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65 Poster

65

When past meets future
2023 | 92m | English

(102805 votes)

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Popularity: 8 (history)

Details

65 million years ago, the only 2 survivors of a spaceship from Somaris that crash-landed on Earth, must fend off dinosaurs to reach the escape vessel in time before an imminent asteroid strike threatens to destroy the planet.
Release Date: Mar 02, 2023
Director: Scott Beck, Bryan Woods
Writer: Scott Beck, Bryan Woods
Genres: Adventure, Action, Science Fiction
Keywords monster, cave, prehistory, quicksand, alien race, shipwrecked, father daughter relationship, asteroid, giant monster, dinosaur, crash landing, sick child, man vs nature, alien spaceship
Production Companies Columbia Pictures, Bron Studios, TSG Entertainment, Raimi Productions, Beck/Woods
Box Office Revenue: $60,730,568
Budget: $45,000,000
Updates Updated: Aug 01, 2025 (Update)
Entered: Apr 13, 2024
Starring

Trailers and Extras

Full Credits

Name Character
Adam Driver Mills
Ariana Greenblatt Koa
Chloe Coleman Nevine
Nika King Nevine's Mom
Brian Dare Zoic Ship (voice) (uncredited)
Name Job
Nancy Nayor Casting
Erik Schultz Stunt Double
Miluette Nalin Stunts, Stunt Double
Rissa Rose Kilar Stunt Double
Chris Bacon Original Music Composer
Aldric La'Auli Porter First Assistant Director
Kevin Ishioka Production Design
Robert Mazaraki Production Supervisor
Sara Mutahar Stand In
David Storm Art Direction
Kelly Curley Supervising Art Director
Chris Craine Supervising Art Director
Ava Amundsen Second Second Assistant Director
Salvatore Totino Director of Photography, Camera Operator
Beau Borders Sound Re-Recording Mixer
Chris Harvey Visual Effects Supervisor
Scott Beck Writer, Director
Biko Gogaladze Foley Artist
Ted Barba Stunts
Anthony Mecca Stunts
Ben Rezendes Stunts
Eric Salas Stunts
Ryan Sturz Utility Stunts
Scheryl W Brown Stunts
Scott Trimble Location Coordinator
Steve Bartek Orchestrator
Jim Schultz Music Editor
Andrew Silver Music Editor
Noah Scot Snyder Scoring Mixer
Del Spiva Temp Music Editor
Susan Brady Dyson Transportation Coordinator
David Urich Transportation Captain
Felipe Machado Actor's Assistant
Gavin Atilano Production Coordinator
Anna Donnell Production Assistant
Chris Goodson Actor's Assistant
Andreanna L. Jenson Production Assistant
Brandon Jolicoeur Production Assistant
Jane Tones Editor
Fenilconic Sound Effects
Joseph S. DeBeasi Music Editor
Josh Schaeffer Editor
Karen Byrne Second Assistant Director
Zack Earl Edwards Additional Second Assistant Director
Nicola Jackson Third Assistant Director
Alexis Continente Hairstylist
Jennifer Jane Key Hair Stylist
Stacy Kelly Makeup Department Head
Marie Larkin Hair Department Head
Stacey Perry Key Makeup Artist
Mike Smithson Makeup Department Head
Michael Babcock Sound Re-Recording Mixer
Guillaume Beauron Boom Operator
Steve Bissinger Sound Effects
Ian Chase Assistant Sound Editor
Greg Crawford ADR Mixer
Ryan Farris Boom Operator
Phil Lawlor Second Assistant Sound
Giorgi Lekishvili Foley Mixer
Howard London ADR Mixer
Alexander Sanikidze Foley Editor
Chris Welcker Production Sound Mixer
Erdwin J. Clausen Jr. Special Effects Technician
Leslie Coogan Special Effects
Shane Dzicek Special Effects
Mark Hawker Special Effects Supervisor
Edward Joubert Special Effects Technician
Tim Miller Special Effects
Maurice Reardon Special Effects Technician
Bobby Stenwall Special Effects
Valek Sykes Special Effects
Christopher Walsh Special Effects
Phillip Wheatley Special Effects
William Appleby Visual Effects Editor
Lena Bahrs Visual Effects Producer
Jordan Bartlett Visual Effects
Dudley Birch Visual Effects
Marten Blumen Visual Effects Compositor
Arun Kumar Boyidapu Lighting Artist
Giulio Campiglia Visual Effects Producer
Daniele Chindamo Visual Effects
David Edwards Visual Effects Compositor
Vanessa Fernández Layout Supervisor
Henrik Fett Visual Effects Producer
Fernando Guerrero Jr. Digital Compositor
Alex Halstead VFX Supervisor
Dustin Henning Visual Effects Compositor
Jean Huang Visual Effects Supervisor
Ineke Majoor Visual Effects Producer
Chris McIntyre Visual Effects
Glenn Melenhorst Visual Effects Supervisor
Matt Omond Visual Effects Supervisor
Marc Purnell Matchmove Supervisor
Christian Sherriff-Smith Lighting Artist
Naveen Shukla Visual Effects Compositor
Josh Simmonds Visual Effects Supervisor
Tefft Smith Visual Effects Supervisor
Alexander Sokolov VFX Artist
Danielle Stevens Visual Effects Coordinator
Nicholas Tripodi Animation Supervisor
Heidy Villafane Head of Layout
Jonny Wang VFX Artist
Siddharthan Raman Visual Effects Compositor
Matt Weaver Lead Animator
Magdalena Wolf Visual Effects Producer
Brendan Condren Stunts
Jordan Coombes Stunts
Jessica Grant Stunts
Giedrius Nagys Stunt Coordinator
Stephen A. Pope Stunt Coordinator
Adam Rivette Utility Stunts
Mark Medrano Animation
Yuri Perrini Animation Supervisor
Anthony Rizzo Animation
Spencer J. Abadie Painter
Alice Alward Assistant Art Director
Daniel Carrasco Creature Design
Randall S. Coe Construction Coordinator
Robert Consing Storyboard Artist
Danny Donahue Storyboard Artist
Russ Doyle Greensman
Dave Flynn Sculptor
Daniel Frank Set Designer
Lindsay Good Art Department Coordinator
Drew Guajardo Assistant Property Master
Joseph Hiura Conceptual Design
Christopher Isenegger Graphic Designer
Billy 'Jilly Bones' Jones Scenic Artist
Dave Kelsey Set Designer
Chris Kibler Construction Buyer
Nicole Reed LeFevre Set Designer
Lindanne Lewis Painter
Karl Lindberg Concept Artist
Landon Lott Conceptual Illustrator
Patrick McGuire Set Dresser
Mirko Milošević Concept Artist
Alex Nice Conceptual Illustrator
Jessica Alejandra Ochoa Set Designer
Jonathan Opgenhaffen Concept Artist
Nathan Pacyna Greensman
Brad Quintana Construction Foreman
Marco Rubeo Set Designer
Brian Schuyler Set Designer
Ilya Seperich Assistant Property Master
Susan Smits Set Decorating Coordinator
Christopher Stewart Construction Foreman
Joe Studzinski Conceptual Illustrator
Jessica Stumpf Set Designer
Christian Urdapilleta Concept Artist
Josh Viers Concept Artist
Haisu Wang Set Designer
John B. Wilson Assistant Property Master
Marcel Worch Construction Coordinator
Michael Applebaum Additional Camera
Will Arnot Camera Operator
Gerald Autin Dolly Grip
Cole Thomas Barranco Electrician
Dane Brehm Digital Imaging Technician
Joey Chiappellone Lighting Technician
Kenneth Coblentz Dolly Grip
Josh Courtney Lighting Programmer
Andrae Crawford First Assistant "A" Camera
Richard Elias Best Boy Grip
Eoghan Fleming First Assistant Camera
Matt Guidry Second Assistant "B" Camera
Kent Harvey Camera Operator
Alex Holmes Lighting Technician
Richard T. Hoover Techno Crane Operator
Franklin Jones II Key Rigging Grip
Ryosuke Kawanaka First Assistant "B" Camera
Sean Leonard Digital Imaging Technician
Bruce Vincent Logan Aerial Camera
Bradley Martin Best Boy Electric
Greg Morris Additional Camera
Philip Murphy Key Grip
Louie Northern Drone Pilot
Joseph Paolucci Jr. Lighting Technician
Patti Perret Still Photographer
Sienna Pinderhughes Second Assistant "A" Camera
Cody Pollock Lighting Technician
Ciara Rigney Camera Trainee
Keith Rubin Jr. Camera Intern
Andy Ryan Gaffer
Rachel Ryan Camera Trainee
Francesco Sauta Digital Imaging Technician
James Allen Sheppard Video Assist Operator
Zachary Sieffert Camera Operator
Kraig Swisher First Assistant Camera
Joe Timko Grip
Alex Vucic Electrician
Daniel Waghorne Drone Pilot
Jarred Waldron Gaffer
Stefni Colle Casting Associate
Heidi Bannon Set Costumer
John Casey Costume Supervisor
Andrew Nelson Accounting Supervisor
Sara O'Donnell Assistant Costume Designer
Clint Schultz Costume Illustrator
Emma Villere Costume Supervisor
Sean Coleman Colorist
Richard Flores Jr. Colorist
Montrice White Assistant Editor
Andrea Babineau Location Manager
Noah Bernardo Location Assistant
Steven Charpentier Location Assistant
Shaun Gavin Location Manager
Benjamin Hilton Location Production Assistant
David Thornsberry Location Manager
Shanna Vincent Assistant Location Manager
Robert Warberg Assistant Location Manager
Suzanne C. Swindle Script Supervisor
Ed Natividad Concept Artist
Mark A. Millar Visual Effects Producer
Brandon D. Smith Set Dresser
Bryan Woods Writer, Director
Michael Kaplan Costume Design
Ed Borasch Jr. Property Master
Mac Smith Sound Designer
Name Title
Zainab Azizi Producer
Deborah Liebling Producer
Douglas C. Merrifield Executive Producer
Jason Cloth Executive Producer
Aaron L. Gilbert Executive Producer
Sam Raimi Producer
Bryan Woods Producer
Scott Beck Producer
Dave Caplan Co-Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 58 74 47
2024 5 63 97 46
2024 6 54 71 40
2024 7 73 122 40
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2025 1 52 69 37
2025 2 40 59 9
2025 3 15 62 3
2025 4 16 77 5
2025 5 21 126 6
2025 6 8 20 6
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2025 9 6 9 4

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Reviews

Simon Foster
N/A

"65 is a taut 93 minutes of sweaty tension, appropriately scaled action and surprising tenderness..." Read the full review here: http://www.screen-space.net/reviews/2023/3/9/65.html ...

Mar 09, 2023
mooney240
6.0

**65 had so much potential but couldn’t overcome its weird story restrictions.** 65 is not the horrible movie many recited claim it to be. It’s a decent sci-fi survival thriller with a handful of fun, suspenseful sequences but a slower pace and some strange story decisions kept the film from bein ... g the stand-out it had the potential to be. Two major writing choices held the movie back: *SPOILERS AHEAD* 1. Killing every other person on board the ship leaving only the pilot and a nine-year-old girl to survive the dangers of prehistoric Earth minimized the threat and tension of the film. The audience reasonably assumes these two characters will survive at least to the end of the film and prevents the dangers from having any real bite (literally). Allowing for more survivors would have given more characters to fall prey to the terrors around them and raised the tension and the pace of the film. 2. Why did the writers choose to make the only two characters of the film speak two different languages? It reduced the dialogue to clunky and rudimentary exchanges that were annoying and mostly irrelevant. Having the young girl in shock and not speak at the beginning but slowly say more and more as she trusts the pilot would have been a better way to show development. 65 wasn’t a great or even a good movie, but it wasn’t bad either. I wasn’t disappointed with seeing it once on $5 Tuesday at the theater. It could have been epic, but a limiting screenplay and a lack of on-screen action prevented 65 from being anything better than decent.

Mar 14, 2023
msbreviews
3.0

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/65-review "65 is as unimaginative and predictable as anticipated, only even less entertaining and far more bland. Adam Driver and Ariana Greenblatt try their best, but apart from the climactic ending that delivers one of the best ... visual executions of an asteroid colliding with a planet in recent years, there isn't a single memorable aspect in this movie that’s part of an already packed subgenre with many stories worthy of more attention. A dinosaur flick this uninteresting should be considered a cinephilic crime." Rating: D+

Mar 22, 2023
Geronimo1967
5.0

"Mills" (Adam Driver) undertakes a long space mission so he can earn enough money for his poorly daughter to have life-saving treatment. Along the route, their ship encounters an uncharted meteor storm and next thing he knows, he is marooned on a distinctly hostile planet with the only other survivo ... r - the feisty young "Koa" (Ariana Greenblatt) for company, Their only hope is to reach a distant part of their wrecked mother ship in which there is an escape module that can propel them back into space where they might be rescued. Snag? Well they are not the only living creatures on this world - and without exception, the others all want "Mills" and "Koa" sandwiches for lunch, and - wait for it - there is a great big meteor on a collision course with the planet that is going to have an existential impact on their surroundings. What now ensues is a rather predictable series of "Jurassic Park" style adventures that offer the visual effects folks a chance to shine, but little else. Driver is completely unremarkable here, the escapades have little - or no - jeopardy and I just kept thinking this was just a sort of dinosaurs do "Degoba" style of adventure. I didn't hate it, and it will be fine on the telly at Christmas - but as a big screen experience it is weak, derivative and the star brings nothing at all to the party.

Mar 25, 2023
JanValk
1.0

This review does contain spoilers Such a disappointing movie. Adam Driver is a great actor but this movie is so incredible boring. 90% of the movie are encounters to another and then another and then another dangerous blood seeking Dino. Just when you think the story might get any ... where there is another Dino to shoot. Slowly you are realizing there is no more extra story. it is just a short journey to a top of a hill fighting Dino's. And Adam is a father of a 9 year old but then on this journey he has to do the journey with another 9 year old (which looks too old) and suddenly becomes like the dumbest not able to communicate person in the world. Such a waist of actor talent and special effects money. My guess is that the makers have cgi or vision art backgrounds because the only thing well done in this movie are the special effects.

Apr 18, 2023
narrator56
7.0

This film starts out with an odd premise. Putting a twist on the Planet of the Apes plot, instead of earth astronauts ending up in the past or future of this planet, the Earth is visited by space travelers from a different planet in the distant prehistoric past. (The title is not a suggested rating ... for reviewers, but rather how many million years ago the story takes place.) So it is odd to contemplate that the Adam Driver character speaks Engish just so we can understand him, while his co-star speaks some other language. How different the story would have been if we understood her (Koa) and not him! But I digress. So this turns into another Jurassic Park without the huge body count or those magic sighing moments of viewing a herd of docile grazing Brontosauruses or triceratops. Instead the dinosaurs start out as killing threats and remain so throughout. I suppose this is also a good reason to show the movie on a streaming service rather than on a large theater screen. That sort of access might have tilted the movie away from sci-if thriller and towards mere horror. I had this weird and unrealized vision of them showing some sign of these alien visitors millions of years later along with other fossil remains, but perhaps fortunately perhaps, nothing like that developed.

Nov 16, 2023
TitanGusang
6.0

Underneath poor pacing and a half-baked plot, there is a good film that, unfortunately, 65 never fully realizes. From the start of the film, the pacing was dreadful. The introduction of our character, Mills, and the set-up to his story were rushed and for no reason, as the movie was under an hour ... and thirty minutes long. This time that should have been used for character development and motivation setup was fast-forwarded in order to get to the action on Earth. This section is critical to the audience's ability to relate to Mills, and unfortunately we never get to see it come to fruition. Once we get to Earth, things start to even out as the story progresses. The world they built was breathtaking, and the visuals were stellar. The action set pieces were nothing too impressive, but they did the job and had me thoroughly entertained. But, similarly to the introduction, this section lacks heart. 65 tries to be more than just a dinosaur action flick, and attempts to develop an intimate relationship between Mills and Koa just don’t work. I think the decision to make them speak different languages really took away from their development. It always felt awkward, which is a missed opportunity for what they could have been. Despite my story complaints, this movie was just entertaining. There were some pretty decent action scenes, Adam Driver was fantastic as always, and the overall concept was pretty unique. I loved the idea of this not being a time travel film, especially with that mixed with the extinction event of the dinosaurs. In the end, this film is not good, but it isn’t as bad as many would have you believe. Score: 56% Verdict: Decent

May 15, 2023