Relative Values
2000 | 87m | English
Popularity: 2 (history)
| Director: | Eric Styles |
|---|---|
| Writer: | Noël Coward, Paul Rattigan |
| Staring: |
| A comedy of discriminating taste and dirty little secrets. In 1952 England, Nigel, the Earl of Marshwood, woos Hollywood star Miranda, upsetting both Nigel's mother, Countess Felicity, and Miranda's former love fellow Hollywood star Don. Right before the engagement party at Marshwood, Moxie, the Countess's personal maid and best friend, reveals that Miranda is her estranged sister. Crestwell, the Countess's butler, devises a plan - but an inebriated Don's arrival at Marshwood to talk to Miranda causes all chaos to break loose. | |
| Release Date: | Jun 23, 2000 |
|---|---|
| Director: | Eric Styles |
| Writer: | Noël Coward, Paul Rattigan |
| Genres: | Comedy, Romance |
| Keywords | |
| Production Companies | Isle of Man Film Commission, Lucinda Films |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 29, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Julie Andrews | Felicity Marshwood |
| Edward Atterton | Nigel Marshwood |
| William Baldwin | Don Lucas |
| Colin Firth | Peter Ingleton |
| Stephen Fry | Frederick Crestwell |
| Sophie Thompson | Dora Moxton 'Moxie' |
| Jeanne Tripplehorn | Miranda Frayle / Freda Birch |
| Stephanie Beacham | Elizabeth |
| Charles Edwards | Phillip Bateman-Tobias |
| Michael Higgs | Film Director |
| David Schaal | The Baddie |
| Name | Job |
|---|---|
| Noël Coward | Original Story, Story |
| John Debney | Original Music Composer |
| Eric Styles | Director |
| Paul Rattigan | Writer |
| Jimmy Dibling | Director of Photography |
| Caroline Limmer | Editor |
| Celestia Fox | Casting |
| Amanda Mackay | Casting |
| Humphrey Jaeger | Production Design |
| Kate Evenden | Art Direction |
| Nic Ede | Costume Design |
| Sarah Astley | Makeup Artist |
| Jack Stew | Foley Artist |
| Jay Maidment | Still Photographer |
| Name | Title |
|---|---|
| Francesca Barra | Executive Producer |
| Steve Christian | Executive Producer |
| Alex Harakis | Executive Producer |
| Chris Harris | Executive Producer |
| Christopher Milburn | Producer |
| Alex swan | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 6 | 12 | 2 |
| 2024 | 5 | 7 | 12 | 4 |
| 2024 | 6 | 8 | 16 | 2 |
| 2024 | 7 | 6 | 10 | 3 |
| 2024 | 8 | 5 | 9 | 3 |
| 2024 | 9 | 3 | 6 | 2 |
| 2024 | 10 | 3 | 6 | 1 |
| 2024 | 11 | 3 | 8 | 2 |
| 2024 | 12 | 3 | 6 | 2 |
| 2025 | 1 | 5 | 12 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 2 | 2 | 1 |
| 2025 | 5 | 1 | 2 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 2 | 3 | 0 |
| 2025 | 8 | 0 | 1 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 1 | 2 | 1 |
| 2025 | 12 | 2 | 4 | 0 |
| 2026 | 1 | 1 | 3 | 0 |
| 2026 | 2 | 4 | 6 | 2 |
Trending Position
This probably isn't one of Noël Coward's better plays for me, but Eric Styles has managed to assemble a solid cast to make this adaptation just about watchable. Edward Atterton (Lord Marshwood) has fallen for Hollywood star "Miranda" (Jeanne Tripplehorn) who is, in turn, on the rebound from a relati ... onship with her on-screen partner "Lucas" (William Baldwin). After their whirlwind romance on the Côte d'Azur they plan to return to his stately pile where his dowager countess mother "Felicity" (Dame Julie Andrews) is waiting to greet them. Now this woman is rather shrewd and egged on by her mischievous nephew "Peter" (Colin Firth) decides to let matters take their course... That plan is rather spiked by a surprise announcement from her long-term confidante "Moxie" (Sophie Thompson) that, coupled with the pursuing "Lucas", creates the template for quite an engaging, if one-dimensional, theatrical farce. Nobody is really challenged here, the plot delivers competent efforts from both cast and screenplay along lines that don't really provide much humour or originality, and that concludes very much as you might expect. It's well photographed (though not very well edited) and Dame Julie brings that certain star quality that we seldom see nowadays. I would probably have left this to the stage where I expect it would have worked better - on the silver screen it falls a bit flat.