Popularity: 1 (history)
| Director: | Emma Holly Jones |
|---|---|
| Writer: | Suzanne Allaine |
| Staring: |
| When she fails to meet an item on his list of requirements for a bride, Julia Thistlewaite is jilted by London’s most eligible bachelor, Mr. Malcolm. Feeling humiliated and determined to exact revenge, she convinces her friend Selina Dalton to play the role of his ideal match. Soon, Mr. Malcolm wonders whether he’s found the perfect woman...or the perfect hoax. | |
| Release Date: | Jul 01, 2022 |
|---|---|
| Director: | Emma Holly Jones |
| Writer: | Suzanne Allaine |
| Genres: | Comedy, Drama, Romance |
| Keywords | revenge, period drama, 1800s, adaptation, non-traditional casting |
| Production Companies | Ingenious Media, Fís Éireann/Screen Ireland, Untitled Entertainment, Refinery29, Rebelle Media, Keeper Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Oct 25, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Freida Pinto | Selina Dalton |
| Ṣọpẹ́ Dìrísù | Jeremy Malcolm |
| Zawe Ashton | Julia Thistlewaite |
| Oliver Jackson-Cohen | Lord Cassidy |
| Theo James | Captain Henry Ossory |
| Ashley Park | Gertie Covington |
| Danielle Ryan | Lady Margaret |
| Dawn Bradfield | Mrs. Dalton |
| Naoko Mori | Mrs. Thistlewaite |
| Gerry O'Brien | Mr. Woodbury |
| Sophie Vavasseur | Lady Gwyneth Amberton |
| Divian Ladwa | John |
| Derek Carroll | Reeves |
| Doña Croll | Lady Kilbourne |
| Paul Tylak | Mr. Dalton |
| Thomas Joseph Lawlor | Lord ‘Handsome Man’ Ellison |
| Name | Job |
|---|---|
| Suzanne Allaine | Novel, Screenplay |
| Brooke Lyndon-Stanford | VFX Supervisor |
| Emma Holly Jones | Director |
| Kate Hickey | Editor |
| Ray Ball | Production Design |
| Pam Downe | Costume Design |
| Tony Miller | Director of Photography |
| Biko Gogaladze | Foley Artist |
| Sean Flynn | Location Assistant, Assistant Location Manager |
| Tamara-Lee Notcutt | Casting |
| Patrick O'Donoghue | Line Producer |
| Sharon Doyle | Makeup Designer |
| Eileen Buggy | Hair Designer |
| Gary McGinty | Art Direction |
| Ben Baird | Sound Designer, Sound Re-Recording Mixer |
| Hugh Fox | Sound Mixer |
| Ian Neil | Music Supervisor |
| Vanessa Taylor | Digital Intermediate Colorist |
| Dermot Cleary | Location Manager |
| Jill Dempsey | Second Assistant Director |
| Stephen Fuller | Third Assistant Director |
| Lorraine Hewson | Production Manager |
| Yvonne Burke | Production Coordinator |
| Iseult Timmons Ward | Production Coordinator |
| Bernie McGrath | Assistant Production Coordinator |
| Isabelle Blanche | Assistant Production Coordinator |
| Christine Dilworth | Script Supervisor |
| Alessandro Brambilla | Camera Operator, Steadicam Operator |
| Simon Culliton | Focus Puller |
| Howard Jones | Second Assistant Camera |
| Ian de Brí | Digital Imaging Technician |
| Paul Tsan | Grip, Drone Operator |
| Micheal O'Mogáin | Gaffer |
| John Martin O'Flatharta | Best Boy Electric, Rigging Gaffer |
| Mark O'Brien | Electrician |
| Sean Cahill | Electrician |
| Tim Fletcher | Electrician |
| Padraic Schley | Electrician |
| Ross Ferguson | Still Photographer |
| Louie Trussell | Boom Operator |
| Oisin Callinan | Sound Assistant |
| Nicholas Quinn | Assistant Art Director |
| Tracey O'Hanlon | Standby Art Director |
| Irina Kuksova | Standby Art Director |
| Sami Finucane | Art Department Trainee |
| Emma Lowney | Set Decoration |
| Jenny Oman | Set Decoration |
| Dave Flanagan | Property Master |
| Daragh Lewis | Props |
| Eoin Lewis | Props |
| Colm Bassett | Construction Manager |
| Brittany A. Jones | Casting Associate |
| Belinda Murphy | Choreographer |
| Neil Swain | Dialect Coach |
| Niamh Buckley | Costume Supervisor |
| Nicola Flynn | Costume Standby |
| Sonia Dolan | Key Makeup Artist |
| Trish Flood | Key Makeup Artist |
| Tina Phelan | Makeup Supervisor |
| Ber Drennan | Makeup Trainee |
| Lorri Ann-King | Key Hair Stylist |
| Marion O'Toole | Hair Supervisor |
| Joe Whelan | Hair Supervisor |
| Dean Gilchrist | Location Assistant |
| Rory Mac Dermott | Production Accountant |
| Anna Mount | First Assistant Accountant |
| Chanchal Panwar | Post Production Accountant |
| Joe Condren | Armorer, Stunt Coordinator |
| Mens-Sana Tamakloe | Stunt Double |
| Paul Cullen | Transportation Captain |
| Peter Thornton | Transportation Coordinator |
| Garry Vickers | Transportation Coordinator |
| Ross Ferguson | Second Unit Director |
| Richard Kendrick | Second Unit Director of Photography |
| Jonathan Taylor | Assistant Editor |
| Andreas Karrer | Assistant Editor |
| Jonathan Taylor | Assistant Editor |
| Ashley McKinney | Assistant Editor |
| Gareth Bishop | Online Editor |
| Andriy Toloshny | Visual Effects Supervisor |
| Archie Lamont | Assistant Sound Editor |
| Jamie McPhee | Sound Effects Editor |
| Jack Wensley | Supervising Dialogue Editor |
| Srdjan Kurpjel | Foley Supervisor |
| Giorgi Lekishvili | Foley Mixer |
| Alexander Sanikidze | Foley Editor |
| Richard Spooner | Sound Re-Recording Mixer |
| Andy Patterson | Music Editor |
| Will Taggart | Music Coordinator |
| Amelia Warner | Original Music Composer |
| Name | Title |
|---|---|
| Laura Rister | Producer |
| Laura Lewis | Producer |
| Katie Holly | Producer |
| Emma Holly Jones | Producer |
| Freida Pinto | Executive Producer |
| Andrew Karpen | Executive Producer |
| Kent Sanderson | Executive Producer |
| Peter Touche | Executive Producer |
| Christelle Conan | Executive Producer |
| Dearbhla Regan | Executive Producer |
| Shannon Gibson | Executive Producer |
| Deborah Carstens | Co-Executive Producer |
| Candy Straight | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 13 | 24 | 7 |
| 2024 | 5 | 17 | 23 | 12 |
| 2024 | 6 | 14 | 23 | 9 |
| 2024 | 7 | 20 | 36 | 10 |
| 2024 | 8 | 15 | 39 | 7 |
| 2024 | 9 | 15 | 22 | 10 |
| 2024 | 10 | 23 | 69 | 7 |
| 2024 | 11 | 12 | 30 | 7 |
| 2024 | 12 | 10 | 18 | 7 |
| 2025 | 1 | 11 | 23 | 6 |
| 2025 | 2 | 11 | 20 | 3 |
| 2025 | 3 | 5 | 17 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 1 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 3 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 0 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 1 | 1 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 441 | 562 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 707 | 800 |
"Julia" (Zawe Ashton") isn't the brightest candle in the candelabra, and when she is taken to the opera by the highly eligible "Mr. Malcolm" (Sope Dirisu) quickly discovers he is less than impressed with her views on the "Corn Laws". Feeling jilted, matters are exacerbated when her friend "Lord Cass ... idy" (an almost unrecognisable Oliver Jackson Cohen) reveals that her erstwhile beau has a list of things he requires from his would-be wife. Infuriated, the two concoct a plan to hoist this arrogant man by his own petard. To that end, they draft in her rather naive friend "Selina" (Freida Pinto) who is enlisted to ensnare "Malcolm" whilst creating a list of their own to present to him at the end of this faux-courting process. Of course things don't quite go to plan. It happens that their mark and "Selena" do start to bond rather, "Julia" finds herself firmly in the sights of the decently dashing "Capt. Ossory" (Theo James) and as the bard said, "the best laid plans...." This is a fine looking drama, with the costumes and stately homes all doing their best, but the story is a sort of mix of "Les Liaisons Dangereuses" with some good old-fashioned Jane Austen-light. The characterisations are fairly weak - as is most of the acting, and the pretty thin story has an inevitability to it that underwhelms. Fans of Victorian period drama will probably enjoy it; it's not a bad film - but I reckon it will keep til television at Christmas. No need at all to see it at a cinema.