Popularity: 2 (history)
| Director: | Jacques Audiard |
|---|---|
| Writer: | Céline Devaux, Nicolas Livecchi |
| Staring: |
| Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both. | |
| Release Date: | Nov 03, 2021 |
|---|---|
| Director: | Jacques Audiard |
| Writer: | Céline Devaux, Nicolas Livecchi |
| Genres: | Drama, Romance |
| Keywords | paris, france, france, love, based on comic, black and white, based on graphic novel |
| Production Companies | France 2 Cinéma, Page 114 |
| Box Office |
Revenue: $2,480,870
Budget: $0 |
| Updates |
Updated: Jul 10, 2025 Entered: Jul 10, 2025 |
| Name | Character |
|---|---|
| Lucie Zhang | Émilie |
| Makita Samba | Camille |
| Noémie Merlant | Nora |
| Jehnny Beth | Amber |
| Camille Léon-Fucien | Eponine |
| Oceane Cairaty | Stéphanie |
| Anaïde Rozam | Leïla |
| Pol White | Camille's Father |
| Rong-Ying Yang | Emilie's Mother |
| Geneviève Doang | Karin |
| Xing Xing Cheng | Emilie's Grandmother |
| Fabienne Galula | Call Center Director |
| Lilian Nze Nong | Head of Tele-consultants |
| Ornella Nzingoula | Call Center |
| Tony Zola | Call Center |
| Annabelle Milot | Woman in Wheelchair |
| Lumina Wang | Sandra |
| Stephen Manas | |
| Raphaelle Doyle | |
| Léo Mira | Girl Party Apartment |
| Léa Rostain | Girl Party Apartment |
| Agathe Mougin | Girl Party Apartment |
| Isadora Guzniczak | Girl Party Apartment |
| Raphaël Quenard | Jeff |
| Teki Latex | Self |
| Jules Benchetrit | Garçon Dance-floor Springbreak |
| Hugo Lacroix | Garçon Dance-floor Springbreak |
| Théotim Leclerc | Garçon Dance-floor Springbreak |
| Jeanne Disson | Fill Springbreak |
| Nicolas Godart | Jonathan |
| Yves Yan | Mr. Lim Tchoq |
| Carl Malapa | Amine |
| Bruno Dondero | Law Professor |
| Steve Chaban | Client Visit Apartment |
| Mattéo La Capria | Leïla's Friend |
| Line Phé | Serveuse Eighty |
| Feichan Zeng | Serveuse Eighty |
| Weiting Chao | Serveuse Eighty |
| Feng Lili | Serveuse Eighty |
| Patrick Guérineau | Jérôme |
| Lily Rubens | Receptionist EHPAD |
| Tony Harrisson | Anicet |
| Soumaye Bocoum | Jeanne Lecoeur |
| Carrie Lam | Carrie Lam |
| Name | Job |
|---|---|
| Paul Guilhaume | Director of Photography |
| Rone | Original Music Composer |
| Niels Barletta | Sound Re-Recording Mixer |
| Cédric Fayolle | Visual Effects Supervisor |
| Pierre-Marie Dru | Music Supervisor |
| Jacques Audiard | Director, Scenario Writer |
| Julia Floch-Carbonel | Key Makeup Artist |
| Lucas Trochet | Assistant Director |
| Michaël Ben Hammouda | Third Assistant Director |
| Jules Souveton Flamme | Assistant Art Director |
| Vincent Goujon | Production Sound Mixer |
| Philippe Penot | Foley Artist |
| Marion Gaillard | Camera Operator |
| Albert Blasius | Production Manager |
| Cédric Ettouati | Post Production Supervisor |
| Romain Schandeler | Property Master |
| Frédérique Liébaut | ADR Supervisor |
| Shanna Besson | Still Photographer |
| Thomas Caselli | First Assistant Camera |
| Cyrille Hubert | First Assistant Camera |
| Isabelle Planelles | First Assistant Camera |
| Anne-Bénédicte Thiam | Extras Casting |
| Annie Pierre | Assistant Editor |
| Frédéric Lebugle | Location Scout |
| Léa Mysius | Scenario Writer |
| Céline Devaux | Screenplay |
| Mila Preli | Production Design |
| Virginie Montel | Costume Design |
| Juliette Welfling | Editor |
| Hortense Bailly | Sound Editor |
| Adrian Tomine | Short Story |
| Christel Baras | Casting |
| Matthieu Guy d'Arpaillargues | Set Decoration |
| Jean-Baptiste Pouilloux | First Assistant Director |
| Mikaël Gaudin | Second Assistant Director |
| Chouchane Bakirel | Assistant Art Director |
| Barthelemy Thomas | Set Dresser |
| Thibaut Macquart | Foley Editor |
| Olivier Schneider | Stunt Coordinator |
| Benoît Jolivet | Gaffer |
| Éric Simille | Unit Manager |
| Hugo Le Gourrierec | Additional Second Assistant Director |
| Dominique Eyraud | Boom Operator |
| Clémence Stoloff | Dialogue Editor |
| Arthur Briet | Second Assistant Camera |
| Marc Didier | Aerial Director of Photography |
| Céleste Ougier | Third Assistant Camera |
| Oscar Jamois | Extras Casting |
| Christophe Bousquet | Colorist |
| Thomas Heurtier | First Assistant Editor |
| Christelle Meaux | Script Supervisor |
| Céline Sciamma | Scenario Writer |
| Nicolas Livecchi | Screenplay |
| Thomas Bidegain | Storyboard |
| Name | Title |
|---|---|
| Jacques Audiard | Producer |
| Valérie Schermann | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 32 | 11 |
| 2024 | 5 | 21 | 31 | 11 |
| 2024 | 6 | 16 | 23 | 10 |
| 2024 | 7 | 19 | 34 | 10 |
| 2024 | 8 | 17 | 34 | 10 |
| 2024 | 9 | 10 | 19 | 7 |
| 2024 | 10 | 17 | 37 | 7 |
| 2024 | 11 | 17 | 53 | 7 |
| 2024 | 12 | 13 | 25 | 7 |
| 2025 | 1 | 12 | 18 | 9 |
| 2025 | 2 | 11 | 19 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 3 | 5 | 2 |
| 2025 | 11 | 2 | 3 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 537 | 672 |
Makita Samba's "Camille" seems to be the thread upon which this story hangs here, as a teacher who takes up lodgings with "Émilie" (Lucie Zhang). Pretty soon they are at it like rabbits, but he is a bit of a commitment phobe so when she wants something a little more substantial, he moves on to estat ... e agent "Nora" (Noémie Merlant) with whom he has a sexual relationship, but she is never fulfilled. Perhaps that is because she was recently mistaken for a porn star ("Amber Sweet" - Jehnny Beth) by her colleagues at college and embarrassed and ridiculed as a result. She determines not just to find out who spread this scurrilous nonsense, but also to chat with the actress - a friendship gradually ensues here too. The timelines and the storylines are fluid, which slows the pace down rather and the title lends a grittiness to this film that simply isn't there when you watch it. It's got more of a soap opera to it, I felt, with some rather sterile shagging that wasn't remotely sexy or erotic. It has a few moments of humour to it, and the performances - especially from Merlant - are not bad, but the film spends too long showing us scenes of Paris and what plot there is was soon subsumed into a rather mediocre production that monochrome couldn't really enhance. Glad I watched it, but I wouldn't bother again.