Popularity: 3 (history)
| Director: | Iris K. Shim |
|---|---|
| Writer: | Iris K. Shim |
| Staring: |
| Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother. | |
| Release Date: | Mar 18, 2022 |
|---|---|
| Director: | Iris K. Shim |
| Writer: | Iris K. Shim |
| Genres: | Horror, Mystery |
| Keywords | farm, east asian lead, death of mother, motherhood, woman director, korean american, mother daughter relationship, korean |
| Production Companies | Stage 6 Films, Raimi Productions, Starlight Media |
| Box Office |
Revenue: $2,100,000
Budget: $3,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Sandra Oh | Amanda |
| Fivel Stewart | Chris |
| Dermot Mulroney | Danny |
| Odeya Rush | River |
| MeeWha Alana Lee | Umma |
| Tom Yi | Mr. Kang |
| Name | Job |
|---|---|
| Matt Flannery | Director of Photography |
| Lee Yong-ok | Production Design |
| Ksenia Markova | Art Direction |
| Maggie Fung | Makeup Department Head |
| Zulma Zamora | Key Hair Stylist |
| Kyle Davio | Set Dresser |
| Marti D. Humphrey | Sound Re-Recording Mixer |
| Andrew Roberts | Visual Effects Supervisor |
| Christine McDermott | Visual Effects Producer |
| Casey Nguyen | Set Costumer |
| Louis F. Cioffi | Editor |
| W. Haley Ho | Art Direction |
| Leah Butler | Costume Design |
| Jose Zamora | Hair Department Head |
| Demetrios Katsantonis | Set Dresser |
| Cliff Collins | Set Dresser |
| Rob Marshall | Sound Re-Recording Mixer |
| Maricel Pagulayan | Visual Effects Producer |
| Erica D. Schwartz | Costume Supervisor |
| Phil DeSanti | Second Second Assistant Director |
| Iris K. Shim | Director, Writer |
| Roque Baños | Original Music Composer |
| Kevin Greutert | Editor |
| Nancy Nayor | Casting |
| Michael Clear | Thanks |
| Christopher Allen Nelson | Makeup Effects Designer |
| Biko Gogaladze | Foley Artist |
| Andrew Degryse | VFX Artist |
| Linda Jewell | Stunt Double |
| Name | Title |
|---|---|
| Marcei A. Brown | Executive Producer |
| Matt Black | Executive Producer |
| Cheng Yang | Executive Producer |
| Yedong Mu | Executive Producer |
| Sam Raimi | Producer |
| Sandra Oh | Executive Producer |
| Zainab Azizi | Producer |
| Peter Luo | Executive Producer |
| Jeanette Volturno | Executive Producer |
| André Øvredal | Executive Producer |
| Zhou Tao | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 41 | 53 | 29 |
| 2024 | 5 | 39 | 59 | 21 |
| 2024 | 6 | 38 | 61 | 29 |
| 2024 | 7 | 39 | 60 | 26 |
| 2024 | 8 | 35 | 59 | 26 |
| 2024 | 9 | 28 | 38 | 23 |
| 2024 | 10 | 32 | 52 | 22 |
| 2024 | 11 | 32 | 70 | 17 |
| 2024 | 12 | 26 | 42 | 18 |
| 2025 | 1 | 28 | 50 | 19 |
| 2025 | 2 | 19 | 32 | 3 |
| 2025 | 3 | 10 | 38 | 2 |
| 2025 | 4 | 4 | 9 | 2 |
| 2025 | 5 | 4 | 8 | 3 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 3 | 4 | 2 |
| 2025 | 8 | 2 | 3 | 1 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 2 |
| 2025 | 11 | 4 | 4 | 3 |
Trending Position
This shares many problems that I hear people calling out IT COMES AT NIGHT for having. It doesn't flesh out its themes substantially, lacks scene-to-scene momentum and overall narrative drive, unprompted horror sequences with no apparent purpose, etc. I think this just needed a more concrete plot an ... d more scenes with the central duo actually interacting (COVID-19 restrictions maybe caused a lack of this?). It is disappointing and a bit of a slog, but not without some good vision behind it. Some of the horror sequences utilize imagery and blocking in a pretty great way, and the scenes centered on Fivel Stewart's character have a much clearer sense of tone and purpose.