Popularity: 8 (history)
Director: | Scott Beck, Bryan Woods |
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Writer: | Scott Beck, Bryan Woods |
Staring: |
65 million years ago, the only 2 survivors of a spaceship from Somaris that crash-landed on Earth, must fend off dinosaurs to reach the escape vessel in time before an imminent asteroid strike threatens to destroy the planet. | |
Release Date: | Mar 02, 2023 |
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Director: | Scott Beck, Bryan Woods |
Writer: | Scott Beck, Bryan Woods |
Genres: | Adventure, Action, Science Fiction |
Keywords | monster, cave, prehistory, quicksand, alien race, shipwrecked, father daughter relationship, asteroid, giant monster, dinosaur, crash landing, sick child, man vs nature, alien spaceship |
Production Companies | Columbia Pictures, Bron Studios, TSG Entertainment, Raimi Productions, Beck/Woods |
Box Office |
Revenue: $60,730,568
Budget: $45,000,000 |
Updates |
Updated: Aug 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Adam Driver | Mills |
Ariana Greenblatt | Koa |
Chloe Coleman | Nevine |
Nika King | Nevine's Mom |
Brian Dare | Zoic Ship (voice) (uncredited) |
Name | Job |
---|---|
Nancy Nayor | Casting |
Erik Schultz | Stunt Double |
Miluette Nalin | Stunts, Stunt Double |
Rissa Rose Kilar | Stunt Double |
Chris Bacon | Original Music Composer |
Aldric La'Auli Porter | First Assistant Director |
Kevin Ishioka | Production Design |
Robert Mazaraki | Production Supervisor |
Sara Mutahar | Stand In |
David Storm | Art Direction |
Kelly Curley | Supervising Art Director |
Chris Craine | Supervising Art Director |
Ava Amundsen | Second Second Assistant Director |
Salvatore Totino | Director of Photography, Camera Operator |
Beau Borders | Sound Re-Recording Mixer |
Chris Harvey | Visual Effects Supervisor |
Scott Beck | Writer, Director |
Biko Gogaladze | Foley Artist |
Ted Barba | Stunts |
Anthony Mecca | Stunts |
Ben Rezendes | Stunts |
Eric Salas | Stunts |
Ryan Sturz | Utility Stunts |
Scheryl W Brown | Stunts |
Scott Trimble | Location Coordinator |
Steve Bartek | Orchestrator |
Jim Schultz | Music Editor |
Andrew Silver | Music Editor |
Noah Scot Snyder | Scoring Mixer |
Del Spiva | Temp Music Editor |
Susan Brady Dyson | Transportation Coordinator |
David Urich | Transportation Captain |
Felipe Machado | Actor's Assistant |
Gavin Atilano | Production Coordinator |
Anna Donnell | Production Assistant |
Chris Goodson | Actor's Assistant |
Andreanna L. Jenson | Production Assistant |
Brandon Jolicoeur | Production Assistant |
Jane Tones | Editor |
Fenilconic | Sound Effects |
Joseph S. DeBeasi | Music Editor |
Josh Schaeffer | Editor |
Karen Byrne | Second Assistant Director |
Zack Earl Edwards | Additional Second Assistant Director |
Nicola Jackson | Third Assistant Director |
Alexis Continente | Hairstylist |
Jennifer Jane | Key Hair Stylist |
Stacy Kelly | Makeup Department Head |
Marie Larkin | Hair Department Head |
Stacey Perry | Key Makeup Artist |
Mike Smithson | Makeup Department Head |
Michael Babcock | Sound Re-Recording Mixer |
Guillaume Beauron | Boom Operator |
Steve Bissinger | Sound Effects |
Ian Chase | Assistant Sound Editor |
Greg Crawford | ADR Mixer |
Ryan Farris | Boom Operator |
Phil Lawlor | Second Assistant Sound |
Giorgi Lekishvili | Foley Mixer |
Howard London | ADR Mixer |
Alexander Sanikidze | Foley Editor |
Chris Welcker | Production Sound Mixer |
Erdwin J. Clausen Jr. | Special Effects Technician |
Leslie Coogan | Special Effects |
Shane Dzicek | Special Effects |
Mark Hawker | Special Effects Supervisor |
Edward Joubert | Special Effects Technician |
Tim Miller | Special Effects |
Maurice Reardon | Special Effects Technician |
Bobby Stenwall | Special Effects |
Valek Sykes | Special Effects |
Christopher Walsh | Special Effects |
Phillip Wheatley | Special Effects |
William Appleby | Visual Effects Editor |
Lena Bahrs | Visual Effects Producer |
Jordan Bartlett | Visual Effects |
Dudley Birch | Visual Effects |
Marten Blumen | Visual Effects Compositor |
Arun Kumar Boyidapu | Lighting Artist |
Giulio Campiglia | Visual Effects Producer |
Daniele Chindamo | Visual Effects |
David Edwards | Visual Effects Compositor |
Vanessa Fernández | Layout Supervisor |
Henrik Fett | Visual Effects Producer |
Fernando Guerrero Jr. | Digital Compositor |
Alex Halstead | VFX Supervisor |
Dustin Henning | Visual Effects Compositor |
Jean Huang | Visual Effects Supervisor |
Ineke Majoor | Visual Effects Producer |
Chris McIntyre | Visual Effects |
Glenn Melenhorst | Visual Effects Supervisor |
Matt Omond | Visual Effects Supervisor |
Marc Purnell | Matchmove Supervisor |
Christian Sherriff-Smith | Lighting Artist |
Naveen Shukla | Visual Effects Compositor |
Josh Simmonds | Visual Effects Supervisor |
Tefft Smith | Visual Effects Supervisor |
Alexander Sokolov | VFX Artist |
Danielle Stevens | Visual Effects Coordinator |
Nicholas Tripodi | Animation Supervisor |
Heidy Villafane | Head of Layout |
Jonny Wang | VFX Artist |
Siddharthan Raman | Visual Effects Compositor |
Matt Weaver | Lead Animator |
Magdalena Wolf | Visual Effects Producer |
Brendan Condren | Stunts |
Jordan Coombes | Stunts |
Jessica Grant | Stunts |
Giedrius Nagys | Stunt Coordinator |
Stephen A. Pope | Stunt Coordinator |
Adam Rivette | Utility Stunts |
Mark Medrano | Animation |
Yuri Perrini | Animation Supervisor |
Anthony Rizzo | Animation |
Spencer J. Abadie | Painter |
Alice Alward | Assistant Art Director |
Daniel Carrasco | Creature Design |
Randall S. Coe | Construction Coordinator |
Robert Consing | Storyboard Artist |
Danny Donahue | Storyboard Artist |
Russ Doyle | Greensman |
Dave Flynn | Sculptor |
Daniel Frank | Set Designer |
Lindsay Good | Art Department Coordinator |
Drew Guajardo | Assistant Property Master |
Joseph Hiura | Conceptual Design |
Christopher Isenegger | Graphic Designer |
Billy 'Jilly Bones' Jones | Scenic Artist |
Dave Kelsey | Set Designer |
Chris Kibler | Construction Buyer |
Nicole Reed LeFevre | Set Designer |
Lindanne Lewis | Painter |
Karl Lindberg | Concept Artist |
Landon Lott | Conceptual Illustrator |
Patrick McGuire | Set Dresser |
Mirko Milošević | Concept Artist |
Alex Nice | Conceptual Illustrator |
Jessica Alejandra Ochoa | Set Designer |
Jonathan Opgenhaffen | Concept Artist |
Nathan Pacyna | Greensman |
Brad Quintana | Construction Foreman |
Marco Rubeo | Set Designer |
Brian Schuyler | Set Designer |
Ilya Seperich | Assistant Property Master |
Susan Smits | Set Decorating Coordinator |
Christopher Stewart | Construction Foreman |
Joe Studzinski | Conceptual Illustrator |
Jessica Stumpf | Set Designer |
Christian Urdapilleta | Concept Artist |
Josh Viers | Concept Artist |
Haisu Wang | Set Designer |
John B. Wilson | Assistant Property Master |
Marcel Worch | Construction Coordinator |
Michael Applebaum | Additional Camera |
Will Arnot | Camera Operator |
Gerald Autin | Dolly Grip |
Cole Thomas Barranco | Electrician |
Dane Brehm | Digital Imaging Technician |
Joey Chiappellone | Lighting Technician |
Kenneth Coblentz | Dolly Grip |
Josh Courtney | Lighting Programmer |
Andrae Crawford | First Assistant "A" Camera |
Richard Elias | Best Boy Grip |
Eoghan Fleming | First Assistant Camera |
Matt Guidry | Second Assistant "B" Camera |
Kent Harvey | Camera Operator |
Alex Holmes | Lighting Technician |
Richard T. Hoover | Techno Crane Operator |
Franklin Jones II | Key Rigging Grip |
Ryosuke Kawanaka | First Assistant "B" Camera |
Sean Leonard | Digital Imaging Technician |
Bruce Vincent Logan | Aerial Camera |
Bradley Martin | Best Boy Electric |
Greg Morris | Additional Camera |
Philip Murphy | Key Grip |
Louie Northern | Drone Pilot |
Joseph Paolucci Jr. | Lighting Technician |
Patti Perret | Still Photographer |
Sienna Pinderhughes | Second Assistant "A" Camera |
Cody Pollock | Lighting Technician |
Ciara Rigney | Camera Trainee |
Keith Rubin Jr. | Camera Intern |
Andy Ryan | Gaffer |
Rachel Ryan | Camera Trainee |
Francesco Sauta | Digital Imaging Technician |
James Allen Sheppard | Video Assist Operator |
Zachary Sieffert | Camera Operator |
Kraig Swisher | First Assistant Camera |
Joe Timko | Grip |
Alex Vucic | Electrician |
Daniel Waghorne | Drone Pilot |
Jarred Waldron | Gaffer |
Stefni Colle | Casting Associate |
Heidi Bannon | Set Costumer |
John Casey | Costume Supervisor |
Andrew Nelson | Accounting Supervisor |
Sara O'Donnell | Assistant Costume Designer |
Clint Schultz | Costume Illustrator |
Emma Villere | Costume Supervisor |
Sean Coleman | Colorist |
Richard Flores Jr. | Colorist |
Montrice White | Assistant Editor |
Andrea Babineau | Location Manager |
Noah Bernardo | Location Assistant |
Steven Charpentier | Location Assistant |
Shaun Gavin | Location Manager |
Benjamin Hilton | Location Production Assistant |
David Thornsberry | Location Manager |
Shanna Vincent | Assistant Location Manager |
Robert Warberg | Assistant Location Manager |
Suzanne C. Swindle | Script Supervisor |
Ed Natividad | Concept Artist |
Mark A. Millar | Visual Effects Producer |
Brandon D. Smith | Set Dresser |
Bryan Woods | Writer, Director |
Michael Kaplan | Costume Design |
Ed Borasch Jr. | Property Master |
Mac Smith | Sound Designer |
Name | Title |
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Zainab Azizi | Producer |
Deborah Liebling | Producer |
Douglas C. Merrifield | Executive Producer |
Jason Cloth | Executive Producer |
Aaron L. Gilbert | Executive Producer |
Sam Raimi | Producer |
Bryan Woods | Producer |
Scott Beck | Producer |
Dave Caplan | Co-Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 58 | 74 | 47 |
2024 | 5 | 63 | 97 | 46 |
2024 | 6 | 54 | 71 | 40 |
2024 | 7 | 73 | 122 | 40 |
2024 | 8 | 57 | 89 | 40 |
2024 | 9 | 48 | 59 | 37 |
2024 | 10 | 52 | 84 | 30 |
2024 | 11 | 56 | 100 | 43 |
2024 | 12 | 50 | 100 | 35 |
2025 | 1 | 52 | 69 | 37 |
2025 | 2 | 40 | 59 | 9 |
2025 | 3 | 15 | 62 | 3 |
2025 | 4 | 16 | 77 | 5 |
2025 | 5 | 21 | 126 | 6 |
2025 | 6 | 8 | 20 | 6 |
2025 | 7 | 6 | 8 | 5 |
2025 | 8 | 6 | 8 | 5 |
2025 | 9 | 6 | 9 | 4 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 21 | 492 |
Year | Month | High | Avg |
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2025 | 8 | 90 | 645 |
Year | Month | High | Avg |
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2025 | 7 | 286 | 736 |
Year | Month | High | Avg |
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2025 | 6 | 323 | 699 |
Year | Month | High | Avg |
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2025 | 5 | 269 | 659 |
Year | Month | High | Avg |
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2025 | 4 | 524 | 771 |
Year | Month | High | Avg |
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2025 | 3 | 394 | 783 |
Year | Month | High | Avg |
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2025 | 2 | 293 | 618 |
Year | Month | High | Avg |
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2025 | 1 | 419 | 759 |
Year | Month | High | Avg |
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2024 | 12 | 373 | 742 |
Year | Month | High | Avg |
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2024 | 11 | 140 | 560 |
Year | Month | High | Avg |
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2024 | 10 | 372 | 724 |
Year | Month | High | Avg |
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2024 | 9 | 389 | 742 |
Year | Month | High | Avg |
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2024 | 8 | 430 | 687 |
"65 is a taut 93 minutes of sweaty tension, appropriately scaled action and surprising tenderness..." Read the full review here: http://www.screen-space.net/reviews/2023/3/9/65.html ...
**65 had so much potential but couldn’t overcome its weird story restrictions.** 65 is not the horrible movie many recited claim it to be. It’s a decent sci-fi survival thriller with a handful of fun, suspenseful sequences but a slower pace and some strange story decisions kept the film from bein ... g the stand-out it had the potential to be. Two major writing choices held the movie back: *SPOILERS AHEAD* 1. Killing every other person on board the ship leaving only the pilot and a nine-year-old girl to survive the dangers of prehistoric Earth minimized the threat and tension of the film. The audience reasonably assumes these two characters will survive at least to the end of the film and prevents the dangers from having any real bite (literally). Allowing for more survivors would have given more characters to fall prey to the terrors around them and raised the tension and the pace of the film. 2. Why did the writers choose to make the only two characters of the film speak two different languages? It reduced the dialogue to clunky and rudimentary exchanges that were annoying and mostly irrelevant. Having the young girl in shock and not speak at the beginning but slowly say more and more as she trusts the pilot would have been a better way to show development. 65 wasn’t a great or even a good movie, but it wasn’t bad either. I wasn’t disappointed with seeing it once on $5 Tuesday at the theater. It could have been epic, but a limiting screenplay and a lack of on-screen action prevented 65 from being anything better than decent.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/65-review "65 is as unimaginative and predictable as anticipated, only even less entertaining and far more bland. Adam Driver and Ariana Greenblatt try their best, but apart from the climactic ending that delivers one of the best ... visual executions of an asteroid colliding with a planet in recent years, there isn't a single memorable aspect in this movie that’s part of an already packed subgenre with many stories worthy of more attention. A dinosaur flick this uninteresting should be considered a cinephilic crime." Rating: D+
"Mills" (Adam Driver) undertakes a long space mission so he can earn enough money for his poorly daughter to have life-saving treatment. Along the route, their ship encounters an uncharted meteor storm and next thing he knows, he is marooned on a distinctly hostile planet with the only other survivo ... r - the feisty young "Koa" (Ariana Greenblatt) for company, Their only hope is to reach a distant part of their wrecked mother ship in which there is an escape module that can propel them back into space where they might be rescued. Snag? Well they are not the only living creatures on this world - and without exception, the others all want "Mills" and "Koa" sandwiches for lunch, and - wait for it - there is a great big meteor on a collision course with the planet that is going to have an existential impact on their surroundings. What now ensues is a rather predictable series of "Jurassic Park" style adventures that offer the visual effects folks a chance to shine, but little else. Driver is completely unremarkable here, the escapades have little - or no - jeopardy and I just kept thinking this was just a sort of dinosaurs do "Degoba" style of adventure. I didn't hate it, and it will be fine on the telly at Christmas - but as a big screen experience it is weak, derivative and the star brings nothing at all to the party.
This review does contain spoilers Such a disappointing movie. Adam Driver is a great actor but this movie is so incredible boring. 90% of the movie are encounters to another and then another and then another dangerous blood seeking Dino. Just when you think the story might get any ... where there is another Dino to shoot. Slowly you are realizing there is no more extra story. it is just a short journey to a top of a hill fighting Dino's. And Adam is a father of a 9 year old but then on this journey he has to do the journey with another 9 year old (which looks too old) and suddenly becomes like the dumbest not able to communicate person in the world. Such a waist of actor talent and special effects money. My guess is that the makers have cgi or vision art backgrounds because the only thing well done in this movie are the special effects.
This film starts out with an odd premise. Putting a twist on the Planet of the Apes plot, instead of earth astronauts ending up in the past or future of this planet, the Earth is visited by space travelers from a different planet in the distant prehistoric past. (The title is not a suggested rating ... for reviewers, but rather how many million years ago the story takes place.) So it is odd to contemplate that the Adam Driver character speaks Engish just so we can understand him, while his co-star speaks some other language. How different the story would have been if we understood her (Koa) and not him! But I digress. So this turns into another Jurassic Park without the huge body count or those magic sighing moments of viewing a herd of docile grazing Brontosauruses or triceratops. Instead the dinosaurs start out as killing threats and remain so throughout. I suppose this is also a good reason to show the movie on a streaming service rather than on a large theater screen. That sort of access might have tilted the movie away from sci-if thriller and towards mere horror. I had this weird and unrealized vision of them showing some sign of these alien visitors millions of years later along with other fossil remains, but perhaps fortunately perhaps, nothing like that developed.
Underneath poor pacing and a half-baked plot, there is a good film that, unfortunately, 65 never fully realizes. From the start of the film, the pacing was dreadful. The introduction of our character, Mills, and the set-up to his story were rushed and for no reason, as the movie was under an hour ... and thirty minutes long. This time that should have been used for character development and motivation setup was fast-forwarded in order to get to the action on Earth. This section is critical to the audience's ability to relate to Mills, and unfortunately we never get to see it come to fruition. Once we get to Earth, things start to even out as the story progresses. The world they built was breathtaking, and the visuals were stellar. The action set pieces were nothing too impressive, but they did the job and had me thoroughly entertained. But, similarly to the introduction, this section lacks heart. 65 tries to be more than just a dinosaur action flick, and attempts to develop an intimate relationship between Mills and Koa just don’t work. I think the decision to make them speak different languages really took away from their development. It always felt awkward, which is a missed opportunity for what they could have been. Despite my story complaints, this movie was just entertaining. There were some pretty decent action scenes, Adam Driver was fantastic as always, and the overall concept was pretty unique. I loved the idea of this not being a time travel film, especially with that mixed with the extinction event of the dinosaurs. In the end, this film is not good, but it isn’t as bad as many would have you believe. Score: 56% Verdict: Decent