator |
| Name | Title |
|---|---|
| Ian McDonald | Executive Producer |
| Anna Kendrick | Executive Producer |
| Roy Lee | Producer |
| Matthew Helderman | Executive Producer |
| Joe Penna | Executive Producer |
| Luke Taylor | Executive Producer |
| Russ Posternak | Executive Producer |
| Chris Abernathy | Co-Producer |
| Paul Barbeau | Executive Producer |
| Zach Garrett | Executive Producer |
| Sean Patrick O'Reilly | Executive Producer |
| J.D. Lifshitz | Producer |
| Raphael Margules | Producer |
| Tracy Rosenblum | Co-Producer |
| Miri Yoon | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 9 | 3 |
| 2024 | 5 | 8 | 12 | 5 |
| 2024 | 6 | 9 | 21 | 3 |
| 2024 | 7 | 11 | 19 | 6 |
| 2024 | 8 | 12 | 22 | 5 |
| 2024 | 9 | 32 | 60 | 12 |
| 2024 | 10 | 128 | 497 | 28 |
| 2024 | 11 | 128 | 268 | 90 |
| 2024 | 12 | 83 | 119 | 61 |
| 2025 | 1 | 67 | 111 | 38 |
| 2025 | 2 | 31 | 53 | 6 |
| 2025 | 3 | 15 | 36 | 2 |
| 2025 | 4 | 8 | 13 | 4 |
| 2025 | 5 | 6 | 13 | 4 |
| 2025 | 6 | 4 | 8 | 3 |
| 2025 | 7 | 4 | 8 | 3 |
| 2025 | 8 | 3 | 4 | 2 |
| 2025 | 9 | 4 | 5 | 2 |
| 2025 | 10 | 5 | 6 | 3 |
| 2025 | 11 | 4 | 6 | 3 |
| 2025 | 12 | 3 | 6 | 2 |
| 2026 | 1 | 2 | 3 | 1 |
| 2026 | 2 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 2 | 395 | 661 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 637 | 841 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 690 | 719 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 442 | 678 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 699 | 699 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 473 | 721 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 603 | 751 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 615 | 763 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 309 | 681 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 242 | 674 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 122 | 638 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 51 | 379 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 41 | 106 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 3 | 225 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 9 | 185 | 595 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 410 | 654 |
Woman of the Hour is a crime thriller genre movie released in 2023, which meteoric rising American actress Anna Kendrick as a film director. True to the fiction of the movie, it was based on the horrifying story of Rodney Alcala, a serial killer to boot who guested in a 1970s show called The Dating ... Game. The story revolves around Sheryl Bradshaw in her dream to be an actress portrayed by Kendrick just to take Alcala out and eventually be killed by him. The aspects of the film are related to the themes of misogyny and violence and how women deal with strange men. It captures a form of Alcala’s persona and dolled-out charm graphically presents the interactions he has with his victims, and highlights the various institutional deficiencies that enabled him to continue perpetrating his heinous acts despite complaints lodged against him. When I looked back at my own life, I could connect to the vulnerability, but also the suspense in some scenes in the movie that might appear completely ordinary from the outside. It is most useful as a caution against the evils of talking to strangers since such incidents are still possible in today’s society. It is for these reasons and supported by a good plot and good acting, the film is not only entertaining but is a social relevance message too. If you liked my experience, then check out the <a href="https://moviepoptime.com/period-drama/woman-of-the-hour/" target="_blank">Latest Movie Reviews</a>.
> "I feel looked at." This is a pretty solid directorial debut. The topic is heavy and very sad but a reality for many. I would say that I was surprised at how this story was told, but it does pack a punch even during slower moments where you don't expect it to. I recommend people read up on the ... real story to see how truly awful this person was.
Tough but commendable choice for a directorial debut, to make a story out of something as complex, layered and non linear as true crime and gendered violence. And to do it so demurely—goes to show that a good film doesn't need to explicitly perpetuate exploitation in order for it to be present and s ... ensed. What else to say but that I liked it... Woman of the Hour didn't strike me as yet another true crime adaptation seeking to conflate performative justice and mass entertainment, to me, this couldn't more clearly –neither on the nose, nor subtle enough to miss– be a critique of what continues to happen, of how class and gendered culture systemically uphold, enable and embed men in the social, figurative and literal deathly supression of women and children. An estimate as high as 130 isn't an extraordinary number, just a murder record, an statistic, it's weaponized, judicial negligence that to this day haunts us, because simply put: those whose jobs is to count our bodies, are the ones leaving us for dead. Not much has changed, that much is a universal truth; I guess, now, we just get people like Anna Kendrick and Ian McDonald to critique all of this in cleverly put stories shot in cool and warm dual tones.