Horizon Line
Fly or die.
2020 | 92m | English
Popularity: 1 (history)
| Director: | Mikael Marcimain |
|---|---|
| Writer: | Josh Campbell, Matthew Stuecken |
| Staring: |
| A couple flying on a small plane to attend a tropical island wedding must fight for their lives after their pilot suffers a heart attack. | |
| Release Date: | Oct 29, 2020 |
|---|---|
| Director: | Mikael Marcimain |
| Writer: | Josh Campbell, Matthew Stuecken |
| Genres: | Adventure, Thriller |
| Keywords | compass, heart attack, survival, wedding, storm, rum, mauritius, former lovers, plane |
| Production Companies | Universal Pictures, SF Studios, Tre Vänner, Ombra Films, Subotica, STXfilms, Trevanna Post |
| Box Office |
Revenue: $916,042
Budget: $0 |
| Updates |
Updated: Jan 31, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Allison Williams | Sara |
| Alexander Dreymon | Jackson |
| Keith David | Freddy Wyman |
| Pearl Mackie | Pascale |
| Jumayn Hunter | Samuel (voice) |
| Privilege Magezi | Solomon |
| Amanda Khan | Nadia |
| Anouchka Massoudy | Theresa |
| Kate Shepherd | Leah |
| Daisy Yip Tong | Grace |
| Lamin Tamba | Fisherman 1 |
| Danielle Ramiah-Marie | Wyman's Wife |
| Name | Job |
|---|---|
| Donna Eperon | Line Producer |
| Gary McGinty | Art Direction |
| Francois Groenewald | Stunt Double |
| Brendan Condren | Stunt Coordinator |
| Ben Dimmock | Stunts |
| Daniel O'Neill | Stunt Double |
| Tom Conroy | Production Design |
| Janine van Assen | Line Producer |
| Jessie Frost | Casting |
| Eimer Ní Mhaoldomhnaigh | Costume Design |
| Winston Hayles | Stunt Double |
| Orlaith Doherty | Stunt Double |
| Marc Redmond | Stunt Double |
| Nadine Theron | Stunt Double |
| Mikael Marcimain | Director |
| Josh Campbell | Writer |
| Matthew Stuecken | Writer |
| Flavio Martínez Labiano | Director of Photography |
| Carl-Johan Sevedag | Original Music Composer |
| Jon Ekstrand | Original Music Composer |
| Jina Jay | Casting |
| Chris Gill | Editor |
| Laura Jennings | Editor |
| Name | Title |
|---|---|
| Michael Auret | Co-Producer |
| John Friedberg | Executive Producer |
| Gregory Gavanski | Co-Executive Producer |
| Brita Lundqvist | Associate Producer |
| Kate Myers | Co-Producer |
| Juan Solá | Executive Producer |
| Fredrik Warstedt | Executive Producer |
| Fredrik Wikström | Producer |
| Tim Field | Co-Producer |
| Peter Garde | Executive Producer |
| Tim King | Executive Producer |
| Tristan Lynch | Co-Producer |
| Aoife O'Sullivan | Co-Producer |
| Anna Lo Westlin | Associate Producer |
| Jaume Collet-Serra | Executive Producer |
| Namit Malhotra | Co-Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 24 | 31 | 16 |
| 2024 | 5 | 27 | 45 | 18 |
| 2024 | 6 | 26 | 58 | 16 |
| 2024 | 7 | 28 | 40 | 17 |
| 2024 | 8 | 21 | 44 | 12 |
| 2024 | 9 | 12 | 19 | 8 |
| 2024 | 10 | 22 | 52 | 9 |
| 2024 | 11 | 16 | 28 | 11 |
| 2024 | 12 | 15 | 34 | 9 |
| 2025 | 1 | 19 | 31 | 10 |
| 2025 | 2 | 13 | 25 | 3 |
| 2025 | 3 | 5 | 13 | 1 |
| 2025 | 4 | 2 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 3 | 1 |
| 2025 | 8 | 1 | 2 | 0 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 428 | 705 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 457 | 671 |
Has a couple tense moments but otherwise this was just dumb. The acting was at best average and the plot thin, far too thin for the 90-minute running time. One of those watch and forget-it films. **2.25/5** ...
Ok, so you really do have to suspend any sense of reality if you're going to get anything out of this totally far-fetched airborne fantasy - but I still didn't hate it. The acting is terrible - but did anyone expect any less from Alexander ("Uhtred") Dreymon? It takes for ever to get going, but when ... it does Allison Williams as his stranded co-passenger "Sara" has some fun and is game for a few silly escapades as the adventure lurches from the entertaining to the down right preposterous; but it's tongue is firmly in it's cheek and I've seen worse lately as the lockdown production dearth propels mediocre efforts like this onto a big screen that normally would take two years to hit Amazon Prime. Aim low and it's not dreadful, but aeronautically speaking - it's a work of fiction that needs to be taken with a whole bucket of salt!