Calm with Horses
2020 | 100m | English
Popularity: 1 (history)
| Director: | Nick Rowland |
|---|---|
| Writer: | Joseph Murtagh |
| Staring: |
| In darkest rural Ireland, ex-boxer Douglas 'Arm' Armstrong has become the feared enforcer for the drug-dealing Devers family, whilst also trying to be a good father to his autistic five-year-old son, Jack. Torn between these two families, Arm's loyalties are truly tested when he is asked to kill for the first time. | |
| Release Date: | Mar 13, 2020 |
|---|---|
| Director: | Nick Rowland |
| Writer: | Joseph Murtagh |
| Genres: | Crime, Drama |
| Keywords | rural area, drug dealing, ireland, based on short story, enforcer, autistic, autistic child |
| Production Companies | Fís Éireann/Screen Ireland, Element Pictures, Film4 Productions, DMC Film |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 04, 2026 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Cosmo Jarvis | Arm |
| Barry Keoghan | Dympna |
| Niamh Algar | Ursula |
| Ned Dennehy | Paudi |
| Kiljan Moroney | Jack |
| Brid Brennan | Maire Mirkin |
| Liam Carney | Fannigan |
| Simone Kirby | June |
| Anthony Welsh | Rob |
| David Wilmot | Hector |
| Brian Doherty | Larry |
| Roisin O'Neill | Fatima |
| Toni O'Rourke | Lisa |
| Hazel Doupe | Charlie |
| Rory Quinn | Brandon |
| Ally Ní Chiárain | Mrs Dory |
| Ryan McParland | Needles |
| Peter Newington | Pool Hall Lad |
| Barry Keane | Rude Passerby |
| Mark P. O'Connor | Bar Fly (uncredited) |
| John Paul O'Driscoll | Clubber (uncredited) |
| Peggy-Anne Knight | Christina Devers (uncredited) |
| Lee Byford | Limerick Thug (uncredited) |
| Stephen McGowan | Limerick Thug (uncredited) |
| Stephen McDade | Limerick Thug (uncredited) |
| Christopher Livingstone | Night Clubber (uncredited) |
| Name | Job |
|---|---|
| Joseph Murtagh | Writer |
| Damien Creagh | Production Design |
| Edwina Kelly | Makeup Artist |
| Brooke Lyndon-Stanford | Visual Effects Supervisor |
| Emma Scott | Makeup Designer |
| Mike Hayes | First Assistant Director |
| Emer O'Shea | Production Executive |
| Sandra Szpytko | Set Decoration |
| Linda Gannon | Key Hair Stylist |
| Cecily Colahan | Production Manager |
| David Kennedy | Second Assistant Director |
| Dani Wall | Assistant Director Trainee |
| Barry Davenport | Props |
| Sean Lyons | Set Dresser |
| Sarah McLoughlin | Standby Art Director |
| Mark Henry | ADR Recordist |
| Nik Stojkov | Production Sound Mixer |
| Justin Cornish | Visual Effects Supervisor |
| Roshni Maranat | Visual Effects Producer |
| Oleg Loginov | Opening Title Sequence |
| Branislav Martinak | Stunt Double, Fight Choreographer |
| Donal O'Shea | Stunts |
| Jazz Bhalla | Gaffer |
| John Creagh | Best Boy Electrician |
| Eimear Ennis Graham | Lighting Technician |
| Daniel Kelly | Assistant Camera |
| Howard Morton | Electrician |
| Francesca Zucchini | Camera Trainee |
| Matthew Tabern | Editor |
| Mary Fox | Costume Supervisor |
| Shaheen Baig | Casting |
| Sharon Long | Costume Design |
| Andonis Trattos | Editor |
| Colin Barrett | Short Story |
| Anna Bass | Hairstylist, Makeup Artist |
| Stephanie Kavanagh | Makeup Trainee |
| Tricia Perrott | Post Production Supervisor |
| Zoe Tough | Additional Second Assistant Director |
| Charlotte Ball | Set Dresser |
| Damien Gordon | Art Department Trainee |
| Ian McCaffrey | Storyboard Artist |
| David Crane | ADR Recordist |
| Adrian Sandu-Yota | ADR Mixer |
| Kevin Nolan | Special Effects Coordinator |
| Clwyd Edwards | Executive Visual Effects Producer |
| Chandra Mouley Atray | Head of Production |
| Rodrigo Bruzoni | First Assistant "B" Camera |
| Addo Gallagher | Gaffer |
| Fiona Graham | Second Assistant Camera |
| Dylan Knapp | Digital Imaging Technician |
| Mick O'Rourke | Steadicam Operator |
| Zik Udenze | Electrician |
| Mairéad Campbell | Extras Casting |
| Paul Keady | Costume Standby |
| Joseph Mackenzie | Post Production Assistant |
| Matthew Troughton | Colorist |
| Phil Canning | Music Supervisor |
| Nicky Earnshaw | Head of Production |
| Boyd Rankin | Armorer |
| Nicolas Chaudeurge | Editor |
| Tara O'Reilly | Art Direction |
| Piers McGrail | Director of Photography |
| Morgan Muse | Supervising Dialogue Editor |
| Benjamin Crowe | First Assistant Director |
| Seán Burke | Location Manager |
| Filiz-Theres Erel | Line Producer |
| Fletcher Jarvis | Art Direction |
| Roisin Copeland | Assistant Hairstylist |
| Clodagh McInerney | Prosthetic Makeup Artist |
| Claire T. Cassidy | Assistant Director Trainee |
| Denis Fitzpatrick | Additional Second Assistant Director |
| Anthony Brannigan | Painter |
| Jim Grindley | Property Master |
| John McHale | Assistant Art Director |
| David Giles | Production Sound Mixer |
| Juan Montoto Ugarte | Production Sound Mixer |
| Oscar Schlicht | Assistant Foley Artist |
| Dheeraj Chaudhary | Visual Effects Compositor |
| Shane Jaeger-Collins | Visual Effects Coordinator |
| Swapnali Mumbarkar | Line Producer |
| Norman Kelly | Stunt Driver |
| Lubomir Misak | Stunts |
| John Connon | Key Grip |
| Aidan Gault | "B" Camera Operator |
| Alfie Hollingsworth | Camera Trainee |
| Si Bell | Additional Director of Photography |
| Jack Madden | Electrician |
| Leo Olesker | Electrician |
| Paul Wilcox | Electrician |
| Michelle Giovanni | Casting Associate |
| Anya Jane Magee | Daily Wardrobe |
| Connie McCool Duncan | Post Production Coordinator |
| Damon Crane | Location Manager |
| Áine Máire Ní Tháibhís | Script Supervisor |
| Emily Leach | Production Manager |
| Mathew Stevenson Wright | Assistant Costume Designer |
| Sabrina Salome | Post Production Coordinator |
| Ruben Pereira | Assistant Location Manager |
| Paul Cullen | Transportation Captain |
| Katherine Pomfret | Production Executive |
| Gabby King | Casting Assistant |
| Nick Rowland | Director |
| Tapio Liukkonen | Foley Artist |
| Peter Pedrero | Stunt Coordinator |
| Leighton Spence | First Assistant Camera |
| Jennifer Eriksson | Post-Production Manager |
| Annalisa Andriani | Set Decoration |
| Matis Rei | Sound Re-Recording Mixer, Supervising Sound Editor |
| Gemma O'Shaughnessy | Line Producer |
| Conor Flannery | Third Assistant Director |
| Benjamin John Power | Original Music Composer |
| Neil Chapelhow | Stunts |
| Name | Title |
|---|---|
| Kate Glover | Co-Producer |
| Mike Runagall | Executive Producer |
| Iman Kiashemshaki | Producer |
| Daniel Emmerson | Producer |
| Theo Barrowclough | Associate Producer |
| Conor McCaughan | Executive Producer |
| Will Clarke | Executive Producer |
| Rory Gilmartin | Co-Producer |
| Ed Guiney | Producer |
| Michael Fassbender | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 16 | 24 | 11 |
| 2024 | 5 | 18 | 26 | 9 |
| 2024 | 6 | 14 | 24 | 9 |
| 2024 | 7 | 22 | 35 | 9 |
| 2024 | 8 | 15 | 23 | 10 |
| 2024 | 9 | 13 | 25 | 8 |
| 2024 | 10 | 13 | 22 | 8 |
| 2024 | 11 | 13 | 21 | 8 |
| 2024 | 12 | 12 | 19 | 8 |
| 2025 | 1 | 11 | 18 | 7 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 6 | 13 | 1 |
| 2025 | 4 | 1 | 3 | 1 |
| 2025 | 5 | 1 | 3 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 1 | 1 | 1 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 3 | 4 | 2 |
| 2025 | 10 | 4 | 5 | 2 |
| 2025 | 11 | 2 | 3 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 2 | 6 | 0 |
| 2026 | 2 | 2 | 4 | 1 |
Trending Position
'Calm with Horses' is definitely engrossing and heavy shit. There's some savage inner violence going on within the main character; the barbarity on the screen can't match the turmoil that's going on in his head. It's a strikingly accomplished portrait of a broken soul hauling himself back up from ro ... ck bottom. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-calm-with-horses-a-savage-and-sensitive-irish-crime-drama
Ned Dennehy is one of those character actors who never really owns a film but always make quite an impression - especially if his part requires a degree of menacing unpleasantness. Well here he delivers that in spades as we follow the life of his enforcer “Arm” (Cosmo Jarvis). He has been instructed ... to deal with a former family affiliate who has raped one of his “Devers” family. Thing is, though, “Arm” is a violent man - a former boxer who is no stranger to prison - but he isn’t a killer. Indeed, he is determined to try avoid carrying out his instructions as well as to patch things up with his ex-wife - if only because he wants to spend more time with his gradually alienated autistic son “Jack” (the scene stealing (Kiljan Moroney). Egged on constantly by his brutal and manipulative puppet-master “Dympna” (Barry Keoghan), the young man starts to feel even more conflicted and suffers the consequences as he realises that loyalty counts for nothing unless it delivers unconditionally to a family of unforgiving thugs. Jarvis is on great form here too, as is Keoghan showing us his mastery of the flighty yet odious son of a family all too used to getting their way. The violence isn’t especially graphic, it’s more implied - and that’s quite effective in this rather powerful look at how rural life in Ireland might unfold amidst an almost Dickensian social structure. Original? Well no, the story isn’t especially new or innovative but it’s the characterisation of the torn man with the muscle who must find a new sort of courage if his life is ever to improve that stands out. It’s not an easy watch, but it’s bleakness and grittiness helps create something at times touchingly authentic.