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Woman of the Hour Poster

Woman of the Hour

In 1978, a serial killer appeared on live TV as a bachelor on The Dating Game. The only people who suspected were the women he pursued.
2024 | 95m | English

(72287 votes)

TMDb IMDb

Popularity: 3 (history)

Director: Anna Kendrick
Writer: Ian McDonald
Staring:
Details

An aspiring actress crosses paths with a prolific serial killer in '70s LA when they're cast on an episode of "The Dating Game."
Release Date: Oct 03, 2024
Director: Anna Kendrick
Writer: Ian McDonald
Genres:
Keywords rape, photographer, wyoming, usa, 1970s, female protagonist, sexual assault, social issues, aspiring actress, 20th century, actress, chilling
Production Companies Vertigo Entertainment, BoulderLight Pictures, AGC Studios, BondIt Media Capital
Box Office Revenue: $0
Budget: $836,057
Updates Updated: Jan 23, 2026
Entered: Apr 15, 2024
Trailers

Extras

Full Credits

Name Character
Anna Kendrick Sheryl Bradshaw
Daniel Zovatto Rodney Alcala
Nicolette Robinson Laura
Jedidiah Goodacre Bachelor #2
Autumn Best Amy
Pete Holmes Terry
Kelley Jakle Sarah
Kathryn Gallagher Charlie
Tony Hale Ed
Matt Visser Bachelor #1
Rob Morton Custodian (George Elliot)
Dylan Schmid Mario
Karen Holness Gretchen
Denalda Williams Marilyn
Jessie Fraser Lisa
Matty Finochio Casting Director
Geoff Gustafson Casting Director
Max Lloyd-Jones Ken
Andy Thompson Bob
Nancy Kerr Diane
James Yi Joe
Jessica Chaffin Helen
Matthew Kevin Anderson Mark
Taylor Hastings Melanie
David Beairsto Rodney's Boss
Darcy Laurie Marty
Marc Gaudet Head Mover
Bonnie Hay Bartender
Michael Adamthwaite Dating Game Director
Jacob Woike Dating Game 1st Assistant Director
Jason Simpson Dating Game Announcer
Hannah Henney Bachelorette (Playback)
Tighe Gill Bachelor (Playback)
Michael Jonsson Booth Security Guard (Harold)
Vonnie Bennetto Typist
Thomas Strumpski Laundromat Owner
John Herkenrath Detective
Jeremy Radin Detective
Cody Heller Alison
Name Job
Scott Cannizzaro ADR Mixer
Dillon Bochon Sound Assistant
Zak Cohen ADR Engineer
Paradox Delilah Boom Operator
Rylan Kerbes Production Sound Mixer
Jesse Pomeroy Dialogue Editor
Tony Solis Sound Re-Recording Mixer
Paul Stanley Supervising Sound Editor
Jussi Tegelman Sound Re-Recording Mixer, Sound Designer
Maverick Yadao Sound Re-Recording Mixer
Shannon Grover Art Direction
Bret Howe Casting
Melina Nancy Eck Casting Assistant
Anna Kendrick Director
Sadie Sieroty Casting Associate
Dan Kuzmenko Location Manager
Jillian Ennis Music Supervisor
Mike Tuccillo Original Music Composer
Andy Canny Editor
Brent Thomas Production Design
Cristina Bidagor Art Direction
Theodore Zaleski Art Direction
Zoe Jirik Set Decoration
Sekyiwa Wi-Afedzi Costume Design
Brooke Wilcox Costume Design
Ian McDonald Writer
Noa Bolozky Makeup Department Head
Mary Vernieu Casting
Naomi Bakstad Makeup Designer
Stacey Butterworth Wigmaker
Arleen Chavez Key Hair Stylist
Elaine Kandel Key Makeup Artist
Michelle Pedersen Key Makeup Artist
Leesa Simone Makeup Artist
Andrea Simpson Hair Department Head
Maryann Yee Makeup Designer
Chad Belair First Assistant Director
Henry Brower Additional Second Assistant Director
Joel Cyr Third Assistant Director
Martin Ellis Second Assistant Director
Loree Cameron Graphic Designer
Stefan Bozenich Paint Coordinator
Molly Carney Set Dresser
Jenny Kirby Art Department Coordinator
Bryan Korenberg Property Master
Terry Lewis Set Buyer
Janette Rhee Set Designer
Luis Sidonio Set Designer
Cody Duke Young Set Dresser
Adam Estey Visual Effects Supervisor
Jonathan MacPherson Visual Effects Supervisor
Tim Soergel Stunt Coordinator
Shelene Yung Stunt Double
Corinne Clark Local Casting
Ciarra Cook Casting Associate
Jennifer Page Local Casting
Lee Haugen Additional Editor
Dylan Ball Digital Intermediate Editor
Veronica Buhagiar First Assistant Editor
James Giddy Location Scout
Paola Cernicchiaro Camera Loader
Leah Gallo Still Photographer
Jeremy Goodrick Rigging Grip
Aaron Haesler First Assistant "A" Camera
Andrew Kearney Key Rigging Grip
Kenneth Lau Steadicam Operator
Monaye Moyes Camera Trainee
Cale Nichols Dolly Grip
Sasha Proctor Steadicam Operator
Jocelyn Richards Lighting Technician
Rob Wheeler Rigging Gaffer
Yannie Yu Gaffer
Emelie Qvick First Assistant Makeup Artist
Dan Romer Original Music Composer
Zach Kuperstein Director of Photography
Raquel Tarbet Assistant Set Decoration
Chris Webb Stunt Coordinator
Name Title
Ian McDonald Executive Producer
Anna Kendrick Executive Producer
Roy Lee Producer
Matthew Helderman Executive Producer
Joe Penna Executive Producer
Luke Taylor Executive Producer
Russ Posternak Executive Producer
Chris Abernathy Co-Producer
Paul Barbeau Executive Producer
Zach Garrett Executive Producer
Sean Patrick O'Reilly Executive Producer
J.D. Lifshitz Producer
Raphael Margules Producer
Tracy Rosenblum Co-Producer
Miri Yoon Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 6 9 3
2024 5 8 12 5
2024 6 9 21 3
2024 7 11 19 6
2024 8 12 22 5
2024 9 32 60 12
2024 10 128 497 28
2024 11 128 268 90
2024 12 83 119 61
2025 1 67 111 38
2025 2 31 53 6
2025 3 15 36 2
2025 4 8 13 4
2025 5 6 13 4
2025 6 4 8 3
2025 7 4 8 3
2025 8 3 4 2
2025 9 4 5 2
2025 10 5 6 3
2025 11 4 6 3
2025 12 3 6 2
2026 1 2 3 1
2026 2 3 4 2

Trending Position


Year Month High Avg
2026 2 395 661
Year Month High Avg
2026 1 637 841
Year Month High Avg
2025 9 690 719
Year Month High Avg
2025 8 442 678
Year Month High Avg
2025 7 699 699
Year Month High Avg
2025 6 473 721
Year Month High Avg
2025 5 603 751
Year Month High Avg
2025 4 615 763
Year Month High Avg
2025 3 309 681
Year Month High Avg
2025 2 242 674
Year Month High Avg
2025 1 122 638
Year Month High Avg
2024 12 51 379
Year Month High Avg
2024 11 41 106
Year Month High Avg
2024 10 3 225
Year Month High Avg
2024 9 185 595
Year Month High Avg
2024 8 410 654

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Reviews

moviepoptime
N/A

Woman of the Hour is a crime thriller genre movie released in 2023, which meteoric rising American actress Anna Kendrick as a film director. True to the fiction of the movie, it was based on the horrifying story of Rodney Alcala, a serial killer to boot who guested in a 1970s show called The Dating ... Game. The story revolves around Sheryl Bradshaw in her dream to be an actress portrayed by Kendrick just to take Alcala out and eventually be killed by him. The aspects of the film are related to the themes of misogyny and violence and how women deal with strange men. It captures a form of Alcala’s persona and dolled-out charm graphically presents the interactions he has with his victims, and highlights the various institutional deficiencies that enabled him to continue perpetrating his heinous acts despite complaints lodged against him. When I looked back at my own life, I could connect to the vulnerability, but also the suspense in some scenes in the movie that might appear completely ordinary from the outside. It is most useful as a caution against the evils of talking to strangers since such incidents are still possible in today’s society. It is for these reasons and supported by a good plot and good acting, the film is not only entertaining but is a social relevance message too. If you liked my experience, then check out the <a href="https://moviepoptime.com/period-drama/woman-of-the-hour/" target="_blank">Latest Movie Reviews</a>.

Nov 04, 2024
Narate
7.0

> "I feel looked at." This is a pretty solid directorial debut. The topic is heavy and very sad but a reality for many. I would say that I was surprised at how this story was told, but it does pack a punch even during slower moments where you don't expect it to. I recommend people read up on the ... real story to see how truly awful this person was.

Nov 12, 2024
signsoflife
8.0

Tough but commendable choice for a directorial debut, to make a story out of something as complex, layered and non linear as true crime and gendered violence. And to do it so demurely—goes to show that a good film doesn't need to explicitly perpetuate exploitation in order for it to be present and s ... ensed. What else to say but that I liked it... Woman of the Hour didn't strike me as yet another true crime adaptation seeking to conflate performative justice and mass entertainment, to me, this couldn't more clearly –neither on the nose, nor subtle enough to miss– be a critique of what continues to happen, of how class and gendered culture systemically uphold, enable and embed men in the social, figurative and literal deathly supression of women and children. An estimate as high as 130 isn't an extraordinary number, just a murder record, an statistic, it's weaponized, judicial negligence that to this day haunts us, because simply put: those whose jobs is to count our bodies, are the ones leaving us for dead. Not much has changed, that much is a universal truth; I guess, now, we just get people like Anna Kendrick and Ian McDonald to critique all of this in cleverly put stories shot in cool and warm dual tones.

Dec 27, 2025