Popularity: 0.5 (history)
Director: | Peter Fonda |
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Writer: | Thomas Matthiesen |
Staring: |
During a time of waning global resources, a crew of young researchers travel into the future to escape an apocalypse before the shutdown of their time transfer project. They find that some type of disaster has de-populated the Idaho region and, by implication, the nation or perhaps the world. | |
Release Date: | Jun 15, 1973 |
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Director: | Peter Fonda |
Writer: | Thomas Matthiesen |
Genres: | Science Fiction |
Keywords | |
Production Companies | Pando Company Inc. |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 26, 2024 |
Name | Character |
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Kelly Bohanon | Karen Braden |
Kevin Hearst | Ronald |
Caroline Hildebrand | Isa Braden |
Keith Carradine | Arthur |
Dale Hopkins | Leslie |
Fred Seagraves | Dr. Lewis |
Ted D'Arms | George Braden |
Joe Newman | Cleve |
Susan Kelly | Nurse Nora |
Meredith Hull | Jennifer |
Roy B. Ayers | Elgin |
Judy Motulsky | Judy |
Kim Casper | Anne |
Debbie Scott | Joanna |
Devin Burke | Michael |
Earl Crabb | Evans |
Jeff Greene | Hitchhiker |
Chris Fox | Hitchhiker |
Peter Riches | Military Technician |
Jim Speck | Officer |
Scott Hoffman | Jensen |
Jared Fitzgerald | Guard |
Michael Kriss | Future Man |
Vicki Dietrich | Future Girl |
Erica Joeres | Future Woman |
Name | Job |
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Peter Fonda | Director |
Thomas Matthiesen | Story, Screenplay |
Bruce Langhorne | Original Music Composer |
Bruce Logan | Director of Photography |
Eugene Mazzola | Production Coordinator, Coordinating Producer |
Chuck McClelland | Editor |
Jeremy Kay | Art Direction |
Ted Coodley | Makeup Artist |
Jack Beckett | Executive In Charge Of Production |
Anthony T. Mazzola | Production Manager |
Joel Chernoff | Executive In Charge Of Production |
David McGiffert | Assistant Director |
Rick Marcus | Assistant Director |
Larry Azman | Property Master |
John Brumbaugh | Sound |
Rich Harrison | Sound Effects, Sound Effects Editor |
David Schneiderman | Boom Operator |
Roger George | Special Effects |
Blair Brooks | Assistant Camera |
Tom Coleman | Best Boy Grip |
John Grahm | Assistant Camera |
Robert Isenberg | Assistant Camera |
Jan Kiesser | Assistant Camera |
Vern Matthews | Key Grip |
Jim Lavin | Key Grip |
Melton C. Maxwell | Gaffer |
Richard Yuricich | Assistant Camera |
Peter Riches | Still Photographer |
Joyce Malleur | Wardrobe Supervisor |
Richard Mazzola | Assistant Editor |
Natalie Mucyn | Music Editor |
Loren Ewing | Transportation Coordinator |
Mitchell Brisker | Production Assistant |
Nancy Giebink | Production Assistant |
Susan Kelly | Production Secretary |
Richard Krupp | Security |
Len Marsal | Producer's Assistant |
Name | Title |
---|---|
William Hayward | Producer |
Anthony T. Mazzola | Associate Producer |
Organization | Category | Person |
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Popularity History
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2024 | 4 | 5 | 10 | 2 |
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2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 0 | 0 |
Trending Position
With recent global warming causing unpredictable weather patterns worldwide, and documentary films such as 'Chasing Ice' and 'An Inconvenient Truth' bringing more awareness to environmental issues, it reminds me of the plethora of sci-fi and dystopian movies that bombarded theatre screens as I was g ... rowing up in Canada in the 70's. Most of the ilk, perhaps to necessitate dramatic strength for the film's structure, maybe due to civil unrest from political turmoil worldwide in the late 60's, presented a future extremely difficult to endure and preciously doubtful to either survive or maintain. 'Idaho Transfer' was no exception. Director Fonda was obviously very talented, and the cinematography is beautiful for such a low-budget piece. The time-travel ideas were uniquely conceived, and though the soundtrack was dated, it worked for me. Fonda realized that like the landscape and the solitary experience the teenagers were facing, one needs to let the ideas have a chance to breathe and reveal their multifaceted meanings. Though the actors weren't professional, the casting works because of the naturalistic, almost documentarian approach Fonda utilized. The pessimism of 'Idaho Transfer' and its bleak outlook--that even though science may be able to, in theory, save humanity, human nature may not be able to handle the idea of a 'utopia' so easily--shows us, two generations later, how interconnected art and politics are, and how important it is NOW to take a stand and support what is truly necessary for mankind, while there is still a chance for us to do so, and a world worthy of saving. I fervently wish that Fonda had directed more films! =)